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Conception - Conductor Score
Partitions à imprimer
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Sing Lullaby (Downloadable Organ/Choral Score)
Tenor voice or soprano voice solo, SATB choir, organ - Medium - Digital Download SKU: M…
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Tenor voice or soprano voice solo, SATB choir, organ - Medium - Digital Download SKU: MQ.6414-E Composed by Leo Nestor. Christmas, Christmas-Sacred. Score & instrument parts. 13 pages. E. C. Schirmer Music Company - Digital #6414-E. Published by E. C. Schirmer Music Company - Digital (MQ.6414-E). Sing Lullaby was commissioned by music director Michael Batcho for the Choir of the Cathedral of St. John the Evangelist, Milwaukee and composed in California during the summer of 2000. Originally scored for tenor solo, mixed chorus, oboe, French horn and violoncello obbligato and organ, an independent fabric for string orchestra was composed for a performance by the Choir of the Basilica of the National Shrine of the Immaculate Conception on Christmas of the same year. The setting was further developed for the debut performance of The Catholic University of America Chamber Choir and Chamber Players at the Pope John Paul II Cultural Center in December of 2002. In the 2008 revision, the composer decided that the obbligato trio of clarinet, French horn and bassoon most clearly evoked the ethos of shepherds, offering optimal timbral contrast to string orchestra and chorus. Substantial emendations of the entire score were made for the present edition of Sing Lullaby, first performed by The Catholic University of America Chamber Choir, University Singers, University Chorus and Symphony Orchestra at the Annual Christmas Concert for Charity at Washington's Basilica of the National Shrine of the Immaculate Conception on 7 December 2012 with tenor Rick Christman, the composer conducting.Variation form, long favored by composers in settings of strophic music, imparts a perception of improvisation as singers and players alter harmonies, melody and rhythm to forward the unfolding narrative. Sensitive performance will caress the natural undulation of the largely ternary meter, tapering unstressed beats at the ends of phrases while maintaining the steady flow of the accompaniment.Two editions of the work are published: (I) for mixed chorus, solo, obbligato trio and organ and (II) for mixed chorus, solo, obbligato trio, string orchestra, harp and organ. The edition for chorus and obbligato instruments adds timbral variety to a Christmas concert while employing modest instrumental means which are easily available. Although in Version II both harp and organ are scored ad libitum, the harp adds significantly to the counterpoint of the obbligato instruments, providing further rhythmic impetus and textural variety. Conceived for lyric tenor, the solo may also be sung by soprano.
$2.65
2.42 €
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Leo Nestor
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Sing Lullaby
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Peace Prayer of St. Francis (Downloadable Additional Full Score)
Choir and various instruments - Digital Download SKU: MQ.50-9126A-E Composed by Pet…
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Choir and various instruments - Digital Download SKU: MQ.50-9126A-E Composed by Peter Latona. Full score. 18 pages. MorningStar Music Publishers - Digital Sheet Music #50-9126A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9126A-E). UPC: 688670005985.A beautiful version of the text Make Me an Instrument of Thy Peace by Saint Francis of Assisi. Included in the Papal mass at the Basilica of the National Shrine of the Immaculate Conception on the 2015 visit of Pope Francis.
$15.00
13.71 €
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Peter Latona
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Peace Prayer of St. Francis
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Carousel - Score Only
Level 2 - Digital Download SKU: A0.1407270 Composed by Robert A. Howard. 21st Centu…
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Level 2 - Digital Download SKU: A0.1407270 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Holiday. 3 pages. Robert A. Howard #989943. Published by Robert A. Howard (A0.1407270). Carousel is flexibly scored in up to seven instrumental parts. The piece attempts to evoke the motion and momentum of a fairground merry-go-round. This work is texturally cumulative as each of the 7 parts is added in turn, in crescendo, until the whole ensemble is playing and repeating, in a series of contrasting, but related musical figures. The simplicity of the piece's concept belies the increasing complexity of the music. Note: this document is the score (includes transpositions). The set is also available by searching via the COMA Music Library. No audio track is provided due to the flexibility and variability of the work.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
2.73 €
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Robert A
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Carousel - Score Only
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Robert A. Howard
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.57 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Automata - Score Only
Large Ensemble - Level 4 - Digital Download SKU: A0.1026531 Composed by Jonathan Wo…
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Large Ensemble - Level 4 - Digital Download SKU: A0.1026531 Composed by Jonathan Worsley. Contemporary,Rock. Score and parts. 113 pages. Jonathan Worsley #6201529. Published by Jonathan Worsley (A0.1026531). A prog-rock concept album, loosely based around the story of Oskar Speck and George Orwell's 1984.Study score.Contains transcription of narration.
$15.00
13.71 €
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Jonathan Worsley
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Automata - Score Only
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Jonathan Worsley
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SheetMusicPlus
Heisenberg was looking for a raison d'être - Score Only
Piano Quintet - Level 5 - Digital Download SKU: A0.1129011 Composed by Igor Korneit…
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Piano Quintet - Level 5 - Digital Download SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Published by Studio at the Post (A0.1129011). Score only (see 729537 for Parts) Duration: 8 minutes, 19 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$9.03
8.26 €
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Igor Korneitchouk
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Heisenberg was looking for a raison d'être - Score Only
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Studio at the Post
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SheetMusicPlus
Interstellar Journey (Brass Band) - Score
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.934102 Composed by Michael Young. Contemporary. Brass Band. 34 pages. Michael Young #3258967. Published by Michael Young (A0.934102). Please note that this is the score only, parts can be purchased separately. Interstellar Journey is a composition for brass band in two movements, entitled The Departure and Jupiter and Beyond. The music explores the popular concept of intergalactic exploration and colonisation to escape an inhabitable dystopian home planet through the guise of a musical science fiction story. A recording of this piece can be found here: Interstellar Journey (Soundcloud)
$15.00
13.71 €
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Michael Young
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Interstellar Journey
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Michael Young
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SheetMusicPlus
Linear Moments - Score Only
Brass Quartet - Level 3 - Digital Download SKU: A0.1414548 Composed by Chloe Powell…
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Brass Quartet - Level 3 - Digital Download SKU: A0.1414548 Composed by Chloe Powell. 21st Century,Chamber,Classical,Contemporary. 16 pages. Chloe Powell #996325. Published by Chloe Powell (A0.1414548). Linear Moments is based on the mathematical concept of the same name. The piece takes you through the various aspects of L-moments and their associated concepts. The piece begins with a Sloping melody distributed through each part. It then moves into a chaotic progression which devolves into a volatile state between the flugel and euphonium. The solo flugel is joined by two other flugels to reinforce a sense of order before crashing into discordant uncertainty. This uncertainty is heightened by the entrance of the euphonium for a hectic tonal melody descending into the latter half of the piece. A flugel and trumpet canon emerges to drives the piece into its final quantile region , before progressing into a non-dimensional cadence, leaving the audience with a sense of certainty and order. My Website
$25.00
22.86 €
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Chloe Powell
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Linear Moments - Score Only
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Chloe Powell
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SheetMusicPlus
There in God's Garden (Downloadable Choral Score)
SATB voices (congregation and choir), soprano descant, brass quintet, and organ, with opti…
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SATB voices (congregation and choir), soprano descant, brass quintet, and organ, with optional timpani and percussion - Moderately Easy - Digital Download SKU: MQ.60-4011-E Composed by Jeremy J. Bankson and K. Lee Scott. Easter. Instrument parts. 11 pages. MorningStar Music Publishers - Digital Sheet Music #60-4011-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-4011-E). English.The hymn tune SHADES MOUNTAIN (K. Lee Scott, 1987) is paired with a 1976 Erik Routley text in this concertato for choir, congregation, brass quintet, organ, and optional timpani and percussion. Six stanzas of the fifteen-measure melody are provided here. Two stanzas are notated in SATB layout. Stanza 2 encourages the congregation to sing in four parts as in a hymnal layout (reproducible congregational pages are provided). Stanza 4 is for the choir alone, a cappella, in four parts. One stanza (1) asks the women of the congregation to sing with the women of the choir, and this concept is repeated with the men (stanza 3). Stanza 5 is unison, stanza 6 is unison with descant. An introduction and interlude before the final stanza round out the piece. A majestic piece, full of wonderful variety and color.Instrumental parts include: Trumpets I and II in C and B-flat, Horn in F, Trombones I and II, Timpani, Percussion (Gong/Bass Drum, Crash Cymbals, Suspended Cymbal).
$2.65
2.42 €
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Jeremy J
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There in God's Garden
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Microtonal Composition in "Fluid Just Intonation" - Score Only
Level 5 - Digital Download SKU: A0.1286442 Composed by Rosie Sheldon. 21st Century,…
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Level 5 - Digital Download SKU: A0.1286442 Composed by Rosie Sheldon. 21st Century,Contemporary,Instructional,Video Game. 9 pages. Rosie Sheldon #877493. Published by Rosie Sheldon (A0.1286442). This piece uses the concept of individually tuning each chord to Just Intonation, but relative to a note from the last chord, creating a fluid Just Intonation that is free from the base of Equal Temperament. This idea is similar to the way that professional choirs intonate with each other and the resulting pitch drifts, but instead in the context of electronic music.
$2.99
2.73 €
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Rosie Sheldon
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Microtonal Composition in "Fluid Just Intonation" - Score Only
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Rosie Sheldon
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SheetMusicPlus
In Time of War: Prayers and Meditations (Piano/Vocal Score)
Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU:…
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Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU: MQ.6446-E Composed by Henry Mollicone. 21st century, prayer. 19 pages. Duration 24 minutes, 50 seconds. E. C. Schirmer Music Company - Digital #6446-E. Published by E. C. Schirmer Music Company - Digital (MQ.6446-E). Latin.In Time of War: Prayers and Meditations was completed in June, 2004. The work was written in response to the wartime events of our time, and juxtaposes vocal movements based upon Latin prayers with purely orchestral sections (meditations on wartime subjects). The Latin prayers in this work consist of the Agnus Dei from the Roman Catholic Mass, a prayer which asks God for forgiveness of the 'sins of the world,' and two hymns to the Virgin Mary: Ave Maria and Ave Maris Stella. The concept of the Blessed Mother as the spiritual mother of all humanity is a powerful one which I believe touches us on a deep level. As children, our mothers give us guidance, tenderness, unconditional love and protection in a world where evil exists. In our time, horrific wartime events daily take their toll on innocent civilians, while motherhood is revered in all cultures. This work is about the coexistence of these two disparate but ever present realities, representing the best (unconditional love) and worst (war) aspects of the human condition. -Henry Mollicone Duration: 24' 50 Contents:1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope.
Song List: 1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope
Song List
: 1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope
$9.50
8.69 €
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Henry Mollicone
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In Time of War: Prayers and Meditations
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digi…
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Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled “processional doubles for mixed sextet.†(The word “doubles†is used in the old sense of“variations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form – instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
$24.95
22.81 €
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Carson Cooman
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Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.3 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
43.87 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Ritual Dances
Orchestra, choir and 4 soloists ad. lib. - Digital Download SKU: S9.Q21225 From …
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Orchestra, choir and 4 soloists ad. lib. - Digital Download SKU: S9.Q21225 From the opera The Midsummer Marriage. Composed by Sir Michael Tippett. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 29 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21225. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21225). English • German • French.Tippett’s decision to extract the four Ritual Dances from his opera 'The Midsummer Marriage' as a self-contained concert suite reflects the fact that the medium of dance was always present in his conception of the opera. From the start, there was to be an interaction within the opera between the real world and the world of mythology, partly Greek, partly Celtic. This mythological element culminates, in the finished opera, in the 'Ritual Dances' of Acts 2 and 3. Tippett himself described his opera as ‘a kind of elaborate 'L’après midi d’un faune’, in which the 'Ritual Dances' display a powerful sexual energy, though of a very different kind from Debussy’s voluptuous langour. Composition of The Midsummer Marriage occupied Tippett for six years from 1946 to 1952. The first performance of the Ritual Dances as a concert suite was given in Basel on 13 February 1953 by the Basel Kammerorchester conducted by Paul Sacher, and preceded the premiere of the complete opera by two years. Today the Ritual Dances rival the Concerto for Double String Orchestra (ETP 1331) as Tippett’s most widely-performed orchestral work.
$35.99
32.9 €
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Sir Michael Tippett
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Ritual Dances
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Adagietto
String sextet - advanced - Digital Download SKU: S9.Q6678 Composed by Bertold Humme…
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String sextet - advanced - Digital Download SKU: S9.Q6678 Composed by Bertold Hummel. This edition: score and parts. Seit 1965 arbeitete Hummel an diesem Sextett, bis er es 1999 als vollendet betrachtete. Es ist ein leicht spielbares, klangschönes und ergreifendes Stück. Bei der Uraufführung hat der im Jahre 2002 verstorbene Komponist noch selbst mitgespielt. Downloadable, Score and parts. Op. 75d. Duration 6 minutes. Schott Music - Digital #Q6678. Published by Schott Music - Digital (S9.Q6678). Bertold Hummel worked on his Adagietto for many years. Originally conceived as an Elegy for Strings in 1965, it was transformed into an Adagietto for String Sextet in 1978 and published for the first time in 1993. Hummel undertook a further arrangement of the composition in 1999 and participated with musical friends in its first performance. In one of the scores, the title is supplemented by the term “sacrale”, an indication of the religious background of this composition. In a time of increasing secularisation, the creative and no doubt also the reproducing artist have the task of pointing out to their contemporaries the transcendental, the inexplicable and the unprovable. The language of music - most effective perhaps in reaching across world frontiers - has an especially important role in this. Representations of suffering and horror alone cannot be the inherent constituent of a work of art. A reference to comfort and hope is indispensable. Furthermore, life, nature, and, for the believer, knowledge of God give cause enough for praise and thanks.” This is how my father once formulated his artistic conception. A favourite adopted term of his, “musikalische Klangrede” [musical speech), appears to me to be particularly well implemented in the Adagietto.
$19.99
18.28 €
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Bertold Hummel
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Adagietto
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Schott Music - Digital
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SheetMusicPlus
Choros No 1
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download…
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.513367 Composed by Heitor Villa Lobos. Arranged by Renato Esteves. Classical,Latin,Multicultural,World. Score and parts. 29 pages. Renato Esteves #124134. Published by Renato Esteves (A0.513367). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro (pronounced [ˈʃoɾu]), means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related. In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros.[1] The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt].[2] This simplicity and the beauty of its composition have made it a favourite with professional guitarists.[3] Footnotes Villa-Lobos 1972, p. 210. Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk). p. 62. Appleby, David. 2002. Heitor Villa-Lobos: A Life (1887–1959). Lanham, MD: Scarecrow Press. ISBN 978-0-8108-4149-9. p. 80. https://en.wikipedia.org/wiki/Ch%C3%B4ros_No._1.
$20.00
18.28 €
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Heitor Villa Lobos
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Renato Esteves
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ISBN 0-19-315475-7 (pbk)
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Choros No 1
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Renato Esteves
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SheetMusicPlus
O Maria Aming Ina
Guitar,Piano - Level 1 - Digital Download SKU: A0.1512349 By Erwin Cabucos. By Erwi…
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Guitar,Piano - Level 1 - Digital Download SKU: A0.1512349 By Erwin Cabucos. By Erwin Cabucos. Arranged by Erwin Cabucos. Christian,Religious,Sacred. Score and part. 2 pages. Erwin Cabucos #1087380. Published by Erwin Cabucos (A0.1512349). A Filipino Marian Hymn, useful for any Marian feast and liturgical celebrations, such as Our Lady of Fatima, Our Lady of Perpetual Help, Immaculate Conception, Notre Dame, Mother of God, etc.
$5.99
5.48 €
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Erwin Cabucos
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Erwin Cabucos
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O Maria Aming Ina
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Erwin Cabucos
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SheetMusicPlus
Fallout (Gtr/Bsn)
Guitar Duo Guitar, Bassoon - Intermediate - Digital Download SKU: D3.SM-00-0006A Co…
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Guitar Duo Guitar, Bassoon - Intermediate - Digital Download SKU: D3.SM-00-0006A Composed by Jack Curtis Dubowsky. Duet. Contemporary. Full score and set of parts. Composed 2000. 25 pages. Duration 8:10. De Stijl Music Digital #SM-00-0006A. Published by De Stijl Music Digital (D3.SM-00-0006A). 8.5 x 11 inches.Fallout is a newly revised version of a piece originally comissioned for the Combine Dance Company in Los Angeles in 1990. The dance, which included a fire onstage in a metal basin, was the conception of choreographer Greg Johnson, who related the fallout of a breakup to nuclear fallout.
$10.00
9.14 €
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Jack Curtis Dubowsky
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Fallout
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De Stijl Music Digital
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SheetMusicPlus
Suite in Honor of Mary Immaculate
Level 3 - Digital Download SKU: A0.1263056 By Dr. Sheri Masiakowski. By Sr. Theopha…
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Level 3 - Digital Download SKU: A0.1263056 By Dr. Sheri Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,Classical,Sacred. Full Performance. Duration 705. School Sisters of St. Francis #856051. Published by School Sisters of St. Francis (A0.1263056). First published in 1958, this organ suite has four movements based on Gregorian Chants. The first three movements are derived from the introit, offertory and communion of the Feast of the Immaculate Conception— December 8th. The final movement is based on the Kyrie and the Dismissal from the Mass for Feasts of the Blessed Virgin (Beata Virgine) Missa Cum Jubilo. All are found in the Liber Usualis. An image of each chant precedes its corresponding movement in this score. The compositional style is tonal. It is representative of Sr. Theophane's earlier work though the Communion may have been written later than the other movements. Performance by Dr. Sheri Masiakowski at Marquette University's Church of the Gesu in Milwaukee, Wisconsin.  The organ is Schantz IV/115R.
$1.99
1.82 €
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Dr
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Dr
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Suite in Honor of Mary Immaculate
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School Sisters of St. Francis
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SheetMusicPlus
Ave Maria for STB (or S&T) & guitar / piano, in German, suitable for Maria Emfpängnis
Small Ensemble Bass Voice,Guitar,Piano,Soprano voice,Tenor Voice - Level 2 - Digital Downl…
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Small Ensemble Bass Voice,Guitar,Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.756875 Composed by Simon Peberdy. Christmas,Contemporary,Sacred. Score and parts. 4 pages. Simon Peberdy #34031. Published by Simon Peberdy (A0.756875). Written for a Maiandacht for STB choir. The mp3 is just a 2-part version with guitar accompaniment.The text is in German (& Latin) and is especially suitable for Dec 8th, the Feast of the Immaculate Conception (Maria Empfängnis).For more pieces, visit www.simonpeberdymusic.com
$3.99
3.65 €
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Simon Peberdy
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Ave Maria for STB
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Simon Peberdy
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SheetMusicPlus
The Annunciation
Small Ensemble Guitar,Piano,Voice - Level 3 - Digital Download SKU: A0.1013625 Comp…
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Small Ensemble Guitar,Piano,Voice - Level 3 - Digital Download SKU: A0.1013625 Composed by Bryan Perdue. Christian,Folk,Sacred. Score and parts. 7 pages. Bryan Perdue #6359251. Published by Bryan Perdue (A0.1013625). This is a song for the Christmas Season. Can be done as a single, duet, or choir as needed. This about Mary's conception and the annunciation of her pregnancy (a male version of the Canticle). .
$3.99
3.65 €
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Bryan Perdue
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The Annunciation
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Bryan Perdue
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SheetMusicPlus
Swallow's Serenade. Tenor and 5 instruments
Small Ensemble - Digital Download SKU: A0.1007064 Composed by Johnson Gao. Contempo…
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Small Ensemble - Digital Download SKU: A0.1007064 Composed by Johnson Gao. Contemporary. Score and parts. 6 pages. Johnson Gao #6715871. Published by Johnson Gao (A0.1007064). Swallow's Serenade. Tenor and 5 instruments. This piece of music was composed by Johnson Gao. It is a translation of the Chinese poem he wrote on February 6, 2022, which is a verse containing seventy Chinese characters: A pair of swallow is building the nest under eave of a dilapidated roof. They are flying out and back carried with mud and hay. I asked swallows: Why are you prejudicially selecting that house, Which looks like a broken temple? Swallow chirps back to me, Although its philosophy is not deep, the artistic conception is clear: Skyscrapers look splendid. However, its glass is so slippery and it catches fierce wind all around. The shiny and magnificent halls provide nowhere to build a nest. How could we waste the beautiful spring time for nursing our chicks? 燕之戀。 Johnson Gao。 今天為2022å¹´2月6æ—¥, 農曆æ£æœˆåˆå…。寫æ¤ä¸ƒå¾‹ä»¥å¥‰åŽ»å¹´ä¸€ç¶²å‹ 為我的 ç®èˆ‡æŒä¹‹æ›² 寫的幾首燕æ¸ä¾†è©©ã€‚ 殘瓴簷下燕營巢; 飛來飛去啣泥è‰ã€‚ 我å•ç‡•å…’為何故, åæ„›æ¤å±‹ä¼¼ç ´å»Ÿ? 燕兒唧唧回語é“; 哲å¸ä¸æ·±æ„境高: 摩天大樓看似好; 玻璃滴滑悲風繞。 å¯Œéº—å ‚ç…Œé›£å®‰çª©; 奪我春光雛å°é³¥ã€‚.
$1.99
1.82 €
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Johnson Gao
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Swallow's Serenade. Tenor and 5 instruments
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Johnson Gao
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SheetMusicPlus
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