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Vous avez sélectionné:
Bring Him Home
Partitions à imprimer
51 partitions trouvées
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Bring Him Home (Rehearsal Track)
Baritone Horn TC - Digital Download SKU: A0.1051542 Composed by Stephen DeCesare. C…
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Baritone Horn TC - Digital Download SKU: A0.1051542 Composed by Stephen DeCesare. Children,Christian,Opera,Sacred. Full Performance. Duration 186. Exultet Music #1015. Published by Exultet Music (A0.1051542). This is the rehearsal track for Bring Him Home that is featured in Prodigal Son: the musical which is available on this site. An accompaniment track as well as the individual sheet music for this piece is also available.
$3.99
3.71 €
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Stephen DeCesare
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Bring Him Home
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Exultet Music
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SheetMusicPlus
Bring Him Home
Easy Piano,Piano,Piano and Keyboard - Digital Download SKU: HX.374196 By Alain Boub…
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Easy Piano,Piano,Piano and Keyboard - Digital Download SKU: HX.374196 By Alain Boublil. This edition: scorch. Broadway,Musical/Show. Score. 2 pages. Published by Hal Leonard - Digital (HX.374196).
$3.99
3.71 €
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Alain Boublil
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Bring Him Home
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Hal Leonard - Digital
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SheetMusicPlus
Bring Him Home (from Les Miserables) (arr. John Leavitt) - Full Score
Choral - Digital Download SKU: HX.427614 By Boublil & Schonberg and Herbert Kretzme…
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Choral - Digital Download SKU: HX.427614 By Boublil & Schonberg and Herbert Kretzmer. Arranged by John Leavitt. This edition: scorch. Broadway,Musical/Show. Choral Instrumental Pak. 16 pages. Duration 200. Hal Leonard - Digital #98640. Published by Hal Leonard - Digital (HX.427614).
$7.00
6.51 €
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Boublil & Schonberg and Herbert Kretzmer
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John Leavitt
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Bring Him Home
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Hal Leonard - Digital
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SheetMusicPlus
Bring Him Home (from Les Miserables)
Digital Download SKU: HX.413578 By Boublil and Schonberg. Film/TV,Musical/Show. Key…
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Digital Download SKU: HX.413578 By Boublil and Schonberg. Film/TV,Musical/Show. Keyboard. 2 pages. Published by Hal Leonard Europe (HX.413578).
$4.99
4.64 €
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Boublil and Schonberg
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Bring Him Home
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Hal Leonard Europe
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SheetMusicPlus
Bring Him Home
(Accompaniment Only) - Digital Download SKU: HX.427291 Composed by Alain Boublil, C…
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(Accompaniment Only) - Digital Download SKU: HX.427291 Composed by Alain Boublil, Claude-Michel Schonberg, and Herbert Kretzmer. Arranged by John Leavitt. Broadway,Concert,Film/TV,French,Musical/Show. Choral. Duration 207. Published by Hal Leonard - Digital (HX.427291).
$24.99
23.23 €
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Alain Boublil, Claude-Michel Schonberg, and Herbert Kretzmer
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John Leavitt
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Bring Him Home
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Hal Leonard - Digital
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SheetMusicPlus
Bring Him Home
(Full Performance) - Digital Download SKU: HX.427290 Composed by Alain Boublil, Cla…
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(Full Performance) - Digital Download SKU: HX.427290 Composed by Alain Boublil, Claude-Michel Schonberg, and Herbert Kretzmer. Arranged by John Leavitt. Broadway,Concert,Film/TV,French,Musical/Show. Choral. Duration 207. Published by Hal Leonard - Digital (HX.427290).
$1.99
1.85 €
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Alain Boublil, Claude-Michel Schonberg, and Herbert Kretzmer
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John Leavitt
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Bring Him Home
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Hal Leonard - Digital
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SheetMusicPlus
Bring Him Home
(SPLIT TRAX) - Digital Download SKU: HX.427292 Composed by Alain Boublil, Claude-Mi…
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(SPLIT TRAX) - Digital Download SKU: HX.427292 Composed by Alain Boublil, Claude-Michel Schonberg, and Herbert Kretzmer. Arranged by John Leavitt. Broadway,Concert,Film/TV,French,Musical/Show. Choral. Duration 207. Published by Hal Leonard - Digital (HX.427292).
$24.99
23.23 €
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Alain Boublil, Claude-Michel Schonberg, and Herbert Kretzmer
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John Leavitt
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Bring Him Home
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Hal Leonard - Digital
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SheetMusicPlus
From High Heaven (VOM HIMMEL HOCH)
B-Flat Trumpet,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.1308754…
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B-Flat Trumpet,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.1308754 Composed by Martin Luther. Arranged by Christopher M. Kraus. Baroque,Christian,Classical. 9 pages. Christopher M Kraus Music #897996. Published by Christopher M Kraus Music (A0.1308754). Fanfare arrangement of VOM HIMMER HOCH by Martin Luther, opening with a challenging first verse for trumpet.  Second verse features Trumpet with the melody, exploring new tonal territory. The third verse contrasts greatly, with a quiet solo stop from organ and Trumpet accompanying with a straight mute. Finally, the last verse brings this arrangement home with a march-like maestoso. New harmonies and engaging rhythmic counterpoint decorate this classic tune, typically used with a Christmas text. Intermediate difficulty for organ, Advanced difficulty for Trumpet (straight mute required for 1 verse). Appropriate as a Fanfare Prelude or Postlude in a traditional church service.​Copyright © 2016 First performed on Reformation Sunday, 2016 at Faith Presbyterian Church in Wilmington, DE. ​​Recorded performance of this piece available on my album, Sanctuary: A Musical Refuge for the Soul. See Track 10 featuring Barbara Prugh on Trumpet. This recording was also featured July 27, 2023 on the WVUD 91.3FM Newark Fine-Tuning program, hosted by Bel Canto. Finally, a video performance of this piece can be seen on my YouTube channel.​.
$8.99
8.36 €
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Martin Luther
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Christopher M
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From High Heaven
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Christopher M Kraus Music
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SheetMusicPlus
From High Heaven (VOM HIMMEL HOCH)
B-Flat Trumpet,Pipe Organ - Level 3 - Digital Download SKU: A0.1308753 By Christoph…
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B-Flat Trumpet,Pipe Organ - Level 3 - Digital Download SKU: A0.1308753 By Christopher M. Kraus & Barbara Prugh. By Martin Luther. Arranged by Christopher M. Kraus. Classical. Full Performance. Duration 232. Christopher M Kraus Music #897994. Published by Christopher M Kraus Music (A0.1308753). Fanfare arrangement of VOM HIMMER HOCH by Martin Luther, opening with a challenging first verse for trumpet.  Second verse features Trumpet with the melody, exploring new tonal territory. The third verse contrasts greatly, with a quiet solo stop from organ and Trumpet accompanying with a straight mute. Finally, the last verse brings this arrangement home with a march-like maestoso. New harmonies and engaging rhythmic counterpoint decorate this classic tune, typically used with a Christmas text. Intermediate difficulty for organ, Advanced difficulty for Trumpet (straight mute required for 1 verse). Appropriate as a Fanfare Prelude or Postlude in a traditional church service.​Copyright © 2016 First performed on Reformation Sunday, 2016 at Faith Presbyterian Church in Wilmington, DE. ​​Recorded performance of this piece available on my album, Sanctuary: A Musical Refuge for the Soul. See Track 10 featuring Barbara Prugh on Trumpet. This recording was also featured July 27, 2023 on the WVUD 91.3FM Newark Fine-Tuning program, hosted by Bel Canto. Finally, a video performance of this piece can be seen on my YouTube channel.
$1.99
1.85 €
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Christopher M
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Christopher M
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From High Heaven
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Christopher M Kraus Music
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SheetMusicPlus
"Bring a Torch, Jeannette, Isabella" for 13-note Bells and Boomwhackers® (Black and White Notes)
Large Ensemble Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,X…
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Large Ensemble Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Xylophone - Level 1 - Digital Download SKU: A0.569915 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Christmas,Folk,Multicultural,Romantic Period,Sacred,World. Score and parts. 11 pages. Sharon Wilson #6137819. Published by Sharon Wilson (A0.569915). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel.This arrangement is one of the 10 songs in the collection Ten Christmas Carols for 13-note Bells and Boomwhackers®Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.57 €
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Sharon Wilson
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Sharon Wilson
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"Bring a Torch, Jeannette, Isabella" for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Bring a Torch, Jeannette, Isabella for 13-note Bells and Boomwhackers (with Color Coded Notes)
Bells,Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Voice - Level 1 - D…
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Bells,Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Voice - Level 1 - Digital Download SKU: A0.569875 By Sharon Wilson. By Traditional French Carol. Arranged by Sharon Wilson. Advent,Christmas,Multicultural,Romantic Period,Sacred,World. 11 pages. Sharon Wilson #6137851. Published by Sharon Wilson (A0.569875). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).This arrangement is one of the 10 songs in the collection Ten Christmas Carols for 13-note Bells and Boomwhackers.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesBoomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, idiophone percussion, plastic tubes, elementary classroom music, supplemental education for classrooms, pitched instruments, grade school resources
$5.99
5.57 €
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Sharon Wilson
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Sharon Wilson
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Bring a Torch, Jeannette, Isabella for 13-note Bells and Boomwhackers
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Sharon Wilson
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SheetMusicPlus
Bring Him Home by T.3 - A Cappella
Sheet Music for Bring Him Home from Les Mis rables arranged for A Cappella in A Major. Dig…
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Sheet Music for Bring Him Home from Les Mis rables arranged for A Cappella in A Major. Digital sheet music from Musicnotes. --
$5.99
5.57 €
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A Cappella
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Musicnotes
Bring Him Home - Bassoon & Piano by The Piano Guys - Solo & Accompaniment
Performed by: The Piano Guys: Bring Him Home - Bassoon & Piano Digital Sheetmusic - in…
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Performed by: The Piano Guys: Bring Him Home - Bassoon & Piano Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Solo & Accompaniment;Instrumental Parts, instruments: Bassoon;Piano Accompaniment; 7 pages -- Contemporary Instrumental~~Classical Pop~~Instrumental Pop~~Musical~~Show/Broadway
$5.25
4.88 €
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The Piano Guys
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Bassoon & Piano by The Piano Guys
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Musicnotes
Bring Him Home - Flute Duet from Les Mis rables - Instrumental Duet
Claude-Michel Sch nberg - Bring Him Home - Flute Duet - (from Les Mis rables) Digital Shee…
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Claude-Michel Sch nberg - Bring Him Home - Flute Duet - (from Les Mis rables) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Flute 1;Flute 2; 2 pages -- Movie/TV~~Show/Broadway~~Soundtrack~~Musical
$5.25
4.88 €
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Flute Duet from Les Mis rables
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Musicnotes
Bring Him Home - Clarinet Duet from Les Mis rables - Instrumental Duet
Claude-Michel Sch nberg - Bring Him Home - Clarinet Duet - (from Les Mis rables) Digital S…
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Claude-Michel Sch nberg - Bring Him Home - Clarinet Duet - (from Les Mis rables) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Clarinet 1;Clarinet 2; 2 pages -- Musical~~Show/Broadway
$5.79
5.38 €
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Clarinet Duet from Les Mis rables
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Musicnotes
Bring Him Home - Alto Saxophone Duet from Les Mis rables - Instrumental Duet
Claude-Michel Sch nberg - Bring Him Home - Alto Saxophone Duet - (from Les Mis rables) Dig…
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Claude-Michel Sch nberg - Bring Him Home - Alto Saxophone Duet - (from Les Mis rables) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Alto Saxophone 1;Alto Saxophone 2; 2 pages -- Show/Broadway~~Musical
$5.25
4.88 €
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Alto Saxophone Duet from Les Mis rables
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Musicnotes
Bring Him Home - Trumpet Duet from Les Mis rables - Instrumental Duet
Claude-Michel Sch nberg - Bring Him Home - Trumpet Duet - (from Les Mis rables) Digital Sh…
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Claude-Michel Sch nberg - Bring Him Home - Trumpet Duet - (from Les Mis rables) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Trumpet 1;Trumpet 2; 2 pages -- Movie/TV~~Show/Broadway~~Soundtrack~~Musical
$5.25
4.88 €
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Trumpet Duet from Les Mis rables
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Musicnotes
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.71 €
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Arabic Folk tunes for Flexible quartet
Level 2 - Digital Download SKU: A0.1129914 By Wajdi Abou Diab. By Traditional Arabi…
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Level 2 - Digital Download SKU: A0.1129914 By Wajdi Abou Diab. By Traditional Arabic music, Sayed Darwich, Egyptian , Algerian, Palestinian. Arranged by Wajdi Abou Diab. Chamber,Classical,Folk,Multicultural,Traditional,World. 215 pages. W. Abou Diab #730323. Published by W. Abou Diab (A0.1129914). Arabic folk tunes – flexible quartet is a collection of four (4) Arabic famous folk tunes arranged for a flexible quartet, that can be performed by any type of ensemble (quartet, or bigger ensemble by doubling parts) include scores and parts for the arrangement of these four famous Arabic songs: Mahla Nourha – Sayed Darwich A very popular song by the great Egyptian songwriter/singer Sayyed Darwich, in the Egyptian countryside language, describes the simple life in the Egyptian countryside, that’s starts with the shining sun and continues by bringing the milk from the cows and working in the field. Then meet the loved one near the river and flirt together Rozana – Palestinian Folk The ship called “Rosanna†is an Italian ship that Italy sent to Lebanon and Syria at the time of the great famine in 1914, loaded with wheat. But when it arrived, it turned out that it was loaded with grapes and apples, which disappointed the Lebanese and the Syrians. Despite this, the people of Aleppo secured the necessary wheat for the Lebanese, to save them from starvation. Zourouni – Egyptian Folk An old Egyptian folk tune, with a very catchy melody. Almost every Arabic singer since Sayed Darwich till now made his cover for this song! Starts with an invitation to visit the singer, even once every year, which speaks of how difficult for him to be forgotten, then expresses his fear about feeling the longing. Yal Rayeh – Algerian Folk A world-famous Algerian folk song was written and sung by the Algerian popular singer Dahmane El Harrachi. The song tells about the suffering of immigrants in estranging homes from marginalization, exclusion, and longing to return to the homeland, and it contains advice for the immigrant to invite him to return to the motherland as migration to foreign homes is not considered a healthy or natural solution for Arab immigrants.
$50.00
46.49 €
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Wajdi Abou Diab
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Wajdi Abou Diab
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Arabic Folk tunes for Flexible quartet
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W. Abou Diab
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SheetMusicPlus
Bring Him Home (from Les Miserables)
By Original Cast Recording. Musical/Show. Choral. 5 pages. Published by Hal Leonard - Digi…
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By Original Cast Recording. Musical/Show. Choral. 5 pages. Published by Hal Leonard - Digital Sheet Music
$1.70
1.58 €
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Original Cast Recording
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Bring Him Home
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.92 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.95 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.95 €
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Mark O'Connor
#
Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
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