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--INSTRUMENTS--
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Bills, Bills, Bills
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Vous avez sélectionné:
Bills, Bills, Bills
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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The Art of Lutherie
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Tom Bills
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The Art of Lutherie
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (classical and lute) - SKU: M0.30105MEB Composed by Tom Bills. Flatpicking Guitar. E-book and online video. Mel Bay Publications - Digital Sheet ...
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Guitar (classical and lute) - SKU: M0.30105MEB Composed by Tom Bills. Flatpicking Guitar. E-book and online video. Mel Bay Publications - Digital Sheet Music #30105MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30105MEB). ISBN 9781619115378. 8.75x11.75 inches.The Art Of Lutherie offers a glimpse into the mind and craft of luthier Tom Bills, whom many consider to be one of the most talented luthiers today. In this beautifully written and enjoyable read, Tom elegantly and clearly shares his best-kept secrets and methods of custom guitar making - those which make his guitars favorites among top collectors and players. Tom's unique approach to The Art Of Lutherie will empower and inspire you to create more than just a guitar, but a truly unique work of art. The information that is generously shared within this insightful and timeless work is both practical and applicable. It contains the same hard-won wisdom that only comes from years of experience and experimentation that Tom uses in creating his inspiring instruments. Over the years, he has produced instruments considered to be some of the best sounding guitars ever made. Learning the steps of how to build a guitar is important, but understanding why master luthiers take those steps and make those decisions can empower you to make your own educated choices. This will allow you to create unique guitars, and the world needs your art, your guitars - your important contribution. The Art Of Lutherie, a truly unique and inspiring guide, can prepare you to reach new heights when designing and creating unique guitars. It is not often I heap such lavish praise on people; however, Tom is in this case more than deserving: I know of no other luthier whose work I respect more. Tom knows his craft inside and out; he pours his soul into every guitar he makes; he uses cutting-edge science to guide his work, and it shows...as head of Artist Relations and Product Development at Mel Bay, it gives me great pleasure to publish Tom's work, which will no doubt take the art of lutherie to a new level. I hope you'll spend some time soaking in this book - it will certainly augment your musicality - Collin Bay. Includes access to online video.
$14.99
The Nutcracker
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Will Corbin
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Will Corbin
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The Nutcracker
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Will Corbin
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trumpet,Tuba - Level 3 - SKU: A0.1460496 By Will Corbin. By Peter Ilyich Tchaikovsky. Arranged by Will Corbin. Christmas,...
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Brass Quintet Baritone Horn TC,Trumpet,Tuba - Level 3 - SKU: A0.1460496 By Will Corbin. By Peter Ilyich Tchaikovsky. Arranged by Will Corbin. Christmas,Classical. 44 pages. Will Corbin #1039421. Published by Will Corbin (A0.1460496). It's a Christmas perennnial for ballet companies everywhere; for many, its performance at Christmas is the way they pay the bills the rest of the year. But even without the dancers, it's good music and instantly recognizable.This can be performed as a unit or in separate pieces. You'll want to hear a tuba playing a sugar-plum fairy.It's arranged for two trumpets, horn, baritone and tuba. If you'd like other instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$10.00
Home Again Guitar Minus Vocal
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Pop musique
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Steven H
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Home Again Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0....
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Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0.1069956). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99
Home Again Guitar Vocal Performance
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Pop musique
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Steven H
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Home Again Guitar Vocal Perfor
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Boothe Publishing
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SheetMusicPlus
Guitar,Voice - SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publis...
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Guitar,Voice - SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publishing (A0.1069974). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99
Good riddance to Brian Mulroney song with sax
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Country
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Paul Henry Dallaire /Socan
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Good riddance to Brian Mulrone
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Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP
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SheetMusicPlus
Voice - SKU: A0.1090399 Composed by Paul Henry Dallaire /Socan.ca. Country. Full Performance. Duration 203. Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP #2...
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Voice - SKU: A0.1090399 Composed by Paul Henry Dallaire /Socan.ca. Country. Full Performance. Duration 203. Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP #20417. Published by Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP (A0.1090399). A little this a little that and about our ex Primw Minister who was caught with paper bags full of thousand dollar bills from some shady deal with a German middle man Karlheinz Shreiber over the sale airbus planes affaire in Canada.
$1.99
After the Requiem
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Gavin Bryars
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After the Requiem
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Schott Music - Digital
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SheetMusicPlus
Electric guitar, 2 violas and cello - SKU: S9.Q47102 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: set of part...
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Electric guitar, 2 violas and cello - SKU: S9.Q47102 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: set of parts. Downloadable, set of parts. Duration 16 minutes. Schott Music - Digital #Q47102. Published by Schott Music - Digital (S9.Q47102). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design. The piece is dedicated to the two Bills (Cadman and Frisell).
$29.99
After the Requiem
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Gavin Bryars
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After the Requiem
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Schott Music - Digital
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SheetMusicPlus
Electric guitar, 2 violas and cello - SKU: S9.Q47101 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Down...
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Electric guitar, 2 violas and cello - SKU: S9.Q47101 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q47101. Published by Schott Music - Digital (S9.Q47101). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design.The piece is dedicated to the two Bills (Cadman and Frisell).
$18.99
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Bills, Bills, Bills
