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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come and Hear
Non classifié
1 313
Piano & claviers
Piano, Voix et Guitare
516
Piano seul
411
Piano, Voix
143
Piano Facile
80
Accompagnement Piano
64
Instruments en Do
54
Orgue
40
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
2
Accordéon
1
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
67
Guitare
27
Ukulele
21
Ligne De Mélodie, (Paroles) et Accords
18
Basse electrique
15
Paroles et Accords
8
Piano, Guitare (duo)
6
4 Guitares (Quatuor)
2
Guitare (partie séparée)
2
2 Guitares (duo)
2
Ukulele Baryton
1
Mandoline
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
427
Chorale 3 parties
110
Chorale 2 parties
91
Chorale Unison
47
Chorale TTBB
43
Chorale SSAA
22
Voix Tenor, Piano
21
Voix duo
11
Voix Soprano, Piano
9
Voix duo, Piano
9
Voix haute
8
Voix Alto, Piano
6
Voix seule
6
Voix Baryton, Piano
6
Chorale
5
Voix Tenor
5
Voix moyenne, Piano
4
Voix Soprano
3
Voix Mezzo-Soprano, Piano
2
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
66
Clarinette et Piano
61
Hautbois, Piano (duo)
55
Quatuor de Saxophones: 4 saxophones
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Saxophone Alto et Piano
44
2 Saxophones (duo)
41
2 Flûtes traversières (duo)
41
Quintette de Saxophone: 5 saxophones
30
Saxophone Tenor et Piano
29
Flûte traversière
27
2 Clarinettes (duo)
25
Hautbois (partie séparée)
24
Ensemble de Flûtes
24
Flûte, Hautbois, Clarinette, Basson
23
Quatuor de Clarinettes: 4 clarinettes
23
Clarinette
21
Ensemble de Clarinettes
20
Ensemble de saxophones
20
Saxophone Soprano et Piano
16
Saxophone Baryton, Piano
13
Saxophone Alto
13
Quatuor de Flûtes : 4 flûtes
11
3 Saxophones (trio)
11
Saxophone (partie séparée)
10
Cor anglais, Piano
10
Flûte, Clarinette (duo)
10
Clarinette, Basson (duo)
8
Saxophone, Clarinette (duo)
7
Flûte, Violon, Piano
7
Clarinette Basse, Piano
7
2 Hautbois (duo)
6
Clarinette (partie séparée)
6
Quintette de Clarinettes: 5 clarinettes
6
Flute (partie séparée)
5
Quatuor de Flûtes à bec
5
3 Clarinettes (trio)
5
Clarinette, Violon (duo)
5
Clarinette, Violoncelle (duo)
5
Flûte, Clarinette, Cor, Basson (Quartet)
4
Quintette de Flûte : 5 flûtes
4
2 Flûtes traversières, Piano
4
Flûte à bec Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Hautbois, Basson
3
Hautbois, Flûte
3
Ensemble De Flûte à bec
3
Hautbois
3
Flûte, Saxophone (duo)
3
Flûte, Violon
3
Flûte, Violoncelle
3
Clarinette, Trompette (duo)
3
Ocarina
3
Flûte et Guitare
3
Saxophone Tenor
2
Clarinette et Alto
2
Clarinette, Guitare (duo)
2
Flûte à Bec
2
Flûte à bec Soprano
2
Hautbois, Guitare (duo)
2
Hautbois, Clarinette (duo)
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
2 Flûte à bec (duo)
2
Flûte à bec Tenor
2
Flûte, Clarinette et Basson
2
Hautbois, Basson (duo)
2
Hautbois, Violoncelle
2
Flûte, Hautbois, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Piccolo, Piano
1
2 Clarinettes, Piano
1
5 Flûtes à bec
1
Harmonica
1
Flûte, Alto (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Trompette (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois (duo)
1
Clarinette, trompette et piano
1
Flûte à bec Soprano, Piano
1
Clarinette, Harpe (duo)
1
Ensemble à vent
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Trombone et Piano
42
Cor et Piano
30
Trompette, Piano
28
Quatuor de cuivres: 4 trombones
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette
24
2 Trompettes (duo)
19
Tuba et Piano
19
Trombone
14
2 Cors (duo)
14
2 Trombones (duo)
14
Ensemble de Trombones
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Quatuor de Cuivres
11
Euphonium, Piano (duo)
10
Cor anglais, Piano
10
Tuba
10
Trompette (partie séparée)
9
Trombone (partie séparée)
7
Ensemble de Trompettes
7
Cor
6
Trompette, Saxophone (duo)
5
Quatuor de cuivres: 4 cors
4
Trio de Cuivres
4
2 Euphoniums et 2 Tubas
4
2 Tubas (duo)
4
Trompette, Trombone (duo)
3
Cor (partie séparée)
3
Ensemble de Cors
3
Tuba (partie séparée)
3
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 4 trompettes
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
Bass Clef Instruments
2
Cor anglais, Guitare (duo)
1
4 Tubas
1
Trompette, Trombone, Piano
1
Trombone, Tuba (duo)
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
136
Violon et Piano
91
Violoncelle, Piano
54
Alto, Piano
51
Harpe
35
Violon
34
2 Violons (duo)
32
Violon, Violoncelle (duo)
31
2 Violoncelles (duo)
28
Violoncelle
24
Trio à Cordes: 2 violons, violoncelle
20
Trio à Cordes: violon, alto, violoncelle
20
Alto seul
19
2 Altos (duo)
15
Contrebasse, Piano (duo)
14
Violon, Alto (duo)
14
Violon (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contre Basse
10
Alto, Violoncelle (duo)
8
Harpe, Voix
7
Violoncelle, Contrebasse (duo)
6
2 Contrebasses (duo)
6
Trio à cordes: 3 altos
5
Ensemble d'Altos
5
Alto (partie séparée)
5
2 Harpes (duo)
5
Ensemble de Violons
5
Violoncelle (partie séparée)
4
4 Violoncelles
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 violins
3
Harpe, Violoncelle (duo)
2
Violon, Basson (duo)
2
Trio à cordes
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
2 Violoncelles, Piano
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
216
Orchestre
83
Orchestre à Cordes
57
Cloches
51
Ensemble de cuivres
36
Fanfare
27
Ensemble Jazz
27
Orchestre de chambre
27
Ensemble de Percussions
4
Percussion (partie séparée)
4
Jazz combo
3
Batterie
2
Batterie (partie séparée)
1
Orchestre, Violon
1
Marimba
1
2 Marimbas
1
Vibraphone
1
Piano et Orchestre
1
+ 13 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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1301
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Ten Christmas Carols for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Noël
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Sharon Wilson
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Sharon Wilson Music
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Ten Christmas Carols for 8-not
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565351 By Sharon Wilson. B...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565351 By Sharon Wilson. By Charles Wesley, George Frideric Handel, Isaac Watts, Johann A. P. Schulz, Rowland Hugh Prichard, Traditional, Traditional French Carol, Various, and tradition English carol. Arranged by Sharon Wilson Music. Children,Christmas,Folk,Sacred,Standards. Score and parts. 87 pages. Sharon Wilson #3927361. Published by Sharon Wilson (A0.565351). This collection contains 10 Christmas carols arranged for 2-part ensembles using only 8-note instruments. Each song in this collection is notated for handbells on one part and Boomwhackers® on a second part. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs. Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included for each song.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Each of the 10 Christmas Carol arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection:Angels We Have Heard on HighAs Lately We WatchedCome, All Ye ShepherdsCome, Thou Long Expected JesusThe First NoelHere We Come A-CarolingJoy to the WorldO Come, Little ChildrenO Thou Joyful DaySing We Now of ChristmasBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
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Andrew Cody Williams and Jeff
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Popular Orchestral Excerpt Etu
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Andrew Cody Williams
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SheetMusicPlus
Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cod...
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Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00
Come and Hear the Joyful Singing
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Hal H
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Steven Strite
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alleluia, gloria!.
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Come and Hear the Joyful Singi
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Hope Publishing - Digital
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SheetMusicPlus
Choral C Instrument, Percussion, Piano - SKU: H1.C6333DP Composed by Hal H. Hopson. Arranged by Steven Strite. Piano with optional Flute and Tambourine ...
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Choral C Instrument, Percussion, Piano - SKU: H1.C6333DP Composed by Hal H. Hopson. Arranged by Steven Strite. Piano with optional Flute and Tambourine (Included). Hymn Arrangements, Christmas, Birth of Jesus Christ. Octavo. 16 pages. Hope Publishing - Digital #C6333DP. Published by Hope Publishing - Digital (H1.C6333DP). Michael Perry.Original anthem With dynamic, rhythmic energy, plus an added tambourine and C instrument, this Christmas anthem builds to the joyful proclamation, come and hear the joyful singing, alleluia, gloria. Set the bells of heaven ringing; alleluia, gloria!.
$3.25
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Come And Hear The Story (Vocal Track)
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Musique Sacrée
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Stephen DeCesare
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Come And Hear The Story
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Exultet Music
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SheetMusicPlus
Voice - SKU: A0.1052846 Composed by Stephen DeCesare. Children,Christian,Praise & Worship,Sacred. Full Performance. Duration 130. Exultet Music #6327945...
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Voice - SKU: A0.1052846 Composed by Stephen DeCesare. Children,Christian,Praise & Worship,Sacred. Full Performance. Duration 130. Exultet Music #6327945. Published by Exultet Music (A0.1052846). Upbeat Praise and worship song for children telling the story of Jesus Christ. Sheet music is available on this site.
$3.99
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Lullaby Of Birdland
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Jazz
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George Shearing
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Serena Rose
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Lullaby Of Birdland
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Serena Rose Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by ...
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Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by George Shearing. Arranged by Serena Rose. Jazz. Score and parts. 25 pages. Serena Rose Music #4313909. Published by Serena Rose Music (A0.1032048). This playful arrangement of Lullaby of Birdland by George Shearing (concert Ab) for voice and 3 horn ( alto sax, trumpet, trombone, piano, bass, and drums ) is unique from many arrangements of this jazz standard by weaving complimentary melodies around the vocal melody, giving this piece a welcome breath of fresh air. The 10-bar intro has a rhythmic push in the piano reminiscent of Jamiroquai’s Virtual Insanity that intensifies the listener’s anticipation to hear the first few notes of this familiar tune in a new and unique context. Returning back to the head via a simple D.S. enables instrumentalists to easily focus on solos rather than the form. The 2-bar rhythm-section outro concludes the piece precisely and cleanly and takes the listener back to the time when jazz bands were first cooking up storms on the dance floors. Though cited with tempo at a quarter note = 160 bpm, this arrangement works well at any bpm between 140 and 170.Other than for the introduction and the ending, the piano part includes chords and rhythmic notation throughout for easy improvisation. The bass part includes both an intermediate-advanced written part and chords throughout, thus accommodating bassists at all skill levels and/or those who would prefer to play a combination of written and improvised bass lines. The drum chart is to be improvised throughout; however, it includes suggested rhythmic ideas and indicates key points in the arrangement such as horn hits, repeats, and fills. PLEASE NOTE: For ease of identifying parts, the forthcoming audio clip furnishes a piano playing the vocal melody. The piano chart does not include the melody. About the Arranger: Serena Rose is a professional musician who performs weekly in the greater Los Angeles area. She has a master's in music composition and has composed three large works for the Orange Coast College Wind Ensemble as well as various smaller ensembles based in Los Angeles.
$50.00
Carson Cooman: Jaunts (2001) for mandolin quintet
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Carson Cooman
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Carson Cooman: Jaunts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Bass Guitar,Mandolin - Level 5 - SKU: A0.533658 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 30 pages. Musik Fabri...
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Small Ensemble Bass Guitar,Mandolin - Level 5 - SKU: A0.533658 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #3035635. Published by Musik Fabrik Music Publishing (A0.533658). Jaunts (2001) for mandolin quintet (2 mandolins, mandola, guitar and bass guitar) was written for and is dedicated to the Sydney Mandolins,with much admiration.The work is about travel -- not long journeys or voyages -- but rather jaunts which thedictionary defines as short trips or excursions, usually for pleasure. The work exploresdiverse textures within a short time-span. The piece is in four general sections: It begins witha slow and unfolding opening leading to a moderate jaunt. This proceeds into a much fasterand driving section which ends very abruptly. The moderate pace begins again to themoderate pace which leads finally the opening spare textures again.The seeds of the musical material for the entire work come from the first mandolin's openinggesture.Aspects of the color and textures of the mandolin ensemble have been utilized by thecomposer in the work, inspired very much from the hearing of countless recordings of theSydney Mandolins in the performance of contemporary music.
$25.95
Lord of All Our Days (Funeral Hymn) Backup Track (Full harmonies and choral parts)
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Piano Accompaniment - Level 2 - SKU: A0.1477616 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious...
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Piano Accompaniment - Level 2 - SKU: A0.1477616 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054996. Published by Anastace (A0.1477616). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with only piano (instead of this one with the full choral backup vocals) as well as the following sheet music options:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key] For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
"Three Labe Sonnets" for mezzo-soprano and piano
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Contemporain
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Jason A
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"Three Labe Sonnets"
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Call of the Wild Publishing
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265...
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Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50
Come, People of the Risen King
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Musique Sacrée
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Keith Getty and Stuart Townend
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Michael Lawrence
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Choral Octavo
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Come, People of the Risen King
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-32343 Composed by Keith Getty and Stuart Townend. Arranged by Michael Lawrence. This edition: InstruPax....
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Choir Sacred Instrumental Ensemble - SKU: JX.00-32343 Composed by Keith Getty and Stuart Townend. Arranged by Michael Lawrence. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. With One Voice Choral Series. Easter; Sacred; Spring. Part(s). 94 pages. Jubilate Music Group - Digital #00-32343. Published by Jubilate Music Group - Digital (JX.00-32343). English.Rejoice! Rejoice! . . . the command to praise resounds in the beginning of this dynamic, thrilling anthem from Keith Getty and Stuart Townend. Sometimes thoughtful, sometimes rollicking, Michael Lawrence's arrangement is a delight to sing and hear. Suitable for Easter, the hard to program Sunday after Easter or any time of exultation, this anthem is must for any music library.
$40.00
Bethlehem Angel and The First Noel
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Noël
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Ginny Saltzman
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Bethlehem Angel and The First
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Ginny's House of Music
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Sc...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99
I Heard the Voice of Jesus
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I Heard The Voice Of Jesus
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Horatius Bonar
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I Heard the Voice of Jesus
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Handbell (Handbells) - SKU: H1.C5622DP Composed by I Heard The Voice Of Jesus. Arranged by Horatius Bonar. What gives moments meaning is not the...
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Choral, Handbell (Handbells) - SKU: H1.C5622DP Composed by I Heard The Voice Of Jesus. Arranged by Horatius Bonar. What gives moments meaning is not the moments themselves but the presence of Christ with us in the midst of them. -Emily P. Freeman. Sing & Ring Series. Hymntune, Ring & Sing, General Worship, Devotion. Octavo. 8 pages. Hope Publishing - Digital #C5622DP. Published by Hope Publishing - Digital (H1.C5622DP). I Heard The Voice Of Jesus.Here is a mesmerizing, much-loved English folk melody, KINGSFOLD, set to a Scottish poem which speaks of the words of Jesus. Here is a mesmerizing, much-loved English folk melody, KINGSFOLD, set to a Scottish poem which speaks of the words of Jesus. Each verse of the hymn is structured around words from the gospels (Matt. 11:28; John 4:14, 1:4-9), all centered on the invitation of Jesus to come and follow. The simple handbell accompaniment makes this an ideal choice as a choral response to one of these gospel readings.
$2.95
Kumbaya for Trombone in Bb (treble clef) and Piano
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Musique Sacrée
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Traditional
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Tim Curd
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Kumbaya for Trombone in Bb
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Tim Curd
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SheetMusicPlus
B-Flat trombone,Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 1 - SKU: A0.717518 Composed by Traditional. Arranged by Tim Curd. Children,Pr...
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B-Flat trombone,Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 1 - SKU: A0.717518 Composed by Traditional. Arranged by Tim Curd. Children,Praise & Worship,Sacred,Spiritual. Score and individual part. 3 pages. Tim Curd #6272685. Published by Tim Curd (A0.717518). Kumbaya for Trombone in Bb (treble clef) and Piano.Kumbaya which means come by hear is an Afro American spiritual that is thought to originate from the islands near South Carolina and Georgia. This arrangement features a triumphal counter melody that runs through the piece.Solo and piano part included.
$3.99
Kumbaya for Horn in Eb and Piano
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Traditional
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Tim Curd
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Kumbaya for Horn in Eb and Pia
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Tim Curd
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SheetMusicPlus
E-Flat Cornet,E-Flat Tenor Horn,Horn in E-Flat,Instrumental Solo,Piano - Level 1 - SKU: A0.717515 Composed by Traditional. Arranged by Tim Curd. Childre...
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E-Flat Cornet,E-Flat Tenor Horn,Horn in E-Flat,Instrumental Solo,Piano - Level 1 - SKU: A0.717515 Composed by Traditional. Arranged by Tim Curd. Children,Praise & Worship,Spiritual. Score and individual part. 3 pages. Tim Curd #6272669. Published by Tim Curd (A0.717515). Kumbaya for Horn in Eb and Piano.Kumbaya which means come by hear is an Afro American spiritual that is thought to originate from the islands near South Carolina and Georgia. This arrangement features a triumphal counter melody that runs through the piece.Solo and piano part included
$3.99
Come Hear - Rehearsal CD
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Ruth Elaine Schram
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Come Hear - Rehearsal CD
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Fred Bock Music Company
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SheetMusicPlus
Choral (rehearsal CD) SKU: HL.8739966 Composed by Ruth Elaine Schram. Rehearsal Track. Fred Bock Publications. Sacred. Fred Bock Music Company #BGRD2475....
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Choral (rehearsal CD) SKU: HL.8739966 Composed by Ruth Elaine Schram. Rehearsal Track. Fred Bock Publications. Sacred. Fred Bock Music Company #BGRD2475. Published by Fred Bock Music Company (HL.8739966). UPC: 884088091163. 5.5x5 inches.Very Few Composers Can Write A Melody Like Ruth Elaine Schram, And Come, Hear Is No Exception. Working With A Text Co-Written With Her Husband, Scott, She'S Created A Choral Anthem That Any Church Will Find Useful All Year Long. A Choral Reheasal Track (Bgrd2475) And Choral Rehearsal Track 10 Pack (Bgrd2475Cp) Are Also Available.
$19.95
March: Helping Hands (Rob Bushnell) - Brass Band
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Rob Bushnell
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March: Helping Hands
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99
Carol of the Bells (Hear Them Ring) - SATB with optional instruments and piano
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Noël
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Mykola Leontovych
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Connie Boss
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801679 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score....
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801679 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 15 pages. Connie Boss #6415657. Published by Connie Boss (A0.801679). This is a fun arrangement of this song. It is in SATB and optional instruments - flute, violin, cello) and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King. Repeat intro in between verses and at the end.
$5.50
Carol of the Bells (Hear Them Ring) - SATB cello and piano with parts
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Noël
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Mykola Leontovych
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Connie Boss
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801699 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score....
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801699 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6421425. Published by Connie Boss (A0.801699). This is a fun arrangement of this song. It is in SATB cello and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King. Repeat intro in between verses and at the end.
$5.50
Carol of the Bells (Hear Them Ring) - SATB violin and piano with parts
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Noël
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Mykola Leontovych
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Connie Boss
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801700 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score....
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801700 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6421433. Published by Connie Boss (A0.801700). This is a fun arrangement of this song. It is in SATB violin and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King.
$5.50
Heartbreaker
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Pat Benatar
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Sarah Cellobat Chaffee
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Heartbreaker
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Ensemble Cello - Level 4 - SKU: A0.1250783 By Pat Benatar. By Cliff Wade and Geoff Gill. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV...
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String Ensemble Cello - Level 4 - SKU: A0.1250783 By Pat Benatar. By Cliff Wade and Geoff Gill. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Rock,Video Game. 27 pages. Sarah Cellobat Chaffee #845047. Published by Sarah Cellobat Chaffee (A0.1250783). *INSTRUMENTATION: 4 CELLOS*Heartbreaker, one of the most iconic songs in female rock history, was released by Pat Benatar as a single from her debut album in 1978. Originally released by an English singer named Jenny Darren, Benatar's cover proved to be her breakthrough song; it topped the Billboard charts for nearly 5 weeks and was ultimately named one of VH1's 100 best hard rock songs of all time. It has since been featured in video games, movies, TV shows, movies, and has generally become a staple of pop culture -- and now you can rock out on it with your cello buddies! This Cellobat arrangement for cello quartet is just as hard-hitting as the original, with epic vocal lines, powerful harmonies, a driving rock beat, and even a fun guitar solo. I guarantee your group will have a blast! Rated advanced-intermediate for tenor/treble clef and basic thumb position in some of the parts; this will be learnable for students and easily sightreadable for professionals.Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click Watch near the item details at the top of the page for full video of Heartbreaker. Crowd pleasing guaranteed.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
O Come All Ye Faithful — festival hymn accompaniment for organ, brass quintet, timpani
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Musique Sacrée
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Noël
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John Francis Wade
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Todd Marchand
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O Come All Ye Faithful —
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Con Spirito Music
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SheetMusicPlus
Horn,Organ,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1268716 Composed by John Francis Wade. Arranged by Todd Marchand. Christian,Christmas,Sacre...
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Horn,Organ,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1268716 Composed by John Francis Wade. Arranged by Todd Marchand. Christian,Christmas,Sacred. 25 pages. Con Spirito Music #861244. Published by Con Spirito Music (A0.1268716). Perhaps the most often-sung processional or recessional hymn at Christmas services, O Come, All Ye Faithful is generally attributed to John Francis Wade (1711-1786), an English Catholic hymn-writer who authored both its Latin text and its tune, known as ADESTE FIDELES from the opening words of the text. Although more than two dozen English translations of Wade's text (c. 1743) by various writers exist, the 1841 translation by English Catholic priest Frederick Oakeley (1802-1880) is the most commonly used.In addition to the four verses-with-refrain in Wade's text and Oakeley's translation, other hymn-writers penned additional stanzas, and it is not uncommon to hear six or seven sung today. This accompaniment for organ, brass quintet, and timpani is based on the four original stanzas as translated by Oakeley, with all but the final verse employing the standard harmonization from The English Hymnal (1906). For performances of more than four verses, it is suggested that the organ-only accompaniment (Verse 1) be repeated/inserted at the discretion of the organist or music director.  Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, timpani, and reproducible bulletin insert for voices. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
Please Try to Remember Me (Holy Thursday) - vocal trio, cello and piano
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Connie Boss
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Please Try to Remember Me
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Connie Boss
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SheetMusicPlus
Small Ensemble Alto Voice,Cello,Piano,Soprano voice - Level 2 - SKU: A0.801304 Composed by Connie Boss. Easter. Score and parts. 4 pages. Connie Boss #5...
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Small Ensemble Alto Voice,Cello,Piano,Soprano voice - Level 2 - SKU: A0.801304 Composed by Connie Boss. Easter. Score and parts. 4 pages. Connie Boss #5197949. Published by Connie Boss (A0.801304). Holy Thursday - Washing of the feet song. It is a vocal trio with cello and piano. The verses are for solo voice or could be all in unison with harmonies added. The instruments are optional except the piano. Voices are written in treble clef but men could be added as well.Questions or requests, email cdboss@cvalley.netHoly Thursday/Washing of the Feet/The Last SupperVerse 1: Jesus said to His apostles, welcome to this feast – He said Please try to remember me This was the night of His last supper, they all sat down to eat. He said Please try to remember me. Refrain: For I will be with you always Keep me in your heart Verse 2: Then He knelt before each man and placed their feet in His hands – He said Please try to remember me He washed their feet of the dirt and sand from their trip on the land – He said Please try to remember me Refrain: For I will be with you always Keep me in your heart Verse 3: He told them of His fate that night and saw that they were filled with fright – He said Please try to remember me Now go forth and spread the word, the message that you’ve heard – He said Please try to remember me Refrain: For I will be with you always Keep me in your heart.
$5.50
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