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--INSTRUMENTS--
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Break On Through
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
Break On Through
Partitions à imprimer
24 partitions trouvées
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1
Break Forth, O Beauteous, Heavenly Light
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Break Forth, O Beauteous, Heav
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Chri...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Instructional. Score and parts. 8 pages. Luis Anjos Teixeira #3692949. Published by Luis Anjos Teixeira (A0.889423). The clarinet quartet arrangement of Break Forth, O Beauteous, Heavenly Light, was made for the 2018 Holiday Contest Entry. Martin Luther developed the Lutheran chorale, a religious hymn sung in four-part harmony by the congregation as part of the service. Break Forth, O Beauteous, Heavenly Light was written by Johann Rist and Johann Schop in the mid-17th century, so that by 1734, when Bach included it in his Christmas Oratorio, it was well known to congregations. The harmonization, however, is Bach ‘s own. The arrangement remains faithful to the original facsimile of Bach. It is transposed for a modern clarinet quartet. Variations in loudness and the duration of musical notes are the basic elements to musical expression. A few interpretation symbols where added to shorten some of the notes. Breathing between music phrases is notated. and the final was stretched with one more bar for a ralentando effect. This details are only suggestions for an interpretation. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! I wish you a Merry Christmas! „Brich an, o schönes Morgenlicht „Brich an, o schönes Morgenlicht, und lass den Himmel tagen! Du Hirtenvolk, erschrecke nicht, weil dir die Engel sagen: Dass dieses schwache Knäbelein soll unser Trost und Freude sein, Dazu den Satan zwingen und letzlich Frieden bringen. Words: Johann Rist (1607-1677), 1641; Verse 1 translated from German to English by John Troutbeck, circa 1885, et. al. Verse 2 translated by Arthur Tozer Russell, 1806-1874. Music: Ermuntre Dich or Schop, Johann Schop (1590-1667), 1641; Harmony by Johann Sebastian Bach, 1734. 1. Break forth, O beauteous heavenly light, And usher in the morning; O shepherds, shrink not with afright, But hear the angel's warning. This Child, now weak in infancy, Our confidence and joy shall be, The power of Satan breaking, Our peace eternal making. All blessing, thanks and praise to thee, Lord Jesus Christ, be given; Thou hast our brother deigned to be, Our foes in sunder riven. O grant us through our day of grace With constant praise to seek Thy face; Grant us ere long in glory With praises to adore thee. Thanks to Claudia Eppelt for the wonderful illustration, the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for my Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.95
Scales Through the Break- For Horn
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Methodes
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Josh Rogan
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Scales Through the Break- For
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Josh Rogan
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SheetMusicPlus
Instrumental Duet Euphonium,Horn,Instrumental Duet - Level 3 - SKU: A0.933710 Composed by Josh Rogan. Instructional. Score and parts. 33 pages. Josh Rog...
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Instrumental Duet Euphonium,Horn,Instrumental Duet - Level 3 - SKU: A0.933710 Composed by Josh Rogan. Instructional. Score and parts. 33 pages. Josh Rogan #3549649. Published by Josh Rogan (A0.933710). This book was originally written for trumpet players to improve their major scales, regardless of their current ability to play the instrument. However, after showing it to some horn players, we realised that it would be a great way to work on the break between high and low horn registers, playing in that awkward register until it becomes a smooth join.The book is divided into 3 parts. Part 1 focuses on typical scale patterns, incorporating articulation patterns into each exercise. Part 2 focuses on repetition to help build muscle memory and ‘iron out’ some of the more awkward patterns. Part 3 takes the exercises from Part 1 and uses them to cover multiple octaves, which will help to bridge the different registers.This book uses the same 15 exercises used in the Scales Bootcamp, but they appear in this book with only major scales, and in appropriate registers to work on the break for french horn. Scales Through the Break also includes 10 additional exercises aimed specifically to assist the horn through its greater range of use. If you like this book, then you can follow it up later with all of the modes, and other scale types in the Scales Bootcamp.
$14.99
Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
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Contemporain
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David Warin Solomons
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Bagpipe music - instrumental i
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David Warin Solomons
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SheetMusicPlus
Sampler - Level 4 - SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons...
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Sampler - Level 4 - SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408). Instrumental version of my improvisation on Louis MacNeiceis Bagpipe MusicThe original poem is: It's no go the merry-go-round, it's no go the rickshaw,All we want is a limousine and a ticket for the peepshow.Their knickers are made of crêpe-de-chine, their shoes are made of python,Their halls are lined with tiger rugs and their walls with heads of bison.John MacDonald found a corpse, put it under the sofa,Waited till it came to life and hit it with a poker,Sold its eyes for souvenirs, sold its blood for whiskey,Kept its bones for dumb-bells to use when he was fifty.It's no go the Yogi-Man, it's no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.Annie MacDougall went to milk, caught her foot in the heather,Woke to hear a dance record playing of Old Vienna.It's no go your maidenheads, it's no go your culture,All we want is a Dunlop tyre and the devil mend the puncture.The Laird o' Phelps spent Hogmanay declaring he was sober,Counted his feet to prove the fact and found he had one foot over.Mrs Carmichael had her fifth, looked at the job with repulsion,Said to the midwife 'Take it away; I'm through with overproduction'.It's no go the gossip column, it's no go the Ceilidh,All we want is a mother's help and a sugar-stick for the baby.Willie Murray cut his thumb, couldn't count the damage,Took the hide of an Ayrshire cow and used it for a bandage.His brother caught three hundred cran when the seas were lavish,Threw the bleeders back in the sea and went upon the parish.It's no go the Herring Board, it's no go the Bible,All we want is a packet of fags when our hands are idle.It's no go the picture palace, it's no go the stadium,It's no go the country cot with a pot of pink geraniums,It's no go the Government grants, it's no go the elections,Sit on your arse for fifty years and hang your hat on a pension.It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.
$5.50
Let Us Break Bread Together (Downloadable)
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Gwyneth W
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Let Us Break Bread Together
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Violin, violoncello, and piano - Medium - SKU: MQ.8652-E Composed by Gwyneth W. Walker. 10 pages. E. C. Schirmer Music Company - Digital #8652-E. Publis...
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Violin, violoncello, and piano - Medium - SKU: MQ.8652-E Composed by Gwyneth W. Walker. 10 pages. E. C. Schirmer Music Company - Digital #8652-E. Published by E. C. Schirmer Music Company - Digital (MQ.8652-E). This purely instrumental version of the composer's very popular choral setting of this classic spiritual moves metaphorically from tears, to falling to our knees, to asserting the strength that comes through faith and unity. Dedicated to Heather Heyer, who lost her life in Charlottesville, Virginia, on August 12, 2017. Duration: 3:00.
$15.00
Let Us Break Bread Together (Downloadable)
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Gwyneth W
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Let Us Break Bread Together
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Violin, viola, and violoncello - Medium - SKU: MQ.8651-E Composed by Gwyneth W. Walker. 11 pages. E. C. Schirmer Music Company - Digital #8651-E. Publis...
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Violin, viola, and violoncello - Medium - SKU: MQ.8651-E Composed by Gwyneth W. Walker. 11 pages. E. C. Schirmer Music Company - Digital #8651-E. Published by E. C. Schirmer Music Company - Digital (MQ.8651-E). This purely instrumental version of the composer's very popular choral setting of this classic spiritual moves metaphorically from tears, to falling to our knees, to asserting the strength that comes through faith and unity. Dedicated to Heather Heyer, who lost her life in Charlottesville, Virginia, on August 12, 2017. Duration: 3:00.
$15.00
Breaking Through the Clouds
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Ramseyer Radio Ministry
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J
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Breaking Through the Clouds
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1477130 By Ramseyer Radio Ministry. By Phillip S. Kerr. Arranged by J. Randolph Hall....
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1477130 By Ramseyer Radio Ministry. By Phillip S. Kerr. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Pop,Praise & Worship,Standards,World. 10 pages. Duration 94. J. Randolph Hall #wroy0tk75Ja7KMdjYmCiI. Published by J. Randolph Hall (A0.1477130). Key: Eb major.Kerr was an American evangelist, pianist, and hymnist in the early 20th Century. He was ordained by the Assemblies of God. The song is based on New Testament promises regarding Christ's return. Sections A and C are the verse. Sections B and D are the refrain. A modulation to a new key occurs towards the end of B section with the aid of an Italian augmented sixth chord. A descant by yours truly is added in section C.
$4.00
Variations on a Familiar FURIOSO - The Sequel
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Classique
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Elijah A
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Variations on a Familiar FURIO
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EAR
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Interactive Download SKU: A0.1514191 Composed by Elijah A. Rahman. This edition: Interactive D...
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Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Interactive Download SKU: A0.1514191 Composed by Elijah A. Rahman. This edition: Interactive Download. Classical. 34 pages. Duration 122. EAR #1an49BFY9yUldZoZvlEePN. Published by EAR (A0.1514191). Key: Bb major.It's Variations on a Familiar FURIOSO - The Sequel!!! Have fun with more variety of instruments going through the sensor-less drone, crashing everywhere and breaking bit by bit, but did you escape?
$25.00
Variations on a Familiar FURIOSO - The Sequel
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Classique
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Elijah A
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Variations on a Familiar FURIO
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EAR
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Interactive Download SKU: A0.1514192 Composed by Elijah A. Rahman. This edition: Interactive D...
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Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Interactive Download SKU: A0.1514192 Composed by Elijah A. Rahman. This edition: Interactive Download. Classical. 34 pages. Duration 122. EAR #7b2hzZALiShENIX9m1o8xg. Published by EAR (A0.1514192). Key: Bb major.It's Variations on a Familiar FURIOSO - The Sequel!!! Have fun with more variety of instruments going through the sensor-less drone, crashing everywhere and breaking bit by bit, but did you escape?
$25.00
Variations on a Familiar FURIOSO
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Classique
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Elijah A
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Variations on a Familiar FURIO
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EAR
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Interactive Download SKU: A0.1498189 Composed by Elijah A. Rahman. This edition: Interactive D...
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Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Interactive Download SKU: A0.1498189 Composed by Elijah A. Rahman. This edition: Interactive Download. Classical. 17 pages. Duration 108. EAR #2JpBN3AYyXXU2eSK3eXkg2. Published by EAR (A0.1498189). Key: Bb major.You are going through a sensor-less drone, crashing everywhere and breaking bit by bit, will you survive making it out? CONDUCTOR NOTE: When starting, when you are bring your hands up to bring instruments up, do it fast and very sudden, as it is a fast and furious song.
$20.00
The First Vision Guitar Minus Vocal
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Steven H
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The First Vision Guitar Minus
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Boothe Publishing
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SheetMusicPlus
Guitar - SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe...
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Guitar - SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe Publishing (A0.1069964). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Inspired By Masters
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Jazz
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Aaron Staebell
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Inspired By Masters
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Aaron Staebell
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SheetMusicPlus
Drum Set - Level 3 - SKU: A0.1314716 Composed by Aaron Staebell. Jazz. Educational Exercises. 24 pages. Aaron Staebell #903489. Published by Aaron Staeb...
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Drum Set - Level 3 - SKU: A0.1314716 Composed by Aaron Staebell. Jazz. Educational Exercises. 24 pages. Aaron Staebell #903489. Published by Aaron Staebell (A0.1314716). This collection of eight solos aims to capture the styles and vocabulary of 10 masters of jazz drumming, and present that material in an accessible way. Much of the music available for drum set solos is difficult and geared towards those with a good amount of experience. These solos can be played by students as early as their first year of study on the drumset. It will give them exposure to material grounded in the jazz tradition, while hopefully remaining playable and generating interest and inspiration to forge deeper into the jazz drumming tradition.The eight solos are:NASHTY is inspired by Lewis Nash, and his intro on Say Hello to Calypso from a Jim Hall record called Grand Slam.ILADELPH is inspired by the classic vocabulary of Philly Joe Jones.CHILD'S PLAY brings to mind the carefree playing of both Paul Motian and Jorge Rossy.BREAKTHROUGH is inspired by the masterful vocabulary of Billy Higgins, particularly on Hank Mobley's The Break Through.THE TWISTED BARON tries to capture the vamp-oriented solos and sonic variety of Joey Baron.SOME TASTY STEW comes from the worlds of both Bill Stewart and Nasheet Waits, particularly Nasheet's intro on Kinda Dukish with Jason Moran.THANK YOU MATT WILSON! is based on the melodic soloing of Matt Wilson, specifically on his own tune, Thank You Billy Higgins!.BLAKEY’S TRY is inspired by the ferocious drumming of the great Art Blakey.
$15.99
Drifting - Score Only
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Contemporain
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Antonio Gervasoni
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Drifting - Score Only
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Antonio Gervasoni
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.1088423 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 18 pages. Antonio Gervasoni #692688. ...
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Small Ensemble - Level 5 - SKU: A0.1088423 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 18 pages. Antonio Gervasoni #692688. Published by Antonio Gervasoni (A0.1088423). Single-movement work for string trio. I've been practicing meditation for several years and if I had to choose a particular word to describe what I experience, that word would be drifting. After relaxing, my mind begins to wander. Fragments of images, thoughts and sounds flash through my mind, like fast zapping on a TV. Everything is blurry, but every now and then an image takes shape and for a moment I see all kinds of things: people, landscapes, animals, etc.; sometimes I hear a voice that speaks to me; I've even listened to music, like tuning in to a radio station for a few seconds (and when I say listen I mean it; it's not like remembering a song, it's exactly like listening to it). This is known in neuroscience as the hypnagogic state, in which hallucinations often occur. I decided to draw on this kind of experience to write Drifting. It's organized in three sections, with no break between them: relaxing, flowing and being.
$5.99
Born To Be Wild
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Steppenwolf
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Rita Arendz
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Born To Be Wild
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Rita Arendz
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1085867 By Steppenwolf. By Mars Bonfire. Arranged by Rita Arendz. 20th Century,Film/TV,Pop,Rock. Brass Band. 44 pages. Rita Arendz #690042. Published by Rita Arendz (A0.1085867). For Brass Band. This rock chart by Mars Bonfire, a native of Oshawa, Ontario, Canada was first performed by the band “Steppenwolf†in 1968. It was later featured in the 1969 film “Easy Rider†featuring Peter Fonda, Dennis Hopper and Terry Southern, as motorcyclists travelling through the southern United States. “Mars Bonfire†was the stage name for Dennis McCrohan, who, along with his brother and drummer for Steppenwolf, Jerry, changed their last names to Edmonton. The original version was a ballad. Bonfire offered the song to other bands, but it wasn’t until Steppenwolf that it morphed into the current sped-up and rock-style chart we have today. This version became Steppenwolf’s most successful single, reaching No. 2 on the Billboard Hot 100 charts. In 2018, the song was inducted into the singles category of the Rock and Roll Hall of Fame. This spirited setting can easily be performed by a 2nd section band or lower. The Principal Cornet will enjoy having a challenging solo in the break (or they can improvise their own). It’s great for concerts and definitely a crowd pleaser. Duration ~3:20. 44 pages.
$54.99
Jazz for String Ensemble
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Sigi Busch
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Jazz for String Ensemble
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Schott Music - Digital
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SheetMusicPlus
(Vl. 1, Vl. 2, Va , Vc, Kb) cello - intermediate - SKU: S9.Q18771 Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: separa...
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(Vl. 1, Vl. 2, Va , Vc, Kb) cello - intermediate - SKU: S9.Q18771 Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: separate part. Modern Strings. Downloadable, Individual part. Duration 12 minutes. Schott Music - Digital #Q18771. Published by Schott Music - Digital (S9.Q18771). Classical string orchestras and chamber music ensembles are constantly looking for jazzy and popular works which break through the rigid boundaries between serious and light music. On the basis of his own practical work with string orchestras, the well-known jazz composer Sigi Busch has written two fantastic pieces for open-minded string players. They deal with the blues while also leaving room for the player's own improvisations. They are of moderate difficulty and suitable for good school orchestras, chamber orchestras or string quintets.
$4.99
Jazz for String Ensemble
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Sigi Busch
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Jazz for String Ensemble
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Schott Music - Digital
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SheetMusicPlus
(Vl. 1, Vl. 2, Va , Vc, Kb) viola - intermediate - SKU: S9.Q18770 Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: separa...
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(Vl. 1, Vl. 2, Va , Vc, Kb) viola - intermediate - SKU: S9.Q18770 Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: separate part. Modern Strings. Downloadable, Individual part. Duration 12 minutes. Schott Music - Digital #Q18770. Published by Schott Music - Digital (S9.Q18770). Classical string orchestras and chamber music ensembles are constantly looking for jazzy and popular works which break through the rigid boundaries between serious and light music. On the basis of his own practical work with string orchestras, the well-known jazz composer Sigi Busch has written two fantastic pieces for open-minded string players. They deal with the blues while also leaving room for the player's own improvisations. They are of moderate difficulty and suitable for good school orchestras, chamber orchestras or string quintets.
$4.99
Jazz for String Ensemble
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Sigi Busch
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Jazz for String Ensemble
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Schott Music - Digital
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SheetMusicPlus
(Vl. 1, Vl. 2, Va , Vc, Kb) string orchestra or string quintet - intermediate - SKU: S9.Q18767 Here we are / No Blues - No Truth. Composed by Sig...
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(Vl. 1, Vl. 2, Va , Vc, Kb) string orchestra or string quintet - intermediate - SKU: S9.Q18767 Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: score and parts. Modern Strings. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q18767. Published by Schott Music - Digital (S9.Q18767). Classical string orchestras and chamber music ensembles are constantly looking for jazzy and popular works which break through the boundaries between serious and light music. On the basis of his own practical work with string orchestras, the well-known jazz composer Sigi Busch has written two fantastic pieces for open-minded string players. They deal with the blues while also leaving room for the player's own improvisations. They are of moderate difficulty and suitable for good school orchestras, chamber orchestras or string quintets.Sigi Busch hat aus seiner eigenen praktischen Arbeit mit Streichorchestern zwei tolle Stücke für aufgeschlosssene Streicher geschrieben. Sie widmen sich dem Blues und lassen auch Raum für eigene Improvisationen. Der Schwierigkeitsgrad ist gemäßigt und für gute Schulorchester, Kammerorchester oder Streichquintette gut erreichbar.
$23.99
Jazz for String Ensemble
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Sigi Busch
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Jazz for String Ensemble
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Schott Music - Digital
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SheetMusicPlus
(Vl. 1, Vl. 2, Va , Vc, Kb) double bass - intermediate - SKU: S9.Q18772 Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: ...
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(Vl. 1, Vl. 2, Va , Vc, Kb) double bass - intermediate - SKU: S9.Q18772 Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: separate part. Modern Strings. Downloadable, Individual part. Duration 12 minutes. Schott Music - Digital #Q18772. Published by Schott Music - Digital (S9.Q18772). Classical string orchestras and chamber music ensembles are constantly looking for jazzy and popular works which break through the rigid boundaries between serious and light music. On the basis of his own practical work with string orchestras, the well-known jazz composer Sigi Busch has written two fantastic pieces for open-minded string players. They deal with the blues while also leaving room for the player's own improvisations. They are of moderate difficulty and suitable for good school orchestras, chamber orchestras or string quintets.
$4.99
Katrina
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Jennifer Grady
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Katrina
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HarpSong, Jennifer Grady and Karen Almquist
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SheetMusicPlus
Small Ensemble Cello,Flute,Oboe,Percussion,Piano - Level 4 - SKU: A0.737478 Composed by Jennifer Grady. 20th Century,Contemporary,Jazz,New Age,Tradition...
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Small Ensemble Cello,Flute,Oboe,Percussion,Piano - Level 4 - SKU: A0.737478 Composed by Jennifer Grady. 20th Century,Contemporary,Jazz,New Age,Traditional. Score and parts. 17 pages. HarpSong, Jennifer Grady and Karen Almquist #345630. Published by HarpSong, Jennifer Grady and Karen Almquist (A0.737478). Katrina is a piece I wrote after the historic category 5 hurricane that made landfall on the coast of Louisiana on August 25, 2005, carrying winds up to 175 mph, causing over 1,800 fatalities and $125 billion in damage. It's a piece I dedicated to my father who was there and lived through it. I tried to capture moments throughout the storm, glimpses through the music, though it is difficult given the immenseness of this massive, destructive storm. The piece begins with swirling winds and a sense of dread and anticipation. The wind begins to pick up, then pauses briefly as the rain begins to fall in rhythmic raindrops. Soon the rain picks up and is joined with the growing fierce winds, building to a peak. The storm begins to calm, followed with the piano playing the final raindrops as they slow and then stop. The piano plays alone as the skies open up and the sun breaks through at the end. The piece includes a full score, flute 1 & 2, oboe, cello, claves and optional rainstick, and a separate piano part (easier to read). Total of 17 pages.
$12.99
You Are My Salvation (Lead Sheet)
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Musique Sacrée
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Rick Lee James
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Rick Lee James
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You Are My Salvation
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Voices In My Head Productions LLC
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SheetMusicPlus
Small Ensemble - SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 ...
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Small Ensemble - SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Voices In My Head Productions LLC #6418991. Published by Voices In My Head Productions LLC (A0.942923). You Are My SalvationVerse 1When the waves are crashing and the storm won’t calmWhen I’ve lost direction and I can’t find homeWhen my guiding stars are hidden by the cloudsAnd the waves are surging in to pull me downI will call on Him who calms the raging seasTrusting he’ll be stronger than the storms in meWhen my journey takes me to the great unknownsYou are my SalvationVerse 2When I’ve lost myself and fallen to my sinWhen my shame blinds me to all the grace you giveWhen I’ve placed my trust in lies that I’ve believedAnd I wonder how my God could still love meChrist is interceding when I cannot prayGroaning words unknown that I may still be savedMy lament for sin now turns to songs of praiseYou are my SalvationVerse 3When the night surrounds me and my fears beginWhen my grief is threatening to do me inWhen the pain is crushing and I can’t escapeWhen the strength I had is slowly drained awayEven in death’s shadow on the darkest nightThere is not one breath that you have not suppliedGive me faith my Lord that with the Son I’ll riseYou are my SalvationVerse 4When the dawn breaks through and we are truly healedWhen we climb the stairs to what will be revealedWhen our days are lighted by the Risen LambWhen our tears are wiped away by God’s own handWhen creation’s birth is finally made completeWhen the guests are seated at the Savior’s feastWhat a day of gladness when we join their songYou are my SalvationCCLI Song # 7171093Rick Lee James© 2020 James, Rick LeeFor use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.comCCLI License # 549412
$1.99
Seek and You Shall Find
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The Candlelight Guitarist
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Seek and You Shall Find
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1460097 By The Candlelight Guitarist. By Bradley Powell. Christian,Classical,Jazz,Praise & Worship,Religious. Guitar Tab. 6 p...
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Guitar - Level 3 - SKU: A0.1460097 By The Candlelight Guitarist. By Bradley Powell. Christian,Classical,Jazz,Praise & Worship,Religious. Guitar Tab. 6 pages. Geofonica Artistworks #1039036. Published by Geofonica Artistworks (A0.1460097). A soothing and reflective fingerstyle classical guitar solo by Bradley Powell (The Candlelight Guitarist), from his album Beatitude Bridge. It is a moderate tempo, intermediate classical guitar level piece (though perhaps sounding more advanced). With classical style chord voicings in a modern folk-jazz chord progression. It switches between the keys of E major and E minor, then the bridge passes through E, D, and C major keys, returning to E minor/major. This sheet music is in TAB with standard notation... (a version in Standard notation with the TAB is also available). Hear Brad's recording at the YouTube link below--NOTE: this piece is the FIRST of the three pieces in that video. ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
Be Still and Know (in F)
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Musique Sacrée
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David Kai
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David Kai
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Be Still and Know
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David Kai
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SheetMusicPlus
Level 3 - SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708...
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Level 3 - SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708281. Published by David Kai (A0.1105037). This song is a reflection on Psalm 46. Like many Psalms, it contains elements of questioning, challenge and finally, faith. It is written in a Contemporary Christian/Christian Rock style. BE STILL AND KNOW (Psalm 46) BE STILL AND KNOW Chorus: Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God You are the Word beyond all words, a holy mystery, A presence in the universe that I can’t touch or see, A force in space and time with no beginning and no end, A spark of inspiration that I cannot comprehend. In a world that’s so embraced by pain how can Your love be shown? In life that’s short and fleeting, can eternity be known? My questions have no answers for I’ve painted You too small, So I will cease my babbling and worship You in awe. Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God Our God’s a refuge and our strength, and so we will not fear, Though mountains shake and waters roar our God is always near, God makes the wars to cease and breaks the bow, the shield, the spear, Behold the works of God whose reign of peace will dry all tears. You are the glints of sunlight through the amber-dappled leaves, You are the hints of silence in the vows that lovers breathe, You are the one who awes me with the love that we receive, You are my first and dying breath, in You I will believe. Be still and know that I am God...
$1.99
Angels Came Singing - an original hymn for SATB voices
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Musique Sacrée
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Kevin G
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Angels Came Singing - an origi
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701496 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 2 pages. K...
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Vocal Solo,Voice - Level 4 - SKU: A0.701496 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3135415. Published by Kevin G. Pace (A0.701496). An original hymn. Could be used as a Christmas or an Easter hymn. Text by Krista Pace below.YouTube video: https://youtu.be/s21oDdYj2HcGreat are the words of prophets of old Who spoke of a King to come as foretold; A Savior, Redeemer, to rule and to reign; Taking our sorrow, grief, loss, and pain. Angels came singing, sent from above Revealing as promised, our Father’s love; Teaching the world of His plan for all men That through God’s own Son, we’d come home again. Chosen of God, a virgin so fair Was blessed from on high, a Son she would bear, And call His name Jesus, for He was the One; His life to offer, Thy will be done. Angels came singing, sent from above Declaring glad tidings, our Father’s love; Shepherds and wise men would reverently bend For Jesus was born, the Savior of men. Women did come, their spices prepared; Still grieving the loss of life thus not spared. Then, finding the tomb with the stone rolled away Void of His body, cried in dismay. Angles came singing, sent from above Why seek ye the living? Our Father’s Love Rising, thus breaking the death bands to give A promise of life to all who would live. Seeking for truth, he knelt down to pray; Disturbed by the strife of men in his day. A pillar of light shone around this young boy; Christ and His Father answered in joy. Angels came singing, sent from above; Proclaiming the good news, our Father’s love; Full restoration of truth to the Earth; That all may rejoice, His gift of great worth. This Christmas (Easter) day, I ponder anew His birth, life, and death; my covenants true, And His resurrection that leads to my own; Prophets still leading, guiding me home. Angels are singing, sent from our home Protecting our children, loved ones who roam. One day we'll join them to sing in His light. He’s coming again in glory and might.
$1.99
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Break On Through
