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ACCORDEON
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AUTRES
Vous avez sélectionné:
Break Into Song - Harp
Partitions à imprimer
24 partitions trouvées
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1
Break Your Heart
Rhythm Section Voice - Level 3 - Digital Download SKU: A0.1398094 By Taio Cruz Feat…
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Rhythm Section Voice - Level 3 - Digital Download SKU: A0.1398094 By Taio Cruz Featuring Ludacris. By Christopher Bridges, Fraser T. Smith, and Taio Cruz. Arranged by Hollywood Charts. Pop,R & B. 5 pages. Hollywood Charts #981369. Published by Hollywood Charts (A0.1398094). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for synth, bass, and drums. This ensures your entire band will be on the same page, literally!Dive into the infectious groove of Taio Cruz's chart-topping hit Break Your Heart with this meticulously transcribed sheet music for rhythm section. Originally released in 2009, this electrifying track blends elements of dance-pop and R&B, making it an irresistible addition to any musician's repertoire.Whether you're rehearsing for a live performance or simply enjoying playing contemporary hits, this master rhythm chart of Break Your Heart is a must-have for your music collection. Download your copy today and experience the thrill of playing one of the most exhilarating pop songs of its time!
$24.99
22.76 €
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Taio Cruz Featuring Ludacris
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Hollywood Charts
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Break Your Heart
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Hollywood Charts
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SheetMusicPlus
Break Forth into Song
Choral, Percussion - Digital Download SKU: H1.A639PDP Composed by Allen Pote. Piano…
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Choral, Percussion - Digital Download SKU: H1.A639PDP Composed by Allen Pote. Piano with Optional Percussion. General Worship, Adoration & Praise, Sacred. Percussion Parts. 2 pages. Hope Publishing - Digital #A639PDP. Published by Hope Publishing - Digital (H1.A639PDP). Original anthem Choral Piece by Allen Pote.
$7.95
7.24 €
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Allen Pote
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Break Forth into Song
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Hope Publishing - Digital
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SheetMusicPlus
99 Red Balloons (99 Luftballons)
Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1417283 By Nena…
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Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1417283 By Nena. By Carlo Karges, Joern Uwe Fahrenkrog-Peterson, and Kevin McAlea. Arranged by Nathaniel Hontz. March,Multicultural,Pop,Punk,Rock,World. 15 pages. TigerSong LLC #998841. Published by TigerSong LLC (A0.1417283). Nena's peppy 1983 hit, adapted and arranged for Hungry Five Polka Band! After a slower, ballad-like opening, the song breaks into a bouncy polka. Add a fun splash of the '80s into your next German band set!
$12.99
11.83 €
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Nena
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Nathaniel Hontz
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99 Red Balloons
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TigerSong LLC
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SheetMusicPlus
Piano Track: Chilly Bones Blues (Have You Seen the Ghost of John? Arranged in Blues Style for 2 Part
Choir,Piano - Digital Download SKU: A0.1069507 Composed by Traditional. Arranged by…
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Choir,Piano - Digital Download SKU: A0.1069507 Composed by Traditional. Arranged by Joanna Mills. Blues,Children,Halloween,Standards. Accompaniment. Duration 147. Joanna Mills Music #6700509. Published by Joanna Mills Music (A0.1069507). Use this piano accompaniment track with the 2-Part Choir arrangement of Chilly Bones Blues! This fun, bluesy version of Have You Seen the Ghost of John is perfect for Halloween! It starts slowly and mysteriously in the original style, then unexpectedly breaks into a slow blues groove! An original bridge section has been included, and the song ends in a round. Your choristers and audience will LOVE this addition to your concert or recital!Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
$4.99
4.54 €
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Traditional
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Joanna Mills
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Piano Track: Chilly Bones Blues
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Joanna Mills Music
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SheetMusicPlus
Have You Heard? - Full Score (Digital Download)
Conductor's Score - Digital Download SKU: LX.30-3731L A Celtic Christmas Celebra…
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Conductor's Score - Digital Download SKU: LX.30-3731L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Full Score (Digital Download). 180 pages. Lorenz Publishing - Digital Sheet Music #e30/3731L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3731L). Orchestrated by Ed Hogan.Digital Full Score for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$99.95
91.01 €
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Joel Raney
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Away in a Manger
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Have You Heard? - Full Score
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Break Into Song - Bass Clarinet (sub. Bassoon)
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary…
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
6.37 €
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Bass Clarinet
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Break Into Song - Rhythm
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary…
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 5 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
6.37 €
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Rhythm
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Always There
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Lesl…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Leslie Osborne and Simon May. Arranged by Derek Hasted. Contemporary. Score and parts. 25 pages. Derek Hasted #4327089. Published by Derek Hasted (A0.797738). ALWAYS THERE (Howard's Way) - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes You might not know this piece - it was the theme to the UK Television Series Howard’s Way which was broadcast between 1985 and 1990. It was composed as an instrumental with an incessant beat and a disco-like break in the middle.The piece was re-worked as the much more laid-back song Always There by Marti Webb; the song rose high into the Top Twenty. It also opened her album of the same name. But the song version lost much of the drive of the original.As this quartet arrangement is for playing, not singing, it makes sense to put all the drive back in!If you visit YouTube you will find some recordings of the original theme and these should point you in the right direction to make this piece blossom into a big wall of sound...It's for an intermediate quartet or large ensemble. Guitar 4 is tuned 6=D and is the most straightforward line. There's a version of Guitar 4 in bass clef for contra or electric bass, and here normal tuning is used. Guitar 3 is all arpeggios, mainly in first position. Guitars 1 and 2 take the tune and countermelodies.It's a foot-tapping piece that audiences will love!I hope you enjoy playing this piece!
$4.99
4.54 €
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Leslie Osborne and Simon May
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Derek Hasted
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Always There
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Derek Hasted
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SheetMusicPlus
Being but men for clarinet and classical guitar (mp3)
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506758 By András Csáki (gui…
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506758 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 166. David Warin Solomons #1082129. Published by David Warin Solomons (A0.1506758). From a series of duets for clarinet and guitar called The poem is the song. It was originally for voice and guitar with the following words by Dylan Thomas:Being but men, we walked into the treesAfraid, letting our syllables be softFor fear of waking the rooks,For fear of comingNoiselessly into a world of wings and cries.If we were children we might climb,Catch the rooks sleeping, and break no twig,And, after the soft ascent,Thrust out our heads above the branchesTo wonder at the unfailing stars.Out of confusion, as the way is,And the wonder, that man knows,Out of the chaos would come bliss.That, then, is loveliness, we said,Children in wonder watching the stars,Is the aim and the end.Being but men, we walked into the trees.
$5.00
4.55 €
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András Csáki
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Being but men for clarinet and classical guitar
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David Warin Solomons
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SheetMusicPlus
A Night In Tunisia
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Diz…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.19 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.19 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Born To Be Wild
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1085867 By Steppenwolf. By Mars Bonfire. Arranged by Rita Arendz. 20th Century,Film/TV,Pop,Rock. Brass Band. 44 pages. Rita Arendz #690042. Published by Rita Arendz (A0.1085867). For Brass Band. This rock chart by Mars Bonfire, a native of Oshawa, Ontario, Canada was first performed by the band “Steppenwolf†in 1968. It was later featured in the 1969 film “Easy Rider†featuring Peter Fonda, Dennis Hopper and Terry Southern, as motorcyclists travelling through the southern United States. “Mars Bonfire†was the stage name for Dennis McCrohan, who, along with his brother and drummer for Steppenwolf, Jerry, changed their last names to Edmonton. The original version was a ballad. Bonfire offered the song to other bands, but it wasn’t until Steppenwolf that it morphed into the current sped-up and rock-style chart we have today. This version became Steppenwolf’s most successful single, reaching No. 2 on the Billboard Hot 100 charts. In 2018, the song was inducted into the singles category of the Rock and Roll Hall of Fame. This spirited setting can easily be performed by a 2nd section band or lower. The Principal Cornet will enjoy having a challenging solo in the break (or they can improvise their own). It’s great for concerts and definitely a crowd pleaser. Duration ~3:20. 44 pages.
$54.99
50.07 €
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Steppenwolf
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Rita Arendz
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Born To Be Wild
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Rita Arendz
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SheetMusicPlus
A Night In Tunisia
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Diz…
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.65 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.63 €
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
High Hopes
Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digita…
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Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.839926 By Panic! At the Disco. By Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Youngs, Jonas Jeberg, Lauren Pritchard, Samuel Hollander, Tayla Parx, Taylor Parks, and William Lobban Bean. Arranged by Christopher Alexander. Pop. 51 pages. Christopher Alexander #6072745. Published by Christopher Alexander (A0.839926). This song by Panic! at the Disco became the megahit of the summer in 2018! With a triumphal introduction by the trumpets and an overall inspiring message for positivity and optimism, there is no way to stop the success of this song's musicianship and syncopative drum accompaniment. This arrangement features a dance break section leading into a key change, seemingly climbing toward the higher hopes we all wish to achieve!Octavo also available: https://www.sheetmusicplus.com/title/high-hopes-octavo-digital-sheet-music/21870459
$25.00
22.76 €
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Panic! At the Disco
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Christopher Alexander
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High Hopes
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Christopher Alexander
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Ri…
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Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.33 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richa…
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.33 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Also Sprach Zarathustra (2001 A Space Odyssey) also Happy Birthday
Guitar - Level 3 - Digital Download SKU: A0.1452366 By The Candlelight Guitarist. B…
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Guitar - Level 3 - Digital Download SKU: A0.1452366 By The Candlelight Guitarist. By Richard Strauss. Arranged by Bradley Powell. 19th Century,20th Century,Classical,Film/TV,Holiday. Guitar Tab. 4 pages. Geofonica Artistworks #1031691. Published by Geofonica Artistworks (A0.1452366). This is a solo classical guitar 'mashup'/medley of Also Sprach Zarathustra (widely known from film 2001: A Space Odyssey) by Richard Strauss with the traditional Happy Birthday song. It begins with Also Sprach Zarathustra (the portion from 2001: A Space Odyssey)--then at the penultimate dominant chord, switches to Happy Birthday in a similar style, then at the Happy Birthday penultimate dominant chord, returns to the final three melody chords of Also Sprach Zarathustra. The playing level is intermediate classical guitar... even playable by a good early intermediate player. This arrangement is in standard notation with TAB. Arranged by Bradley Powell, who records as The Candlelight Guitarist...the entire arrangement can be seen and heard at the video link provided. If a player ONLY wants to play Also Sprach Zarathustra, they can skip from the end of measure 14 to the beginning of measure 24). YouTube link: https://www.youtube.com/shorts/QgzHaRrtftQABOUT the arranger: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
$2.99
2.72 €
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The Candlelight Guitarist
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Bradley Powell
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Also Sprach Zarathustra
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Geofonica Artistworks
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SheetMusicPlus
Mother's Way
Guitar,Voice - Level 3 - Digital Download SKU: A0.1434550 By The Candlelight Guitar…
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Guitar,Voice - Level 3 - Digital Download SKU: A0.1434550 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Guitar Tab with Voice. 11 pages. Geofonica Artistworks #1014688. Published by Geofonica Artistworks (A0.1434550). In honor and tribute to a mother, this is an instrumental guitar solo (with optional lyrics included), as recorded by The Candlelight Guitarist, with music and lyrics composed by Bradley Powell. The piece seemlessly blends country, jazz, folk and classical guitar styles, and the lyrics are heartfelt, warm, loving and positive.It's an intermediate level fingerstyle-classical guitar solo (comparable in difficulty to an easier Sor or Carcassi etude, or Beatle song played as intrumental solo). This sheet music is in Standard notation with TAB... (a version in Standard notation without TAB is also available). You can see Brad Powell's performance of the piece on the YouTube link provided below.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$5.99
5.45 €
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The Candlelight Guitarist
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Mother's Way
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Geofonica Artistworks
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SheetMusicPlus
Running This Realm
Bass Guitar,Bass Voice - Level 3 - Digital Download SKU: A0.1453115 By Florence. By…
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Bass Guitar,Bass Voice - Level 3 - Digital Download SKU: A0.1453115 By Florence. By Florence. Arranged by Florence. 21st Century,Rock. Full Performance. Duration 240. Florence #1032349. Published by Florence (A0.1453115). Running This Realm is a high-energy song that celebrates individuality, resilience, and unapologetic self-expression. With a blend of confidence and defiance, the lyrics paint a vivid picture of a protagonist who refuses to conform to societal norms. Here’s what makes this song stand out:Unapologetic Attitude: The verses introduce a character who rolls into the beat with ice-cold confidence. They’re unafraid of the spotlight, and their rebellious spirit sets them apart. The lyrics emphasize self-reliance and a refusal to compromise.Rule Breaker: The chorus serves as a rallying cry. The protagonist claims ownership of their world, asserting that they dictate the terms. The use of “punks” and “fools” highlights their disdain for those who question their authority.Mystery and Intrigue: In the second verse, we learn about the protagonist’s MVP status. Their enigmatic persona keeps listeners guessing—what’s their backstory? The reference to “mining my own gold” hints at hidden depths and untold stories.Wild Energy: The bridge amplifies the intensity. The protagonist defies haters, flaunting their bling and grinding relentlessly. The song’s energy mirrors a wildfire, untamed and unstoppable.Empowerment: Overall, “Rebel Anthem” empowers listeners to embrace their uniqueness, rise above adversity, and create their own path. It’s a sonic declaration of independence.
$15.00
13.66 €
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Florence
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Florence
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Running This Realm
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Florence
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SheetMusicPlus
Mediterraneo - Score Only
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By J…
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Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
8.2 €
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Alicia DomÃnguez Arcos Sonay
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Alicia DomÃnguez Arcos
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Endless love
Acoustic Guitar - Level 2 - Digital Download SKU: A0.1453112 By Florence. By Floren…
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Acoustic Guitar - Level 2 - Digital Download SKU: A0.1453112 By Florence. By Florence. Arranged by Florence. 21st Century,Pop. Accompaniment. Duration 142. Florence #1032345. Published by Florence (A0.1453112). “Endless Love” is a poignant ballad that captures the timeless essence of love. The lyrics paint a vivid picture of an unwavering connection between two souls. From the initial spark of attraction to the depths of devotion, the song explores the profound impact of love on our lives.Key Themes:Eternal Bond: The chorus emphasizes an unbreakable bond that transcends physical barriers. Whether it’s the vastness of the stars or the challenges of life, this love remains steadfast.Intimacy and Vulnerability: The verses delve into personal moments—the stolen glances, the gentle touch, and the soulful gaze. These intimate details reveal vulnerability and authenticity.Resilience: The bridge acknowledges life’s hardships but asserts that love can withstand any storm. It’s a testament to the enduring power of shared emotions.Musical Style: “Endless Love” features a melodic, piano-driven arrangement with heartfelt vocals. The tempo is slow, allowing listeners to immerse themselves in the emotional journey.Listeners’ Experience: Listeners will feel the warmth of love, the ache of longing, and the promise of forever. The song invites reflection on their own relationships and the enduring connections that shape their lives.🎵❤️.
$10.00
9.11 €
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Florence
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Florence
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Endless love
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Florence
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SheetMusicPlus
Piano Quintet No. 1 - "Palazzo"
Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Digital Download S…
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Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Digital Download SKU: A0.993480 Composed by Nigel Lucas Silvester McBain (1973 - ). 20th Century,Concert,Contemporary,Instructional. Score and parts. 232 pages. Nigel L. S. McBain #3898215. Published by Nigel L. S. McBain (A0.993480). Full Score and PartsAn easy listening Piano Quintet for the same scoring as F. Schubert's Trout Quintet: Piano, Violin, Viola, Violoncello and, Contrabasso. Palazzo is dedicated to the People of Mitchell, South Dakota, USA, The Palace City. The work is conceived as a series of miniatures or vignettes envisaging the great spaces of a baroque palace. The mood is whimsical, reflecting the vagaries of the proceedings at an evening ball. It is my intention here to create a series of songs reflective of the atmosphere in each room. The program of the work runs: Courtyard: A mock-baroque edifice confronts us as we enter the main gates. Terrace: A surprising carnival awaits us on the steps of the terrace as impromptu dancing breaks out. Gallery: Going into the foyer of the palace, we are confronted with some serious and moving artwork. Reception Hall: We await our name to be called out, our heart pounds with nervous excitement.
$21.99
20.02 €
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Nigel Lucas Silvester McBain
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Piano Quintet No. 1 - "Palazzo"
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Nigel L. S. McBain
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SheetMusicPlus
Anthem
Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1037616 By …
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Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1037616 By Leonard Cohen. By Leonard Cohen. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 73 pages. Kerry Marsh #642516. Published by Kerry Marsh (A0.1037616). Important: This arrangement sold at SheetMusicPlus.com at a much lower price than the standard flat-fee range ($60 to $75) does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the SkyTracks Mixer MINUS Chart package and receive access to: 1. Arrangement Demo 2. SkyTracks Mixer access 3. Vocal Part Tracks 4. Minus-One Tracks 5. Rhythm Track 6. Recording Stems (for those who wish to use their own Digital Audio Workstation) Leonard Cohen's moving song was transformed by the incomparable duo of Kate McGarry and Keith Ganz, and this adaptation brings the McGarry/Ganz to vocal jazz ensembles. A beautiful lyric message...There is a crack in everything, that's how the light gets in...will give your choir a great opportunity for storytelling, with some understated moments of vocal writing matched with soaring phrases to give listeners chills. Space for vocal or piano improv in the middle is followed by an a cappella breakdown feature, some gorgeous floating vocal figures, then a rousing final chorus that leads into an exciting finish for the whole group. Brief solo spots for an alto or soprano with some low notes available. Ring the bells that still can ring! Fully-notated piano and bass parts, drums Commissioned by C-Sus Voices from Sacramento State, Gaw Vang-Williams, dir. (2021)
$50.00
45.53 €
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Leonard Cohen
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Kerry Marsh
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Anthem
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Kerry Marsh
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SheetMusicPlus
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