Partitions Numériques de Common People

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Common People

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454071. Published by KVAMusic Edition (A0.768500). About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydnâ€™s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozartâ€™s Gran Partita, since it has almost the same instrumentation.

String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. Published by Curtis Hanson (A0.719774). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arrangerâ€™s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.

String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arrangerâ€™s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.

Small Ensemble - Level 2 - Digital Download SKU: A0.809415 By Oasis. By Noel Gallagher. Arranged by Academia Unimusica. Rock. Score and parts. 3 pages. Unimusic Academy (Academia Unimusica) #6252141. Published by Unimusic Academy (Academia Unimusica) (A0.809415). Don't Look Back in Anger is a song by the English rock band Oasis. It was written by the band's guitarist and main songwriter Noel Gallagher. The song was produced by Gallagher and Owen Morris. Released on 19 February 1996 as the fourth single from their second studio album, (What's the Story) Morning Glory? (1995), it became Oasis's second single to reach No. 1 on the UK Singles Chart, where it also went platinum.[1] It was the first Oasis single with lead vocals by Noel, who had previously only sung lead on B-sides, instead of his brother Liam. Noel would later sing lead vocals on six more singles. The song is in the key of C, but pitched slightly sharp of the standard concert tuning of A 440 at 451. It is one of the band's signature songs, and was played at almost every single live show from its release to the dissolution of the band in 2009. In 2012, it was ranked No. 1 on a list of the 50 Most Explosive Choruses by NME,[2] and the same year it was voted the fourth-most-popular No. 1 single of the last 60 years in the UK by the public in conjunction with the Official Charts Company's 60th anniversary.[3] In 2015, Rolling Stone readers voted it the second-greatest Britpop song after Common People by Pulp.[4] On 29 May 2017, Absolute Radio 90s broadcast a programme counting down the top 50 songs written by Noel Gallagher to mark his 50th birthday, with the song being voted No. 1. In August 2020, the song was voted as the greatest song of the '90s by listeners of Absolute Radio 90s as part of celebrations for the station's tenth anniversary.