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Sodalis
Horn Quintet - Level 3 - Digital Download SKU: A0.1234269 Composed by Helmut Kogler…
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Horn Quintet - Level 3 - Digital Download SKU: A0.1234269 Composed by Helmut Kogler. 21st Century,Chamber,Classical,Praise & Worship,Wedding. 13 pages. Pentharmonics #829810. Published by Pentharmonics (A0.1234269). Fanfare & Theme - Grade 3 - Duration 3:30 min....the fellow. Fate determines all the ways, which humans have to follow. Often routes are crossed by others, at different course and orientation. But there are sections side-by-side. If humans trail one common path, maybe even at same time, then they are fellows. Affiliated with the same intention, unified by higher power, which gives them strength, lends courage, moves on the unity. One result is often friendship, but fellowship in any case. To share the common fate let weld together a strong bond, which may hold a whole life long...The PDF contains the score and all parts. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$19.99
18.12 €
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Helmut Kogler
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Sodalis
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Pentharmonics
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SheetMusicPlus
Drumming for Teachers - Bradley Sowash
Hand Percussion,Instrumental Solo - Level 1 - Digital Download SKU: A0.750165 Compo…
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Hand Percussion,Instrumental Solo - Level 1 - Digital Download SKU: A0.750165 Composed by Bradley Sowash. Instructional. Individual part. 10 pages. Bradley Sowash #3548979. Published by Bradley Sowash (A0.750165). Learn to accompany your students on a hand drum!This 10-page PDF lays out easy-to-play techniques and rhythmic patterns any music educator can use to accompany students on a hand drum by playing easy clearly-notated patterns. No previous drumming experience is necessary.BenefitsStudent musicians who regularly play with others learn to:• Share a common pulse.• Start anywhere in a piece.• Receive count-ins and cue others.• Communicate with their bodies.• Shrug off mistakes since everyone makes them. • How to stay with the group despite mistakes.Advantages for Teachers• Save lesson time – No more searching for and twiddling with the metronome.• Model musicality without so much teacher talk.• Avoid burnout - It’s more fun to play along than just sitting there.• Work on their own musicianship - It’s like sneaking in a little practice.• Emphasize cadences and form - improvised fills and body language teach phrasing.
$12.95
11.74 €
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Bradley Sowash
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Drumming for Teachers - Bradley Sowash
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Bradley Sowash
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SheetMusicPlus
Hallelujah Chorus from Handel's Messiah
Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George…
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Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00
45.34 €
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel's Messiah
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C Blankenship
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SheetMusicPlus
12 Valses - Mars
Guitar quartet - Digital Download SKU: ZZ.DZ-4333 Composed by Fabrice Pierrat. Scor…
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Guitar quartet - Digital Download SKU: ZZ.DZ-4333 Composed by Fabrice Pierrat. Score and parts. 16 pages. Les Productions d'OZ - Digital #DZ 4333. Published by Les Productions d'OZ - Digital (ZZ.DZ-4333). These 12 waltzes were composed for my different guitar ensembles: cycle I (from the 3rd year) and cycle II.Some waltzes are classical in structure, others borrow creole rhythms, mazurka, bélyia (traditional Guyanese rhythms) creole waltz and swing waltz.The writing of pieces inspired by traditional rhythms is not always academic, this in order to better respect the style to which they refer.They are not connected by any common thread but simply punctuate the 12 months of the year according to my inspiration.Ces 12 valses ont été composées pour mes différents ensembles de guitares : cycle I (dès la 3e année) et cycle II.Certaines valses sont de structure classique, d’autres empruntent des rythmes créoles, mazurka, bélyia (rythmes traditionnels guyanais) valse créole et valse swing.L’écriture des pièces inspirées des rythmes traditionnels n’est pas toujours académique, ceci afin de mieux respecter le style auquel elles font référence.Elles ne sont reliées par aucun fil conducteur mais ponctuent simplement les 12 mois de l’année selon mon inspiration.
$9.95
9.02 €
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Fabrice Pierrat
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12 Valses - Mars
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Les Productions d'OZ - Digital
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SheetMusicPlus
12 Valses - Janvier
Guitar quartet - Digital Download SKU: ZZ.DZ-4331 Composed by Fabrice Pierrat. Scor…
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Guitar quartet - Digital Download SKU: ZZ.DZ-4331 Composed by Fabrice Pierrat. Score and parts. 9 pages. Les Productions d'OZ - Digital #DZ 4331. Published by Les Productions d'OZ - Digital (ZZ.DZ-4331). These 12 waltzes were composed for my different guitar ensembles: cycle I (from the 3rd year) and cycle II.Some waltzes are classical in structure, others borrow creole rhythms, mazurka, bélyia (traditional Guyanese rhythms) creole waltz and swing waltz.The writing of pieces inspired by traditional rhythms is not always academic, this in order to better respect the style to which they refer.They are not connected by any common thread but simply punctuate the 12 months of the year according to my inspiration.Ces 12 valses ont été composées pour mes différents ensembles de guitares : cycle I (dès la 3e année) et cycle II.Certaines valses sont de structure classique, d’autres empruntent des rythmes créoles, mazurka, bélyia (rythmes traditionnels guyanais) valse créole et valse swing.L’écriture des pièces inspirées des rythmes traditionnels n’est pas toujours académique, ceci afin de mieux respecter le style auquel elles font référence.Elles ne sont reliées par aucun fil conducteur mais ponctuent simplement les 12 mois de l’année selon mon inspiration.
$5.95
5.39 €
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Fabrice Pierrat
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12 Valses - Janvier
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Les Productions d'OZ - Digital
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SheetMusicPlus
12 Valses - Avril
Guitar quartet - Digital Download SKU: ZZ.DZ-4334 Composed by Fabrice Pierrat. Scor…
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Guitar quartet - Digital Download SKU: ZZ.DZ-4334 Composed by Fabrice Pierrat. Score and parts. 28 pages. Les Productions d'OZ - Digital #DZ 4334. Published by Les Productions d'OZ - Digital (ZZ.DZ-4334). These 12 waltzes were composed for my different guitar ensembles: cycle I (from the 3rd year) and cycle II.Some waltzes are classical in structure, others borrow creole rhythms, mazurka, bélyia (traditional Guyanese rhythms) creole waltz and swing waltz.The writing of pieces inspired by traditional rhythms is not always academic, this in order to better respect the style to which they refer.They are not connected by any common thread but simply punctuate the 12 months of the year according to my inspiration.Ces 12 valses ont été composées pour mes différents ensembles de guitares : cycle I (dès la 3e année) et cycle II.Certaines valses sont de structure classique, d’autres empruntent des rythmes créoles, mazurka, bélyia (rythmes traditionnels guyanais) valse créole et valse swing.L’écriture des pièces inspirées des rythmes traditionnels n’est pas toujours académique, ceci afin de mieux respecter le style auquel elles font référence.Elles ne sont reliées par aucun fil conducteur mais ponctuent simplement les 12 mois de l’année selon mon inspiration.
$11.95
10.84 €
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Fabrice Pierrat
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12 Valses - Avril
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Les Productions d'OZ - Digital
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SheetMusicPlus
12 Valses - Février
Guitar quartet - Digital Download SKU: ZZ.DZ-4332 Composed by Fabrice Pierrat. Scor…
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Guitar quartet - Digital Download SKU: ZZ.DZ-4332 Composed by Fabrice Pierrat. Score and parts. 16 pages. Les Productions d'OZ - Digital #DZ 4332. Published by Les Productions d'OZ - Digital (ZZ.DZ-4332). These 12 waltzes were composed for my different guitar ensembles: cycle I (from the 3rd year) and cycle II.Some waltzes are classical in structure, others borrow creole rhythms, mazurka, bélyia (traditional Guyanese rhythms) creole waltz and swing waltz.The writing of pieces inspired by traditional rhythms is not always academic, this in order to better respect the style to which they refer.They are not connected by any common thread but simply punctuate the 12 months of the year according to my inspiration.Ces 12 valses ont été composées pour mes différents ensembles de guitares : cycle I (dès la 3e année) et cycle II.Certaines valses sont de structure classique, d’autres empruntent des rythmes créoles, mazurka, bélyia (rythmes traditionnels guyanais) valse créole et valse swing.L’écriture des pièces inspirées des rythmes traditionnels n’est pas toujours académique, ceci afin de mieux respecter le style auquel elles font référence.Elles ne sont reliées par aucun fil conducteur mais ponctuent simplement les 12 mois de l’année selon mon inspiration.
$9.95
9.02 €
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Fabrice Pierrat
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12 Valses - Février
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Les Productions d'OZ - Digital
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SheetMusicPlus
Reveille, for instruments in six parts - Score and Parts
Level 4 - Digital Download SKU: A0.1426124 Composed by Paul Burnell. 21st Century,C…
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Level 4 - Digital Download SKU: A0.1426124 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 41 pages. Paul Burnell #1006920. Published by Paul Burnell (A0.1426124). Reveille by Paul Burnell.Composed 2002, with minor revisions to the score in 2023.For instruments in six parts, reading treble clef.Optional: percussion (2 low drums, agogo bells, marimba or piano), six voices, drone on EDuration 7:00 approx.Score in CThe instrumental parts may be played with multiple performers on each part 1-6. Octave transpositions are allowed optionally at any point, in addition to those bars marked with ‘opt. 8’. If there are multiple performers on each part then have solo performers from rehearsal letter E to the end. The technique instructions in brackets (pizz., arco, con sord.) are not meant to indicate specific instruments, they are applicable only to those appropriate instruments who may be performing.Optional - Percussion instruments. Two low drums, agogo bells, marimba or piano.Optional - Voices. In the opening section, each voice in turn speaks the name of the subsequent instrumental performer at the beginning of the indicated bar (or any person if there are multiple players within the part). The subsequent rhythms are a guide and can be interpreted freely.The voices may characterise their delivery so that each person is distinguished from the other. For example - angry, loving, curious, frightened, strict, cynical.Optional - Drone on low E. The drone may be played on any instruments, taking breath or rests as necessary. The drone ends in the bar before rehearsal letter E. The drone may be doubled one or two octaves higher and/or an octave lower than written. If multiple instruments are playing the drone, the players may fade in and out of the drone texture ad lib.Any of the following also optional: Voices enter, three with folded bed sheets who unfold and shake them open; others recite list of night birds. Hang sheets to make a screen. Instrumentalists enter. Bird flying silhouettes or bird hand-shapes projected. Intermittent recorded sounds of flapping wings. At end voices fold sheets, exit with instrumentalists, flapping wings sound fades. Other instruments sustain low e from beginning to letter E.Bird names: barn owl, stone curlew, nightjar, long-eared owl, whip-poor-will, Japanese night heron, tawny owl, northern mockingbird, hermit thrush, black crowned night heron, great horned owl, shearwater, woodcock, common nighthawk, chuck-will’s-widow, Jerdon’s courser, corncrake.
$3.99
3.62 €
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Paul Burnell
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Reveille, for instruments in six parts - Score and Parts
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Paul Burnell
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SheetMusicPlus
Just As I Am, Without One Plea (violin,flute,piano)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.855028 Composed by William B. Bradbury(1816-1868). Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts. 8 pages. Joseph Pugh #6065105. Published by Joseph Pugh (A0.855028). Charlotte Elliot, [the lyricist of this great Hymn] had a great love of poetry and music, and is reflected in her verse. Her hymns number about 150, a large percentage of which are in common use. The finest and most widely known of these are, Just as I am and My God, my Father, while I stray. Her verse is characterized by tenderness of feeling, plaintive simplicity, deep devotion, and perfect rhythm. For those in sickness and sorrow she has sung as few others have done. Her hymns appeared in her brother's Psalms & Hymns and elsewhere.-Hymnary.org.
$17.99
16.31 €
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William B
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Joseph Pugh
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Just As I Am, Without One Plea
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Joseph Pugh
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SheetMusicPlus
A Quiet Summer Night
Clarinet & string quartet - Digital Download SKU: IZ.CMF183 Composed by Samuel Livi…
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Clarinet & string quartet - Digital Download SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagine Music - Digital (IZ.CMF183). 9 x 12 in inches.The clarinet is my instrument, and I think the two greatest works in its repertory (and two of the greatest of all chamber works) are the quintets for clarinet and strings by Mozart and Brahms. In writing for this combination of instruments, I borrowed ideas shamelessly from both.I would describe the style as folk-inspired classical chamber music. The melodies are song-like or dance-like; the harmonies are simple, modal, and consonant. The time signatures of the three movements are 7/8, 5/4, 7/8 - unusual in classical music but common in the folk music of some eastern European countries. The texture is homophonic in some places and contrapuntal in others, always with at least one melody, often with more than one. The clarinet is not treated as a solo instrument but is integrated into the ensemble.The first movement is in sonata form. As in the Mozart and Brahms quintets, it begins in the strings, with the clarinet entering a few bars later on a rising arpeggio. The first theme is song-like; the second theme is dance like. The movement ends quietly on a phrase from the second theme. The form of the second movement begins with a song for the cello, repeated in the clarinet. The next section features a dance-like melody in the second violin, repeated in the clarinet with a descant in the first violin. Then a brief section in the minor, featuring the viola, leads to a repetition of the song that opened the movement, this time in the viola, repeated in the violins and the clarinet.The third movement is a set of variations on a brisk, dance-like theme. After several variations, including two in the minor mode, the tempo slows to adagio for the next-to-last variation (as in the last movement of the Mozart quintet). That variation features a duet for the first violin and the clarinet (as in the slow movement ofthe Brahms quintet). The final variation returns to the brisk tempo and brings back the melodic figure that ends the first movement. A brief coda on this melodic figure concludes the piece.
$48.00
43.52 €
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Samuel Livingston
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A Quiet Summer Night
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Imagine Music - Digital
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SheetMusicPlus
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and…
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Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00
4.53 €
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Andrew Cody Williams and Jeff Bradetich
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Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
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Andrew Cody Williams
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SheetMusicPlus
Messiah's Allelujah
Brass Ensemble Piano - Level 4 - Digital Download SKU: A0.742366 Composed by George…
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Brass Ensemble Piano - Level 4 - Digital Download SKU: A0.742366 Composed by George Frideric Handel. Arranged by Javier MartÃnez Maya. Baroque,Concert,Standards. Score and parts. 29 pages. Arte Nova Music Lab #2119829. Published by Arte Nova Music Lab (A0.742366). Messiah (HWV 56)[1] is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.[n 1] Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Taken from https://en.wikipedia.org/wiki/Messiah_(Handel).
$20.00
18.13 €
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George Frideric Handel
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Javier MartÃnez Maya
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Messiah's Allelujah
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Arte Nova Music Lab
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SheetMusicPlus
Danse Nègre from African Suite. Op. 35 for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1157493 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,World. Brass Band. 124 pages. Charles Decker Music Press #757828. Published by Charles Decker Music Press (A0.1157493). This brilliant brass band arrangement captures the brilliance and excitement of the Coleridge-Taylor's orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for a traditional British Brass Band of soprano E-flat cornet, B-flat cornets, flugelhorn, 3 E-flat alto horns, 2 baritone horns, euphonium, and E-flat and B-flat bass. A complete set of substitute parts are include for common band brass instruments being F horn substitutes for E-flat alto horns and all low brass instruments set in the bass clef. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$34.95
31.69 €
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Samuel Coleridge-Taylor
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Charles Decker
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Danse Nègre from African Suite. Op. 35 for Brass Band
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Charles Decker Music Press
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SheetMusicPlus
Hymns from Childhood - Set 1 (solo)
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719761 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719761 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069327. Published by Curtis Hanson (A0.719761). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include He Leadeth Me, Savior, Like a Shepherd Lead Us, and O Master, Let Me Walk with Thee. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
5.43 €
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Various
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Curtis Hanson
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Hymns from Childhood - Set 1
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Curtis Hanson
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SheetMusicPlus
Hymns from Childhood - Set 2 (solo)
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719762 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719762 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Published by Curtis Hanson (A0.719762). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
5.43 €
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Various
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Curtis Hanson
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Hymns from Childhood - Set 2
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Curtis Hanson
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SheetMusicPlus
Hymns from Childhood - Set 4 (solo)
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719764 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719764 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069369. Published by Curtis Hanson (A0.719764). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include I Need Thee Every Hour, O Jesus, I Have Promised, and The Church's One Foundation. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
5.43 €
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Various
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Curtis Hanson
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Hymns from Childhood - Set 4
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Curtis Hanson
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SheetMusicPlus
Hymns from Childhood - Set 3 (solo)
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719763 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719763 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069357. Published by Curtis Hanson (A0.719763). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Holy, Holy, Holy, For All the Saints, and A Mighty Fortress Is Our God. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
5.43 €
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Various
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Curtis Hanson
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Hymns from Childhood - Set 3
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Curtis Hanson
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SheetMusicPlus
Hymns from Childhood - Set 6 (solo)
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719765 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719765 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069389. Published by Curtis Hanson (A0.719765). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include My Faith Looks Up to Thee, Dear Lord and Father of Mankind, and Nearer, My God, to Thee. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
5.43 €
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Various
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Curtis Hanson
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Hymns from Childhood - Set 6
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Curtis Hanson
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SheetMusicPlus
Missa brevis
SSA chorus and marimba, violoncell - Digital Download SKU: BJ.1361 Composed by Matt…
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SSA chorus and marimba, violoncell - Digital Download SKU: BJ.1361 Composed by Mattias Ekström Koij. Christian. Octavo. 39 pages. Bo Ejeby Forlag - Digital #1361. Published by Bo Ejeby Forlag - Digital (BJ.1361). 8.27 x 11.7 inches.Durata ca 10-12 min. This Missa brevis is composed for SSA, cello and marimba, but it could also be performed without the marimba part. If so, in addition to missing out on the intended sound, certain elements of harmony and rhythm will be lost. This also goes for the passages where the marimba imitates the cello. In a missa brevis (short mass), it is not uncommon that the extensive Credo is omitted, as I have done. Occasionally, to further shorten the mass, I make use of a technique that Haydn among others employed for the Gloria, where the singers sing different sections of the text at the same time. - Mattias Ekstrom Koij.
$6.40
5.8 €
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Mattias Ekström Koij
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Missa brevis
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Pomp and Circumstance
Orchestra - Digital Download SKU: S9.Q588710 Marches 1-5. Composed by Edward…
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Orchestra - Digital Download SKU: S9.Q588710 Marches 1-5. Composed by Edward Elgar. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q588710. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q588710). Pride, pomp, and circumstance of glorious war! – It is these words from Shakespeare's Othello that the probably best-known work by the English composer Sir Edward William Elgar falls back on: the five marches which are contained in Pomp and Circumstance Marches, op. 39. The work was a sensational success from the very beginning, especially March No. 1 should be going around in the head of every lover of classical music. At its premiere in 1901 under the composer's direction, the audience requested two repeats; in 1902 the words of 'Land of Hope and Glory' were added to the march at the request of Edward VII for his coronation ceremonial. The resulting version is now performed every year at the Last Night of the Proms and as English hymn at the Commonwealth Games. Motivated by the success of the first two marches, Elgar composed another three which were performed in 1905, 1907 and 1930. No. 4 is as euphemistic and formal as No. 1 whereas the others are of a rather melancholy nature.
$29.99
27.19 €
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Edward Elgar
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Pomp and Circumstance
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Heart of Oak
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1112190 Composed by William Boyce. Arranged by Colin G Dance. March. Brass Band. 24 pages. Dance is With Music #714349. Published by Dance is With Music (A0.1112190). Heart of Oak is the official march of the Royal Navy. It is also the official march of several Commonwealth navies, including the Royal Canadian Navy and the Royal New Zealand Navy. It was also the official march of the Royal Australian Navy, but has now been replaced by the new march, Royal Australian Navy. The music of Heart of Oak was written in 1759 by composer William Boyce, the lyrics by actor David Garrick, for Garrick's pantomime Harlequin's Invasion, to which others contributed as well. The pantomime was first performed on New Year's Eve of that year at the Theatre Royal, Drury Lane, London, with Handel soloist Samuel Thomas Champnes singing Heart of Oak. The wonderful year referenced in the first verse was the Annus Mirabilis of 1759, during which British forces were victorious in several significant battles: the Battle of Minden on 1 August 1759; the Battle of Lagos on 19 August 1759; the Battle of the Plains of Abraham (outside Quebec City) on 13 September 1759; and the Battle of Quiberon Bay on 20 November 1759. The last battle foiled a French invasion project planned by the Duc de Choiseul to defeat Britain during the Seven Years' War, hence the reference in the song to 'flat-bottom' invasion barges. These victories were followed a few months later by the Battle of Wandiwash in India on 22 January 1760. Britain's continued success in the war boosted the song's popularity. The oak in the song's title refers to the wood from which British warships were generally made during the age of sail. The Heart of oak is the strongest central wood of the tree. The reference to freemen not slaves echoes the refrain (Britons never will be slaves!) of Rule, Britannia!, written and composed two decades earlier.
$50.00
45.34 €
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William Boyce
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Colin G Dance
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Heart of Oak
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Dance is With Music
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SheetMusicPlus
Seven Serapés for Six Pianos (Parts only)
Level 5 - Digital Download SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Cent…
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Level 5 - Digital Download SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at the Post (A0.1124743). Parts only (see A725494 for Score). Duration: 22 – 24 minutes, Six Parts between 12 – 16 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$5.02
4.55 €
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Igor Korneitchouk
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Seven Serapés for Six Pianos
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Studio at the Post
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SheetMusicPlus
Seven Serapés for Six Pianos - Score Only
Level 5 - Digital Download SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Cent…
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Level 5 - Digital Download SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio at the Post (A0.1125661). Score only (see A725501 for Parts). Duration: 22 – 24 minutes, 217 pp. reduced to 108 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$9.03
8.19 €
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Igor Korneitchouk
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Seven Serapés for Six Pianos - Score Only
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Studio at the Post
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1118058 By King Cole Trio. By Mel Torme and Robert Wells. Arranged by Diego Marani. 20th Century,Christmas,Instructional,Jazz,Standards. 11 pages. Diego Marani #719575. Published by Diego Marani (A0.1118058). The Christmas Song (commonly subtitled Chestnuts Roasting on an Open Fire or, as it was originally subtitled, Merry Christmas to You) is a classic Christmas song written in 1945 by Robert Wells and Mel Tormé. The Nat King Cole Trio first recorded the song in June 1946. The Christmas Song has also been covered by Ariana Grande, Camila Cabello, The Carpenters, Celine Dion, Ella Fitzgerald, Elizabeth Gillies, Frank Sinatra, The Jackson 5, John Legend, JoJo, Justin Bieber, Kenny Burrell, Luther Vandross, Mary J. Blige, Ne-Yo, NSYNC, Pentatonix, Peter Hollens, Shawn Mendes, and Toni Braxton among others. This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) is suitable for classroom, repertoire and recital.
$19.99
18.12 €
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King Cole Trio
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Diego Marani
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The Christmas Song
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Diego Marani
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 3 - Digital Download SKU: A0.1119…
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 3 - Digital Download SKU: A0.1119070 By King Cole Trio. By Mel Torme and Robert Wells. Arranged by Diego Marani. 20th Century,Christmas,Instructional,Jazz,Standards. 10 pages. Diego Marani #720484. Published by Diego Marani (A0.1119070). The Christmas Song (commonly subtitled Chestnuts Roasting on an Open Fire or, as it was originally subtitled, Merry Christmas to You) is a classic Christmas song written in 1945 by Robert Wells and Mel Tormé. The Nat King Cole Trio first recorded the song in June 1946. The Christmas Song has also been covered by Ariana Grande, Camila Cabello, The Carpenters, Celine Dion, Ella Fitzgerald, Elizabeth Gillies, Frank Sinatra, The Jackson 5, John Legend, JoJo, Justin Bieber, Kenny Burrell, Luther Vandross, Mary J. Blige, Ne-Yo, NSYNC, Pentatonix, Peter Hollens, Shawn Mendes, and Toni Braxton among others. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) is suitable for classroom, repertoire and recital.
$19.99
18.12 €
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King Cole Trio
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Diego Marani
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The Christmas Song
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Diego Marani
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SheetMusicPlus
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