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Hymns from Childhood - Set 4 (solo)
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719764 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719764 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069369. Published by Curtis Hanson (A0.719764). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include I Need Thee Every Hour, O Jesus, I Have Promised, and The Church's One Foundation. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
5.49 €
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Various
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Curtis Hanson
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Hymns from Childhood - Set 4
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Curtis Hanson
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SheetMusicPlus
In Time of War: Prayers and Meditations (Piano/Vocal Score)
Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU:…
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Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU: MQ.6446-E Composed by Henry Mollicone. 21st century, prayer. 19 pages. Duration 24 minutes, 50 seconds. E. C. Schirmer Music Company - Digital #6446-E. Published by E. C. Schirmer Music Company - Digital (MQ.6446-E). Latin.In Time of War: Prayers and Meditations was completed in June, 2004. The work was written in response to the wartime events of our time, and juxtaposes vocal movements based upon Latin prayers with purely orchestral sections (meditations on wartime subjects). The Latin prayers in this work consist of the Agnus Dei from the Roman Catholic Mass, a prayer which asks God for forgiveness of the 'sins of the world,' and two hymns to the Virgin Mary: Ave Maria and Ave Maris Stella. The concept of the Blessed Mother as the spiritual mother of all humanity is a powerful one which I believe touches us on a deep level. As children, our mothers give us guidance, tenderness, unconditional love and protection in a world where evil exists. In our time, horrific wartime events daily take their toll on innocent civilians, while motherhood is revered in all cultures. This work is about the coexistence of these two disparate but ever present realities, representing the best (unconditional love) and worst (war) aspects of the human condition. -Henry Mollicone Duration: 24' 50 Contents:1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope.
Song List: 1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope
Song List
: 1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope
$9.50
8.7 €
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Henry Mollicone
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In Time of War: Prayers and Meditations
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.46 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
New Year
Digital Download SKU: S9.Q3655 Opera in 3 acts. Composed by Sir Michael Tipp…
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Digital Download SKU: S9.Q3655 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 102' 0. Schott Music - Digital #Q3655. Published by Schott Music - Digital (S9.Q3655). English.The wildest and most open of his operas, New Year is an extraordinarily youthful conception for a composer in his mid-eighties, a work that spins his lyrical ecstasy and rhythmic vitality into a new world on the point of disintegration. Unlike its four predecessors, all of which had been written for the Royal Opera House, this one was composed for Houston Grand Opera, a relocation that encouraged Tippett to veer from opera to musical, evenrock musical, giving space to pop song, spoken dialogue, joke and, above all, dance—the communal movement of bodies that would, as in The MidsummerMarriage but now within a much looser framework, with music say what words could not. Jo Ann and Donny—young woman and youngman, white and black, both orphans—cannot join the dance, isolated as they are inside their personal fears and fantasies. And the dance itself is imperilled by social unease in this city that is ‘Somewhere and Today’.To it come visitors from ‘Nowhere and Tomorrow’: the captain (Regan), pilot (Pelegrin) and computer wizard (Merlin) of a space vessel—though thesescience-fiction characters turn out to be ritual agents (and to have human problems of their own). Donny undergoes a magical transformation; Jo Ann, through love, gains the courage to leave the room in which she has been hiding.(Paul Griffiths)3 (3pic).2.ca.1.bcl.3sax.1.cbn-4.2.3.1-perc (s.d., t.d., b.d., jazz kit, slit dr., 2 steel dr. (high/low), brake dr., 5 tom-toms, cym., sus.cym., hi-hat, hand cym. played with mallet/steel bar, 2w.bl., wh., large tri., large tam-tam, small tam-tam, c.b., xyl., vib., glock., tub.bells, claves, guiro)-hp.egtr.bgtr-str (4.4.4.4.2min) - electronic tape - sampler kybd.
$69.99
64.12 €
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Sir Michael Tippett
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New Year
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Schott Music - Digital
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
43.97 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Lament
B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.140…
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B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1404871 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 16 pages. Max Frank Music #987900. Published by Max Frank Music (A0.1404871). The is ethereal 7-minute duet for bass clarient is a perfect showacse for these less-used instruments.PROGRAM NOTESDeep grief. Profound sadness. Feelings so immense that words do them no justice. It is at such junctures that artists often turn to abstract creative endeavors to facilitate process- ing the pain. There is frequently no option. As with the navigation of grief, this music has hopeful and even joyous moments. But despair is never far from the surface.Throughout the Lament the bass clarinet takes on the role of the mourner. The melodic lines are at times sad, confused, hopeful, prayerful, or even playful. There is a continuous sense of searching, for answers, for reasons, for a resolution that can never be. The marimba offers solace, empathy, compassion, and distraction to the dolorous melody.A tone of sorrow is established by the marimba with its evocative minor key introduction. The aria begins as the bass clarinet presents a plaintive expression of the main melody. Soon, a rhythmic mood settles in, the bass clarinet yearning and searching for answers, as the marimba offers support with jazz inspired harmonies. There are hints of melancholia, of nostalgia, even a very brief waltz, as the feelings spin freely.The tale ends as it begins, with a return to the opening sound world. A return to plainly stated sorrow, unadorned, pure, simple. After a final tender plea, bringing the bass clarinet quietly to its highest range, it descends to the depths, where it hoovers, pondering.PERFORMANCE NOTESTempi and phrasing are subject to the performersâ?? musical conception. Interpret this as one would Brahms: molto espressivo, and highly romantic.
$9.99
9.15 €
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Terry Vosbein
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Lament
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Max Frank Music
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SheetMusicPlus
Ave Maria for STB (or S&T) & guitar / piano, in German, suitable for Maria Emfpängnis
Small Ensemble Bass Voice,Guitar,Piano,Soprano voice,Tenor Voice - Level 2 - Digital Downl…
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Small Ensemble Bass Voice,Guitar,Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.756875 Composed by Simon Peberdy. Christmas,Contemporary,Sacred. Score and parts. 4 pages. Simon Peberdy #34031. Published by Simon Peberdy (A0.756875). Written for a Maiandacht for STB choir. The mp3 is just a 2-part version with guitar accompaniment.The text is in German (& Latin) and is especially suitable for Dec 8th, the Feast of the Immaculate Conception (Maria Empfängnis).For more pieces, visit www.simonpeberdymusic.com
$3.99
3.66 €
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Simon Peberdy
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Ave Maria for STB
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Simon Peberdy
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.39 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Ritual Dances
Orchestra, choir and 4 soloists ad. lib. - Digital Download SKU: S9.Q21225 From …
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Orchestra, choir and 4 soloists ad. lib. - Digital Download SKU: S9.Q21225 From the opera The Midsummer Marriage. Composed by Sir Michael Tippett. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 29 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21225. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21225). English • German • French.Tippett’s decision to extract the four Ritual Dances from his opera 'The Midsummer Marriage' as a self-contained concert suite reflects the fact that the medium of dance was always present in his conception of the opera. From the start, there was to be an interaction within the opera between the real world and the world of mythology, partly Greek, partly Celtic. This mythological element culminates, in the finished opera, in the 'Ritual Dances' of Acts 2 and 3. Tippett himself described his opera as ‘a kind of elaborate 'L’après midi d’un faune’, in which the 'Ritual Dances' display a powerful sexual energy, though of a very different kind from Debussy’s voluptuous langour. Composition of The Midsummer Marriage occupied Tippett for six years from 1946 to 1952. The first performance of the Ritual Dances as a concert suite was given in Basel on 13 February 1953 by the Basel Kammerorchester conducted by Paul Sacher, and preceded the premiere of the complete opera by two years. Today the Ritual Dances rival the Concerto for Double String Orchestra (ETP 1331) as Tippett’s most widely-performed orchestral work.
$35.99
32.97 €
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Sir Michael Tippett
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Ritual Dances
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Thaw - Clarinet Choir
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1002839 Composed by Kyle Van…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1002839 Composed by Kyle Vanderburg. Contemporary. 22 pages. NoteForge #6383305. Published by NoteForge (A0.1002839). I wrote Thaw during my third winter in Fargo, and it was an act of optimism, because spring hadn't hinted its arrival when I completed the piece. My intent was to provide a meditation on the nature of melting snow and the slow, steady revealing of things last seen in November. I thought of the piece as figurative as well, hinting at the defrosting of our preconceptions, our assumptions, and our expectations. In hindsight, it seems appropriate that this piece was written in 2020, a year in which has seen a thaw in a number of ways.
$10.00
9.16 €
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Kyle Vanderburg
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Thaw - Clarinet Choir
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NoteForge
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SheetMusicPlus
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
30.19 €
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Carson Cooman
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Carson Cooman: The Revelations of Divine Love
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Musik Fabrik Music Publishing
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SheetMusicPlus
Nozawa Song
Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1337051 By Fra…
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Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1337051 By Francois Du Bois. By Francois Du Bois. 21st Century,Chamber,Contemporary,Multicultural,Spiritual,World. 8 pages. D-Project Co., Ltd. #922857. Published by D-Project Co., Ltd. (A0.1337051). Nozawa Song draws inspiration from Japan, embodying a highly positive concept filled with hope and a sense of ongoing reconstruction. The composition, written in 5/8 time, imparts a light and airy atmosphere, distinguishing it from music in the more common 4/4 time signature.
$14.00
12.83 €
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Francois Du Bois
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Nozawa Song
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D-Project Co., Ltd.
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SheetMusicPlus
Praise to the Lord, the Almighty
Digital Download SKU: H1.C5346HBDP Arranged by Joel Raney. Piano with Optional Cond…
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Digital Download SKU: H1.C5346HBDP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Adoration & Praise. 6 octave Handbells and Handchi, Congregation, Handbells, Handchimes, Organ, Piano. 8 pages. Hope Publishing - Digital #C5346HBDP. Published by Hope Publishing - Digital (H1.C5346HBDP). Psalms 31:19 - Psalms 33:1 - Psalms 33:2 - Psalms 33:3 - Psalms 33:4 - Psalms 33:5 - Psalms 103:1 - Psalms 103:2 - Psalms 103:3 - Psalms 103:4.Great German hymn Joel Raney sets the stage for a powerful presentation of this great German hymn with an extended introductory section for piano and organ duet, with optional handbells. After 57 measures, the choir enters with the powerful phrase: All ye who hear, join me in glad adoration! and from there to the final Amens we are carried to new heights as this festive anthem combines all of the forces. This new anthem concept includes a separate score with vocals only, a piano/organ score, a handbell score, and a full conductor's score. The optional congregational part is included in the choral edition.
$6.25
5.73 €
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Joel Raney
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Praise to the Lord, the Almighty
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Hope Publishing - Digital
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SheetMusicPlus
Praise to the Lord, the Almighty
Choral - Digital Download SKU: H1.C5346DP Arranged by Joel Raney. Piano with Option…
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Choral - Digital Download SKU: H1.C5346DP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Adoration & Praise. Octavo, Congregation, Handbells, Handchimes, Organ, Piano. 8 pages. Hope Publishing - Digital #C5346DP. Published by Hope Publishing - Digital (H1.C5346DP). Psalms 31:19 - Psalms 33:1 - Psalms 33:2 - Psalms 33:3 - Psalms 33:4 - Psalms 33:5 - Psalms 103:1 - Psalms 103:2 - Psalms 103:3 - Psalms 103:4.Great German hymn Joel Raney sets the stage for a powerful presentation of this great German hymn with an extended introductory section for piano and organ duet, with optional handbells. After 57 measures, the choir enters with the powerful phrase: All ye who hear, join me in glad adoration! and from there to the final Amens we are carried to new heights as this festive anthem combines all of the forces. This new anthem concept includes a separate score with vocals only, a piano/organ score, a handbell score, and a full conductor's score. The optional congregational part is included in the choral edition.
$2.95
2.7 €
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Joel Raney
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Praise to the Lord, the Almighty
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Hope Publishing - Digital
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SheetMusicPlus
Praise to the Lord, the Almighty
Digital Download SKU: H1.C5346KSDP Arranged by Joel Raney. Piano with Optional Cond…
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Digital Download SKU: H1.C5346KSDP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Adoration & Praise. Keyboard score. 16 pages. Hope Publishing - Digital #C5346KSDP. Published by Hope Publishing - Digital (H1.C5346KSDP). Psalms 31:19 - Psalms 33:1 - Psalms 33:2 - Psalms 33:3 - Psalms 33:4 - Psalms 33:5 - Psalms 103:1 - Psalms 103:2 - Psalms 103:3 - Psalms 103:4.Great German hymn Joel Raney sets the stage for a powerful presentation of this great German hymn with an extended introductory section for piano and organ duet, with optional handbells. After 57 measures, the choir enters with the powerful phrase: All ye who hear, join me in glad adoration! and from there to the final Amens we are carried to new heights as this festive anthem combines all of the forces. This new anthem concept includes a separate score with vocals only, a piano/organ score, a handbell score, and a full conductor's score. The optional congregational part is included in the choral edition.
$34.95
32.02 €
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Joel Raney
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Praise to the Lord, the Almighty
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Hope Publishing - Digital
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SheetMusicPlus
Praise to the Lord, the Almighty
Digital Download SKU: H1.C5346CSDP Arranged by Joel Raney. Piano with Optional Cond…
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Digital Download SKU: H1.C5346CSDP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Adoration & Praise. Conductor's score. 20 pages. Hope Publishing - Digital #C5346CSDP. Published by Hope Publishing - Digital (H1.C5346CSDP). Psalms 31:19 - Psalms 33:1 - Psalms 33:2 - Psalms 33:3 - Psalms 33:4 - Psalms 33:5 - Psalms 103:1 - Psalms 103:2 - Psalms 103:3 - Psalms 103:4.Great German hymn Joel Raney sets the stage for a powerful presentation of this great German hymn with an extended introductory section for piano and organ duet, with optional handbells. After 57 measures, the choir enters with the powerful phrase: All ye who hear, join me in glad adoration! and from there to the final Amens we are carried to new heights as this festive anthem combines all of the forces. This new anthem concept includes a separate score with vocals only, a piano/organ score, a handbell score, and a full conductor's score. The optional congregational part is included in the choral edition.
$22.95
21.03 €
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Joel Raney
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Praise to the Lord, the Almighty
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Hope Publishing - Digital
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SheetMusicPlus
Glossolalie
2-4 Speakers and 2-4 Instrumentalists - Digital Download SKU: S9.Q45062 (Projekt…
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2-4 Speakers and 2-4 Instrumentalists - Digital Download SKU: S9.Q45062 (Projekte III). Composed by Dieter Schnebel. This edition: score for voice and/or instruments. Workshop. Downloadable, Vocal and performing score. Duration 10 minutes. Schott Music - Digital #Q45062. Published by Schott Music - Digital (S9.Q45062). In 1959, Dieter Schnebel composed Glossolalie, a work of central importance to his musical thinking. It forms part of the group of his pieces which, as prepared material to make music (Schnebel), deliberately do not pursue composed-out music as a result but serve as a detailed concept for the performer. The ensemble consists of narrators and instrumentalists acting as soloists who unite connections and overlappings of linguistic, phonetic, noise-like, instrumental and gestic processes.Instrumentalist I: Harmonium (auch Schlagzeug: Trgl. · Sir. · Sistr. · Guiro · Ratsche · Tin lids · Sheets of vellum · Sheets of tissue paper · hg. Packpapier · Mar.) Instrumentalist II: Klav. (auch Schlagzeug: Trgl. · Kuhgl. · Tamb. · 2 Woodbl. · 3 Gläser · 3 Flaschen · Schachtel m. Besteck · Papierblätter) Instrumentalist III: Schlagzeug (Trgl. · 3 Beck. · 3 Gongs [Tamt.] · Conga · 2 Tomt. · kl. Tr. · gr. Tr. · 2 Mar. · Pf. · Papierblätter · Guiro · Ketten · 2 Sir. · Pf.) Instrumenatlist IV [oder von den anderen zu spielen]: Röhrengl. · Mil. Tr. · Holzstäbe · Metallstäbe · Clav. · 3 Lineale · Shisk · 2 Ratschen · Bürste · Wassertrog [für Wassergongs] · Glsp. · Vibr. [o. Cel.] · Marimba).
$21.99
20.15 €
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Dieter Schnebel
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Glossolalie
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Schott Music - Digital
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SheetMusicPlus
Sparkling Diamonds
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1509930 By Nicol…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1509930 By Nicole Kidman. By Jule Styne, Leo Robin, Peter Brown, and Robert Rans. Arranged by Andrew Hodges. 20th Century,Broadway,Chamber,Classical,Musical/Show,Wedding. 14 pages. Andrew Hodges #1085136. Published by Andrew Hodges (A0.1509930). This arrangement of Sparkling Diamonds for string quartet is a captivating reimagining of the iconic Moulin Rouge theme. The piece captures the original song's vibrant energy and playful atmosphere while adapting it to the unique timbral palette of a string quartet.The arrangement showcases the individual strengths of each instrument, creating a harmonious and engaging musical experience. It is suitable for both professional and amateur string quartets.Its moderate difficulty level makes it accessible to groups with varying levels of experience.Potential performance opportunities: Recitals and Concerts: Sparkling Diamonds can be a delightful addition to a string quartet's repertoire, adding a touch of glamour and nostalgia to a concert program. Private Events: The piece is perfect for weddings, galas, and other special occasions where a sophisticated and elegant musical backdrop is desired. Educational Performances: This arrangement can be used in educational settings to introduce students to the repertoire of string quartets and to explore the concept of musical arrangement.
$14.99
13.73 €
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Nicole Kidman
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Andrew Hodges
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Sparkling Diamonds
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Andrew Hodges
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SheetMusicPlus
Anam Cara
Bassoon,Clarinet,Flute,Oboe,Piano - Level 4 - Digital Download SKU: A0.1472537 Comp…
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Bassoon,Clarinet,Flute,Oboe,Piano - Level 4 - Digital Download SKU: A0.1472537 Composed by Kari Cruver Medina. 21st Century,Chamber,Christian,Classical,Spiritual. 25 pages. Kari Medina Music #1050179. Published by Kari Medina Music (A0.1472537). Anam Cara, is a lovely, lyrical, soul-affirming work for wind quartet (Flt. Ob. Clt. Bsn.) and piano. The piece is based on the Celtic concept of Anam Cara, or “soul-friendship”. A soul-friend is one who comes alongside as a compassionate presence to inspire, encourage and elevate. In this spirit, the work explores the relationships between instruments as they share themes back and forth between them, echoing, encouraging and drawing each other forward through the fabric of the music. While it begins pensively, the energy of the voices build and grow in trust, ultimately welcoming and celebrating each other in an interwoven tapestry of sound. In addition to concert performance, It would make a thoughtful and beautiful instrumental for sacred or seculars services of any type. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Pianonote: other instrumental arrangements are available on request. Parts and Full Score includedapprox. 6.00 – 6.20 Min total time.
$12.99
11.9 €
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Kari Cruver Medina
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Anam Cara
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Kari Medina Music
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SheetMusicPlus
Home On The Range - Solo Guitar
Guitar - Level 4 - Digital Download SKU: A0.1459563 By Ron k Wiggins. By Daniel E K…
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Guitar - Level 4 - Digital Download SKU: A0.1459563 By Ron k Wiggins. By Daniel E Kelley. Arranged by Ron k Wiggins. Classical,Country,Folk,Instructional,Traditional. Guitar Tab. 2 pages. WigMusic #1038517. Published by WigMusic (A0.1459563). This arrangement of the classic cowboy song from 1874 is simple in concept. For solo fingerstyle guitar it has a melody with a bass line of the common chord bass runs the old folk and blues players worked out in the first half of the 20th century. One benefit of this is that if you learn this arrangement you will also learn those chord runs in the keys of D and E. The end result turned out quite nice;This arrangement is more difficult than it may look. It is on the advanced side of Intermediate; But once you master it I think you will enjoy playing it and your audience should like it, It is arranged first in D and then in E
$2.00
1.83 €
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Ron k Wiggins
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Ron k Wiggins
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Home On The Range - Solo Guitar
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WigMusic
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SheetMusicPlus
Helix
Electric Guitar - Level 4 - Digital Download SKU: A0.1462737 By Amos Elkana. By Amo…
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Electric Guitar - Level 4 - Digital Download SKU: A0.1462737 By Amos Elkana. By Amos Elkana. 21st Century,Chamber,Contemporary. 8 pages. Amos Elkana #1041517. Published by Amos Elkana (A0.1462737). Helix is a dynamic composition for a trio of electric guitars, crafted specifically for the Triple Helix Guitar Trio. The piece unfolds in three primary sections, characterized by dense, repetitive motifs played by all three musicians. These motifs, subtly altered with each iteration, blend together to form a sonic cloud. Occasionally, one guitarist will break through this auditory mist with a brief solo, only to seamlessly rejoin the collective texture. This post-minimalist work explores the concept of repetition, pushing its boundaries to create a continuously evolving soundscape.
$10.00
9.16 €
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Amos Elkana
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Helix
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Amos Elkana
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SheetMusicPlus
Momentum - For Vibraphone & Electronics
Instrumental Duet,Synthesizer,Vibraphone - Level 4 - Digital Download SKU: A0.1235343
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Instrumental Duet,Synthesizer,Vibraphone - Level 4 - Digital Download SKU: A0.1235343 By Paul Emmett. By Paul Emmett. 21st Century,Contemporary. 8 pages. Paul Emmett #830880. Published by Paul Emmett (A0.1235343). Momentum takes us on a journey to explore the hidden potential of the fixed metallic bars of the vibraphone in a live electroacoustic performance. Composed for the extraordinarily talented multi-percussionist Rosie Clark, currently studying performance at the University of Nottingham, and in demand across the country with a variety of ensembles and collaborating with Rosie to bring this composition to life has been an exciting and educational experience.The inspiration for Momentum came while watching a video of the Frankfurt based percussionist, composer, and lecturer, Max Gaertner. In the footage, Gaertner demonstrated the art of pitch bending a note on a vibraphone, and in that moment the idea for this composition was born.In Momentum, we delve into the intriguing concept that seemingly static metallic bars possess the ability to move and transform within this musical context. This can occur either through the physical manipulation of the performer, or by the technical wizardry of the technician. These bars which are often viewed as fixed entities thus reveal their hidden dynamism, allowing for a world of musical possibilities.Enhancing this idea of motion, Momentum incorporates a further extended technique of bowing causing the bars to resonate with an ethereal vibrancy. Pairing this effect with spectral effects through plugins by Michael Norris in Ableton Live amplify the kinetic energy of the composition. The performer also moves a handheld microphone over the bars, capturing their sounds in real-time motion.Paul Emmett - May 2023.
$15.00
13.74 €
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Paul Emmett
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Momentum - For Vibraphone & Electronics
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Paul Emmett
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SheetMusicPlus
Clouds/Rain
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - Digital Download SKU…
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Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.859675 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 13 pages. Sydney Stevens, Water Music #3089187. Published by Sydney Stevens, Water Music (A0.859675). Contact: sydneystevenspianostudio@gmail.comClouds/Rain (from Seasons Suite): Dark clouds gather. A thunderstorm begins with gentle rain..High energy, forward moving instrumental. Arranged for Piano & English Horn. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, Scott Cossu, A la Windham HillFrom Album: SeasonsTheme: Music that portrays the building of a thunderstorm in mid-winter.Mood: Dark, flowing, energeticMusical Traits: Single notes and octaves in left hand piano with driving right hand triplet pattern.Long, sustained melodic English Horn part.Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 2:52Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$5.50
5.04 €
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Sydney Stevens
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English Horn. Full score &
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Clouds/Rain
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Sydney Stevens, Water Music
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SheetMusicPlus
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