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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Blue Mage
Non classifié
23
Piano & claviers
Piano seul
22
Instruments en Do
2
Orgue
1
Orgue, Piano (duo)
1
Piano Facile
1
Piano, Voix et Guitare
1
Piano, Voix
1
Piano (partie séparée)
1
+ 3 instrumentations
Retracter
Guitares
Guitare
4
Guitare (partie séparée)
2
Ukulele
2
Guitare notes et tablatures
2
Voix
Chorale SATB
4
Chorale TTBB
1
Vents
Saxophone (partie séparée)
5
2 Saxophones (duo)
4
Hautbois, Basson (duo)
3
Saxophone, Clarinette (duo)
3
Flûte traversière et Piano
3
Clarinette et Piano
3
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
2 Flûtes traversières (duo)
2
2 Clarinettes (duo)
2
Quatuor de Saxophones: 4 saxophones
1
Flûte, Alto (duo)
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Clarinette et Alto
1
Hautbois, Flûte
1
Flute (partie séparée)
1
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1
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1
Flûte, Trompette (duo)
1
Flûte, Violon
1
+ 17 instrumentations
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Cuivres
Trompette (partie séparée)
4
Trombone (partie séparée)
4
Trompette, Saxophone (duo)
2
Trombone et Piano
2
Trompette
2
Cor et Piano
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Quatuor de Cuivres
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 8 instrumentations
Retracter
Cordes
Violon et Piano
2
2 Altos (duo)
1
Harpe
1
Violon, Violoncelle (duo)
1
Violoncelle, Piano
1
Trio à cordes: 3 violins
1
Alto, Piano
1
2 Violoncelles (duo)
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violon, Alto (duo)
1
2 Violons (duo)
1
Contrebasse (partie séparée)
1
+ 7 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
10
Ensemble Jazz
10
Orchestre à Cordes
10
Orchestre
4
Jazz combo
2
Orchestre de chambre
1
Batterie (partie séparée)
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
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TROMBONE
TROMPETTE
TUBA
UKULELE
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Vous avez sélectionné:
Blue Mage
Partitions à imprimer
23 partitions trouvées
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1
3 Blue monologues
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Dusan Bogdanovic
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3 Blue monologues
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1527 Composed by Dusan Bogdanovic. Score. 9 pages. Les Editions Doberman-Yppan (digital) #DO 1527. Published by Les Editi...
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Guitar - Advanced - SKU: ZY.DO-1527 Composed by Dusan Bogdanovic. Score. 9 pages. Les Editions Doberman-Yppan (digital) #DO 1527. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1527). 3 Blue Monologues a été composé pour João Luiz Rezende Lopes. La pièce s'inspire du blues mais s'inspire de diverses influences stylistiques, notamment des techniques contrapuntiques, une tonalité étendue et des harmonies riches en effets coloristiques et en nuances. Une image de E. Munch contribue au côté « un peu bleu » de la musique.3 Blue Monologues was composed for João Luiz Rezende Lopes. The piece takes blues as its inspiration but goes on to various stylistic influences including contrapuntal techniques, extended tonality and harmonies rich in coloristic effects and shadings. An image by E. Munch contributes to the kind of blue feeling of the music.
$5.95
Blue Third Pieces
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Libby Larsen
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Blue Third Pieces
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193203327 Composed by Libby Larsen. Score. 34 pages. Oxford University Press Digital #9780193203327. Published by Oxford University Press Di...
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SKU: OX.9780193203327 Composed by Libby Larsen. Score. 34 pages. Oxford University Press Digital #9780193203327. Published by Oxford University Press Digital (OX.9780193203327). ISBN 9780193203327.Blue Third Pieces, for flute or B flat clarinet and guitar is a homage to the interval of the third and its place in the blues.Including references to Ray Charles and using samples from Dizzy Gillespie and Kenny Clark's 1945 jazz piece 'Salt Peanuts', a slow improvisatory movement is paired with a lively syncopated one. A stylish work for an interesting instrumental duo.
$30.99
The Blind Prophet
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Classique
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Tyler James Cook
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The Blind Prophet
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Tyler James Cook
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SheetMusicPlus
Instrumental Duet,Trombone,Tuba - Level 3 - Interactive Download SKU: A0.1457075 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download...
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Instrumental Duet,Trombone,Tuba - Level 3 - Interactive Download SKU: A0.1457075 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical. 3 pages. Duration 48. Tyler James Cook #5nXWxgc9zSmzuzGYsBPXF0. Published by Tyler James Cook (A0.1457075). Key: D minor.The Blind Prophet is a companion piece with Black Mage, Blue Mage, Red Mage, and White Mage. A duet for trombone and tuba, Blind Prophet depicts the irregular scrying and soothsaying of the prophet--and his own staggering through his blindness. The poem Anticlea by Stacey C. Johnson provided partial inspiration for this piece: https://stacey-c-johnson.com/2024/02/03/anticlea/.
$2.99
Homage to Georgia O'Keeffe (arr. for Violin, Cello & Piano - includes substitute parts for Viola)
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Contemporain
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Bruce Abbott
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Homage to Georgia O'Keeffe
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Bruce Abbott
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.854684 Composed by Bruce Abbott. Contemporary. Score and parts. 18 pages. Bruce ...
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Piano Trio,String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.854684 Composed by Bruce Abbott. Contemporary. Score and parts. 18 pages. Bruce Abbott #4844991. Published by Bruce Abbott (A0.854684). Inspired by American artist Georgia O'Keeffe's paintings this piece is in two contrasting movements with a total duration of 5:15. The two movements are:1. Ballad in Blue and Green (4/4, tempo 52, duration 3:15)2. Passacaglia in Pink and Blue (12/8, tempo 96, duration 2:00)Originally written for Flute, Alto Saxophone & Piano, this piece is arranged by the composer for Violin, Cello & Piano and includes substitute parts for Viola. (Arrangement for Flute, Clarinet & Piano is also available at SMP Press.)Composed by Bruce Abbott (BMI) - www.BruceAbbottMusic.com
$14.99
Baby Blue Roses for saxophone & piano
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Greg Bartholomew
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viola
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Baby Blue Roses for saxophone
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Burke & Bagley
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.787330 Composed by Greg Bartholomew. 20th C...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.787330 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Pop. Score and parts. 12 pages. Burke & Bagley #2002159. Published by Burke & Bagley (A0.787330). Composed in 2015 for the Trumpet Festival of the Southeast, Baby Blue Roses is the composer's homage to the Belgian singer-songwriter Jacques Brel. This arrangement for saxophone is ideal for alto or tenor saxophone, but may be played also on soprano or baritone sax. Parts for all saxophones are included. It is also available in arrangements for euphonium, trombone, clarinet & viola.Download free piano accompaniment track: http://www.gregbartholomew.com/piano/BB224P.mp3
$15.95
TWO STANFORD ANTHEMS FOR BRASS SEXTET: The Blue Bird & Beati quorum via
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Kenneth Martin
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Kenneth Martin
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TWO STANFORD ANTHEMS FOR BRASS
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Martin Music Editions
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 3 - SKU: A0.1429088 By Kenneth Martin. By Charles Villiers Stanford. Arranged by Kenneth Martin. ...
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Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 3 - SKU: A0.1429088 By Kenneth Martin. By Charles Villiers Stanford. Arranged by Kenneth Martin. Chamber,Contest,Festival,Historic,Instructional,Romantic Period. 25 pages. Martin Music Editions #1009849. Published by Martin Music Editions (A0.1429088). Immerse your brass ensemble in the rich harmonies and evocative melodies of two beloved choral works by Charles Villiers Stanford, now expertly arranged for Brass Sextet. This arrangement pays homage to Stanford's legacy as a pioneering figure in British music, capturing the essence of his original compositions while showcasing the versatility and power of brass instruments.Charles Villiers Stanford (1852–1924) stands as a towering figure in the annals of British music, renowned for his contributions as a composer, conductor, and teacher. A mentor to many great composers, Stanford's influence reverberates through generations. His compositions span a wide range of genres, from symphonies to operas, but it is his choral works that have left an indelible mark on the musical landscape.Op. 119, No. 3 The BluebirdTransport your audience to a realm of ethereal beauty with Stanford's enchanting choral piece, The Bluebird. Originally composed as part of his Six Songs from A Shropshire Lad, Op. 119, this arrangement captures the delicate interplay of voices through the resounding timbres of two trumpets, horn, two trombones, bass trombone (or tuba). The shimmering harmonies and soaring melodies evoke the fleeting yet poignant imagery of the bluebird's song, making this a captivating addition to any brass ensemble's repertoire.Op. 38 Beati quorum viaExperience the timeless elegance of Stanford's Beati quorum via in this masterful brass arrangement. From Stanford's Three Latin Motets, Op. 38, this piece radiates serenity and introspection, its lush harmonies and graceful melodies inviting listeners on a journey of contemplation and reverence. With its blend of lyrical phrasing and majestic brass textures, this arrangement offers a stirring showcase for the expressive capabilities of the ensemble.Whether performed as a pair or as standalone pieces, these arrangements of Stanford's masterworks offer brass enthusiasts and music educators alike a captivating opportunity to explore the beauty and depth of his choral compositions through the vibrant palette of brass instruments. With score and parts included, this edition ensures a seamless and rewarding performance experience for brass sextets seeking to engage audiences with the timeless artistry of Charles Villiers Stanford.
$9.50
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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James Smith
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Variations, Für Elise
1
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Next Level Bassoon: Etudes, Ex
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Ensemble Llama Music
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SheetMusicPlus
Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Metho...
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Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
Silent Night, Gospel Style, for Trumpet and Tenor Horn Duet
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Musique Sacrée
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Franz Xaver Gruber
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David McKeown
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Silent Night, Gospel Style, fo
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.594122 Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Chris...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.594122 Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6549729. Published by David McKeown (A0.594122). Silent Night is a much-loved Christmas carol. This version is arranged as a duet in a Gospel style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Silent Night was composed by Franz Xaver Gruber in 1918, a setting for the lyrics of a young priest, Joseph Mohr. After flooding had damaged the church organ in Oberdorf, Austria, Mohr asked local schoolmaster, Gruber, to write a Christmas melody to be accompanied by guitar. Silent Night was the result. The carol remained unpublished until 1833, but has since gained huge international popularity. Bing Crosby’s version sold more than 10 million copies and UNESCO has declared the carol an intangible cultural heritageWith a performance time of around two and a half minutes, this version of Silent Night is perfect for seasonal celebrations and concert performances, both formal and informal. The gospel style is a fun, fresh and soulful take on this familiar tune.Silent Night is arranged in a key and range best suited to the instruments. The 9/8 meter may be feel unusual to some, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with a short intro and a bluesy outdo. This arrangement is suitable for players at an intermediate level.
$3.99
Silent Night, Gospel Style, for Oboe and Cor Anglais (or English Horn) Duet
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Musique Sacrée
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Franz Xaver Gruber
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David McKeown
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Silent Night, Gospel Style, fo
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.594111 Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christ...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.594111 Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6549707. Published by David McKeown (A0.594111). Silent Night is a much-loved Christmas carol. This version is arranged as a duet in a Gospel style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Silent Night was composed by Franz Xaver Gruber in 1918, a setting for the lyrics of a young priest, Joseph Mohr. After flooding had damaged the church organ in Oberdorf, Austria, Mohr asked local schoolmaster, Gruber, to write a Christmas melody to be accompanied by guitar. Silent Night was the result. The carol remained unpublished until 1833, but has since gained huge international popularity. Bing Crosby’s version sold more than 10 million copies and UNESCO has declared the carol an intangible cultural heritageWith a performance time of around two and a half minutes, this version of Silent Night is perfect for seasonal celebrations and concert performances, both formal and informal. The gospel style is a fun, fresh and soulful take on this familiar tune.Silent Night is arranged in a key and range best suited to the instruments. The 9/8 meter may be feel unusual to some, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with a short intro and a bluesy outdo. This arrangement is suitable for players at an intermediate level.
$3.99
Silent Night, Gospel Style, for Oboe and Violin Duet
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Musique Sacrée
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Franz Xaver Gruber
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David McKeown
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Silent Night, Gospel Style, fo
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.594112 Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Go...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.594112 Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6549709. Published by David McKeown (A0.594112). Silent Night is a much-loved Christmas carol. This version is arranged as a duet in a Gospel style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Silent Night was composed by Franz Xaver Gruber in 1918, a setting for the lyrics of a young priest, Joseph Mohr. After flooding had damaged the church organ in Oberdorf, Austria, Mohr asked local schoolmaster, Gruber, to write a Christmas melody to be accompanied by guitar. Silent Night was the result. The carol remained unpublished until 1833, but has since gained huge international popularity. Bing Crosby’s version sold more than 10 million copies and UNESCO has declared the carol an intangible cultural heritageWith a performance time of around two and a half minutes, this version of Silent Night is perfect for seasonal celebrations and concert performances, both formal and informal. The gospel style is a fun, fresh and soulful take on this familiar tune.Silent Night is arranged in a key and range best suited to the instruments. The 9/8 meter may be feel unusual to some, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with a short intro and a bluesy outdo. This arrangement is suitable for players at an intermediate level.
$3.99
Stereograms - Rhythmic Etudes for Bass Clef Instruments, Volume 1
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Blues
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Jazz
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David Brubeck
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Stereograms - Rhythmic Etudes
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Gordon Cherry
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SheetMusicPlus
Bassoon,Cello,Double Bass,Trombone - Level 3 - SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. Published by Gord...
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Bassoon,Cello,Double Bass,Trombone - Level 3 - SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. Published by Gordon Cherry (A0.792356). A visual stereogram represents a 3-D image while looking though a pair of 2-D images. There are special viewers that are used to give this effect where two images viewed through the special device can give a 3-D or stereographic effect. Brubeck's Stereograms for Bass Clef Instruments are musical versions of the graphic form. Brubeck uses familiar folk melodies to create his Stereograms and adds jazzy twists to many of them. The musical version may contain two or three individual parts within a single melodic line, thus the musical 3-D Stereogram is created. Bach’s unaccompanied works have underlying multiple parts in them and Brubeck has been inspired by the Master to create a similar texture in these works. They are suitable encore pieces or performance pieces, alone or grouped into ad hoc suites. Brubeck’s music requires rhythmic accuracy and multiple tonal colors, and are especially useful as sight reading tools to keep the performer sharp and on his/her toes. He has also added octave suggestions to allow them to be playable by the widest array of bass clef instruments Each Stereogram is dedicated to a special musical hero in Brubeck’s life. Excellent as study etudes or sight-reading pieces, Stereograms can be performed/practiced by Trombonists, Bass Trombonists, Tubists and Euphoniumists. The 13 melodies used in Volume I are: You Are My Sunshine, This Little Light of Mine, The Itsy Bitsy Spider, When the Saints Go Marching In, Just a Closer Walk With Thee, Frère Jacques, On Top of Old Smokey, If You're Happy and You Know It, London Bridge is Falling Down, Twinkle Twinkle Little Star, Jesus Loves Me, Have You Ever Seen a Lassie, Go Tell Aunt Rhody.
$25.00
And on the Seventh Day Petals Fell in Petaluma (Version 1966)
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Harry Partch
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And on the Seventh Day Petals
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Schott Music - Digital
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SheetMusicPlus
Ensemble - SKU: S9.Q47353 23 One-Minute Duets and Trios which later become 10 Quartets and Quintets and 1 Septet. Composed by Harry Partch. This ...
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Ensemble - SKU: S9.Q47353 23 One-Minute Duets and Trios which later become 10 Quartets and Quintets and 1 Septet. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 36 minutes. Schott Music - Digital #Q47353. Published by Schott Music - Digital (S9.Q47353). Partchs Titel And on the Seventh Day Petals Fell in Petaluma ist eine Hommage an seine kalifornische Heimat. 4 Jahrzehnte verbrachte der Komponist – mit 2 jeweils 6-jährigen Unterbrechungen – in der Bucht von San Francisco, stets auf der Suche nach neuen Klangexperimenten. Die 23 Duett-Studien lassen sich zu größer besetzten kammermusikalischen Werken zusammenstellen und eignen sie sich auch als Konzertstücke - voll origineller Polyrhythmik, Polymetrik und Polytonalität.Zymo-Xyl · Mazda Marimba · Diamond Marimba · Bass Marimba · Boo · Marimba Eroica · Cloud-Chamber Bowls · Blue Rainbow · Crychord · Harmonic Canon I · Harmonic Canon II (Castor & Pollux) · Chromelodeon I & II · Kithara I & Kithara II · Surrogate Kithara · Guitar II · Adapted Viola · Koto · Spoils of War · Drone Devils · Gubagubi · Bloboy · Gourd Tree · Cone Gongs.
$21.99
A&D Étude V
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Classique
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J
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A&D Étude V
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J. Randolph Hall
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SheetMusicPlus
Voice - Interactive Download SKU: A0.482544 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Pub...
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Voice - Interactive Download SKU: A0.482544 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Published by J. Randolph Hall (A0.482544). The band director of the Williamson County Community Band will start out on a warm up where he divides the band into three section to do a scale round. This involves Ascending and descending which creates an interesting harmony as well as warming of the chops. This scale is synthetic in nature and is called the Neapolitan Lydian. Imagine the scale is stretched out on a 180° where 90° is the zenith. Once a voice (Vox) has reached that zenith and descends, notice the two angles which are supplementary angles (whose sum equals 180°). The degrees listed above the notes are based on the concept found in https://www.noteflight.com/marketplace/1avadoxR8tmLGLdIp5O4rA/musical-angles The red indicates a major chord. Blue indicates minor. Magenta indicates harmony/consonance while khaki green indicates dissonance. The vertical sum of the degrees in relation to the harmony produced in each measure also has interesting results.
$3.00
A&D Étude I
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Classique
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J
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A&D Étude I
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J. Randolph Hall
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SheetMusicPlus
Voice - Interactive Download SKU: A0.482540 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Pub...
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Voice - Interactive Download SKU: A0.482540 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Published by J. Randolph Hall (A0.482540). The band director of the Williamson County Community Band will start out on a warm up where he divides the band into three section to do a scale round. This involves Ascending and descending which creates an interesting harmony as well as warming of the chops. Imagine the scale is stretched out on a 180° where 90° is the zenith. Once a voice (Vox) has reached that zenith and descends, notice the two angles which are supplementary angles (whose sum equals 180°). The degrees listed above the notes are based on the concept found in https://www.noteflight.com/marketplace/1avadoxR8tmLGLdIp5O4rA/musical-angles The red indicates a major chord. Blue indicates minor. Magenta indicates harmony/consonance while khaki green indicates dissonance. The vertical sum of the degrees in relation to the harmony produced in each measure also has interesting results.
$3.00
A&D Étude II
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Classique
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J
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A&D Étude II
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J. Randolph Hall
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SheetMusicPlus
Voice - Interactive Download SKU: A0.482541 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Pub...
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Voice - Interactive Download SKU: A0.482541 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Published by J. Randolph Hall (A0.482541). The band director of the Williamson County Community Band will start out on a warm up where he divides the band into three section to do a scale round. This involves Ascending and descending which creates an interesting harmony as well as warming of the chops. This however, is in a Pure Minor key. Imagine the scale is stretched out on a 180° where 90° is the zenith. Once a voice (Vox) has reached that zenith and descends, notice the two angles which are supplementary angles (whose sum equals 180°). The degrees listed above the notes are based on the concept found in https://www.noteflight.com/marketplace/1avadoxR8tmLGLdIp5O4rA/musical-angles The red indicates a major chord. Blue indicates minor. Magenta indicates harmony/consonance while khaki green indicates dissonance. The vertical sum of the degrees in relation to the harmony produced in each measure also has interesting results.
$3.00
A&D Étude III
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Classique
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J
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A&D Étude III
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J. Randolph Hall
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SheetMusicPlus
Voice - Interactive Download SKU: A0.482542 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Pub...
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Voice - Interactive Download SKU: A0.482542 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Published by J. Randolph Hall (A0.482542). The band director of the Williamson County Community Band will start out on a warm up where he divides the band into three section to do a scale round. This involves Ascending and descending which creates an interesting harmony as well as warming of the chops. This however, is in a Melodic Minor key. Imagine the scale is stretched out on a 180° where 90° is the zenith. Once a voice (Vox) has reached that zenith and descends, notice the two angles which are supplementary angles (whose sum equals 180°). The degrees listed above the notes are based on the concept found in https://www.noteflight.com/marketplace/1avadoxR8tmLGLdIp5O4rA/musical-angles The red indicates a major chord. Blue indicates minor. Magenta indicates harmony/consonance while khaki green indicates dissonance. The vertical sum of the degrees in relation to the harmony produced in each measure also has interesting results.
$3.00
A&D Étude IV
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Classique
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J
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A&D Étude IV
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J. Randolph Hall
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SheetMusicPlus
Voice - Interactive Download SKU: A0.482543 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Pub...
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Voice - Interactive Download SKU: A0.482543 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Published by J. Randolph Hall (A0.482543). The band director of the Williamson County Community Band will start out on a warm up where he divides the band into three section to do a scale round. This involves Ascending and descending which creates an interesting harmony as well as warming of the chops. This however, is in a Harmonic Minor key. Imagine the scale is stretched out on a 180° where 90° is the zenith. Once a voice (Vox) has reached that zenith and descends, notice the two angles which are supplementary angles (whose sum equals 180°). The degrees listed above the notes are based on the concept found in https://www.noteflight.com/marketplace/1avadoxR8tmLGLdIp5O4rA/musical-angles The red indicates a major chord. Blue indicates minor. Magenta indicates harmony/consonance while khaki green indicates dissonance. The vertical sum of the degrees in relation to the harmony produced in each measure also has interesting results.
$3.00
House of Stairs
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Classique
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J
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House of Stairs
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble - Interactive Download SKU: A0.483391 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score and parts. 22 pag...
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Small Ensemble - Interactive Download SKU: A0.483391 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score and parts. 22 pages. Duration 75. Published by J. Randolph Hall (A0.483391). This is a result of the inspiration from M.C. Escher's 1951 work by the same name. The concepts of relatvity, repetition and inter-dimensionality are addressed in a quasi-minimalist style in this famous art work. The interval of thirds creats the image of the wentelteefje (Escher's fictitious creatures) going up and down stairs at all angles. In section F, the wentelteefje curl up and roll away, after their climbing of stairs. Vox 1 & 2 are mirrors of each other and simulate sine waves (red) except for the bridge material before each section. Likewise, for Vox 3 & 4 (blue), mirror and simulate cosine waves. Vox 5& 6 mirror and are my best attempt to simulate tangents. Vox 7 provides a bass and backdrop for the scene.
$5.00
Three Painters (parts)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99
Three Painters (score)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99
Brass Magnolia Suite
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Contemporain
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Gary Powell Nash
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Brass Magnolia Suite
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Gary Powell Nash
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SheetMusicPlus
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Vibraphone - Level 5 - SKU: A0.881262 Composed by Gary Powell Nash. Contemporary. Score and parts. 133 pag...
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Vibraphone - Level 5 - SKU: A0.881262 Composed by Gary Powell Nash. Contemporary. Score and parts. 133 pages. Gary Powell Nash #6137361. Published by Gary Powell Nash (A0.881262). Brass Magnolia Suite (1999) for trumpet, horn, bass trombone and percussion was largely inspired by Gary Powell Nash’s residency in Mississippi, the Magnolia State from 1996-2003. Being that Mississippi, particularly the northwest part of the state known to most as the Mississippi Delta, is very rich in musical traditions, Nash chose to use some of these same traditions as the basis and major premise for his composition. For the most part, Brass Magnolia Suite is based on Mississippi Delta blues tunes and bird songs of those indigenous to the region. Such birds include the mockingbird, wood thrush, common crackle and the meadowlark. For Nash’s utilizations of these bird songs, as well as blues tunes, he took rhythms and melodic contours of each and manufactured melodies and motives of his own. While Brass Magnolia Suite is not meant to be programmatic, the five movements, which are arranged in a traditional fast-slow-fast-slow-fast format, all depict either a particular experience for Nash or a natural occurrence in Mississippi. The first movement, Fanfare, is based on the mockingbird’s song. The second movement, Homage to the Armadillos, incorporates the song of the wood thrush. The third movement, Catfishery, is supported by the tune Catfish Blues and the common grackle’s song. The fourth movement, Song of the Meadowlark, is exactly what it suggests and the fifth movement, The Gospel, is based on the gospel blues tune John, the Revelator.
$25.00
Down Moonlit Paths
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Jeff Evans
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Down Moonlit Paths
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Jeff Evans
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Horn TC/Euphonium,Bass Trombone,Horn in E-Flat,Trumpet - SKU: A0.1509878 Composed by Jeff Evans. 21st Century,Blu...
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Small Ensemble Alto Saxophone,Baritone Horn TC/Euphonium,Bass Trombone,Horn in E-Flat,Trumpet - SKU: A0.1509878 Composed by Jeff Evans. 21st Century,Blues,Contemporary,Folk,Jazz. 26 pages. Jeff Evans #1085083. Published by Jeff Evans (A0.1509878). This atmospheric piece, conjuring up the image of someone treading carefully along a path bathed in moonlight, is suitable for a small ensemble to perform in any concert. Scored for a sax and brass trio (alto saxophone, Bb trumpet or cornet, Bb baritone horn/tenor trombone or Eb horn, and bass trombone) the score and parts are 26 pages. Duration is approx. 4' 20''. It is also available for a saxophone quartet in AATB format. The attached MP3 electronic recording should assist practice and convey the feel of the piece.
$10.00
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