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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Coming To America
Non classifié
71
Piano & claviers
Piano, Voix
37
Piano seul
24
Instruments en Do
12
Piano, Voix et Guitare
5
2 Pianos, 4 mains
4
Piano Facile
4
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ligne De Mélodie, Piano
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
8
Guitare
2
Banjo
1
Basse electrique
1
Guitare notes et tablatures
1
Voix
Chorale SATB
29
Chorale 3 parties
3
Chorale SSAA
3
Chorale TTBB
3
Chorale Unison
1
Chorale 2 parties
1
+ 1 instrumentations
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Vents
2 Saxophones (duo)
11
Ensemble de saxophones
9
Quintette de Saxophone: 5 saxophones
9
Saxophone Tenor
7
Saxophone Alto
7
Flûte traversière
7
Flûte traversière et Piano
6
Saxophone, Clarinette (duo)
5
2 Clarinettes (duo)
4
Hautbois, Piano (duo)
4
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Clarinette et Piano
4
2 Flûtes traversières (duo)
4
Flûte, Hautbois, Clarinette, Basson
3
Ensemble de Clarinettes
3
Flûte, Alto (duo)
2
Hautbois, Basson (duo)
2
Clarinette
2
Saxophone (partie séparée)
2
Flûte, Saxophone (duo)
2
2 Hautbois (duo)
2
Hautbois
2
Flûte, Clarinette (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette et Alto
2
Saxophone Soprano
2
Flûte, Violon
2
Ensemble de Flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Trompette (duo)
2
Saxophone Alto et Piano
2
Saxophone Baryton, Piano
2
3 Clarinettes (trio)
1
Quintette de Flûte : 5 flûtes
1
3 Saxophones (trio)
1
Saxophone Tenor et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Saxophone et Orgue
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette
6
Trombone et Piano
5
Trombone
5
Cor et Piano
4
Trompette, Saxophone (duo)
4
Trompette, Piano
4
Cor
3
Tuba et Piano
3
Ensemble de Trombones
3
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
2 Trompettes (duo)
2
Quatuor de Cuivres
2
Euphonium, Piano (duo)
1
Ensemble de Trompettes
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon
11
Violoncelle
7
Alto, Piano
6
Violon et Piano
5
Alto seul
5
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
Violon, Alto (duo)
2
2 Altos (duo)
2
Violon (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violons (duo)
2
Ensemble de Violons
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Ensemble d'Altos
1
Trio à Cordes: 2 violons, violoncelle
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
18
Orchestre de chambre
5
Orchestre
5
Ensemble de cuivres
5
Orchestre à Cordes
3
Jazz combo
2
Fanfare
2
+ 2 instrumentations
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Crtitères actifs :
Coming To America
Partitions à imprimer
71 partitions trouvées
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Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.
$9.95
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 30 pages. RayThompsonMusic #729243. Published by RayThompsonMusic (A0.1128641). Arranged wind dectet/bass (double wind quintet) Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.
$14.95
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95
Dvorak: String Quartet No.12 in F Op.96 " American" (Complete) - wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Per...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Period. 132 pages. RayThompsonMusic #743725. Published by RayThompsonMusic (A0.1143368). Arranged wind dectet/bass (Double wind quintet) Mp3 is of 1st mvt. The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This arrangement is of the complete workL you can alos buy each mvt separately.
$29.95
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1130508 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Roman...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1130508 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. Score and parts. 38 pages. RayThompsonMusic #730825. Published by RayThompsonMusic (A0.1130508). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 1st movement: Allegro Check out my SMP page : https://www.sheetmusicplus.com/publishers/raythompsonmusic-sheet-music/3002229.
$14.95
United We Stand (An American Medley): Score
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Jay Althouse and Sally K
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Secular
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United We Stand
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
SKU: AX.00-PR-0004948 Score. Arranged by Jay Althouse and Sally K. Albrecht. Patriotic; Secular. Score. 12 pages. Alfred Music - Digital Sheet Mu...
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SKU: AX.00-PR-0004948 Score. Arranged by Jay Althouse and Sally K. Albrecht. Patriotic; Secular. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0004948. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004948). UPC: 038081201320.This stirring tribute to America is the perfect finale for your upcoming concert. After a stunning opening fanfare, excerpts of Simple Gifts, America, the Beautiful, America, and the chorus of Battle Hymn are presented, leading up to a big final statement of the fanfare. The audience may also sing along on two sections of the choral. All three voicings are compatible, making this the perfect choice for a festival or joint finale. Add the full Concert Band arrangement and/or the StringPax and get your entire school involved. A SoundPax for brass and percussion is also available.Band and Chorus; Inst. Parts Available (choral); Orchestra and Chorus; Recorded Acc. Available.
$8.00
Joy to the World for Brass Trio
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Classique
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George Frideric Handel
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James M
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Joy to the World for Brass Tri
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jmsgu3
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SheetMusicPlus
Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1327987 Composed by George Frideric Handel. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holi...
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Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1327987 Composed by George Frideric Handel. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #915996. Published by jmsgu3 (A0.1327987). Joy to the World is an English Christmas carol written by the English minister and hymnwriter Isaac Watts in 1719. Here are some interesting facts about the song:Originally a Poem: Joy to the World was originally a poem, not a song.Inspiration: Isaac Watts wrote the lyrics with Jesus's second coming in mind, not His first coming, inspired by the latter half of Psalm 98.Musical Origin: The melody for Joy to the World is attributed to George Frideric Handel and arranged by Lowell Mason. The first four notes of the song are the same as the chorus Lift your heads from Handel's Messiah.Not Intended as a Christmas Carol: The song wasn't intended to be a Christmas carol, as its original version had no such link with Christmas. It adapted Psalm 98, celebrating Jesus's role as King of his church and the world.Popularity: Since 1719, Joy to the World has remained one of the most-published hymns in Northern America and has been recorded by various artists.Joy to the World is a timeless piece of art that has withstood the test of time and continues to be enjoyed and appreciated by generations, making it a significant part of Christmas celebrations.
$24.95
Joy to the World for Woodwind Trio
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Classique
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George Frideric Handel
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James M
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Joy to the World for Woodwind
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - SKU: A0.1329403 Composed by George Frideric Handel. Arranged by James M. Guthrie. C...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - SKU: A0.1329403 Composed by George Frideric Handel. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #917385. Published by jmsgu3 (A0.1329403). Joy to the World is an English Christmas carol written by the English minister and hymnwriter Isaac Watts in 1719. Here are some interesting facts about the song:Originally a Poem: Joy to the World was originally a poem, not a song.Inspiration: Isaac Watts wrote the lyrics with Jesus's second coming in mind, not His first coming, inspired by the latter half of Psalm 98.Musical Origin: The melody for Joy to the World is attributed to George Frideric Handel and arranged by Lowell Mason. The first four notes of the song are the same as the chorus Lift your heads from Handel's Messiah.Not Intended as a Christmas Carol: The song wasn't intended to be a Christmas carol, as its original version had no such link with Christmas. It adapted Psalm 98, celebrating Jesus's role as King of his church and the world.Popularity: Since 1719, Joy to the World has remained one of the most-published hymns in Northern America and has been recorded by various artists.Joy to the World is a timeless piece of art that has withstood the test of time and continues to be enjoyed and appreciated by generations, making it a significant part of Christmas celebrations.
$24.95
Another 4th of July. The Wedding-Day is Coming. Song and March
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Herman Fluegel
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Another 4th of July. The Weddi
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano, guitar, and voice - SKU: LV.13953 Composed by Herman Fluegel. Eagles, Clouds, Patriotism, Warfare, Liberty. Lester S. Levy Collection. 5 pages. P...
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Piano, guitar, and voice - SKU: LV.13953 Composed by Herman Fluegel. Eagles, Clouds, Patriotism, Warfare, Liberty. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13953). Another 4th of July. The Wedding-Day is Coming. Song and March. by Herman Fluegel in the U.S.A. Hospital Service. Published 1861 by Herman Fluegel in Evansville, Ind. Composition of In two parts, each part strophic, each part with different tune; alternating song and march with piano, guitar, and voice instrumentation. Subject headings for this piece include Eagles, Clouds, Patriotism, Warfare, Liberty. First line reads Oh my Dear your eyes look red was it weeping made them red?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Work for the Night is coming
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J
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Work for the Night is coming
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1459539 By ... By Annie L. Coghill and Lowell Mason. Arranged by J. Randolph Hall. Th...
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Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1459539 By ... By Annie L. Coghill and Lowell Mason. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Holiday,Pop,Praise & Worship,Standards,World. 9 pages. Duration 84. J. Randolph Hall #781Uanq7fnMWYdrdOnf8x9. Published by J. Randolph Hall (A0.1459539). Key: Eb major.Mason was a 19th Century American conductor, composer, organist, banker, and hymnist. He is considered by some as the father of American church music. Coghill was a 19th Century poet and hymnist from the UK. She eventually took up residence in Canada. A modulation to a new key occurs towards B section with the aid of a German augmented sixth chord. A descant by yours truly is introduced in sectioon C.
$4.00
American Christmas - Mash up Rondo of best Christmas Songs - Wind Trio
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Noël
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Thomas Graf
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American Christmas - Mash up R
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Flute - Level 3 - SKU: A0.569107 Arranged by Thomas Graf. Christmas. 12 pages. Thomas Graf - the-hi...
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Flute - Level 3 - SKU: A0.569107 Arranged by Thomas Graf. Christmas. 12 pages. Thomas Graf - the-hit-factory.com #3627661. Published by Thomas Graf - the-hit-factory.com (A0.569107). A mash up in a rondo form of some of the best Christmas songs ever: We wish you a merry Christmas - Ding dong merrily on high - Oh come all ye faithful - Jingle bells. Including a bass solo on Jingle Bells’ verse, some polka and swing elements and a Grand Finale in maestoso – This is the perfect arrangement for your upcoming concerts in the holiday season. Instrumentation: Flute - Cor Anglais - Bassoon Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!  Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic  Video: https://www.youtu.be/8fHa93Ix4ko
$8.99
American Christmas - Mash up Rondo of best Christmas Songs - Wind QuartetR
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Noël
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Trad
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Thomas Graf
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American Christmas - Mash up R
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 3 - SKU: A0.569335 Composed by Trad. Arranged by Thomas Graf. Christmas. 20 pages. Thomas...
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Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 3 - SKU: A0.569335 Composed by Trad. Arranged by Thomas Graf. Christmas. 20 pages. Thomas Graf - the-hit-factory.com #6117225. Published by Thomas Graf - the-hit-factory.com (A0.569335). A mash up in a rondo form of some of the best Christmas songs ever: We wish you a merry Christmas - Ding dong merrily on high - Oh come all ye faithful - Jingle bells. Including a bass solo on Jingle Bells’ verse, some polka and swing elements and a Grand Finale in maestoso – This is the perfect arrangement for your upcoming concerts in the holiday season.  Instrumentation: Flute, Clarinet in Bb, Horn in F, Bassoon       Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!        Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...           Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic      Â
$15.99
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
Rubank Elementary Method – Bell Lyra
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Rubank Elementary Method &ndas
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Rubank Publications
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SheetMusicPlus
Bell Lyra SKU: HL.4470120 Edited by Harvey S. Whistler. Concert Band Method. Elementary Method. Instruction. Softcover. 40 pages. Rubank Publications #RU...
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Bell Lyra SKU: HL.4470120 Edited by Harvey S. Whistler. Concert Band Method. Elementary Method. Instruction. Softcover. 40 pages. Rubank Publications #RUBL69. Published by Rubank Publications (HL.4470120). ISBN 9781458426383. UPC: 073999701203. 9.0x12.0x0.1 inches. Edited by Harvey S. Whistler.One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.
Song List
: All Through The Night Pilgrims' Chorus Little Annie Rooney Anvil Chorus The Campbells Are Coming Glorious Fourth High School Cadets Joy To The World Just A Song At Twilight (Love's Old Sweet Song) Merrily We Roll Along Merry Widow Moonmist (From Symphony #5) Tchaikovsky The Mulberry Bush Music Box Nightfall Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Our Director March Semper Fidelis Shadow Waltz Silent Night The Skaters (Waltz) The Thunderer By The River (Beachler) Nocturne (Von Blon) Andantino (Lemare) March Gloria (F.H.Losey) London Chimes Pierrot To The Evening Star (Wagner) Amaryllis (Ghys) Indiana State Band March Theme (Rigoletto) Verdi Aria (Il Trovatore) Verdi Melody(Weber's Freischutz)kohler Theme (Haydn) Soldier's Chorus (Auber) Good King Wenceslas Twinkle, Twinkle Little Star London Bridge I've Been Working On The Railroad Wedding March Yankee Doodle My Bonnie Lies Over The Ocean Old MacDonald Tango Little Brown Jug William Tell Overture She'll Be Comin' 'Round The Mountain Good Night Ladies Oh, Them Golden Slippers Hail, Hail, The Gang's All Here Auld Lang Syne America, The Beautiful Home On The Range Song Of India Drink To Me Only With Thine Eyes Jingle Bells Tambourin O Come, All Ye Faithful Nightfall, Op. 7, No. 2
$7.99
Modern Dinosaur
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Martin J
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Modern Dinosaur
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Martin J. Van Klompenberg
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. 100 pages. Martin J. Van Klompenberg #877893. Published by Martin J. Van Klompenberg (A0.1286891). To be classified as a living fossil (or as I like to call it, a Modern Dinosaur), aspecies must have a clear ancestor in the fossil record that highly resembles ourmodern species. Often these species have few living relatives. (For example, theaardvark is currently the only living member of its genus.) People tend to think ofbirds and reptiles when they think of living fossils, but animals from any group canbe classified as such. In this piece, I have sought to explore these differences.Among these uniquely diverse group of animals are the African Lungfish, with itsability to breathe through special lungs, living in hardened clay burrows during thedry season, awaiting the coming rains; the Shoe-Billed Stork, the largest bird offlight with its icy stare and prehistoric appearance, with an aggressively unusualcall; the Alligator, unchanged for millennia, living side by side with it Kingfisherneighbors, not always peacefully; and the Aardvark, the great nocturnal excavatorof Africa.I have long been fascinated by fossils. The urge to learn as much as I could aboutprehistoric animals has never left me, like it does to most around the age of 10.Paired with my love of zoos, being interested in living fossils only makes sense.A portion of all proceeds from Modern Dinosaur will go to the Henry Doorly Zooand Aquarium in Omaha, Nebraska. This facility manages the Species SurvivalProgram (SSP) for Aardvarks for the Association of Zoos and Aquariums, theprimary accreditation organization for North America animal collections.
$50.00
Christmas in Zarahemla Children's Chorus
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Jennette Booth, Merrijane Rice
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Christmas in Zarahemla Childre
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Sound Booth
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SheetMusicPlus
SKU: A0.1071432 Composed by Jennette Booth, Merrijane Rice. Children,Christmas,Sacred. Full Performance. Duration 240. Sound Booth #6894215. Published b...
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SKU: A0.1071432 Composed by Jennette Booth, Merrijane Rice. Children,Christmas,Sacred. Full Performance. Duration 240. Sound Booth #6894215. Published by Sound Booth (A0.1071432). Christmas in Zarahemla tells the story of Christ's birth in Bethlehem as it was experienced by the contemporary inhabitants of North America. The news of The Messiah's's coming was given to them as well as to the people in Jerusalem, and is a message of hope and joy to the entire world.
$3.99
Applause
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Pop musique
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Lady Gaga
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James M
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Applause
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.548545 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefa...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.548545 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Steve Guess, and William Grigahcine. Arranged by James M. Guthrie, ASCAP. Pop. Score and parts. 18 pages. Jmsgu3 #3396359. Published by jmsgu3 (A0.548545). In the United States, Nielsen SoundScan predicted Applause to sell upwards of 400,000 units in their first week.[37][56] By the end of the week, Nielsen SoundScan and Billboard had lowered the estimated amount of Applause's first week sales from 400,000 to 200,000–225,000.[57][58] Applause did not enter the Billboard's Hot 100 in its first week.[56] It also ranked below the top 75 threshold of the US Radio Songs chart, with 16 million audience impressions across 210 stations, with the track officially impacting radio stations on August 19, 2013. Applause reached number one on the Dance/Electronic Songs chart,[56] and entered the US Pop Songs Chartat number 20; the highest debut on that chart, by a solo female artist in 2013. The following week, Applause debuted at number six on the Billboard Hot 100. Following its radio and retail release the track charted on Digital Songs at number three, Streaming Songs at number nine and Radio Songs at number forty.[59]On its second week on the Hot 100, the song climbed to number four while reaching number three on Streaming Songs (due the release of the music video), and number thirty-five on Radio Songs, and falling to number five on Digital Songs with sales of 163,000.[60] In its sixth week, the song sold 160,000 copies and reached sales of 1 million copies, becoming her eleventh song to do so.[61] In the same week, it rose to number nine on the Radio Songs chart, becoming her tenth single to reach the top-ten there.[62] It managed to stay in the top-ten of the Billboard Hot 100 for 14 consecutive weeks. As of April 2016, the song had sold 2,640,000 copies in the United States,[63] and has been certified triple platinum by the Recording Industry Association of America (RIAA).[64]According to the Official Charts Company, Applause sold over 10,000 copies within a few hours in the UK.[32] It debuted and peaked at number five on the UK Singles Chart, making it her highest charting single since Born This Way (2011). Applause sold 38,042 copies by the end of the first week, and dropped to number nine on its second week.[65] It was present for a total of 20 weeks within the top-100 of the chart.[66] The British Phonographic Industry (BPI) certified it Gold,[67] and it has sold slightly under 300,000 copies as of September 2016.[68] Applause was also certified Gold in other international markets including Italy, New Zealand, and Sweden.[69][70][71] Wikipedia
$59.95
Higher Ground
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Dan Goeller
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Frederick Umar
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Higher Ground
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Imagine Music - Digital
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SheetMusicPlus
Wind Ensemble - SKU: IZ.WES151-S Composed by Dan Goeller. Arranged by Frederick Umar. Score. 15 pages. Imagine Music - Digital #WES151-S. Published by I...
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Wind Ensemble - SKU: IZ.WES151-S Composed by Dan Goeller. Arranged by Frederick Umar. Score. 15 pages. Imagine Music - Digital #WES151-S. Published by Imagine Music - Digital (IZ.WES151-S). 9 x 12 in inches.In accepting this commission, my thoughts were to create a work that incorporated the rich history of Chautauqua and its pure, innocent, ruralAmericana experience. Seeing its heritage was grounded in a nondenominational understanding of God, which incorporated both secular andspiritual experience, it seemed fitting to arrange a work that bound these two ideals into one work. The arrangement opens with a stately expressionof valor, dignity, and innocence lost - developing gently through a series of tonal and textural adaptations of the hymn tune until it finds a stately tuttiexpression for the ensemble. But the end is delayed by the arrival of a false cadence at rehearsal D, which embraces a 'river dance' with a variety ofpercussive features. The idea here is one of 'beauty from ashes' and 'joy coming in the new mornings dew.' The reeds are now used to express thebagpipe above the thrusts of the percussion. Soon, the hymn tune is heard again, supported by the rhythmic dance in reeds, brass, and percussion -now filled with the joy of community participation. Each counter-melodic line is somewhat of a statement now - and, must be heard in itsuniqueness. It is as if the birds have begun to sing again, each in their own language, of the wonderment surrounding the new day. Hope has onceagain sprung upon the community through music.Take your time through the reminiscent, Americana moments, and enjoy the dance thoroughly!
$15.00
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Linger Awhile. Reste Encore Un Peu. A Dancing Song
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Vincent Rose
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Linger Awhile. Reste Encore Un
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice; ukulele - SKU: LV.6222 Composed by Vincent Rose. Portraits, Forests, Farewells, Love, Sadness, Night. Lester S. Levy Collection. 4 page...
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Piano and voice; ukulele - SKU: LV.6222 Composed by Vincent Rose. Portraits, Forests, Farewells, Love, Sadness, Night. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6222). Linger Awhile. Reste Encore Un Peu. A Dancing Song. [English and French. Music by Vincent Rose. Words by Harry Owens. Published 1923 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice; ukulele instrumentation. Subject headings for this piece include Portraits, Forests, Farewells, Love, Sadness, Night. First line reads The time is coming soon to say good-bye.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
A Spoonful Of Sugar
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Richard M
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Mark A
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A Spoonful Of Sugar
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Mark A. Craig
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1451651 Composed by Richard M. Sherman and Robert B...
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1451651 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Mark A. Craig/Craig Music Publishers (ASCAP). Broadway,Children,Film/TV,Musical/Show,Pop. 34 pages. Mark A. Craig #1030953. Published by Mark A. Craig (A0.1451651). This woodwind quintet arrangement of A Spoonful of Sugar from the movie Mary Poppins is perfect for pops recitals, weddings, background dinner music gigs, children's concerts, and educational outreach. This American classic can be performed by college and professional ensembles and has the flutist doubling on piccolo. I have included an alternate bass clarinet part if no bassoonist is available. If you like this arrangement, you might also like my arrangement of Supercalifragilisticexpialidocious, also from the movie Mary Poppins. This title is available on Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1553250/Product.aspx and Sheet Music Plus (link coming soon). In light of the recent passing of our beloved American composer Richard Sherman, I wanted to bring back these two charming pieces from this delightful movie. I hope you enjoy these settings for winds. Here are some links if you'd like to check out my other social media pages. Please like and subscribe, and feel free to leave comments below. Thanks!Facebook: https://www.facebook.com/craigmusicpublishers/ Instagram: https://www.instagram.com/craigmusicpublishers/.
$15.00
Piano Trio No. 2 "Strange Rims" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 2 "Strange
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Connor Musik International #6206123. Published by Mark O'Connor Musik International (A0.861895). Piano Trio No. 2 Strange Rims (piano score – pno, vln, cel) MO166APiano Score (parts available)Music by Mark O’Connor70 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in 3 movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166ACopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00
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Coming To America