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TRI ET FILTRES
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Coming Back For You
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Scarborough Fair arr. for flute, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
11.08 €
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flute, clarinet, bassoon and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1031703. Published by Colin Kirkpatrick Publications (A0.1452373). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
11.08 €
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for oboe, clarinet, bassoon and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for flute, oboe, bassoon and piano
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - Digital Download SKU: A0.1442831 C…
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Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - Digital Download SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 20 pages. Colin Kirkpatrick Publications #1022767. Published by Colin Kirkpatrick Publications (A0.1442831). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
11.08 €
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flute, oboe, bassoon and piano
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Coming Back Around
Multi-Percussion,Percussion Solo - Level 3 - Digital Download SKU: A0.1103592 Compo…
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Multi-Percussion,Percussion Solo - Level 3 - Digital Download SKU: A0.1103592 Composed by John Powell. Arranged by Davide Bizzarri. Celtic,Film/TV,Irish,March. Individual part. 3 pages. Davide Bizzarri #706862. Published by Davide Bizzarri (A0.1103592). This isn't a stand-alone part, it's a part of a set based on the string quartet arrangement. This arrangement of Coming Back Around aims to restore the epic atmosphere of the original piece, with a reduced staff like the string quartet. You can also use this part together with other detached instrumental parts of the same piece (with the compatible arrangement), for example the percussion, harp, flute or bass parts, which you can find in another collection of the same arranger, in this site. Also the orchestral score is available.
$4.99
4.61 €
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John Powell
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Davide Bizzarri
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Coming Back Around
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Davide Bizzarri
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SheetMusicPlus
I Don't Think He's Ever Coming Back
Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1249171 Comp…
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Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1249171 Composed by Chetwynd Seal and Peter T Wright. This edition: Interactive Download. Pop. 33 pages. Duration 178. Chetwynd Seal #7YjBoBWhNGCfEDfAwDhvQD. Published by Chetwynd Seal (A0.1249171). Key: C major.Another song written for a girl band. This song shows that you should never take anyone for granted. Complete with lyrics, melody line, tab and chord boxes.
$2.99
2.76 €
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Chetwynd Seal and Peter T Wright
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I Don't Think He's Ever Coming Back
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Chetwynd Seal
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.39 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
How Can You Mend A Broken Heart
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802643 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 19 pages. Peet du Toit #6169575. Published by Peet du Toit (A0.802643). How Can You Mend a Broken Heart is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.Barry and Robin Gibb wrote the song in August 1970 with Lonely Days when the Gibb brothers had reconvened following a period of break-up and alienation. Robin came to my place, says Barry, and that afternoon we wrote 'How Can You Mend a Broken Heart' and that obviously was a link to us coming back together. We called Maurice, finished the song, went to the studio and once again, with only 'Broken Heart' as a basic structure, we went in to the studio with that and an idea for 'Lonely Days', and those two songs were recorded that night.Here is a brass quintet version for you - a flügelhorn solo, with percussion. Enjoy this golden oldie!
$21.00
19.4 €
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Bee Gees
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Peet du Toit
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How Can You Mend A Broken Heart
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Peet du Toit
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SheetMusicPlus
"A Meditation" (Coming Home) Solo Flute, Violin or Oboe
Small Ensemble Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.938116 Compos…
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Small Ensemble Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.938116 Composed by Jacquelyn G. Kleine. 20th Century,Concert,Contemporary,Spiritual,Wedding. Score and parts. 2 pages. Jacquelyn Kleine #3038519. Published by Jacquelyn Kleine (A0.938116). A Meditation (Coming Home) is a warm and gentle Flute (Violin or Oboe) solo that is suitable where quiet interlude and meditative music is needed. (i.e. During prayer and meditation, weddings, receptions, background - as well as recital progamming.) Though, I have performed this composition many times in public settings, I composed this solo for my former students, in order to teach them the key of D flat. It also has a key change to the bright sound of D Major, and then transitions back to the warm sound of D flat. You'll sense my influence and love for French music in this solo! Enjoy! Join me on Facebook and SoundCloud: https://www.facebook.com/gentlecreationsbyjacki/ https://soundcloud.com/jacquelyn-kleine
$5.00
4.62 €
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Jacquelyn G
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"A Meditation"
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Jacquelyn Kleine
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SheetMusicPlus
You Were Once Darkness
String Trio - Level 5 - Digital Download SKU: A0.1115501 Composed by Robert Myers. …
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String Trio - Level 5 - Digital Download SKU: A0.1115501 Composed by Robert Myers. Chamber,Christmas,Classical,Contemporary. 33 pages. WheatMyer Music #717270. Published by WheatMyer Music (A0.1115501). You Were Once Darkness is written for advanced string trio being full of extended techniques, cross rhythms, and challenging harmonies. It is well suited for string trio recitals and chamber concerts. The music follows a redemptive arc, a journey from dark to light, from chaos to repose. It’s not meant to be auto-biographical but to be meaningful to anyone who has known the sweetness of overcoming personal brokenness, whether it might be addiction, self-destruction, religious deliverance, or other crisis. It approaches the topic from the perspective of overcoming self. The harmonies, rhythms, and timbres of the piece strive to portray this transition. The age-old metaphors of darkness for ill and light for good are featured characters in the music. In particular, the title refers to a line from the Apostle Paul’s letter to the church in Ephesus, “You were once darkness but now you are light in the Lord. Walk as children of light, for the fruit of the light consists in all goodness, righteousness, and truth.†“You Were Once Darkness†uses the melody from a very familiar Christmas carol but it is highly camouflaged and difficult to distinguish. Although it forms the backbone of the music it also, as our own backbones do, remains mostly unobserved. Clues do peak through the darkness, so to speak, from time to time so the attentive listener may discern the melody by the end. The music sounds edgy and unfamiliar even though it only uses the notes of the C-major scale (all the white keys on the piano). This is achieved using techniques developed by Estonian composer Arvo Pärt which employ rules-based writing, typically using a simple scale over a single major or minor accompanying chord. The concept sounds simple but that does not make it easy to write or to play. The technique produces an interplay of dissonance and consonance that creates a fascinating variation of sound much as a kaleidoscope does with color. Robert Myers S.D.G. wheatmyermusic.com.
$19.99
18.47 €
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Robert Myers
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You Were Once Darkness
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WheatMyer Music
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SheetMusicPlus
You Stepped Out Of A Dream
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.910417 Composed by Nac…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.910417 Composed by Nacio Herb Brown. Arranged by David Heywood. Contemporary. 3 pages. David Heywood #5178457. Published by David Heywood (A0.910417). You Stepped Out of a Dream is an exciting new samba arrangement of this familiar jazz standard for flute choir (piccolo, C flutes 1-5, alto and bass) with rhythm section (piano, bass, and drum set). The unique feature of this arrangement is that the piece opens with the flutes coming in in layers imitating the instruments of the Brazilian batucada, a substyle of samba that is made up of percussion instruments, along with the drum set. The melody is then presented with tight, crisp jazz harmonies, and opens up to a piano solo with flute backgrounds, and optional parts included for jazz flute soloist(s) as well. This is followed by a chorus of written out flute solis with the group split up into three groups that all finish together in time for the melody again. The piece finishes with an open repeat of the entire group playing the batucada rhythms with the drums, and a chance to get the audience involved with clapping or even dancing. Add the excitement of Brazilian Samba to your next concert!
$22.99
21.24 €
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Nacio Herb Brown
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David Heywood
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You Stepped Out Of A Dream
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David Heywood
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SheetMusicPlus
NoteStackers Complete Digital Edition
Large Ensemble all instruments - Level 1 - Digital Download SKU: A0.844221 Composed…
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Large Ensemble all instruments - Level 1 - Digital Download SKU: A0.844221 Composed by Zachary Seckman. Instructional. Score and parts; game. 174 pages. ZS Music Publishing #6692569. Published by ZS Music Publishing (A0.844221). You need your students to learn their Music Alphabet, and fast, and it needs to be interactive...and you need to integrate technology...whew, that's a lot! You've found a great product that rolls the Music Alphabet into a printable, interactive, and digital product all in one! NoteStackers Digital Edition is a new game from ZS Music Publishing where students have to quickly think of how the alphabet moves back and forth.Primer Level is the Music Alphabet.Level 1 Is Bass F to Treble G (Middle C Position).Level 2 is Middle C to Treble C.Level 3 is Middle C to Bass C.Level 4 is Treble C to High C.Level 5 is Bass C to Low C.Level 6 is Low C to High C.Set up is simple: Just print and play! There are two types of pages in the PDF document: Ink-friendly with a white background, and full-color backgrounds for online lesson use. If you plan to print pages out, lamination is suggested for the longevity of the pages, or you can print multiple pages on a sheet for exit tickets, worksheets, and more! The full-color background pages are great for projecting on whiteboards, online lessons, and other digital uses! This product is reproducible, so you can make as many copies as you wish.Playing the game is as simple as set up! Each page has a note in the middle, and students must think of the note that comes before and after the given note. Then, the correct note is written into the grey boxes on the left and right sides, along with the note name. You can play this in a private lesson setting, or as a whole class! Since this is a flashcard-type game, you can play this for as long as needed, say for a bell-ringer, or for those last five minutes of the class.Bonus Gameplay: For a twist on the game, you can have students practice intervals and think of 3rds, 4ths, 5ths, etc instead of 2nds or steps as the game is set up for. This would be a great way for students to learn and practice the circle of 5ths and circle of 4ths.Be on the lookout for the companion card-game, and future levels of NoteStackers, coming soon!
$45.99
42.48 €
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Zachary Seckman
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game
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NoteStackers Complete Digital Edition
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ZS Music Publishing
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SheetMusicPlus
NoteStackers Primer Level Digital Edition
Large Ensemble all instruments - Level 1 - Digital Download SKU: A0.844222 Composed…
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Large Ensemble all instruments - Level 1 - Digital Download SKU: A0.844222 Composed by ZS Music Publishing. Children,Instructional. Score and parts; game. 16 pages. ZS Music Publishing #6692547. Published by ZS Music Publishing (A0.844222). You need your students to learn their Music Alphabet, and fast, and it needs to be interactive...and you need to integrate technology...whew, that's a lot! You've found a great product that rolls the Music Alphabet into a printable, interactive, and digital product all in one!NoteStackers Digital Edition is a new game from ZS Music Publishing where students have to quickly think of how the alphabet moves back and forth. NoteStackers Primer uses only alphabet letters, so they won't need to know notes on the staff just yet!Set up is simple: Just print and play! There are two types of pages in the PDF document: Ink-friendly with a white background, and full-color backgrounds for online lesson use. If you plan to print pages out, lamination is suggested for the longevity of the pages, or you can print multiple pages on a sheet for exit tickets, worksheets, and more! The full-color background pages are great for projecting on whiteboards, online lessons, and other digital uses! This product is reproducible, so you can make as many copies as you wish.Playing the game is as simple as set up! Each page has a letter in the middle, and students must think of the letter that comes before and after the given letter. Then, the correct answer is written into the grey boxes on the left and right sides. You can play this in a private lesson setting, or as a whole class! Since this is a flashcard-type game, you can play this for as long as needed, say for a bell-ringer, or for those last five minutes of the class.Be on the lookout for the companion card-game, and future levels of NoteStackers, coming soon!
$7.99
7.38 €
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ZS Music Publishing
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game
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NoteStackers Primer Level Digital Edition
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ZS Music Publishing
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.79 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.86 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.86 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Uphill Heart - Score Only
Large Ensemble - Level 3 - Digital Download SKU: A0.535366 By Roy LaVern. By Jacob …
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Large Ensemble - Level 3 - Digital Download SKU: A0.535366 By Roy LaVern. By Jacob Sumpter. A Cappella,Broadway,Contemporary,Folk,Musical/Show,Spiritual. Score and parts. 10 pages. Roy LaVern #145501. Published by Roy LaVern (A0.535366). Text from poem Alumnus Football by Grantland Rice You'll find the road is long and rough, with soft spots far apart, Where only those can make the grade who have the Uphill Heart. And when they stop you with a thud or halt you with a crack, Let Courage call the signals as you keep on coming back. Keep coming back, and though the world may romp across your spine, Let every game's end find you still upon the battling line; For when the One Great Scorer comes to mark against your name, He writes - not that you won or lost - but how you played the Game. I own the rights to the music / score, not the lyrics.
$9.99
9.23 €
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Roy LaVern
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Uphill Heart - Score Only
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Roy LaVern
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SheetMusicPlus
Alleys
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859665 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published by Sydney Stevens, Water Music (A0.859665). Contact: sydneystevenspianostudio@gmail.comAlleys: Deeply heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music is arranged for piano/vocal/chords. From Album: Cycles of Life Theme: Coming into one's own: Alleys, back roads of our lives they find us.. Mood: Contemplative, soulful. Nurturing one's own strength. Musical Traits: Major key that modulates into a minor interlude. Right hand reflects the vocal line. Performance Time: 5:07 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to.
$4.95
4.57 €
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Sydney Stevens
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Alleys
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Sydney Stevens, Water Music
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SheetMusicPlus
Sledgehammer
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1453033 By Rihanna. By Jesse Shatkin, Robin Fenty, and Sia. Arranged by Clive Longhurst. 21st Century,Film/TV,Pop. Brass Band. 38 pages. Clive Longhurst #1032281. Published by Clive Longhurst (A0.1453033). Not to be confused with Peter Gabriel's hit song. This is from the motion picture 'Star Trek: Beyond', sung by Rhianna.It features, none other than, the 1st Baritone with the initial melody. The rhythms are a bit of a challenge, mainly due to the slow tempo, but a good piece for up and coming musicians. The YouTube video should help with individual rehearsals.Thank you for supporting my work. And please do leave feedback.
$24.99
23.09 €
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Rihanna
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Clive Longhurst
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Sledgehammer
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Clive Longhurst
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SheetMusicPlus
Tarantella Napoletana - Italian Folk Song - Gm - Piano and Instrument
Large Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.569554 Composed by …
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Large Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.569554 Composed by Tradtional. Arranged by Thomas Graf. Folk,Multicultural,World. Score and part. 22 pages. Thomas Graf - the-hit-factory.com #6400655. Published by Thomas Graf - the-hit-factory.com (A0.569554). The Tarantella Napoletana is the tarantella associated with Naples. Full of life and energy -the perfect encore for your upcoming concerts! Instrumentation: Full Score Piano Melody in C C-High Bb F Eb C (B.C.) You will find the piano part as playback that will help practising the part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$7.00
6.47 €
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Tradtional
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Thomas Graf
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Tarantella Napoletana - Italian Folk Song - Gm - Piano and Instrument
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Can't Help Falling In Love
String Ensemble,String Trio Violin - Level 2 - Digital Download SKU: A0.505520 By E…
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String Ensemble,String Trio Violin - Level 2 - Digital Download SKU: A0.505520 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by The Chapel Hill Duo. Rock. Score and parts. 9 pages. The Chapel Hill Duo #6365433. Published by The Chapel Hill Duo (A0.505520). Can’t Help Falling In Love by Elvis Presley/Michael Buble/UB40The first in our series of ‘Pop Songs for Easy Violin’. YouTube play along backing track video: https://youtu.be/nswI0_mP4JsPlease share with any budding violinists you know!Designed for Beginner - Intermediate Violinists who want to explore music other than ‘traditional’ Violin repertoire, these 3 part arrangements are a great way to explore the Violin and ensemble playing through popular music. Each song comes with a YouTube ‘backing track’ where you can play along with Jaya!The sheet music includes:1. Intermediate melody part with accurate Rhythms - Grade 3+2. Melody with simplified rhythms - Grade 2-33. Easy play along part - Grade Initial-14. Advanced or Teacher Violin Accompaniment - Grade 6-8Coming soon to the 'Pop Music for Easy Violin' Series... Chasing Cars!Also in the series so far:A Million DreamsAll Of MeGame of Thrones
$4.99
4.61 €
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Elvis Presley
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The Chapel Hill Duo
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Can't Help Falling In Love
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The Chapel Hill Duo
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SheetMusicPlus
A Million Dreams
String Ensemble,String Trio Violin - Level 3 - Digital Download SKU: A0.505519 By P…
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String Ensemble,String Trio Violin - Level 3 - Digital Download SKU: A0.505519 By Pink. By Benj Pasek and Justin Paul. Arranged by The Chapel Hill Duo. Pop. Score and parts. 12 pages. The Chapel Hill Duo #6403919. Published by The Chapel Hill Duo (A0.505519). A Million Dreams from The Greatest ShowmanAnother title in our ‘Pop Songs for Easy Violin’ series. Backing track video @ https://youtu.be/_yZm8Ea9epQPlease share with any budding violinists you know!Designed for Beginner - Intermediate Violinists who want to explore music other than ‘traditional’ Violin repertoire, these 3 part arrangements are a great way to explore the Violin and ensemble playing through popular music. Each song comes with a YouTube ‘backing track’ where you can play along with Jaya! The sheet music includes:1. Intermediate melody part with accurate Rhythms - Grade 4+2. Melody with simplified rhythms - Grade 2-33. Easy play along part - Grade Initial-14. Advanced or Teacher Violin Accompaniment - Grade 6-8Coming soon to the 'Pop Music for Easy Violin' Series... Chasing Cars!Also in the series so far :All Of MeCan't Help Falling in LoveGame of Thrones#thegreatestshowman #violin #amilliondreams #sheetmusic #violintutorial #easyviolin #violinteacher #backingtrack #beginnerviolin #chapelhillduo #romanticviolin #loveviolin
$4.99
4.61 €
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Pink
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The Chapel Hill Duo
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A Million Dreams
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The Chapel Hill Duo
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SheetMusicPlus
Chasing Cars
String Ensemble,String Trio Violin - Level 2 - Digital Download SKU: A0.505521 By S…
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String Ensemble,String Trio Violin - Level 2 - Digital Download SKU: A0.505521 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by The Chapel Hill Duo. Pop,Rock. Score and parts. 10 pages. The Chapel Hill Duo #6412989. Published by The Chapel Hill Duo (A0.505521). Chasing Cars by Snow PatrolAnother title in our ‘Pop Songs for Easy Violin’ series. Backing track video @ https://youtu.be/lCwOiA5UD-gPlease share with any budding violinists you know!Designed for Beginner - Intermediate Violinists who want to explore music other than ‘traditional’ Violin repertoire, these 3 part arrangements are a great way to explore the Violin and ensemble playing through popular music. Each song comes with a YouTube ‘backing track’ where you can play along with Jaya!The sheet music includes:1. Intermediate melody part with accurate Rhythms - Grade 3+2. Melody with simplified rhythms - Grade 2-33. Easy play along part - Grade Initial-14. Advanced or Teacher Violin Accompaniment - Grade 6-8Coming soon to the 'Pop Music for Easy Violin' Series... Chasing Cars!Also in the series so far :All Of MeCan't Help Falling in LoveGame of ThronesA Million Dreams#chasingcars #violin #snowpatrol #sheetmusic #violintutorial #easyviolin #violinteacher #backingtrack #beginnerviolin #chapelhillduo #romanticviolin #loveviolin.
$4.99
4.61 €
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Snow Patrol
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The Chapel Hill Duo
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Chasing Cars
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The Chapel Hill Duo
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SheetMusicPlus
Game Of Thrones
String Ensemble,String Trio Violin - Level 2 - Digital Download SKU: A0.505517 Comp…
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String Ensemble,String Trio Violin - Level 2 - Digital Download SKU: A0.505517 Composed by Ramin Djawadi. Arranged by The Chapel Hill Duo. Contemporary. Score and parts. 9 pages. The Chapel Hill Duo #6371621. Published by The Chapel Hill Duo (A0.505517). Game of Thrones Theme from the TV series.Another title in our ‘Pop Songs for Easy Violin’ Series. Backing Track Video - https://youtu.be/tUE3a0ski_wPlease share with any budding violinists you know!Designed for Beginner - Intermediate Violinists who want to explore music other than ‘traditional’ Violin repertoire, these 3 part arrangements are a great way to explore the Violin and ensemble playing through popular music. Each song comes with a YouTube ‘backing track’ where you can play along with Jaya!The sheet music includes:1. Intermediate melody part with accurate Rhythms - Grade 3+2. Easy play along part - Grade Initial-13. Advanced or Teacher Violin Accompaniment - Grade 6-8Coming soon to the 'Pop Music for Easy Violin' Series... Chasing Cars!Also in the Series so far:A Million DreamsAll Of MeCan't Help Falling in Love #gameofthrones #filmmusic #violin #violinteacher #sheetmusic #backingtrack #beginnerviolin #chapelhillduo.
$4.99
4.61 €
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Ramin Djawadi
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The Chapel Hill Duo
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Game Of Thrones
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The Chapel Hill Duo
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SheetMusicPlus
A Spoonful Of Sugar
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe,Piccolo - Level 4…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1451651 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Mark A. Craig/Craig Music Publishers (ASCAP). Broadway,Children,Film/TV,Musical/Show,Pop. 34 pages. Mark A. Craig #1030953. Published by Mark A. Craig (A0.1451651). This woodwind quintet arrangement of A Spoonful of Sugar from the movie Mary Poppins is perfect for pops recitals, weddings, background dinner music gigs, children's concerts, and educational outreach. This American classic can be performed by college and professional ensembles and has the flutist doubling on piccolo. I have included an alternate bass clarinet part if no bassoonist is available. If you like this arrangement, you might also like my arrangement of Supercalifragilisticexpialidocious, also from the movie Mary Poppins. This title is available on Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1553250/Product.aspx and Sheet Music Plus (link coming soon). In light of the recent passing of our beloved American composer Richard Sherman, I wanted to bring back these two charming pieces from this delightful movie. I hope you enjoy these settings for winds. Here are some links if you'd like to check out my other social media pages. Please like and subscribe, and feel free to leave comments below. Thanks!Facebook: https://www.facebook.com/craigmusicpublishers/ Instagram: https://www.instagram.com/craigmusicpublishers/.
$15.00
13.86 €
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Richard M
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Mark A
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A Spoonful Of Sugar
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Mark A. Craig
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SheetMusicPlus
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