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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bega
Non classifié
243
Piano & claviers
Piano seul
252
Piano, Voix et Guitare
44
Piano, Voix
36
Piano Facile
26
Instruments en Do
24
Orgue
13
Piano Quatuor: piano, violon, alto, violoncelle
7
1 Piano, 4 mains
5
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Accordéon
2
Piano grosses notes
2
+ 7 instrumentations
Retracter
Guitares
Guitare
40
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
7
Paroles et Accords
4
Basse electrique
3
2 Guitares (duo)
1
Orchestre à Plectres
1
Mandoline
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
77
Chorale 2 parties
10
Voix Alto, Piano
9
Chorale TTBB
7
Chorale 3 parties
7
Chorale SSAA
4
Chorale Unison
3
Voix Baryton, Piano
2
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
25
Flûte traversière et Piano
25
Saxophone Alto et Piano
24
Clarinette et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Hautbois, Piano (duo)
15
Quatuor de Saxophones: 4 saxophones
14
Clarinette
14
Saxophone Soprano et Piano
14
Saxophone Tenor et Piano
13
Quatuor de Flûtes : 4 flûtes
11
Flûte traversière
11
Flûte, Violon, Piano
10
Saxophone Baryton, Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
2 Saxophones (duo)
9
Saxophone Alto
8
2 Flûte à bec (duo)
7
Saxophone Tenor
7
Flûte, Hautbois, Clarinette, Basson
6
3 Saxophones (trio)
5
2 Flûtes traversières (duo)
5
Clarinette Basse, Piano
5
Cor anglais, Piano
5
2 Clarinettes (duo)
4
Hautbois (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Saxophone: 5 saxophones
3
Saxophone (partie séparée)
3
Ensemble de Flûtes
3
Flûte à bec Alto
2
Flûte, Clarinette (duo)
2
Clarinette, Basson (duo)
2
Flute (partie séparée)
2
Flûte à bec Soprano
2
3 Clarinettes (trio)
1
Piccolo, Piano
1
Cor anglais et Harpe (duo)
1
Flûte traversière, Basse continue
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Basson (duo)
1
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
Saxophone Baryton
1
Cor Anglais
1
Flûte, Violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Cornemuse
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Clarinettes
1
Flûte à Bec
1
3 Flûtes à bec (trio)
1
Quatuor de Flûtes à bec
1
5 Flûtes à bec
1
+ 50 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
11
Trompette
11
Trompette (partie séparée)
7
Trombone (partie séparée)
6
Euphonium, Piano (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Piano
5
Trombone
5
Cor anglais, Piano
5
Cor
5
Quatuor de cuivres: 4 trombones
4
Tuba et Piano
3
2 Cors (duo)
3
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
2
Cor anglais et Harpe (duo)
1
Trombone basse
1
Quatuor de Cuivres
1
Trombone basse et Piano
1
2 Trompettes (duo)
1
Cor Anglais
1
Ensemble de Trompettes
1
4 Tubas
1
Ensemble de Cors
1
2 Trombones (duo)
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
Tuba
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
124
Violon et Piano
28
Violon
26
Trio à Cordes: violon, alto, violoncelle
21
Alto, Piano
17
Violoncelle
11
Violoncelle, Piano
10
Violon, Violoncelle (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Harpe
7
2 Violons (duo)
6
Alto seul
6
Harpe, Flûte (duo)
4
2 Violoncelles (duo)
3
2 Altos (duo)
3
Alto (partie séparée)
2
Contre Basse
2
Trio à Cordes: 3 violoncelles
2
2 Harpes (duo)
2
Violon, Alto (duo)
2
Quatuor à cordes: 4 violons
1
Contrebasse, Piano (duo)
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
4 Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
3 Harpes
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violon, Basse continue
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
Alto et Harpe
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
174
Orchestre
40
Orchestre à Cordes
32
Ensemble Jazz
21
Orchestre de chambre
17
Ensemble de cuivres
7
Cloches
6
Marimba
3
Xylophone, Piano
1
Batterie
1
Ensemble de Percussions
1
Batterie (partie séparée)
1
Jazz combo
1
Vibraphone
1
+ 9 instrumentations
Retracter
Autres
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ACCORDEON
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
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LUTH, THEOR…
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PERCU. ORCH…
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VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Bega
Partitions à imprimer
243 partitions trouvées
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Mambo No. 5 (A Little Bit Of...)
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Lou Bega
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James Atkins
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Mambo No. 5
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James Atkins
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1448695 By Lou Bega. By Damaso Perez Prado, Lou Bega, and Zippy. Arranged by James Atkins. 20th Century,Contest,Festival,Jazz,Multicultural,Pop,World. Brass Band. 35 pages. James Atkins #1028515. Published by James Atkins (A0.1448695). Arranged by request of the Flixton Band for the 2024 Whit Friday Brass Band Contests for use as a street march.A fun, simple but effective arranged of the popular mambo and jazz dance song originally composed and recorded by Cuban musician Dámaso Pérez Prado in 1949, later sampled and released by Lou Bega on his 1999 debut album, A Little Bit of Mambo.Perfect item for brass bands of all abilities to include as part of their concert programmes, parades and music festivals!
$39.99
Mambo No. 5 (A Little Bit Of...)
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Lou Bega
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Bojan Mldenović
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Drumset (optional)
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Mambo No. 5
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Bojan Mladenovic
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1372509 By Lou Bega. By Damaso Perez Prado, Lou Bega, and Zippy. Arranged by Bo...
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String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1372509 By Lou Bega. By Damaso Perez Prado, Lou Bega, and Zippy. Arranged by Bojan Mldenović. 20th Century,21st Century,Film/TV,Latin. 53 pages. Bojan Mladenovic #956826. Published by Bojan Mladenovic (A0.1372509). Arrangement for String Quintet (or string quartet + bass guitar, or string orchestra), Piano & Drumset (optional).Complete Score & Parts in pdf file.
$20.00
Mambo No. 5 (A Little Bit Of...)
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Lou Bega
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Bojan Mladenović
#
Drumset (optional)
#
Mambo No. 5
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Bojan Mladenovic
#
SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.1376853 By Lou Bega. By Damaso Perez Prado, Lou Bega, and Zippy. Arranged by Bojan Mladenović. 20th Century,21st...
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String Ensemble - Level 3 - SKU: A0.1376853 By Lou Bega. By Damaso Perez Prado, Lou Bega, and Zippy. Arranged by Bojan Mladenović. 20th Century,21st Century,Film/TV,Latin. 53 pages. Bojan Mladenovic #961403. Published by Bojan Mladenovic (A0.1376853). Arrangement (in F-major) for String Quintet (or string quartet + bass guitar, or string orchestra), Piano & Drumset (optional).Complete Score & Parts in pdf file.
$20.00
Mambo No. 5 (A Little Bit Of...) by Lou Bega - Instrumental Duet
Instrumental Duet
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Lou Bega
#
Mambo No. 5 (A Little Bit Of..
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Musicnotes
Performed by: Lou Bega: Mambo No. 5 (A Little Bit Of.) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet...
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Performed by: Lou Bega: Mambo No. 5 (A Little Bit Of.) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Flute 1;Flute 2; 2 pages -- Latin Pop~~Adult Alternative~~Club/Dance~~Pop Rock~~Cuban~~Mambo~~Jive
$4.99
Mambo No. 5 (A Little Bit Of...) by Lou Bega - Instrumental Duet
Instrumental Duet
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Lou Bega
#
Mambo No. 5 (A Little Bit Of..
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Musicnotes
Performed by: Lou Bega: Mambo No. 5 (A Little Bit Of.) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet...
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Performed by: Lou Bega: Mambo No. 5 (A Little Bit Of.) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Violin 1;Violin 2; 2 pages -- Latin Pop~~Adult Alternative~~Alternative Pop/Rock~~Club/Dance~~Pop Rock~~Cuban~~Mambo
$4.99
Mambo No. 5 (A Little Bit Of...) (Horn Section)
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Lou Bega
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Mambo No. 5
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Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.473664 By Lou Bega. Latin,Pop,Rock. Transcribed Score. 7 pages. Published by Hal Leonard - Digital (HX.473664). ...
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SKU: HX.473664 By Lou Bega. Latin,Pop,Rock. Transcribed Score. 7 pages. Published by Hal Leonard - Digital (HX.473664).
$5.99
Mambo No. 5 (a Little Bit Of...)
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Lou Bega
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Austin Ralphson
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Mambo No. 5
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Austin Ralphson
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SheetMusicPlus
Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.563412 By Lou Bega. By Damaso Perez Prado. Arranged by Austin Ralphso...
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Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.563412 By Lou Bega. By Damaso Perez Prado. Arranged by Austin Ralphson. Latin,Pop. Score and parts. 16 pages. Austin Ralphson #3686653. Published by Austin Ralphson (A0.563412). Horn parts arranged as per the original for this classic dance track. The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef.Complete horn chart catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.hornchartsrus.com
$12.99
Our Life Began (The Fifth Day of the Year) - Soprano Cornet Solo and Piano Score and Parts PDF
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Contemporain
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Brendan Elliget MAGA 537
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Our Life Began
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BJE Music
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SheetMusicPlus
Cornet,Instrumental Solo,Piano - Level 3 - SKU: A0.751080 Composed by Brendan Elliget MAGA 537. Contemporary. Score and individual part. 9 pages. BJE Mu...
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Cornet,Instrumental Solo,Piano - Level 3 - SKU: A0.751080 Composed by Brendan Elliget MAGA 537. Contemporary. Score and individual part. 9 pages. BJE Music #6591417. Published by BJE Music (A0.751080). This catchy little piece was written on the date of our 24th Wedding Anniversary - 5th January 2009 and is dedicated to my wife Glenys. Hence the name…It is a light pop ballad type arrangement of an original tune for Solo Soprano Cornet with Piano accompaniment.There are also arrangements for Solo Flute, Solo Flugelhorn, Flute Duet, Concert Band, and Orchestra available.The audio MP3 was recorded with NotePerfomer 3…Grade = 3 Duration = 3:40 mins.
$5.50
As It Began To Dawn...
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Musique Sacrée
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James F
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As It Began To Dawn...
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WayWordBound
#
SheetMusicPlus
Large Ensemble Multi-Percussion,Organ,Soprano Saxophone,Tenor Recorder,Timpani,Trombone - Level 2 - SKU: A0.729497 Composed by James F. Rickley. 20th Ce...
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Large Ensemble Multi-Percussion,Organ,Soprano Saxophone,Tenor Recorder,Timpani,Trombone - Level 2 - SKU: A0.729497 Composed by James F. Rickley. 20th Century,Christian,Easter,Sacred. Score and parts. 30 pages. WayWordBound #4405614. Published by WayWordBound (A0.729497). Service Drama Opening for Easter, for Tenor Recorder, Soprano Saxophone, 4 Trombones, 3 Tympani, Bass Drum, Wind Chime, Suspended Cymbal, OrganScore in C, Concert Score, Parts.
$3.00
O Thou Before the World Began
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Frank W
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Phyllis Hopper
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O Thou Before the World Began
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HopSez Productions
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SheetMusicPlus
Piano Trio,String Ensemble - Level 1 - SKU: A0.803605 Composed by Frank W. Asper. Arranged by Phyllis Hopper. Christmas,Contemporary,Easter,Sacred. Scor...
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Piano Trio,String Ensemble - Level 1 - SKU: A0.803605 Composed by Frank W. Asper. Arranged by Phyllis Hopper. Christmas,Contemporary,Easter,Sacred. Score and parts. 5 pages. HopSez Productions #6695007. Published by HopSez Productions (A0.803605). This Charles Wesley hymn has been forgotten by most of Protestantism, but has been adopted by the LDS church.
$5.99
Der Rosenkavalier
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Classique
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Richard Strauss
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Der Rosenkavalier
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Fürstner Musikverlag - Digital
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SheetMusicPlus
SKU: S9.Q49650 Komödie für Musik in drei Aufzügen von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano scor...
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SKU: S9.Q49650 Komödie für Musik in drei Aufzügen von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano score. Comedy - opera - theater. Downloadable, Piano reduction. Op. 59. Duration 195' 0. Fürstner Musikverlag - Digital #Q49650. Published by Fürstner Musikverlag - Digital (S9.Q49650). German.Mehr als ein Dutzend großer Bühnen im In- und Ausland setzten im Jahr der Dresdner Uraufführung von Richard Strauss’ Komödie für Musik Der Rosenkavalier das Werk auf ihre Spielpläne – der Beginn eines Siegeszuges ohnegleichen. Strauss selbst half mit den beiden Walzerfolgen (1911/12) und der Musik zum Rosenkavalier-Film von Robert Wiene (1926), die Musik auch außerhalb des Theaters bekannt zu machen. Die Idee, sein eigenes Regiekonzept in Verbindung mit den Kostüm- und Bühnenbildentwürfen Alfred Rollers als bindende Musterinszenierung zu etablieren, konnte Strauss nur in Dresden, München, Berlin, Wien und Mailand durchsetzen. Gleichwohl wirkten Rollers einem idealisierten Rokoko verhaftete Entwürfe bis in die 60er Jahre stilbildend. Erst dann begannen Regisseure und Ausstatter, mit aufregend kritischen, neuen Deutungen die Doppelbödigkeit des Werkes zu entdecken und es, beispielsweise mit einem analytischen Blick auf die Entstehungszeit kurz vor Ausbruch des Ersten Weltkriegs, in unsere Gegenwart zu holen.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 3 in B (1. auch in D und Es-Klar., 2. u. 3. auch in A u. C) · Bassetthr. (auch Bassklar.) · 3 (3. auch Kfg.) - 4 · 3 · 3 · 1 - P. S. (Glsp. · Trgl. · Beck. · Tamb. · kl. Mil. Tr. · gr. Rührtr. · gr. Tr. · gr. Ratsche · Schellen · Kast.) (3 Spieler) - Cel. · 2 Hfn. - Str. (16 · 16 · 12 · 10 · 8) - Bühnenmusik im 3. Akt: 2 · 1 · 3 (1 in C, 2 in B) · 2 - 2 · 1 · 0 · 0 - kl. Tr. - Harm. · Klav. - Str. (solistisch oder in reichlicher Verdoppelung).
$47.99
Hauptsache Mallets
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Hauptsache Mallets
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Stabinstruments - SKU: S9.Q52296 Die Zwei- und Vier-Schlägel-Techniken. Tipps, Tricks, Progressive Übungen. This edition: Sheet music. Mall...
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Stabinstruments - SKU: S9.Q52296 Die Zwei- und Vier-Schlägel-Techniken. Tipps, Tricks, Progressive Übungen. This edition: Sheet music. Mallet instrument - metal instrument - technology. Downloadable. Musikverlag Zimmermann - Digital #Q52296. Published by Musikverlag Zimmermann - Digital (S9.Q52296). German.In dem Band erläutert Peter Sadlo ausführlich die Zwei- und Vier-Schlägel-Techniken, wie sie für die gängigsten Anforderungen in der Praxis benötigt werden. Aus der detaillierten Analyse der Schlägelhaltungen und des Kraftaufwands in der Ruheposition und beim Spielen verschiedener Dynamiken sowie den verschiedenen Anforderungen bei unterschiedlichen Mensuren der Malletinstrumente entwickelt er Tipps für ein effizientes Training zum Erreichen einer guten Grundlagentechnik. Die auf diesem Hintergrund zusammengestellten Übungen sind so aufgebaut, dass jeder Schlagzeuger - eine grundlegende manuelle Begabung vorausgesetzt - nach dem Durcharbeiten in der Lage ist, die technischen Hürden des Repertoires zu meistern.
$28.99
Das Geigenspiel
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Josef Schloder
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Das Geigenspiel
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Edition Hieber - Digital
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SheetMusicPlus
Violin - SKU: S9.Q560603 Schule in zwei Bänden. Composed by Josef Schloder. Downloadable, Textbook. Op Band I/3. Edition Hieber - Digital #Q56...
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Violin - SKU: S9.Q560603 Schule in zwei Bänden. Composed by Josef Schloder. Downloadable, Textbook. Op Band I/3. Edition Hieber - Digital #Q560603. Published by Edition Hieber - Digital (S9.Q560603). German.Die sechsteilige Geigenschule in zwei Bänden von Josef Schloder ist seit vielen Jahren ein Standardwerk zum Erlemen des Violinspiels ab 8 Jahren. Schloder nahm 1973 noch einmal eine Überarbeitung nach den damals neuesten Erkenntnissen der Pädagogik vor. Zugleich erarbeitete er einen Kurzlehrgang für besonders begabte oder ältere Anfänger - eine zu der Zeit völlig neue Idee. Die Schule beginnt mit ersten Strichübungen und Griffarten auf den einzelnen Saiten, gefolgt von Tonleiterübungen und klei¬ nen Stücken. Mit Originalwerken aus der Weltliteratur werden neue Lerninhalte eingeführt.
$17.99
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Y...
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Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Schone Maid
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Johannes Jacobus Botha
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Schone Maid
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Peet du Toit
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SheetMusicPlus
Clarinet,Drum Set,Euphonium,Hand Percussion,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1415311 Composed by Johannes Jacobus Botha. Arranged by Jack ...
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Clarinet,Drum Set,Euphonium,Hand Percussion,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1415311 Composed by Johannes Jacobus Botha. Arranged by Jack White (Composer), Jean Trèves (Arranger), Peet du Toit (Orchestrator). Folk. 22 pages. Peet du Toit #997046. Published by Peet du Toit (A0.1415311). Jack White (born Horst Nußbaum, 2 September 1940) is a German composer, producer and former footballer.Born in Cologne, White developed an interest in both football and music in his childhood, but initially chose footballing as a career. He played professionally for six years, then chose to play at an amateur level while pursuing a career in music. White began as a singer in his native Germany in the late 1960s, and found local success performing at bars. At the same time, White also began to produce and write music for other German musicians, and had his first hit, Schöne Maid, sung by Tony Marshall, in 1971.His work was popular in his native country and other German-speaking nations, but the majority of his success came from his production work on international records.This brilliant arrangement of Schöne Maid inspired me to orchestrate it for a smaller group, without losing too much of the power of a larger settting. Enjoy with me, please.
$21.00
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
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Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score an...
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Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95
Chamber Symphony
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Publish...
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Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00
Jingle Bells for Baritone Horn & Piano
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Noël
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James Pierpont
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James M
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Jingle Bells for Baritone Horn
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. ...
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Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408519. Published by jmsgu3 (A0.552826). Jingle Bells arranged for baritone horn (treble clef) and piano. Easy! Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Finnish National Anthem for String Orchestra
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Fredrik Pacius
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Keith Terrett
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Finnish National Anthem for St
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Pra...
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String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811977. Published by Keith Terrett (A0.1511019). An arrangement for String Orchestra of the national anthem of Finland. There are also versions for Brass Quintet & Symphony Orchestra in my two stores.Maamme (Finnish: [ˈmɑːmːe]) or Vårt land (Finland Swedish: [ˈvoːrt ˈlɑnːd]; both meaning Our Land) is Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with (original Swedish) words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. Originally it was written for the 500th anniversary of Porvoo and for that occasion it was Runeberg himself who wrote the music.The poem has been influenced by the Szózat (Appeal) of Mihály Vörösmarty, both in style and content.[The melody of Maamme is also used for the national anthem of Estonia with a similarly themed text, Mu isamaa, mu õnn ja rõõm (My Fatherland, My Happiness and Joy, 1869).It is also considered to be the ethnic anthem for the Livonians as Min izāmō (My Fatherland).The original poem, written in 1846 but not printed until 1848, had 11 stanzas and formed the prologue to the verse cycle The Tales of Ensign Stål (Fänrik Ståhls Sägner), a classic example of Romantic nationalism. The current Finnish language text is usually attributed to the 1889 translation of Ensign Stål by Paavo Cajander, but in fact originates from the 1867 translation by Julius Krohn.The Tales of Ensign Stål were much appreciated throughout all of Scandinavia. Up until the time of Finland's independence in 1917 and 1918, when the song began to be recognized as specifically applying to Finland, Pacius's tune and Runeberg's text were often also sung in Denmark, Norway, and Sweden. Note that in the original Swedish text there is no reference to Finland (except for in verses 4 and 10, which are rarely sung), only to a country in the north, but the Finnish text explicitly refers to Finland. The poem's theme is, furthermore, remarkably similar to that of the national anthems of Sweden (Du gamla, Du fria) and Norway (Ja, vi elsker dette landet).[citation needed]There is no law regarding an official national anthem in Finland, in the way the coat of arms and flag of Finland are legally defined. Instead its position has been established gradually by convention over the years.Today, Maamme is firmly established by convention. Children learn it in school; in formal occasions it is sung both in Finnish and in Swedish. It is played at sporting events, such as the Olympics. In the 1880s and in the 1920s there were more attempts to replace it with a Finnish language version but these ceased by the 1930s. Some Finns have proposed that the Finnish national anthem be changed to Finlandia by Jean Sibelius, with lyrics by V.A. Koskenniemi (Finnish) and Joel Rundt (Swedish). There are also those who simply prefer Finlandia as a musical piece, although critics claim that it is difficult to sing.[citation needed]It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death.The melody of Maamme has similarities with the German drinking song Papst und Sultan. Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, Sotilaspoika, composed by Pacius, also includes similarities with Papst und Sultan.[citation needed]During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name Ludvig Borga) entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.
$8.99
Emma Louise Ashford | Christmas Voices | for Wind Quintet
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Emma Louise Ashford
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Andrew Lamb
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Emma Louise Ashford | Christma
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 4 - SKU: A0.1514629 By Emma Louise Ashford. By E...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 4 - SKU: A0.1514629 By Emma Louise Ashford. By Emma Louise Ashford. Arranged by Andrew Lamb. Christmas. 26 pages. Andrew Lamb #1089116. Published by Andrew Lamb (A0.1514629). Wind Quintet Adaptation of Christmas Voices by Emma Louise Ashford This delightful Clarinet Quintet arrangement of the Christmas Carol Christmas Voices by the prolific American composer Emma Louise Ashford is perfect for your festive season performances!Scored for:Part 1: FlutePart 2: OboePart 3: Clarinet in BbPart 4: French Horn, Clarinet in Bb, English Horn, Alto SaxophonePart 5: Bassoon, Bass Clarinet in BbLevel of Difficulty: MediumPotential Uses:Christmas concertChristmas church serviceRecital pieceAbout the Composer: Emma Louise Ashford (1850–1930) was a distinguished American organist, composer, and music editor. With over 600 compositions, she made significant contributions to music. She was an editor at Lorenz Publishing Company from 1894 to 1930 and served in various roles as an organist and choir director in Nashville, Tennessee.Born in Newark, Delaware, Emma began her musical training early, guided by her father. She played pivotal roles in church choirs and held organist positions in multiple churches. Her marriage to John Ashford brought her to Nashville, where she continued her impactful musical career.Please like and subscribe for more videos and music arrangements.
$10.00
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