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Vous avez sélectionné:
Cello Loft
Partitions à imprimer
3 partitions trouvées
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Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards...
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String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Dona Nobis Pacem - Full Score and Inst Parts
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Noël
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Margaret R Tucker
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Dona Nobis Pacem - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
Misc Inst - SKU: C7.CGB379 Composed by Margaret R Tucker. Christmas. With Misc Instruments, Cello (Bsn,Tbn), Violin (Oboe, Clarinet), Flute (Violin), Vi...
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Misc Inst - SKU: C7.CGB379 Composed by Margaret R Tucker. Christmas. With Misc Instruments, Cello (Bsn,Tbn), Violin (Oboe, Clarinet), Flute (Violin), Violin (Oboe, Flute). Score and parts. 20 pages. Chorister's Guild - Digital #CGB379. Published by Chorister's Guild - Digital (C7.CGB379). UPC: 749193009956.The tune PROSPECT, from Walker's Southern Harmony (1835), is given a warm, gentle setting. The use of original material (reminiscent of a bell peal) establishes an ethereal quality, especially when played with mallets while the bells are suspended in the air. LV, swing, and echo are additional techniques used to help sustain the beauty, and add variety to this work. All of this effectively supports the hymn text, which begins with the lone, wild bird in lofty flight is still with you, nor leaves your sight. And I am yours! I rest in you, Great Spirit, come, rest in me, too. With the alternate title, The Hills Are Bare at Bethlehem, the piece may also be used during the Christmas season.
$12.95
Divergence and Requiem - 7 piece Ensemble
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Contemporain
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George Edwin Smith
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Divergence and Requiem - 7 pie
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GloriaDeoMusic
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Double Bass,Piano,Viola,Violin - Level 5 - SKU: A0.902058 Composed by George Edwin Smith. 20th Century,Contemporary. Score...
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Small Ensemble Cello,Clarinet,Double Bass,Piano,Viola,Violin - Level 5 - SKU: A0.902058 Composed by George Edwin Smith. 20th Century,Contemporary. Score and parts. 40 pages. GloriaDeoMusic #6273185. Published by GloriaDeoMusic (A0.902058). For String Quintet, Clarinet and Piano. Written in remembrance of the children who were orphaned as a result of civil wars and genocide throughout history, Divergence begins with a feeling of desolation with strident and discordant harmonies leading into tempestuous skirmishes. After a clamorous frenzy, the piece resolves into the somber yet lofty Requiem.
$10.00
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