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Vous avez sélectionné:
Color Me America
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Ten More Praise Choruses (for 13-note Bells and Boomwhackers with Color Coded Notes)
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Musique Sacrée
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Musique Sacrée
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Sharon Wilson
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Ten More Praise Choruses
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Handbell,Handchime - Level 1 - SKU: A0.1177364 By Sharon Wilson. By African American Spiritual, African-American Spiritual, Anna Bart...
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Bells,Boomwhackers,Handbell,Handchime - Level 1 - SKU: A0.1177364 By Sharon Wilson. By African American Spiritual, African-American Spiritual, Anna Bartlett Warner, Anonymous, Edwin O. Excell, Folk Song, Philip P. Bliss, Traditional, Various, and William B. Bradbury. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Christian,Easter,Folk,Spiritual. 99 pages. Sharon Wilson #777372. Published by Sharon Wilson (A0.1177364). This collection contains 10 praise choruses notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided for each song. To aid in the learning and teaching of these songs or for use with other instruments (such as a Ukulele), chord names are included on each Boomwhackers® staff and score. Lyrics are also provided on each score for sing along enjoyment or when using these arrangements as the accompaniment for a unison choir.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme.  If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians.The number of ringers and whackers needed for each song will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are provided for each song. Each of the 10 praise chorus arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection:The B-I-B-L-EDare to Be a DanielHis Banner Over Me Is LoveI Will Sing of the Mercies of the LordJesus Bids Us ShineJesus Loves Even MeJesus Loves MeMicah 6:8 (He Has Shown You)O, How I Love JesusThis Little Light of MineOther suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®    * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Keywords: Boomwackers, Boomwacker, Boomwhacker
$19.99
Folk Songs, vol. 1 - MH
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Folklorique/Traditionel
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Traditional
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Curtis Hanson
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Folk Songs, vol. 1 - MH
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719663 Composed by Traditional. Arranged by Curtis Hanson. Folk. 46 pages. Curtis Hanson #1791771. Published by Cur...
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Vocal Solo,Voice - Level 1 - SKU: A0.719663 Composed by Traditional. Arranged by Curtis Hanson. Folk. 46 pages. Curtis Hanson #1791771. Published by Curtis Hanson (A0.719663). The eleven folk songs in this collection are all from the British Isles or American tradition. They were selected and arranged for my personal voice students, many of whom are beginning singers. This edition is for singers with medium-high voices. Upper ranges approach the top of the treble clef but do not go above the staff. The common thread for all the songs is to provide interesting arrangements for singers of a variety of skill levels with accompaniments that usually are very supportive of young or less experienced voices. All are available separately or in choral settings in a variety of voicings. The songs in this edition are: Down in the Valley (American), All the Pretty Little Horses (American), All Through the Night (Welsh), Annie Laurie (Scottish), The Ash Grove (Welsh), The Colorado Trail (American), Barb’ra Allen (English), The Crystal Spring (English), Drink to Me Only with Thine Eyes (English), Greensleeves (English), and Johnny Has Gone for a Soldier (Irish/American). Volume 2 contains an additional eleven folk songs. Each volume is also available for medium-low voices.
$20.00
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
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Color Me America
