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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Call for Action
Non classifié
30
Piano & claviers
Piano seul
18
Piano, Voix
5
Accompagnement Piano
4
Instruments en Do
4
Piano Facile
3
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2
Orgue
2
2 Pianos, 4 mains
1
+ 3 instrumentations
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Guitares
Guitare notes et tablatures
1
Basse electrique
1
Voix
Chorale SATB
20
Chorale Unison
4
Chorale 3 parties
4
Chorale 2 parties
3
Voix Baryton, Piano
1
Chorale TTBB
1
Chorale SSATTB
1
Voix Tenor
1
Chorale SSAA
1
+ 4 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte traversière et Piano
1
Clarinette
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Tuba (partie séparée)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon et Piano
1
Harpe, Violon (duo)
1
Violoncelle
1
Harpe, Flûte (duo)
1
Orchestre & Percussions
Orchestre d'harmonie
61
Orchestre
10
Orchestre à Cordes
2
Orchestre de chambre
1
Marimba
1
Ensemble de Percussions
1
Piano et Orchestre
1
+ 2 instrumentations
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FLUTE A DIX…
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FORMATION M…
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HARPE
HAUTBOIS
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PARTITIONS …
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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ASIE
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Call for Action
Partitions à imprimer
30 partitions trouvées
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1
26
Call for Action
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Classique
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Masha Aleskovski
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Call for Action
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Masha Aleskovski at MashaMuse
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SheetMusicPlus
Small Ensemble Guitar,High Voice,Low Voice - Level 3 - SKU: A0.1003505 Composed by Masha Aleskovski. Classical. Score and parts. 5 pages. Masha Aleskovs...
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Small Ensemble Guitar,High Voice,Low Voice - Level 3 - SKU: A0.1003505 Composed by Masha Aleskovski. Classical. Score and parts. 5 pages. Masha Aleskovski at MashaMuse #3385317. Published by Masha Aleskovski at MashaMuse (A0.1003505). This piece brings into action the importance of keeping our planet healthy and safe.
$3.00
Chain Reaction
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Diana Ross
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Kevin P Holdgate
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Chain Reaction
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.1349597 By Diana Ross. By Barry Gibb, Maurice Gibb, and Robin Gibb. Ar...
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Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.1349597 By Diana Ross. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Kevin P Holdgate. 20th Century,Disco,Pop,Standards,Wedding. 17 pages. Kevin P Holdgate #934360. Published by Kevin P Holdgate (A0.1349597). This arrangement is for brass sextet with additional parts provicded as an alternative for Horn in Eb Trombone (Treble Clef) Euphonium Treble Clef) & Eb BassChain Reaction is a song by American singer Diana Ross, released on November 12, 1985, as the second single from her sixteenth studio album, Eaten Alive (1985). The song was written by the Bee Gees and contains additional vocals from Barry Gibb. Sonically, Chain Reaction is an R&B and dance-pop song. According to the Gibbs' biography, the brothers had initial reservations about offering the song to Ross in case it was too Motown-like for her.The single became Ross's second No. 1 hit in the UK Singles Chart. It also hit No. 1 in Australia—where it became the best selling single of 1986—Ireland, and Zimbabwe. In New Zealand, it peaked at No. 3 and it made the top 5 in South Africa. In 1993, the song entered the UK top 20 again, when it was re-released to commemorate Ross's 30th anniversary in show business.Â
$15.99
Wherever Fortune Calls Me
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Douglas E
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Wherever Fortune Calls Me
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Heritage Music Press
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SheetMusicPlus
TB choir and Piano - SKU: LX.15-3624H Composed by Douglas E. Wagner. Educational. Octavo. 12 pages. Heritage Music Press #e15/3624H. Published by Herita...
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TB choir and Piano - SKU: LX.15-3624H Composed by Douglas E. Wagner. Educational. Octavo. 12 pages. Heritage Music Press #e15/3624H. Published by Heritage Music Press (LX.15-3624H). ISBN 9780787763589.Yet one thing I can tell you, still one thing that I know: Wherever fortune calls me, then that's where I must go. A bold, virile statement of the courage to persevere and to follow one’s heart against all odds is expertly set to music. This selection is filled with action-charged text and confident vocal lines that your mens ensemble can really dig into.
$2.50
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Treble/
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Great B
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bl_music
#
SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Roma...
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Bass Re
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructiona...
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
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"Calisthenics for Recorde
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bl_music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.8...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
A HAP-HAP-HAPPY HELLO! (Unison Call & Response w/Shouts, Waves, & Hand Claps)
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Carol Troutman Wiggins
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A HAP-HAP-HAPPY HELLO!
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir,Choral,Unison Chorus - Level 1 - SKU: A0.1514545 Composed by Carol Troutman Wiggins. Children,Comedy,Instructional,Traditional. 2 pages. Ca...
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Choral Choir,Choral,Unison Chorus - Level 1 - SKU: A0.1514545 Composed by Carol Troutman Wiggins. Children,Comedy,Instructional,Traditional. 2 pages. Carol Troutman Wiggins #1089034. Published by Carol Troutman Wiggins (A0.1514545). This fun, happy welcome song will get elementary students excited to come to music class! Unison Excellent for elementary students A call and response style song for leader & students to shout Hello! Add waves and hand claps for extra action (Cues included in score) Intermediate level piano accompaniment (Piano track available) Chords included for guitar, etc.
$2.99
No Longer At Ease for Euphonium Quartet
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Matthew Nunes
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No Longer At Ease for Euphoniu
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852...
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Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852692. Published by Matthew Nunes Music (A0.1259405). Listen to this piece hereBuyer beware, these are the hardest euphonium parts I've written. Be sure to check out my first euphonium quartet Beacons (2014).No Longer at Ease is a stand-alone euphonium quartet inspired by Chinua Achebe’s 1960 novel of the same name. In Achebe’s novel a young man is sent to University by his village’s elders in the hopes he will return able to guide and protect his people through uncertain and unwanted colonialist developments. However, the man abandons their plans to pursue his own interests and faces the fallout of his actions upon his return home and in the volatile years to come. Reading such an affective work in the final semester of my Masters preparing to return home was timely and I have found the similarities between my life and Achebe’s art blurred. I began writing this work upon returning home to Niceville, Florida and realizing that both myself and the town I call home have changed drastically.     The piece begins with jarring sixteenth-notes derived from a rising arpeggiated-tetrachord. Ceaseless double tonguing, the lead in the fourth euphonium, and unsettling metric shifts combine for unique and frenetic effects. A yearning melody enters amidst this chaos and is a musical spelling of “homeâ€. The return and developments of the frenetic material culminates in a solo statement of this theme. The middle section represents the home of years past and features a uniquely Niceville quote with fragments of the Niceville High School fight song. These fragments make up each independent line and the music culminates in a triumphant victory. However, this victory is cut brief by the cutting sixteenth-note driven material from earlier. The finale is an exciting mockery of the “home†theme with interjections and exploitations of all previous themes. - Matthew NunesNiceville, June 2018.
$24.99
AsCent for Mixed Ability School Ensemble and Classroom
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Keir C
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AsCent for Mixed Ability Schoo
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Keir C Crawley
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.972023 Composed by Keir C. Crawley. Children,Contemporary,Instructional. Score and parts. 14 pages. Keir C Crawley #3...
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Small Ensemble - Level 2 - SKU: A0.972023 Composed by Keir C. Crawley. Children,Contemporary,Instructional. Score and parts. 14 pages. Keir C Crawley #3129967. Published by Keir C Crawley (A0.972023). ‘AsCent’ is the culmination of a number of ideas and experiences, first of which was the need to compose exciting and challenging music for the classroom. This piece attempts to put the Key Stage 2 or Key Stage 3 budding musician into the musical world of the Marvel Cinematic Universe or other similar big budget sci-fi action adventure films. Combining motor ostinati with contextually more adventurous accompanying harmony my aim is to move the musical learning away from the sometimes twee and undemanding into something with a little more musical bite. This orchestration of the piece includes parts for what I have come to know as a ‘mixed ability school ensemble’ i.e. a selection of instruments that you might typically find being taught in high schools both in London and nationally. The idea behind this was to put primary school musicians alongside older (sometimes as much as 10 years older) musicians from high schools to act both as inspiration and role models. 'AsCent’ for mixed ability school ensemble was first performed on Saturday 1st July 2017 by 76 musicians including 34 primary school children from the London Borough of Brent under the baton of the composer.
$20.00
A Storm is Gathering Piano Vocal Performance
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Steven H
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Ashley Ivers
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A Storm is Gathering Piano Voc
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publi...
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Piano,Voice - SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
TARANTELLA for Clarinet Sextet
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Trad & Alan Edgar
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Alan Edgar
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TARANTELLA for Clarinet Sextet
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1403106 Composed by Trad & Alan Edgar. Arranged by Alan Edgar. Multicultural,Traditi...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1403106 Composed by Trad & Alan Edgar. Arranged by Alan Edgar. Multicultural,Traditional,World. 24 pages. Alan Edgar Ted Moon #986307. Published by Alan Edgar Ted Moon (A0.1403106). TARANTELLA for Eb, four Bb and one Bass Clarinets. Â The stories about tarantellas are many and varied. They are southern Italian folk dances. For this piece, I assume we have a woman happily singing the folk song Santa Lucia, lauding the attractions of Naples, when she is bitten by a tarantula wolf spider. She screams, suffering hysteria and pain, and must now frantically dance, perhaps all night, because this is the only way to recover. Finally she can return to the calm singing.DURATION: 3 minutes or so, depending on how fast the performers can play and how many repeats they have to make.
$24.00
TARANTELLA for Clarinet Choir
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Folklorique/Traditionel
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Alan Edgar
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TARANTELLA for Clarinet Choir
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.1417902 Composed by Alan Edgar. Traditional. 32 pages. Alan Edgar Ted Moon #999444. Published by Alan Edgar Ted Mo...
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Woodwind Ensemble - Level 5 - SKU: A0.1417902 Composed by Alan Edgar. Traditional. 32 pages. Alan Edgar Ted Moon #999444. Published by Alan Edgar Ted Moon (A0.1417902). Clarinet Choir (Eb, four Bb, Alto, Bass, Contra-alto, Contrabass, works with just Eb, Bb 1,2,3, Bass plus either Bb4 or Alto) The stories about tarantellas are many and varied. They are southern Italian folk dances. For this piece, I assume we have a woman happily singing the folk song Santa Lucia, lauding the attractions of Naples, when she is bitten by a tarantula wolf spider. She screams, suffering hysteria and pain, and must now frantically dance, perhaps all night, because this is the only way to recover. Finally she can return to the calm singing.  3 minutes or so, depending on how fast the performers can play and how many repeats they have to make.
$22.00
Revolutions
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Ricardo Stevens
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Revolutions
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Ricardo Stevens Music
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SheetMusicPlus
Flugelhorn,Instrumental Duet - Level 3 - SKU: A0.1470464 Composed by Ricardo Stevens. 21st Century,Classical,New Age. 8 pages. Ricardo Stevens Music #10...
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Flugelhorn,Instrumental Duet - Level 3 - SKU: A0.1470464 Composed by Ricardo Stevens. 21st Century,Classical,New Age. 8 pages. Ricardo Stevens Music #1048202. Published by Ricardo Stevens Music (A0.1470464). “Revolutions” is a dynamic composition for two flugelhorns that embodies the spirit of change and transformation. The piece begins with a call to action, as the flugelhorns exchange bold, declarative themes that suggest the onset of a significant movement. As the composition unfolds, the melodies intertwine, symbolizing the unity and cooperation required to initiate a revolution. The middle section of “Revolutions” introduces a more reflective mood, with each flugelhorn part taking a contemplative solo that explores the inner emotions and convictions driving the desire for change. This introspective passage gradually builds back into the initial fervor, culminating in a powerful finale that represents the achievement of a new state of being.
$20.00
Nueva York Tropical
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William Ortiz
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Nueva York Tropical
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William Ortiz
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1510918 Composed by William Ortiz. 21st Century,Chamber,Classical,Contemporary,Latin. 52 pages. William Ortiz #108...
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Chamber Orchestra - Level 4 - SKU: A0.1510918 Composed by William Ortiz. 21st Century,Chamber,Classical,Contemporary,Latin. 52 pages. William Ortiz #1086135. Published by William Ortiz (A0.1510918). “Nueva York Tropical”, for Flute, Oboe, Clarinet, Percussion, Violin, Violoncello and Piano, is a vibrant musical work that fuses popular music elements of Latin influences, evoking the energy and diversity of New York City. Inspired by the rich cultural tapestry of the city’s Latinx communities, this composition brings together the driving beats of salsa, the syncopated grooves of Hip-Hop, and the sweet, nostalgic melodies of song and bolero, all underpinned by modern harmonic structures and atonal passages. It is an exploration of dance. Beyond its rhythmic celebration, “Nueva York Tropical” also carries a message of social consciousness. It draws attention to the challenges faced by Latino communities, in the struggles of gentrification. The composition seeks to embody the resilience and spirit of these communities, when the musicians are called upon to chant “Shelter the community for free” repeatedly in protest mode. Through its infectious rhythms, bold atonal sections, and idyllic melodies, the piece becomes both a tribute and a call to action for social justice thru music. In “Nueva York Tropical”, the music doesn’t just invite you to sway, to dance – it also invites you to reflect, to think and to recognize the vibrant contributions that pop culture can instill in contemporary classical music.
$13.95
Arnside
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Contemporain
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MT Paul
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Arnside
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MT Paul
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1032816 Composed by MT Paul. Contemporary. Score and parts. 16 pages. MT Paul #5769505. Published by MT Paul (A0.10...
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Piano Trio,String Ensemble - SKU: A0.1032816 Composed by MT Paul. Contemporary. Score and parts. 16 pages. MT Paul #5769505. Published by MT Paul (A0.1032816). Arnside is the name of a real location in the UK, rumored to once have contained a castle, during the middle ages. This piece of music centers upon a knight who grew up in Arnside but had to leave for war. His memories of the castle's grandiose yet nurturing atmosphere are portrayed in the music. Yet when the knight returns from war, his complex emotions are displayed as he sees his home lies in ruins, destroyed by the enemy forces. Near the end of the piece comes a call of hope and action which rises within the knight - a call to rebuild and to press forward, no matter the difficulty.
$7.28
Celebrate In One Voice
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Mark Cabaniss
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Lloyd Larson
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Celebrate In One Voice
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Jubilate Music Group - Digital
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SheetMusicPlus
(Alto Voice Dominant) - SKU: JX.JMG1018A Alto. Composed by Mark Cabaniss. Arranged by Lloyd Larson. Digital Mp3 Download (VoxTrax). Jubilate Musi...
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(Alto Voice Dominant) - SKU: JX.JMG1018A Alto. Composed by Mark Cabaniss. Arranged by Lloyd Larson. Digital Mp3 Download (VoxTrax). Jubilate Music Group - Digital #JMG1018A. Published by Jubilate Music Group - Digital (JX.JMG1018A). For general worship, missions, World Communion Sunday, or unity-themed services, this anthem celebrates Christ and His church with a call to action to share His love. Also, it reminds all the church is a home where everyone can gather together on the common ground of faith...to celebrate in one voice!.
$2.99
Obnoxious Smart-Aleck-Brass Quartet 3
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the end they finally all work
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Phil Beaman
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Obnoxious Smart-Aleck-Brass Qu
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Phil Beaman
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SheetMusicPlus
Brass Ensemble Cornet,Euphonium,Tuba - Level 1 - SKU: A0.844769 Composed by Phil Beaman. Children,Classical,Contemporary. Score and parts. 10 pages. Phi...
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Brass Ensemble Cornet,Euphonium,Tuba - Level 1 - SKU: A0.844769 Composed by Phil Beaman. Children,Classical,Contemporary. Score and parts. 10 pages. Phil Beaman #5360007. Published by Phil Beaman (A0.844769). Obnoxious Smart Aleck is a comedic novelty piece that is to be acted as much as played. The score provides guidelines for actions and reactions, but you may add your own to ham it up even more. Basically, the players are upset with the smart-aleck who is ruining their song. They stare and make faces which does no good, so they resort to tricks to try and lose the smart-aleck in the song. By the end they finally all work together to make music.
$5.99
Obnoxious Smart-Aleck-Brass Quartet 1
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the end they finally all work
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Phil Beaman
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Obnoxious Smart-Aleck-Brass Qu
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Phil Beaman
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SheetMusicPlus
Brass Ensemble Baritone Horn TC,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.844768 Composed by Phil Beaman. Children,Classical,Contemporary. Score and par...
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Brass Ensemble Baritone Horn TC,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.844768 Composed by Phil Beaman. Children,Classical,Contemporary. Score and parts. 9 pages. Phil Beaman #5359995. Published by Phil Beaman (A0.844768). Obnoxious Smart Aleck is a comedic novelty piece that is to be acted as much as played. The score provides guidelines for actions and reactions, but you may add your own to ham it up even more. Basically, the players are upset with the smart-aleck who is ruining their song. They stare and make faces which does no good, so they resort to tricks to try and lose the smart-aleck in the song. By the end they finally all work together to make music.
$5.99
Obnoxious Smart-Aleck-Mixed Quartet
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the end they finally all work
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Phil Beaman
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Obnoxious Smart-Aleck-Mixed Qu
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Phil Beaman
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SheetMusicPlus
Small Ensemble Alto Saxophone,Horn,Trombone,Tuba - Level 1 - SKU: A0.844773 Composed by Phil Beaman. Children,Classical,Contemporary. Score and parts. 8...
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Small Ensemble Alto Saxophone,Horn,Trombone,Tuba - Level 1 - SKU: A0.844773 Composed by Phil Beaman. Children,Classical,Contemporary. Score and parts. 8 pages. Phil Beaman #5360129. Published by Phil Beaman (A0.844773). Obnoxious Smart Aleck is a comedic novelty piece that is to be acted as much as played. The score provides guidelines for actions and reactions, but you may add your own to ham it up even more. Basically, the players are upset with the smart-aleck who is ruining their song. They stare and make faces which does no good, so they resort to tricks to try and lose the smart-aleck in the song. By the end they finally all work together to make music.
$5.99
Obnoxious Smart-Aleck-Woodwind Quartet 1
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the end they finally all work
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Phil Beaman
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Obnoxious Smart-Aleck-Woodwind
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Oboe - Level 1 - SKU: A0.844767 Composed by Phil Beaman. Children,Classical,Contemporary. 8 pages. P...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Oboe - Level 1 - SKU: A0.844767 Composed by Phil Beaman. Children,Classical,Contemporary. 8 pages. Phil Beaman #5359939. Published by Phil Beaman (A0.844767). Obnoxious Smart Aleck is a comedic novelty piece that is to be acted as much as played. The score provides guidelines for actions and reactions, but you may add your own to ham it up even more. Basically, the players are upset with the smart-aleck who is ruining their song. They stare and make faces which does no good, so they resort to tricks to try and lose the smart-aleck in the song. By the end they finally all work together to make music.
$5.99
Obnoxious Smart-Aleck-Woodwind Quartet 2
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the end they finally all work
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Phil Beaman
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Obnoxious Smart-Aleck-Woodwind
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Oboe - Level 1 - SKU: A0.844766 Composed by Phil Beaman. Children,Classical,Contemporary. 8 pages. Phil...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Oboe - Level 1 - SKU: A0.844766 Composed by Phil Beaman. Children,Classical,Contemporary. 8 pages. Phil Beaman #5359935. Published by Phil Beaman (A0.844766). Obnoxious Smart Aleck is a comedic novelty piece that is to be acted as much as played. The score provides guidelines for actions and reactions, but you may add your own to ham it up even more. Basically, the players are upset with the smart-aleck who is ruining their song. They stare and make faces which does no good, so they resort to tricks to try and lose the smart-aleck in the song. By the end they finally all work together to make music.
$5.99
With Compassion (instrumental)
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David Kai
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David Kai
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With Compassion
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David Kai
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SheetMusicPlus
String Ensemble Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - SKU: A0.1105282 By David Kai. By David Kai. Arranged by David Kai. Christian,...
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String Ensemble Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - SKU: A0.1105282 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Accompaniment. Duration 138. David Kai #708527. Published by David Kai (A0.1105282). A new hymn on the topic of compassion. This is an accompaniment version to back a soloist, group or congregation. WITH COMPASSION Words and music: David Kai ©2021 As a parent holds a child with compassion, So the Spirit wraps her arms around us all, Then calls us to the ways of Wisdom true, Teaches, guides, inspires all we say and do, So that all may learn and grow, Come, answer the call! As a shepherd holds a lamb with compassion, So does Jesus wrap his arms around us all, Then calls to us in word and action bold, Care for all, for there is just one fold, No one ever left alone, Come, answer the call! As we look upon the world with compassion, So does God wrap loving arms around us all, Calls us to guard creation’s sacred store, Turn and pledge to pillage the earth no more, Until Eden blooms again, Come, answer the call!
$1.99
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
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