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Coming Out Of The Dark
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Vous avez sélectionné:
Coming Out Of The Dark
Partitions à imprimer
14 partitions trouvées
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1
They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
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Noël
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #9125...
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Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #912539. Published by Connie Boss (A0.1324340). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge or can cut out some of the verses. This is for Strings quintet and piano. Parts are included with purchase.This can be played without the piano accompaniment if desired.This could be played while a choir sings - you can purchase SATB on here as wellemail cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:.
$7.99
The Emotional Lives of Colors (for trumpet, piano, and percussion)
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
B-Flat Trumpet,Percussion,Piano - Level 5 - SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37...
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B-Flat Trumpet,Percussion,Piano - Level 5 - SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
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Noël
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Ch...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #906529. Published by Connie Boss (A0.1317838). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for SATB with optional parts for flute, cello and violin accent instruments and piano. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:
$7.99
Coming Out Of The Dark
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Gloria Estefan
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Jetse Bremer
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Coming Out Of The Dark
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Jetse Bremer
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.861551 By Gloria Estefan. By Emilio Estefan Jr., Gloria Estefan, and Jon Secada. Arranged by Jetse Bremer. Lat...
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Choral Choir (4-Part) - Level 3 - SKU: A0.861551 By Gloria Estefan. By Emilio Estefan Jr., Gloria Estefan, and Jon Secada. Arranged by Jetse Bremer. Latin,Pop. Octavo. 31 pages. Jetse Bremer #5853577. Published by Jetse Bremer (A0.861551). S Ms A Bar and piano.
$2.50
Coming Out Of The Dark
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Gloria Estefan
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Jetse Bremer
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Coming Out Of The Dark
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Jetse Bremer
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.861547 By Gloria Estefan. By Emilio Estefan Jr., Gloria Estefan, and Jon Secada. Arranged by Jetse Bremer. Lat...
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Choral Choir (4-Part) - Level 3 - SKU: A0.861547 By Gloria Estefan. By Emilio Estefan Jr., Gloria Estefan, and Jon Secada. Arranged by Jetse Bremer. Latin,Pop. Octavo. 26 pages. Jetse Bremer #5853571. Published by Jetse Bremer (A0.861547). S Ms A Bar piano.
$2.50
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
The Journey For Percussion Ensemble
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Contemporain
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Sean Mallow
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The Journey For Percussion Ens
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Sean Mallow
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SheetMusicPlus
Percussion Ensemble Bells,Chimes,Low Drum,Mallet Percussion,Snare Drum,Tom Tom - Level 2 - SKU: A0.495112 By Sean Mallow. By Sean Mallow. 20th Century,C...
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Percussion Ensemble Bells,Chimes,Low Drum,Mallet Percussion,Snare Drum,Tom Tom - Level 2 - SKU: A0.495112 By Sean Mallow. By Sean Mallow. 20th Century,Classical. Score and parts. 65 pages. Sean Mallow #109675. Published by Sean Mallow (A0.495112). The Journey for Percussion Ensemble is for 8 percussionist. Written for early advanced High School or early college groups, the piece tells a story about taking a journey from light to dark, moving from good times and bad, and coming out a better person for it. The piece starts off with a quiet waltz, lullaby-esque, providing a tonal anchor and tranquility. As it moves into the next section, we hear the first main melodic idea. While still maintaining this idea of calm and ambient energy, the main theme should be reflective of an old spaghetti western film. The vibraphonist should play loud and proud.When the piece moves into the heavier 6/8 section, the battery should be sensitive to the melodic instruments. There should be a quiet forward energy weaving through the entire piece.
$25.00
Clouds/Rain
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New Age
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Contemporain
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Sydney Stevens
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English Horn. Full score &
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Clouds/Rain
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Sydney Stevens, Water Music
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - SKU: A0.859675 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age....
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Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - SKU: A0.859675 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 13 pages. Sydney Stevens, Water Music #3089187. Published by Sydney Stevens, Water Music (A0.859675). Contact: sydneystevenspianostudio@gmail.comClouds/Rain (from Seasons Suite): Dark clouds gather. A thunderstorm begins with gentle rain..High energy, forward moving instrumental. Arranged for Piano & English Horn. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, Scott Cossu, A la Windham HillFrom Album: SeasonsTheme: Music that portrays the building of a thunderstorm in mid-winter.Mood: Dark, flowing, energeticMusical Traits: Single notes and octaves in left hand piano with driving right hand triplet pattern.Long, sustained melodic English Horn part.Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 2:52Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$5.50
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Co...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
That's Christmas To Me
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Pentatonix
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Daniel Roberts
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That's Christmas To Me
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Daniel P Roberts
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SheetMusicPlus
Instrumental Duet Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1139744 By Pentatonix. By Kevin Olusola and Scott Hoying. Arrang...
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Instrumental Duet Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1139744 By Pentatonix. By Kevin Olusola and Scott Hoying. Arranged by Daniel Roberts. A Cappella,Christmas,Holiday. Score and parts. 10 pages. Daniel P Roberts #740017. Published by Daniel P Roberts (A0.1139744). Arranged for 2 guitars with TAB. The fireplace is burning bright, shining all on me I see the presents underneath the good old Christmas tree And I wait all night 'til Santa comes to wake me from my dreams Oh, why? 'Cause that's Christmas to me I see the children play outside, like angels in the snow While mom and daddy share a kiss under the mistletoe And we'll cherish all these simple things wherever we may be Oh, why? 'Cause that's Christmas to me I've got this Christmas song in my heart (song in my heart) I've got the candles glowing in the dark (oh) I'm hanging all the stockings by the Christmas tree Oh, why? 'Cause that's Christmas to me Oh, why? 'Cause that's Christmas to me I listen for the thud of reindeer walking on the roof As I fall asleep to lullabies, the morning's coming soon The only gift I'll ever need is the joy of family Oh, why? 'Cause that's Christmas to me I've got this Christmas song in my heart (song in my heart) I've got the candles glowing in the dark (oh) I'm hanging all the stockings by the Christmas tree Oh, why? 'Cause that's Christmas to me Oh, why? 'Cause that's Christmas to me Oh, the joy that fills our hearts and makes us see Oh, why? 'Cause that's Christmas to me I've got this Christmas song in my heart I've got the candles glowing in the dark And then for years to come we'll always know one thing That's the love that Christmas can bring Oh, why? 'Cause that's Christmas to me.
$4.99
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,S...
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
L' heure de la Mort (for Orchestra with Cello Solo)
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Contemporain
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Tito Abeleda
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L' heure de la Mort
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Visionary Quest Records
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Viola,Violin - SKU: A0.1070268 Composed by Tito ...
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Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Hand Percussion,Horn,Oboe,Piano,Timpani,Trombone,Trumpet,Viola,Violin - SKU: A0.1070268 Composed by Tito Abeleda. 20th Century,Concert,Contemporary. Full Performance. Duration 630. Visionary Quest Records #5712567. Published by Visionary Quest Records (A0.1070268). L' heure de la Mort means the hour of death. L’ heure de la Mort allows one to to reflect, to contemplate, to grieve, and to ponder one's existence. Musicians, young and seasoned, will find this piece easily accessible and enjoyable for learning and performing. Audiences will identify with the musical emotionality conveyed in this piece as it takes its listeners on a vivid passionate journey filled with much pathos. L’ heure de la Mort not only embraces death but also takes listeners on an epic journey infused with courage, nobility, respect, and courage to overcome our greatest challenges. The piece begins with a dark, foreboding, expressive cello solo motif symbolizing death’s existence. Then it takes an epic climactic build to convey life’s journey with a sense of overcoming adversity as one does throughout life. The strings and woodwinds herald a sweeping triumphant melody while the brass rise gloriously heralding the joys of life. However, the return to the opening theme in the closing represents death’s natural, respectful inevitability, concluding this life as a step to moving onward to the hereafter.L' heure de la Mort (for Orchestra with Cello Solo) was composed by Tito Abeleda (1964 - ). = 73 pages Level = Advanced IntermediateInstruments: Flute 1-2, Oboe, Clarinet 1-2, Bassoon1-2, Horn 1-4, Trumpet1-4, Trombone1-2, Timpani, Snare Drum, Bass Drum, Tubular Bells, Orchestral Bells, Cymbals, Piano, Violin 1-2, Viola 1-2, Violoncello Solo, Violoncello 1-2, ContrabassContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesSpecial Thanks to Ivan Siarbolin - photographer for sheet music cover.
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