English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
93
Librairie
Musicale
357
Matériel
de Musique
6
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
93
PIANO & CLAVIERS
Piano seul
38
Piano, Voix
8
Piano, Voix et Guitare
6
Piano Facile
5
Orgue
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
6
Guitare
2
VOIX
Chorale SATB
22
Chorale TTBB
4
Chorale SSAA
4
Chorale Unison
3
Voix Tenor, Piano
1
Chorale
1
Voix haute
1
Voix Soprano, Piano
1
Voix duo, Piano
1
Instrumentations suivantes
Retracter
VENTS
Clarinette
6
Hautbois (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
5
Flûte, Hautbois, Clarinette, Basson
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Saxophone Alto et Piano
3
Flûte traversière et Piano
3
Flute (partie séparée)
3
Hautbois, Piano (duo)
3
Saxophone Baryton, Piano
2
Clarinette et Piano
2
Clarinette, Violon (duo)
2
Cor anglais, Piano
1
Saxophone Soprano et Piano
1
Clarinette Basse, Piano
1
Ensemble de Clarinettes
1
Saxophone Tenor et Piano
1
Saxophone Alto
1
Ensemble de Flûtes
1
Flûte traversière
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
4
Cor
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette (partie séparée)
2
Cor anglais, Piano
1
Trombone
1
Tuba et Piano
1
Trompette, Piano
1
Tuba
1
Ensemble de Trompettes
1
Trombone et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon
5
Violon et Piano
3
2 Violons (duo)
2
Violoncelle
2
Violoncelle, Piano
2
Alto, Piano
2
Contre Basse
2
4 Violoncelles
1
Harpe
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: violon, alto, violoncelle
1
2 Violoncelles (duo)
1
Alto seul
1
Violon, Basson (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
33
Orchestre
12
Ensemble de cuivres
3
Orchestre à Cordes
3
Ensemble de Percussions
2
Ensemble Jazz
2
Orchestre de chambre
1
Batterie
1
Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Being Human
Partitions à imprimer
93 partitions trouvées
<
1
26
51
76
Schumann in Endenich
Piano, elektrische organ (harmonium) and percussion (5 player) - Digital Download SKU: …
(+)
Piano, elektrische organ (harmonium) and percussion (5 player) - Digital Download SKU: S9.Q2727 Chamber music No. 2. Composed by Wilhelm Killmayer. This edition: score (also performance score). Downloadable, Score (also performing score). Duration 8 minutes. Schott Music - Digital #Q2727. Published by Schott Music - Digital (S9.Q2727). Wilhelm Killmayer puts a single note at the heart of this composition. But whereas Robert Schumann took it as the starting point of his romanticism, Killmayer doesn’t allow himself the freedom to develop poetic melodies. Just as Schumann deliberately decided to live within the constraints of a mental asylum in Endenich, Killmayer favours the constraints of a very limited tonal space. Recurring seconds in the piano part illustrate the confines in the life of the ill composer. Even the addition of a vibraphone, bongo and conga cannot overcome these boundaries in the end. The only option left is to look inwards for an escape. And when refined tone colours are revealed in a dialogue between piano and glockenspiel, Schumann in Endenich turns into a journey into the consciousness of an enigmatic fellow human being.Schlagzeug I: Glockenspiel, Rührtrommel, hohe Pedalpauke; Schlagzeug II: Glockenspiel, Xylophon, Bongo (mittel), Holzfaß (oder großes Holzbrett mit Resonanz); Schlagzeug III: Vibraphon, Marimbaphon, 2 Congas (mittel-tief), Rührtrommel; Schlagzeug IV: Gong in c, Steinspiel (a''), Bongo (tief), Rührtrommel, Pauke in g; Schlagzeug V: großes Tamtam, Gegenschlaghölzer (yoshigi), Pauke in E und A (cis), Conga (mittel).
$15.99
14.62 €
#
Wilhelm Killmayer
#
Schumann in Endenich
#
Schott Music - Digital
#
SheetMusicPlus
My Savior, My God
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36893 Composed by …
(+)
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36893 Composed by Aaron Shust and Dorothy Greenwell. Arranged by Camp Kirkland. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Simply Praise & Worship. Sacred. Part(s). 77 pages. Jubilate Music Group - Digital #00-36893. Published by Jubilate Music Group - Digital (JX.00-36893). English.Being human we want to fully understand, but God refuses boxes or books or human created thologies whose purpose is to help us feel comfortably equal. However, there are truths we can count on. In a simple, meaningful song by Aaron Shust there is truth. My Savior loves, my Savior lives, my Savior's always there for me . . . ; we can count on that. Camp Kirkland has crafted a straightforward arrangement of Shust's popular praise and worship song and you can count on it to strengthen and deepen worship. Related scripture: Mark 6:19; John 3:16; Revelation 1:18.
$60.00
54.85 €
#
Aaron Shust and Dorothy Greenwell
#
Camp Kirkland
#
Choral Octavo
#
My Savior, My God
#
Jubilate Music Group - Digital
#
SheetMusicPlus
1. Symphonie
3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 …
(+)
3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 · 3 · 3 · 1 – P. S. (Trgl. · 2 Gongs· Gl. · Beck. · Tomt. · Rührtr. · kl. Tr. · gr. Tr. · Vibr.) (4 Spieler) – Cel. · Klav. · Hfe. – Str. altovoice and orchestra - Digital Download SKU: S9.Q2283 Versuch eines Requiems. Composed by Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 35 minutes. Schott Music - Digital #Q2283. Published by Schott Music - Digital (S9.Q2283). English.Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of my admiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity. - Hans Werner Henze, in: Hartmann: Kleine Schriften.
$33.99
31.08 €
#
Karl Amadeus Hartmann
#
1. Symphonie
#
Schott Music - Digital
#
SheetMusicPlus
A Symptom of Being Human by Shinedown - Leadsheet
Sheet Music for A Symptom of Being Human by Shinedown arranged for Leadsheet;Lyrics/Melody…
(+)
Sheet Music for A Symptom of Being Human by Shinedown arranged for Leadsheet;Lyrics/Melody/Chords in C Major. Digital sheet music from Musicnotes. --
$3.99
3.65 €
#
Leadsheet
#
Musicnotes
Compassion from Invictus: A Passion (Downloadable)
Soprano voice solo, SATB choir, and piano - Moderately Easy - Digital Download SKU: MQ.…
(+)
Soprano voice solo, SATB choir, and piano - Moderately Easy - Digital Download SKU: MQ.56-0108-E Composed by Howard Goodall. Holy Week, Lent, Triduum/Three Days, Tenebrae. Score. 17 pages. Duration 6 minutes, 19 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0108-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0108-E). English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Å»egota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…â€) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.
$3.35
3.06 €
#
Howard Goodall
#
Jeremiah 3:48, 52, 56
#
Compassion from Invictus: A Passion
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Continuum
Acoustic Guitar,Soprano voice,Violin - Level 4 - Digital Download SKU: A0.1285395 C…
(+)
Acoustic Guitar,Soprano voice,Violin - Level 4 - Digital Download SKU: A0.1285395 Composed by William Grosvenor Neil. 21st Century,Chamber,Classical. 82 pages. TheComposerStudio.Com, LLC #876514. Published by TheComposerStudio.Com, LLC (A0.1285395). Continuum for soprano, violin, and two guitars is the setting of the poem by Tim Eddy, entitled Continuum. Continuum dramatizes the dehumanizing of fellow human beings through hate and the fear that we are fed. He poetically suggests that the counter to that can be found in music where a divine connection between God and the human heart fosters a potent resilience and, that the symbol of a single, solitary woman playing a violin against the forces that we are all up against, is powerful. The audio is from the premiere of the piece by the Carolin Chamber Players: Nancy King, soprano, Rob Nathanson and Helmut Jasbar, guitars, and Livia Sellin, violin. customer support: the composerstudio@gmail.com information on the composer: williamneil.net.
$35.00
32 €
#
William Grosvenor Neil
#
Continuum
#
TheComposerStudio.Com, LLC
#
SheetMusicPlus
Lyddimy
Bass clarinet & bassoon - Digital Download SKU: IZ.IMS1610 Composed by Thomas Bread…
(+)
Bass clarinet & bassoon - Digital Download SKU: IZ.IMS1610 Composed by Thomas Breadon Jr. Score and Parts. 18 pages. Imagine Music - Digital #IMS1610. Published by Imagine Music - Digital (IZ.IMS1610). 9 x 12 in inches.Though my training as a musician and a composer is firmly rooted in western art music, more specifically within anAmerican collegiate environment, a lot of my inspiration and musical influences come from jazz. In Lyddimy,compositional influence came from one of my favorite jazz composers and theorists, George Russell. The LydianDiminished Scale , in which all but one note of the pitch material is derived, comes directly out of Russell's theory,The Lydian Chromatic Concept of Tonal Organization . Another inspiration for this piece are my close friends hereat Arizona State University, Dr. Audrey Miller (of whom this piece was written for) and Dr. Kate Mackenzie. It wasin spending time with them that the subject matter and the inspiration to write this piece of music culminated.It is, however, the theme of the composition that ties the entire piece together. Though it is literally woven into thefabric of this piece, and relatively easy to point out, in listening, and even in analyzing the piece, it would bedifficult for one to discover the theme, much less find all of the nuances that unfold. It's pretty easy to see the wordLyddimy is partially derived from the name of the scale being used: the LYD ian DIM inished scale. However,you might also notice that Lyddimy bares resemblance to another word from the english language of a sexuallyexplicit nature. Lyddimy is designed first and foremost as a mirror image of cultures that are comprised of verysexual human beings, yet have obscured the idea of sex or even the mentioning of the word (through miseducationand/or the misuse of religion) in a manner that is confusing and misleading to the community at large.
$10.00
9.14 €
#
Thomas Breadon Jr
#
Lyddimy
#
Imagine Music - Digital
#
SheetMusicPlus
Floreat Rosa Divina (May the divine rose flourish) for violin and bassoon (mp3)
Bassoon,Violin - Level 3 - Digital Download SKU: A0.1363834 By Franck Leblois (bass…
(+)
Bassoon,Violin - Level 3 - Digital Download SKU: A0.1363834 By Franck Leblois (bassoon) and Pavel Eret (violin). By David Warin Solomons. Contemporary,Medieval. Full Performance. Duration 183. David Warin Solomons #948232. Published by David Warin Solomons (A0.1363834). Instrumental duo inspired by the poem Rosa Divina by Sor Juana Inez de la Cruz (a Mexican nun and poet from the 17th century). performed by Pavel Eret and Franck LeBloisThe poem explores the mystery of the rose, which deceives us in its life and teaches us in its death. The music is written with a mediaeval feel. The mode is Dorian.Rosa divina que en gentil cultura eres, con tu fragrante sutileza.Magisterio purpureo en la belleza, enseñanza nevada a la hermosura.Amago de la humana arquitectura, ejemplo de la vana gentileza.En cuyo ser unio naturaleza la cuna alegre y triste sepultura,cuan altiva en tu pompa premusida soberbia.El riesgo de morir desdeñas.Y luego desmayada y encogida.De tu caduco ser das mustias señas.Con que con docta muerte y necia vida,viviendo engañas, muriendo enseñas.Divine rose, you who are so finely cultivated with yourfragrant sweetness and magisterial purple, teaching snowy white beauty.You are the image of human architecture,in whose being nature is united.You have a happy grave and you scorn death in your pride.Then struck down, you teach us in your frailty.Your life is vain, you deceive us in your life.Your death is learnèd, you teach us in your death.
$6.00
5.49 €
#
Franck Leblois
#
Floreat Rosa Divina
#
David Warin Solomons
#
SheetMusicPlus
Floreat Rosa Divina (May the divine rose flourish) for violin and clarinet (mp3)
Clarinet,Violin - Level 3 - Digital Download SKU: A0.1363836 Composed by David Wari…
(+)
Clarinet,Violin - Level 3 - Digital Download SKU: A0.1363836 Composed by David Warin Solomons. Contemporary,Medieval. Full Performance. Duration 187. David Warin Solomons #948234. Published by David Warin Solomons (A0.1363836). Instrumental duo inspired by the poem Rosa Divina by Sor Juana Inez de la Cruz (a Mexican nun and poet from the 17th century). The poem explores the mystery of the rose, which deceives us in its life and teaches us in its death. The music is written with a mediaeval feel and at one point, for special effect, provides a startling three note phrase of parallel fifths. The mode is Dorian.Rosa divina que en gentil cultura eres, con tu fragrante sutileza.Magisterio purpureo en la belleza, enseñanza nevada a la hermosura.Amago de la humana arquitectura, ejemplo de la vana gentileza.En cuyo ser unio naturaleza la cuna alegre y triste sepultura,cuan altiva en tu pompa premusida soberbia.El riesgo de morir desdeñas.Y luego desmayada y encogida.De tu caduco ser das mustias señas.Con que con docta muerte y necia vida,viviendo engañas, muriendo enseñas.Divine rose, you who are so finely cultivated with yourfragrant sweetness and magisterial purple, teaching snowy white beauty.You are the image of human architecture,in whose being nature is united.You have a happy grave and you scorn death in your pride.Then struck down, you teach us in your frailty.Your life is vain, you deceive us in your life.Your death is learnèd, you teach us in your death.
$5.00
4.57 €
#
David Warin Solomons
#
Floreat Rosa Divina
#
David Warin Solomons
#
SheetMusicPlus
Rosa Divina for violin and alto clarinet
Instrumental Duet E-Flat Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download
(+)
Instrumental Duet E-Flat Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.578648 Composed by David Warin Solomons. 20th Century,Christian. Score and parts. 8 pages. David Warin Solomons #2062373. Published by David Warin Solomons (A0.578648). Instrumental version of a duo originally written for bass and alto voices using the words of a Mexican nun, Sor Juana Inez de la Cruz (words and translation shown below) - also available on this site. The pdf file contains score and parts. The sound sample is an electronic preview. Rosa divina que en gentil cultura eres, con tu fragrante sutileza. Magisterio purpureo en la belleza, enseñanza nevada a la hermosura. Amago de la humana arquitectura, ejemplo de la vana gentileza. En cuyo ser unio naturaleza la cuna alegre y triste sepultura, cuan altiva en tu pompa premusida soberbia. El riesgo de morir desdeñas. Y luego desmayada y encogida. De tu caduco ser das mustias señas. Con que con docta muerte y necia vida, viviendo engañas, muriendo enseñas. (Translation) Divine rose, you who are so finely cultivated with your fragrant sweetness and magisterial purple, teaching snowy white beauty. You are the image of human architecture, in whose being nature is united. You have a happy grave and you scorn death in your pride. Then struck down, you teach us in your frailty. Your life is vain, you deceive us in your life. Your death is learnèd, you teach us in your death.
$8.00
7.31 €
#
David Warin Solomons
#
Rosa Divina for violin and alto clarinet
#
David Warin Solomons
#
SheetMusicPlus
Where Are We Going?
Level 3 - Digital Download SKU: A0.1422251 By Alan Wagstaff. By Alan Wagstaff. Arra…
(+)
Level 3 - Digital Download SKU: A0.1422251 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Country,Folk,Irish,New Age,Singer/Songwriter. 18 pages. Alan Wagstaff #1003599. Published by Alan Wagstaff (A0.1422251). 'Where Are We Going?' is an Irish style waltz written for soprano voice, fiddle, harp, accordion, flute, and bass. Here is the lyric:'Where are we going?' you asked me today.Truth is - I have no idea.Wherever we're heading - we're heading that way;today - let's enjoy being here. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. What happens next, now that we two have met,Leave in the lap of the gods.'Now' is a moment I cannot regret -right now, we have beaten the odds. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. I love uncertainty - I love the road,I love the time spent with you.I love not knowing the last episode,I love what we're going through. Don’t even know what's around the next bend.Don't want to know, or to see.One thing's for certain - I'll still be your friend,Right now, that feels solid to me. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive.
$2.50
2.29 €
#
Alan Wagstaff
#
Alan Wagstaff
#
Where Are We Going?
#
Alan Wagstaff
#
SheetMusicPlus
A Cry O Africa 1
Guitar - Digital Download SKU: A0.1066743 Composed by THEMIS KOUTRAS. Christian,Gos…
(+)
Guitar - Digital Download SKU: A0.1066743 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 372. THEMIS KOUTRAS #5046331. Published by THEMIS KOUTRAS (A0.1066743). This a song about the 3rd world in hope a prayer is given that GOD may help with those that do help may help even more for the children and people die in the so many daily they are treated worse than a animal not to be looked after now all humans have the right to be looked after and to look after each other the rights of these people are taken away from them and everyone that is those not caring just turn a blind eye not to see or hear there cry some do not even care at all so I wrote this song in hope one day everyone will wake up out of that horror nightmare of sin and crime and give freely to all the needy in a way that the problem be solved forever from then on please show your support and help these poor people they are not animals they are human beings with no rights even the animals have more right then they do please give them there right back to live
$3.99
3.65 €
#
THEMIS KOUTRAS
#
A Cry O Africa 1
#
THEMIS KOUTRAS
#
SheetMusicPlus
Mediterraneo - Score Only
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By J…
(+)
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
8.23 €
#
Alicia DomÃnguez Arcos Sonay
#
Alicia DomÃnguez Arcos
#
serious (Dum) and acute (Tek)
#
Mediterraneo - Score Only
#
Alicia Dominguez
#
SheetMusicPlus
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
(+)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.4 €
#
Matthew Scott Phillips
#
a shadow
#
The Sundials
#
Matthew Scott Phillips
#
SheetMusicPlus
A Place at the Table
(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Wo…
(+)
(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
$14.95
13.67 €
#
A Place at the Table
#
Hope Publishing - Digital
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Be…
(+)
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fallen Soldiers for three C trumpets and organ
C Trumpet,Organ - Level 4 - Digital Download SKU: A0.1247397 Composed by Philip God…
(+)
C Trumpet,Organ - Level 4 - Digital Download SKU: A0.1247397 Composed by Philip Goddard. 21st Century,Chamber,Classical,Patriotic. 30 pages. Musik Fabrik Music Publishing #842033. Published by Musik Fabrik Music Publishing (A0.1247397). Fallen Soldiers' is actually an adaptation of the 8th (penultimate) movement of the Composer's large organ work 'The Great Wilderness', which is entitled 'Summit Contemplation (On the Loss of a Fellow Climber)'. There came a time when the Composer was feeling particular concern for and empathy with all the troops who were being sent out to fight against threatening tyrannical regimes in other countries and in many cases whose lives were being lost for causes that were based on scanty understanding of the real issues involved - and he thought of the early 20th century French composer Jehan Alain, known particularly for his striking and beautiful organ music, which shares some elements this composer's own works. He got mown down on the battlefield in the Second World War in very touching circumstances, and now this composer felt moved to produce a short commemorative work for that one-time kindred spirit. It was not specifically intended to express any particular emotion, but this music, full of an intense feeling of loss and loneliness, was what came out. It is not the Composer's grief or loneliness, but something deeper in human consciousness that found its way into the composition process.
$25.95
23.72 €
#
Philip Goddard
#
Fallen Soldiers for three C trumpets and organ
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Trust. (Psalm 143)
Small Ensemble Piano Accompaniment,Piccolo - Level 4 - Digital Download SKU: A0.983165
(+)
Small Ensemble Piano Accompaniment,Piccolo - Level 4 - Digital Download SKU: A0.983165 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Sacred,Standards. Score and parts. 10 pages. Wadley Publications #3044195. Published by Wadley Publications (A0.983165). A beautiful lyric essay for piccolo (or flute) and piano utilizing nontraditional harmonies and modalities. While the technical requirements of the piece are of only intermediate difficulty, the demand for musical expression is high for both the soloist and accompanist. Trust is written as a musical meditation on Psalm 143, verses 1-11. These verses from the Bible underscore one of the basic (yet sometimes uncomfortable) truths of human existence: we need help. People often find it difficult to trust in anyone or anything other than themselves, but no matter how much we may desire complete independence and autonomy, human beings are simply not equipped to weather the storms life brings on our own. The difficulties of life can in fact make us feel isolated and deserted. Our culture’s celebration of strength and independence silently imply that we are weak if we are unable to stand alone, yet it is during troubling times, when we are totally incapable of moving forward on our own, that we find our greatest strength in embracing a helping hand.
$9.99
9.13 €
#
Craig Wadley
#
Trust.
#
Wadley Publications
#
SheetMusicPlus
Heart, we will forget him!
TTBB chorus a cappella - Digital Download SKU: BJ.1430 Composed by Linnea LandstrÃ…
(+)
TTBB chorus a cappella - Digital Download SKU: BJ.1430 Composed by Linnea Landström. Award winning music! Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1430. Published by Bo Ejeby Forlag - Digital (BJ.1430). 8.27 x 11.7 inches.Winner of the 3rd prize in Linkopings Studentsangare Composition Award 2020. The phrase 'Heart, we will forget him!' runs like a mantra through the note systems, this is grief being processed. Emily Dickinson's poem deals with one of the finest, yet most difficult, of all human endeavors, our relationships. In this setting, I would like to shift the perspective, showing her words from an angle that is not often found in the repertoire of men's choirs - that all relationships have a right to exist, to be acknowledged, to thrive and maybe even to break down. - Linnea Landstrom.
$3.60
3.29 €
#
Linnea Landström
#
Heart, we will forget him!
#
Bo Ejeby Forlag - Digital
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Timpani
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Be…
(+)
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
God's love
Guitar,Piano,Soprano voice - Digital Download SKU: A0.1072677 Composed by 1. Arrang…
(+)
Guitar,Piano,Soprano voice - Digital Download SKU: A0.1072677 Composed by 1. Arranged by 1. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Full Performance. Duration 306. Publish by Jacob Luckiz #4604473. Published by Publish by Jacob Luckiz (A0.1072677). The song is about Gods love,God is the creator of everything,God has more mercy on us,God is very kind to us than human being.Good tune and nice message to listen
$1.99
1.82 €
#
1
#
1
#
God's love
#
Publish by Jacob Luckiz
#
SheetMusicPlus
Arise (Downloadable)
Equal 3-part treble or women's choir and piano - Moderately Easy - Digital Download SKU…
(+)
Equal 3-part treble or women's choir and piano - Moderately Easy - Digital Download SKU: MQ.1.3415-E Composed by Nancy Gifford. Easter, 21st Century, Creation/Nature, Love. Instrument parts. 8 pages. Duration 2 minutes, 2 seconds. Galaxy Music Corporation - Digital #1.3415-E. Published by Galaxy Music Corporation - Digital (MQ.1.3415-E). English. Song of Songs 2:11-12.The text for Arise is adapted from the Song of Songs 2:11–12, attributed to King Solomon. It is both a song of human love and spiritual devotion. Scored for three-part treble voices and piano, Arise joyfully welcomes new love, spring, or spiritual renewal. Duration: 2:02The initial major motif appears successively in different parts of the chorus, then in canon in the piano part with the chorus, and finally as a three-part round. The middle section, “Arise, come away,†is set in a minor mode and is legato in phrasing to express desire and longing. Here the chorus divides into two parts, as in two parts of a couple. In the final section, the major motif returns to celebrate the invitation to love being accepted. - Nancy Gifford.
$2.25
2.06 €
#
Nancy Gifford
#
Arise
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
The Cold Comfort of Toys
Instrumental Duet Instrumental Duet,Marimba,Violin - Level 5 - Digital Download SKU: A0…
(+)
Instrumental Duet Instrumental Duet,Marimba,Violin - Level 5 - Digital Download SKU: A0.1004160 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 25 pages. Matthew Scott Phillips #6213101. Published by Matthew Scott Phillips (A0.1004160). Inspired by David Levinthal’s photography and esthetic, The Cold Comfort of Toys presents a musical look into the use of toys, dolls, and action figures to attempt to come to grips with aspects of the human psyche that are traumatic, uncomfortable, or emotionally exhausting. This piece, like these toys, is not innately any of those things, but seeks rather, to stylize their portrayal in a way that makes these aspects relatable, and capable of being endured.www.matthewscottphillips.comhttps://www.youtube.com/channel/UCkFS1PbS7oXOdM22kwII36A
$4.99
4.56 €
#
Matthew Scott Phillips
#
The Cold Comfort of Toys
#
Matthew Scott Phillips
#
SheetMusicPlus
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
(+)
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.62 €
#
Various
#
B
#
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
#
bl_music
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
