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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Boy Wanted
Non classifié
8
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Piano, Voix
5
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4
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3
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1
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2
Voix
Chorale 2 parties
1
Chorale TTBB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ensemble de Clarinettes
1
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone
1
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Harpe
1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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Crtitères actifs :
Boy Wanted
Partitions à imprimer
8 partitions trouvées
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1
Danny Boy
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Folklorique/Traditionel
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Traditional Irish
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Luigi Giacomucci
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Danny Boy
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Luigi Giacomucci
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SheetMusicPlus
Instrumental Duet - Level 1 - Interactive Download SKU: A0.1236305 Composed by Traditional Irish. Arranged by Luigi Giacomucci. This edition: Interactive...
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Instrumental Duet - Level 1 - Interactive Download SKU: A0.1236305 Composed by Traditional Irish. Arranged by Luigi Giacomucci. This edition: Interactive Download. Folk. 1 pages. Duration 93. Luigi Giacomucci #5ELYU2crK41fBBWZf0g8nM. Published by Luigi Giacomucci (A0.1236305). Key: Eb major.This beautiful Irish ballad is composed for two parts (Instruments or voices) and chordal accompaniment if wanted. The two parts work together starting separate in the begining, until coming togehter druing the climax of the peice.
$15.99
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
Castle Builder
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Lee Heritage
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Castle Builder
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Imagine Music - Digital
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SheetMusicPlus
Wind Ensemble - SKU: IZ.WEW191-S Composed by Lee Heritage. Score. 43 pages. Imagine Music - Digital #WEW191-S. Published by Imagine Music - Digital (IZ....
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Wind Ensemble - SKU: IZ.WEW191-S Composed by Lee Heritage. Score. 43 pages. Imagine Music - Digital #WEW191-S. Published by Imagine Music - Digital (IZ.WEW191-S). 9 x 12 in inches.The title Castle Builder was inspired by a poem of Henry Wadsworth Longfellow, The Castle-Builder, about the imaginary heroics of a young, dreamy boy. Written for The University of Toledo Wind Ensemble, I wanted my music to capture the exuberance and optimism of these talented young musicians. I hope my music inspires performers young and old to rise and reach upward to the skies, to build on and to keep faith in mysteries.
$20.00
Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
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Contemporain
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 5 - SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musik Fabrik Music P...
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Piano Quintet,String Ensemble Piano - Level 5 - SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musik Fabrik Music Publishing #44853. Published by Musik Fabrik Music Publishing (A0.532827). 1. Une vision continuellement renouvelée par l'émotion II. Les forces expressives d'attraction semblent aller en s'amplifiant III. Les chants flamboyants tournoient et s'entrechoquent en un bouillonnement intense Perhaps the composition of a string quartet is a task for the mature age of a composer. It could be that this sort of work could be seen as a sort of musical will. Whatever the case, the author wanted to use, as much as possible, the great expressive possiblities of this ensemble. The quartet and the piano, by attraction or repulsion, share their specific forces and come together in a flamboyant osmosis. In each of these three movements, one can see the manifestations of a great sonic mass, an intense emotion and, the author hopes, the beauty of inspired music mvt 1 https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 2. https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 3. https://www.youtube.com/watch?v=rB1UlvGT9y4.
$25.95
Take Me Home
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Contemporain
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Pentatonix
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James Haynor
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Take Me Home
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.782252 By Pentatonix. By Audra Mae, Kevin Olusola, and Kirstin Maldonado. Arranged by James Haynor. Contempo...
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Brass Ensemble Trombone - Level 3 - SKU: A0.782252 By Pentatonix. By Audra Mae, Kevin Olusola, and Kirstin Maldonado. Arranged by James Haynor. Contemporary. Score and parts. 16 pages. James Haynor #4266071. Published by James Haynor (A0.782252). PTX vocal percussionist Kevin Olusola describes Take Me Home as a Boyz II Men-meets-Toto song: I was thinking, oh how do you write a song that kind of combines both of what they do? He brought the idea to Kirsten Maldonado, the group's soprano, and with the help of singer-songwriter Audra Mae. We just wanted it to be five-part harmony, really simple; just an easy melody that people could understand, he explains. Scored here for Trombone Quintet, the hymn-like nature of the piece is revealed. Duration 3:05
$12.99
Surfin' U.s.a.
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Rock
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The Beach Boys
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Petey C
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Surfin' U.s.a.
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Petey C.
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SheetMusicPlus
Small Ensemble Drum Set,Horn - Level 3 - SKU: A0.873894 By The Beach Boys. By Chuck Berry. Arranged by Petey C. Pop,Rock. Score and parts. 15 pages. Pet...
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Small Ensemble Drum Set,Horn - Level 3 - SKU: A0.873894 By The Beach Boys. By Chuck Berry. Arranged by Petey C. Pop,Rock. Score and parts. 15 pages. Petey C. #6256089. Published by Petey C. (A0.873894). First of all, if you're considering purchasing this quartet, check out the store on my website https://peteyc.com/store to see what I have there. My arrangements there are cheaper and most of the revenue will go to the arranger (me) instead of sheet music plus.Another Beach boys quartet because The Beach Boys are great. As a teenager, I was definitely exposed to a fair amount of their music for some reason. It's not always easy to transform this kind of music into an idiom that sounds good as instrumental chamber music, however, this is part of my quest to develop a broad range of popular music that I can play live with a small group on the horn.This is great for university students and professionals... maybe even high school students. There are not a lot of great, challenging horn quartet arrangements out there, like this one is. This arrangement helps fill a niche for small ensemble in that horn quartet music typically lacks repertoire in most contemporary and rock genres. This one has a kit part included, which isn't necessary to perform this quartet, but might make it easier if a quartet to perform it with drums if they wanted to.The melody gets passed around a bit so it's fun and interesting for everyone. Score, parts and cover arts included. I hope someone out there tries this arrangement and has fun!
$12.99
Here, There And Everywhere
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Rock
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The Beatles
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Phillip Lawrence
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Here, There And Everywhere
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Phillip Lawrence
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1328687 By The Beatles. By John Lennon and Paul McCartney. Arranged by Phillip Lawrence. 20th Century,Pop. Brass Band. 30 pages. Phillip Lawrence #916703. Published by Phillip Lawrence (A0.1328687). Here there and everywhere for Brass Band (UK set-up).McCartney began writing Here, There and Everywhere at Lennon's house in Weybridge, in early June, while waiting for Lennon to wake up.McCartney has often cited the Beach Boys “God Only Knowsâ€, his favourite pop song of all time, as a source of inspiration.McCartney added that, with this style of introduction, they wanted to capture the old-fashioned idea of a preamble to the song.Includes solo for Euph, solo cornet and trombone. An unusual half-time funky end. Of course, the Movie file from Sibelius does not do the DS so it is longer than it is.
$36.00
Al Circo (To the Circus) for Trombone and Harp
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Contemporain
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Stout, David
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Setzer, Louis
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Al Circo
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Cherry Classics Music
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SheetMusicPlus
Trombone, Harp - Advanced - Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Clas...
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Trombone, Harp - Advanced - Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.
David Stout writes about his work:
"I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says ?hand in bell? he had a problem. With a bass trombone he couldn?t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can?t see him. He then plays that passage. ?Is that the sound you want?? he asks. ?Yeah that?s it. Perfect!? I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ?con sardino.?
Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp
This fine work is appropriate for advanced performers and is about 7 minutes in length.
$25.00
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