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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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OCARINA
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Clarinet Quarter-Tone
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2
Quintette de Clarinettes: 5 clarinettes
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FLUTE A DIX…
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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Clarinet Quarter-Tone
Partitions à imprimer
12 partitions trouvées
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1
Contrabass Clarinet Quarter-Tone & Altissimo Fingering Chart for Leblanc, Selmer & Eppelsheim
Bass Clarinet,Instrumental Solo - Digital Download SKU: A0.1309189 Composed by Jaso…
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Bass Clarinet,Instrumental Solo - Digital Download SKU: A0.1309189 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 51 pages. AMA Editions #898361. Published by AMA Editions (A0.1309189). The most comprehensive fingering chart for contrabass clarinet, with separate charts for Leblanc, Selmer & Eppelsheim extended range contrabass clarinets. It contains over 150 fingerings for each model over a five-and-a-half octave range in quarter-tones from written C3 to Bâ™8.Author's Notes:Following the success of my clarinet and, in particular, bass clarinet quarter-tone and altissimo fingering charts, I have produced new charts for contrabass clarinet. The focus of these has been the extended range low C models produced by Leblanc, Selmer, and Eppelsheim. Due to the non-standardized design and keywork functionality of these instruments, completely separate charts are required for each model. Players with low Eâ™ models such as those by Vito and Leblanc may also find these as a useful starting point to discover necessary fingerings, however, they have not been tested on these instruments.One striking difference of the contrabass clarinet fingering charts to those previously for clarinet and bass clarinet is the lack of quarter-tone fingerings in the chalumeau and clarion registers. The reason for this is that suitable fingerings are just not available in this range. Fingering changes can result in timbral and microtonal changes, but in the contrabass register the pitches are too far away from each for effective true quarter-tone fingerings. If quarter-tones are needed in this range, a combination of fingering, embouchure, and voicing adjustments need to be made. As this introduces far too many personal variables, it is ineffectual to create fingerings for them. The upper register is far more flexible, however, so the quarter-tones begin there.
$16.00
14.75 €
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Jason Alder
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Contrabass Clarinet Quarter-Tone & Altissimo Fingering Chart for Leblanc, Selmer & Eppelsheim
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AMA Editions
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SheetMusicPlus
1.20.85 (Quintet)
Small Ensemble Cello,E-Flat Clarinet,Piccolo,Trombone,Violin - Level 4 - Digital Download …
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Small Ensemble Cello,E-Flat Clarinet,Piccolo,Trombone,Violin - Level 4 - Digital Download SKU: A0.799408 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 29 pages. Drake Mabry #516055. Published by Drake Mabry (A0.799408). This work, in three movements uses the instruments in their habitual manner but also as providing varied timbres of sounds by removing the mouthpieces and playing only with air sounds, or in the case of the strings, playing gently on the body of the instrument. There are dynamic rapid passages, long sustained hymn like passages and much dialogue between the instruments and the families of instruments. The slow movement incorporates the use of subtle quarter-tones. The work culminates in a virtuoso flourish. The duration is 9 minutes. This is a manuscript score, thus the reduced price.
$9.99
9.21 €
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Drake Mabry
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1.20.85
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Drake Mabry
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SheetMusicPlus
Elementary Solos, Volume 2 for Winds and Melodic Percussion
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Guitar,H…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Guitar,Horn,Marimba,Oboe,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Xylophone - Level 1 - Digital Download SKU: A0.768558 Composed by Jim Evans. Concert,Standards. Score and parts. 170 pages. Beginning.band #5371629. Published by beginning.band (A0.768558). A collection of twelve solos written with the youngest players in mind!Ranges limited (Bb – Ab concert) so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopations!Each piece is between 1 and 1½ minutes in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part and score is numbered!Solo books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneAccompaniment options: piano/keyboard (book included), guitar (book included).
$30.00
27.66 €
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Jim Evans
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Elementary Solos, Volume 2 for Winds and Melodic Percussion
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beginning.band
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SheetMusicPlus
Elementary Solos, Volume 1, for Winds and Melodic Percussion
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Guitar,H…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Guitar,Horn,Oboe,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Tuba,Xylophone - Level 1 - Digital Download SKU: A0.768549 Composed by Jim Evans. Concert,Contemporary,Instructional,Standards. Score and parts. 177 pages. Beginning.band #3483523. Published by beginning.band (A0.768549). A collection of twelve solos written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression. The first six pieces are limited to Bb - F concert, the next six are limited to Bb - G concert.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopations!No pick-ups! Each piece starts on a downbeat so the kids can come in with confidence!Each piece is between 1 and 2 minutes in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part and score is numbered!Solo books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneAccompaniment options: piano/keyboard (book included), guitar (book included)
$30.00
27.66 €
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Jim Evans
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Elementary Solos, Volume 1, for Winds and Melodic Percussion
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beginning.band
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SheetMusicPlus
A Night In Tunisia
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Diz…
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.82 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.22 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Still Fly
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Flute,Horn,Percussion,Tenor Saxop…
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Flute,Horn,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1454751 By In The Style Of Big Tymers. By Bryan Williams and Byron Thomas. Arranged by Joshua Woshua Wright. This edition: Interactive Download. Contest. 22 pages. Duration 79. DeAndre Preston #6dxCoyrYCN74jSZ88zaZhq. Published by DeAndre Preston (A0.1454751). Key: C major.Whassup Fresh? It's our turn, baby Gator boots (Gator boots) With the pimped out Gucci suits (With them Gucci suits) Ain't got no job, but I stay sharp (I stay sharp) Can't pay my rent (I can't pay my rent) 'Cause all my money's spent (Mmm hmm) But that's okay, 'cause I'm still fly (Damn 'cause I'm so fly) Got a quarter tank of gas In my new E class (In my E-Class Benz) But that's alright, cause I'm gon' ride Got everything (We got everything) In my momma name (In my momma name) But I'm hood rich (Uh huh) na-na-na-na...
$49.99
46.09 €
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In The Style Of Big Tymers
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Joshua Woshua Wright
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Still Fly
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DeAndre Preston
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SheetMusicPlus
Mama's Little Shoes-mixed trio 2
Small Ensemble Baritone Horn TC/Euphonium,Clarinet,Trumpet - Level 1 - Digital Download
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Small Ensemble Baritone Horn TC/Euphonium,Clarinet,Trumpet - Level 1 - Digital Download SKU: A0.845155 Composed by Phil Beaman. 20th Century,Instructional. Score and parts. 6 pages. Phil Beaman #6265589. Published by Phil Beaman (A0.845155). A short Instrumental Trio which is a chord progression piece like those written by Chopin and Schumann, but here brought into the 21st century with hints of New Age and Jazz. It is homophonic (the parts all move together.) Throughout it is easy crotchets (quarter notes). There are several dynamic markings to observe. There are some accidentals, mostly in the lowest 3rd part which often moves chromatically. This makes the the chord progression sometimes unpredictable and non-traditional so students must listen to tune well.
$4.99
4.6 €
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Phil Beaman
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Mama's Little Shoes-mixed trio 2
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Phil Beaman
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SheetMusicPlus
O Christmas Tree
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bells,Flute,Tenor Saxophone,Tuba - Level 1…
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bells,Flute,Tenor Saxophone,Tuba - Level 1 - Interactive Download SKU: A0.1318471 Composed by Traditional German Carol. Arranged by Jeanne Vultaggio. This edition: Interactive Download. Christmas,Folk,Holiday. 17 pages. Duration 48. Jeanne Vultaggio #1uILUs7b5jAczgyRGInEc6. Published by Jeanne Vultaggio (A0.1318471). Key: Eb major.A recognizable Christmas Carol playable by beginners at their very first band concert, using only quarter and half notes.
$19.99
18.43 €
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Traditional German Carol
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Jeanne Vultaggio
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O Christmas Tree
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Jeanne Vultaggio
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.22 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Happy
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Euphonium,Flut…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Euphonium,Flute,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.714381 By Pharrell. By Pharrell. Arranged by Jeremy Corcoran. Hip-Hop,R & B,Soul. Score and parts. 28 pages. LPC Publishers #3258327. Published by LPC Publishers (A0.714381). This pep band arrangement of Pharrell's Happy from Despicable Me 2, will be a favorite of the crowd and the band. With many options of how to play the song, this is perfect for between quarters, during timeouts, or just an 8 measure interlude between plays.
$20.00
18.44 €
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Pharrell
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Jeremy Corcoran
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Happy
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LPC Publishers
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SheetMusicPlus
Eye Of The Tiger
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Euphonium,Flut…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Euphonium,Flute,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Digital Download SKU: A0.714655 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Jeremy Corcoran. Pop. Score and parts. 18 pages. LPC Publishers #3508101. Published by LPC Publishers (A0.714655). Eye of the Tiger for Pep Band. This arrangement is written to be played in short segments or as a full song.This makes it perfect for between plays, time-outs, or between quarters. Play from Rehearsal Letter to rehearsal Letter and cut at any time.
$20.00
18.44 €
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Survivor
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Jeremy Corcoran
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Eye Of The Tiger
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LPC Publishers
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SheetMusicPlus
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Clarinet Quarter-Tone 
