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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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1 034
Piano & claviers
Piano seul
644
Piano, Voix
221
Piano Facile
136
Piano, Voix et Guitare
89
Orgue
39
Instruments en Do
26
Accompagnement Piano
23
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
11
Piano grosses notes
7
Piano (partie séparée)
4
Orgue, Piano (duo)
4
2 Pianos, 4 mains
4
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Clavecin
1
+ 14 instrumentations
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Guitares
Guitare notes et tablatures
38
Guitare
36
Ligne De Mélodie, (Paroles) et Accords
10
Guitare (partie séparée)
6
2 Guitares (duo)
5
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
4
Ukulele
4
3 Guitares (trio)
3
Basse electrique
3
Dulcimer
1
Banjo
1
Mandoline
1
+ 8 instrumentations
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Voix
Chorale SATB
300
Voix seule
240
Chorale TTBB
94
Chorale 2 parties
92
Chorale 3 parties
77
Chorale SSAA
73
Chorale Unison
30
Voix duo
16
Voix duo, Piano
9
Voix Soprano, Piano
4
Voix haute
4
Voix moyenne, Piano
3
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix basse
1
+ 13 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
113
Flûte, Hautbois, Clarinette, Basson
79
Flûte traversière et Piano
59
2 Saxophones (duo)
53
Saxophone Alto et Piano
45
Clarinette et Piano
37
Quatuor de Clarinettes: 4 clarinettes
34
Hautbois, Piano (duo)
33
2 Flûtes traversières (duo)
31
2 Clarinettes (duo)
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Saxophone, Clarinette (duo)
20
Saxophone Soprano et Piano
17
Flûte traversière
17
Saxophone (partie séparée)
16
Ensemble de Clarinettes
15
3 Saxophones (trio)
15
Clarinette, Trompette (duo)
14
Clarinette
14
Saxophone Alto
14
Quintette de Saxophone: 5 saxophones
14
Saxophone Tenor et Piano
13
Clarinette, Violon (duo)
12
Hautbois, Flûte
12
Flûte, Clarinette (duo)
12
Saxophone Tenor
11
Flûte et Guitare
11
Trio de Flûtes: 3 flûtes
10
2 Hautbois (duo)
10
Quatuor de Flûtes : 4 flûtes
9
Hautbois, Basson (duo)
9
Ensemble de Flûtes
9
3 Clarinettes (trio)
8
Clarinette et Alto
7
Hautbois, Clarinette (duo)
7
Ensemble de saxophones
7
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Alto (duo)
6
Saxophone Baryton, Piano
6
Cor anglais, Piano
6
Flûte, Saxophone (duo)
5
Flute, harpe et violon
5
Flûte, Trompette (duo)
5
Flûte, Violon
4
2 Flûte à bec (duo)
4
Flûte, Clarinette, Piano (trio)
4
Hautbois (partie séparée)
4
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Basson (duo)
3
Clarinette, Harpe (duo)
3
Clarinette Basse, Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violon, Violoncelle et Piano
3
3 Flûtes à bec (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
5 Flûtes à bec
2
Flûte à bec Alto
2
Hautbois
2
Quintette de Flûte : 5 flûtes
2
2 Clarinettes, Piano
2
Quatuor de Flûtes à bec
2
Flûte, Violon et Violoncelle
2
Hautbois et alto (duo)
1
Saxophone et Guitare
1
Flûte, Basson et Piano
1
Cornemuse
1
Flûte, Violon, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Alto et Piano
1
Harmonica
1
Flûte à bec Soprano
1
Cor Anglais
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes, Basson
1
Flûte, Violoncelle
1
Clarinette (partie séparée)
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle, Guitare
1
Clarinette, trompette et piano
1
Flute (partie séparée)
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
63
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trompette, Piano
31
Quatuor de Cuivres
21
Trombone et Piano
21
2 Trompettes (duo)
20
Cor et Piano
18
Trompette (partie séparée)
18
Trompette
15
2 Trombones (duo)
14
Trompette, Saxophone (duo)
13
Trombone
13
Trombone (partie séparée)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
9
Quatuor de cuivres: 4 cors
6
Cor
6
Cor anglais, Piano
6
2 Cors (duo)
5
Tuba et Piano
4
Quatuor de cuivres: 4 trompettes
4
Euphonium, Tuba (duo)
4
3 Tubas (trio)
3
3 Trombones (trio)
3
Cor (partie séparée)
3
Tuba (partie séparée)
2
Trombone, Cor (duo)
2
Trio de Cuivres
2
Euphonium, Piano (duo)
2
Ensemble de Cors
2
4 Tubas
2
3 Cors (trio)
2
Trompette, Cor (duo)
2
Tuba
2
2 Cors, Piano
1
Trompette, Tuba (duo)
1
Ensemble de Trompettes
1
2 Tubas (duo)
1
Cor Anglais
1
Trombone, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Euphonium
1
Cor et Harpe
1
Trompette, Harpe
1
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Cordes
Harpe
406
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
51
Violoncelle, Piano
41
Violon
38
Alto, Piano
36
2 Harpes (duo)
28
Violon, Violoncelle (duo)
25
Violon, Alto (duo)
24
Trio à Cordes: violon, alto, violoncelle
24
2 Violons (duo)
23
Violoncelle
21
2 Altos (duo)
17
2 Violoncelles (duo)
15
Harpe, Violon (duo)
11
Alto seul
11
Violon (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
7
Alto, Violoncelle (duo)
6
Contrebasse (partie séparée)
6
Trio à Cordes: 3 violoncelles
6
Harpe, Voix
5
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
4
Harpe, Flûte (duo)
4
Alto et Harpe
3
Contre Basse
3
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle (partie séparée)
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
1
Harpe, Violon, Violoncelle
1
Autoharp
1
4 Harpes
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
+ 39 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
141
Ensemble Jazz
116
Cloches
81
Orchestre
79
Orchestre à Cordes
61
Orchestre de chambre
45
Ensemble de cuivres
29
Jazz combo
20
Ensemble de Percussions
11
Fanfare
6
Batterie (partie séparée)
3
Marimba
2
Piano et Orchestre
2
Percussion (partie séparée)
1
Xylophone
1
Batterie
1
Vibraphone
1
Percussion
1
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--INSTRUMENTS--
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BASSE
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1026
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
(+)
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
(+)
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
(+)
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
All The Things You Are
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerom...
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A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Chamber,Film/TV,Instructional,Jazz,Musical/Show. 10 pages. Davi Rocha Campos #704858. Published by Davi Rocha Campos (A0.1101492). All the Things You Are for voice, Bb clarinet, A clarinet, guitar, accordion. Words & music by Oscar Hammerstein li and Jerome Kern. Como ler os acidentes na Partitura How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.
$12.99
... And Together We'll Find the Treasure
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Contemporain
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Caelan Chan
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... And Together We'll Find th
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Caelan Chan Music
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SheetMusicPlus
Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 5 - SKU: A0.529310 Composed by Caelan Chan. Contemporary. Score and par...
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Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 5 - SKU: A0.529310 Composed by Caelan Chan. Contemporary. Score and parts. 15 pages. Caelan Chan Music #139709. Published by Caelan Chan Music (A0.529310). Duration: ca. 5'30 … And Together We’ll Find the Treasure is a duet for soprano clarinet and bass clarinet that musically depicts a story of my own creation. Each instrument represents two friends who go on an adventure to find treasure. Due to increasing irritation with each other, they fall out and end their friendship. While one of them finds the treasure, he cannot truly celebrate due to lingering sadness. Realizing how friendship is important to them both, they find each other again, reconcile, and share the treasure. This piece was an opportunity for me to depict a story through musical aspects and ideas like leitmotifs, key centers, and dialogue. Two principal themes appear in this piece: the Treasure Theme, which represents its namesake, as well as the Friendship Theme, which represents the bond between the two main characters. These two themes appear, twist and turn throughout the piece as our two main characters go through obstacles. Key centers also change as the friendship between the two main characters crumble and recover again.
$11.99
We Gather Together
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Noël
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Eduard Kremser
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F
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We Gather Together
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Sweetwater Brass Press
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SheetMusicPlus
Level 3 - SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #49681...
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Level 3 - SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #4968147. Published by Sweetwater Brass Press (A0.808696). We Gather Together is one of the best known Thanksgiving hymns. It originated in the Netherlands in 1597 as Wilt Heden Nu Treden, written by Adrianus Valerius to commemorate a victory in the Dutch war of liberation from Spanish oppression. It was first published in Valerius’ 1626 collection of Dutch folks songs, Nederlandtsche Gedenck-Clanck. In 1877, the Austrian composer and conductor, Eduard Kremser, published arrangements for six songs from Valerius’ collection, one of which was Wilt Heden Nu Treden. Seven years later, American musicologist Theodore Baker wrote a modern English version of the hymn. It is Baker’s words and Kremser’s melody that are today sung as We Gather Together.  This arrangement consists of six versions of the Kremser tune. The first is a fairly straightforward melody-and-harmony rendition, except that Trumpet 1 begins solo, and the other instruments join the playing group one at a time. Succeeding versions consist of variations, until the final, which, for the four upper instruments, reverts to a simple statement of melody-plus-harmony. Tuba, on the other hand, has a wonderful running bass part. The piece ends with a brief diminuendo and ritardando repetition of the last four measures. The key signature changes twice: C to D and back to C. There are no tricky rhythmic figures. As for high notes: Trumpet 1 plays one quarter-note A above its staff; Trombone has two high-F eighth-notes.   This arrangement was completed in 2019, and performance time runs about 2 minutes, 55 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.99
Donauwellen Walzer (waves of the Danube) - tenor horn treble clef and piano
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Classique
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Joseph Ivanovici
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JCBmusic
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Donauwellen Walzer
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Rachel Brown
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SheetMusicPlus
Small Ensemble Piano,Tenor Horn - Level 1 - SKU: A0.954374 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Score and parts. 15 page...
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Small Ensemble Piano,Tenor Horn - Level 1 - SKU: A0.954374 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Score and parts. 15 pages. Rachel Brown #4320629. Published by Rachel Brown (A0.954374). This lovely waltz by Ivanovici makes an uplifting concert piece or addition to your music for weddings collection. A relatively easy piece and so can be enjoyed by a range of players. The piece is 7mins 30s with all repeats included and not too rushed. It is a tempo di valse and so should be held back especially on the last beat of each bar. Other instrument arrangements are available - please see my main SMP page by clicking the link in the following paragraph.A matching backing track is available here on SMP - please ensure you buy the backing track for your instrument as sometimes I have to change the key to fit the solo instrument. Find them on my SMP page here - https://www.sheetmusicplus.com/publishers/jcbmusic/5705Please inform me of public performances or any score issues at jayceebrownmusic@outlook.comEnjoy!
$5.15
Shall We Gather at The River, Gospel Hymn for Trumpet and Tenor Horn Duet
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Musique Sacrée
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Gospel Spirituel
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Robert Lowry
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David McKeown
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Shall We Gather at The River,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589970 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.589970 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 3 pages. David McKeown #6134163. Published by David McKeown (A0.589970). Shall We Gather at The River is an American nineteenth century hymn often sung in a gospel style. This version is arranged as a duet for one Trumpet and one Tenor Horn. Shall We Gather at The River was composed in 1865 by a Baptist minister from New York, Robert Lowry. As well as becoming a gospel standard, the melody of Shall We Gather at The River has found its way into compositions by Charles Ives and Aaron Copeland and has often been used in classic Western movies.Shall We Gather at The River is simply arranged in keys and range best suited to the instruments. The hymn is played three times in a slow swing style, with a key change on the final verse and chorus. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Shall We Gather at The River is suitable for players at an intermediate level and above, though the key change may require extra work for less experienced players. With a performance time of around three minutes, this version of Shall We Gather at The River is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Shall We Gather at The River, Gospel Hymn for Oboe and Violin Duet
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Musique Sacrée
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Gospel Spirituel
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Robert Lowry
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David McKeown
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Shall We Gather at The River,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.589960 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise ...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.589960 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 3 pages. David McKeown #6134143. Published by David McKeown (A0.589960). Shall We Gather at The River is an American nineteenth century hymn often sung in a gospel style. This version is arranged as a duet for one Oboe and one Violin. Shall We Gather at The River was composed in 1865 by a Baptist minister from New York, Robert Lowry. As well as becoming a gospel standard, the melody of Shall We Gather at The River has found its way into compositions by Charles Ives and Aaron Copeland and has often been used in classic Western movies.Shall We Gather at The River is simply arranged in keys and range best suited to the instruments. The hymn is played three times in a slow swing style, with a key change on the final verse and chorus. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet. Shall We Gather at The River is suitable for players at an intermediate level and above, though the key change may require extra work for less experienced players. With a performance time of around three minutes, this version of Shall We Gather at The River is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Shall We Gather at The River, Gospel Hymn for Oboe and Cor Anglais (or English Horn) Duet
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Musique Sacrée
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Gospel Spirituel
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Robert Lowry
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David McKeown
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Shall We Gather at The River,
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.589959 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,P...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.589959 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 3 pages. David McKeown #6134141. Published by David McKeown (A0.589959). Shall We Gather at The River is an American nineteenth century hymn often sung in a gospel style. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). Shall We Gather at The River was composed in 1865 by a Baptist minister from New York, Robert Lowry. As well as becoming a gospel standard, the melody of Shall We Gather at The River has found its way into compositions by Charles Ives and Aaron Copeland and has often been used in classic Western movies.Shall We Gather at The River is simply arranged in keys and range best suited to the instruments. The hymn is played three times in a slow swing style, with a key change on the final verse and chorus. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Shall We Gather at The River is suitable for players at an intermediate level and above, though the key change may require extra work for less experienced players. With a performance time of around three minutes, this version of Shall We Gather at The River is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Sleepy Shores (theme From Owen M.d.)
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Johnny Pearson
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Derek Hasted
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Sleepy Shores
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797767 Composed by Johnny Pearson. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages....
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797767 Composed by Johnny Pearson. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5222105. Published by Derek Hasted (A0.797767). SLEEP SHORES (theme to Owen MD) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Johnny Pearson was a prolific composer and ran the BBC Top Of The Pops orchestra for 16 years.My arrangement captures every one of the stunning and uplifting key changes of the orchestral version. The key chosen here is different to the original, but it means we can use the full playable range of the guitar and play in some keys that are less alien to guitarists!The original version was scored for piano and orchestra but also featured a guitar to provide a rhythmic backdrop, and that part is captured here too, along with the electric bass guitar line, set for classical or acoustic guitar.From the perspective of a guitar teacher, this piece is a wonderful worked example of the Circle of Fifths in action, and the final key change uses the A#(Bb) and E that are common to the chords of F#7 and C7 to create an effortless movement right across the Circle of Fifths from bottom to top in one easy action!From the perspective of the players, the arpeggios are moveable chords and so the section with the most key changes is also the section that’s easiest to play!And from the perspective of the audience, the key changes make this a remarkable and engaging piece.I hope you enjoy this piece!
$4.99
The Lass With The Delicate Air - D Major
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Classique
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Michael Arne
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Sharyn Rogers
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The Lass With The Delicate Air
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Change the Key
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SheetMusicPlus
Vocal Solo,Voice - Level 2 - SKU: A0.1497077 Composed by Michael Arne. Arranged by Sharyn Rogers. Classical. 3 pages. Change the Key #1073496. Published...
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Vocal Solo,Voice - Level 2 - SKU: A0.1497077 Composed by Michael Arne. Arranged by Sharyn Rogers. Classical. 3 pages. Change the Key #1073496. Published by Change the Key (A0.1497077). The Lass With The Delicate Air by Michael Arne transposed to D Major for voice and piano. Vocal range A - D.
$6.50
Up There Cazaly
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Rock
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Mike Brady
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Daryl McKenzie
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Up There Cazaly
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.1501227 By Mike Brady. By Michael Brady. Arranged by Daryl McKenzie. Pop,Rock. 23 pages. Daryl McKenzie #1077184. Pub...
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Large Ensemble - Level 4 - SKU: A0.1501227 By Mike Brady. By Michael Brady. Arranged by Daryl McKenzie. Pop,Rock. 23 pages. Daryl McKenzie #1077184. Published by Daryl McKenzie (A0.1501227). Capture the spirit of Aussie sports pride with this energetic Small Band arrangement of Up There Cazaly, originally performed by Mike Brady. Arranged in the lively style of the original, this version is perfect for Vocal with a compact yet powerful ensemble. Set in the key of D, with exciting key changes to F and G, this arrangement delivers all the anthemic power of the classic song.Instrumentation includes Voice, Sax 1 (Tenor), Sax 2 (Alto), Trumpet 1, optional Trumpet 2, Trombone, Piano, Guitar, Bass Guitar, Drums, and PercussionWhether you're performing at a sports event, concert, or special occasion, this arrangement brings the electrifying atmosphere of a stadium crowd to life.A full audio demo using Sibelius sounds is available—simply click the link to listen here.Full Big Band arrangement is also available. To find this version, just search here.Up There Cazaly is more than just a song—it's an anthem that unites and inspires. Bring that excitement to your performance with this powerful arrangement!More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkHPlease share any audio or video performances of this work.Instagram tag: @darylmckenziejazzorchestraFacebook tag: @McKenzieMusicProductionsYoutube tag: @mckenziemusicproductions144.
$59.99
The Little Drummer Boy
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Gloria Gaynor
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Phil Beaman
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The Little Drummer Boy
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Phil Beaman
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SheetMusicPlus
Drums,Instrumental Duet,Keyboard - Level 2 - SKU: A0.1495629 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Phil...
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Drums,Instrumental Duet,Keyboard - Level 2 - SKU: A0.1495629 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Phil Beaman. Christmas,Pop,Standards. 7 pages. Phil Beaman #1072152. Published by Phil Beaman (A0.1495629). Here is a 'must-have' standard for your Christmas season, The Little Drummer Boy; presented here in a simple arrangement in C for piano and solo drum. It begins with the drum only, slowly adds LH piano then both hands for Verse 1; then both piano and drum adds some more texture for Verse 2, then it slowly unwinds and ends with only the drum. This arrangement was written for a specific duo; a beginning first year middle school drummer and a slightly arthritis pianist. Thus the drumming is very basic and steady patterns with long stretches before a slight pattern change (there are 5 different patterns). And thus the piano part has a LH of mostly broken arpeggios so it can be played by rolling the wrist instead of using finger strength, and the RH is all simple detached chords so the arm can go up and down, and it rarely expands beyond a 6th, again, taking the pressure and movement off of the fingers. Nevertheless, this is still a piece full of character and great for a featured solo this season!
$5.99
Change Your Life
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Contemporain
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Little Mix
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Daryl McKenzie
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Change Your Life
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble Bass Guitar,Drums,Keyboard,Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.717882 By Little Mix. By Ash Howes, Jade Thirlwall, Jesy ...
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Large Ensemble Bass Guitar,Drums,Keyboard,Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.717882 By Little Mix. By Ash Howes, Jade Thirlwall, Jesy Nelson, Leigh-Anne Pinnock, Perrie Edwards, and Richard Stannard. Arranged by Daryl McKenzie. Contemporary. Score and parts. 40 pages. Daryl McKenzie #3878151. Published by Daryl McKenzie (A0.717882). Arranged as per the Little Mix Version. Vocal (no lead vocal part included), Backing Vocals (part included) and Big Band (5 Saxes, 4 Trumpets, 4 Trombones, 2 Keyboards, Guitar, Bass Guitar, Drums).A note about the key of this song: Each verse and chorus starts on a D chord which is actually the IV chord as the song is in A major. This arrangement is in the same key as the Little Mix recording however.More arrangements by Daryl McKenzie here: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$69.99
Change The World
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Contemporain
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Eric Clapton
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Daryl McKenzie
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Change The World
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Keyboard,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.717879 By Eric Clapton....
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Keyboard,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.717879 By Eric Clapton. By Gordon Kennedy, Tommy Sims, and Wayne Kirkpatrick. Arranged by Daryl McKenzie. Contemporary. Score and parts. 35 pages. Daryl McKenzie #3878123. Published by Daryl McKenzie (A0.717879). Arranged in the style of the Eric Clapton and Baby Face MTV Unplugged 1997 Version (https://youtu.be/G6NcMBgiv0Y).Vocal (no voice part included) with Band . Trumpet, Alto Sax, Tenor Sax, Trombone, Bari sax, 2 Keyboards, 2 Guitars, bass Guitar, Drums. Key of E (same key as Clapton/Babyface)More arrangements by Daryl McKenzie here: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$39.99
Irish Tune Sets: Jig Set #1 - (Swallowtail Jig, Kesh Jig & The Irish Washerwoman) arranged in lead s
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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Irish Tune Sets: Jig Set #1 -
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859093 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Country,Folk,Holiday,Traditional. Score and parts. 6 pages. Stephen Bulat Publishing #6327519. Published by Stephen Bulat Publishing (A0.859093). A chosen set of Irish tunes; perfect to be used in an Irish session and that can easily be interchanged and performed from one tune to the next. This is Jig Set #1 which includes Swallowtail Jig (key of E minor), Kesh Jig (key of G major) and The Irish Washerwoman. (key of G major)An old time, Celtic, Irish, bluegrass, Americana and fiddler songbook must-have, these arrangements has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic & Fiddle Fake Book.Please click on the publisher to purchase compilation songs individually or to view in alternate keys.
$5.99
National Anthem of Ukraine - Trombone Quintet Choir - Adv. Intermediate Level
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Patriotique
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Pavilo Chubynsky, Mykhailo Ver
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Dennis Ruello
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National Anthem of Ukraine - T
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Chicory Music
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SheetMusicPlus
Brass Band Trombone - Level 4 - SKU: A0.1188967 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Rue...
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Brass Band Trombone - Level 4 - SKU: A0.1188967 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. Score and Parts. 9 pages. Chicory Music #788580. Published by Chicory Music (A0.1188967). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamation.This arrangement for Trombone Quintet, / Choir in the brass friendly key of d minor, is easily accessible to those students who play at the Adv. Intermediate Level. Performance Time: 1 minute 35 seconds
$9.99
Whiskey Glasses
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Morgan Wallen
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Brian Streckfus
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Whiskey Glasses
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1275532 By Morgan Wallen. By Ben Burgess and Kevin Kadish. Arranged by Brian Streckfus. Blues,Country,Instructional,Pop. Chor...
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Guitar - Level 1 - SKU: A0.1275532 By Morgan Wallen. By Ben Burgess and Kevin Kadish. Arranged by Brian Streckfus. Blues,Country,Instructional,Pop. Chords/Lyrics. 4 pages. Brian Streckfus #867352. Published by Brian Streckfus (A0.1275532). Key: G MajorPages: 41. I decided to write the verses as mostly improvisation but then notate the chorus more specifically. Makes sense to me since verses are more spoken than sang. 2. I changed some harmonies. If you don't care for them, I would recommend just removing any alterations to the chord (in other words, simply play major or minor). Most of these changes happen in the last two lines to wind down the song. 3. I added some Bb grace notes to make it sound bluesier.
$1.99
Over The Rainbow
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Comédie Musicale
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Film/TV
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Judy Garland
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Hannah K Watson
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Over The Rainbow
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Hannah K Watson
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SheetMusicPlus
Small Ensemble Cello,Guitar,Ukulele - Level 1 - SKU: A0.892439 By Judy Garland. By Harold Arlen. Arranged by Hannah K Watson. Contemporary,Film/TV,Folk,...
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Small Ensemble Cello,Guitar,Ukulele - Level 1 - SKU: A0.892439 By Judy Garland. By Harold Arlen. Arranged by Hannah K Watson. Contemporary,Film/TV,Folk,Wedding. Score and parts. 1 pages. Hannah K Watson #4638711. Published by Hannah K Watson (A0.892439). Israel Kamakawiwo'ole's version of Somewhere Over the Rainbow transcribed for cello solo and chordal instrument is available as a zip file download. Includes solo cello part with ukulele chord chart (can be easily played by another instrument like guitar) PDFs + 1 mp3 MIDI audio file (3 files total). Duration roughly 2 minutes. Many/most dynamics and articulations were left out intentionally for learning purposes for students and/or personal interpretation of the music. Contact me if any of the following is desired: -change of key -change of instrumentation -instrumentation additions or subtractions -other alterations Find more sheet music here - https://www.hannahkwatson.com/sheetmusic Contact me directly with specific request(s) - https://www.hannahkwatson.com/contact **Copyright Statement** The sale of this transcribed-by-ear sheet music document is not intended to infringe upon any copyright laws in any way. This transcription/arrangement was heard and written down from my ears alone and at the discretion of my sole interpretation of the song as an arrangement, to be played live, as a cover of the original song. The original content of this song is the copyrighted property of its respective owner(s).
$6.99
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