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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Contraband
Non classifié
469
Piano & claviers
Piano seul
230
Piano Facile
46
Orgue
39
Piano, Voix
21
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
8
Piano (partie séparée)
6
Piano, Voix et Guitare
4
Accompagnement Piano
3
Instruments en Do
3
Orgue, Piano (duo)
1
Clavecin
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
64
Guitare notes et tablatures
41
2 Guitares (duo)
13
Guitare (partie séparée)
11
Ukulele
4
Basse electrique
2
Mandoline, Guitare (duo)
2
Banjo
1
Mandoline
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
147
Chorale 3 parties
55
Chorale 2 parties
45
Chorale TTBB
16
Chorale SSAA
16
Chorale Unison
14
Voix duo, Piano
7
Voix duo
4
Chorale
3
Voix moyenne, Piano
2
Chorale SSATB
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Quatuor de Saxophones: 4 saxophones
41
Flûte traversière et Piano
28
Quatuor de Clarinettes: 4 clarinettes
27
Flûte, Hautbois, Clarinette, Basson
26
Saxophone (partie séparée)
25
2 Saxophones (duo)
25
Clarinette et Piano
17
Quintette de Saxophone: 5 saxophones
17
Hautbois, Piano (duo)
17
Saxophone Alto et Piano
16
2 Flûtes traversières (duo)
16
Quatuor de Flûtes : 4 flûtes
15
Ensemble De Flûte à bec
13
Saxophone Tenor et Piano
12
Clarinette
12
Ensemble de Clarinettes
11
2 Clarinettes (duo)
10
Saxophone Soprano et Piano
10
Cor anglais, Piano
10
Ensemble de Flûtes
10
Saxophone Baryton, Piano
9
Hautbois, Basson (duo)
9
2 Hautbois (duo)
8
Flûte traversière
7
Clarinette, Trompette (duo)
7
Flûte, Violon
7
Clarinette Basse, Piano
7
Ensemble de saxophones
7
Trio de Flûtes: 3 flûtes
7
Clarinette, Violoncelle (duo)
7
Clarinette (partie séparée)
6
3 Clarinettes (trio)
6
Saxophone, Clarinette (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Violoncelle
5
Clarinette, Violon (duo)
5
Flute (partie séparée)
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
4
Flûte, Clarinette (duo)
4
Hautbois, Clarinette (duo)
4
3 Flûtes à bec (trio)
3
Flûte et Trio à cordes
3
Flûte, Clarinette et Basson
3
Hautbois, Violoncelle
3
Clarinette et Alto
3
3 Saxophones (trio)
3
Flûte, Alto (duo)
3
Saxophone Alto
3
Hautbois, Flûte
2
Hautbois
2
Hautbois, violon (duo)
2
Flûte, Saxophone (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Trompette (duo)
2
Piccolo, Piano
2
Flûte, Hautbois (duo)
2
2 Flûte à bec (duo)
2
Flûte à bec Soprano, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Basse continue
1
Flûte à bec Alto, Basse continue
1
Flûte, Tuba (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
Hautbois, trombone (duo)
1
Hautbois et alto (duo)
1
Clarinette, Tuba
1
Flûte, Violon, Piano
1
Flûte, Basson et Piano
1
Saxophone Tenor
1
Flute, harpe et violon
1
4 Hautbois
1
Flûte et Guitare
1
Hautbois (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone, Tuba (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Harpe (duo)
1
+ 76 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trombone (partie séparée)
23
Trompette (partie séparée)
20
Trombone et Piano
16
2 Trombones (duo)
13
2 Trompettes (duo)
11
Cor et Piano
11
Cor anglais, Piano
10
Euphonium, Piano (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Quatuor de Cuivres
9
Trompette, Piano
8
Trompette
8
Tuba et Piano
7
Trompette, Trombone (duo)
5
Cor (partie séparée)
5
Tuba (partie séparée)
4
2 Cors (duo)
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trompettes
4
Trompette, Saxophone (duo)
4
Cor
3
Trombone
3
Tuba
2
Quatuor de cuivres: 4 cors
2
Trombone basse
1
Trompette, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Trombone, Violon (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
2 Tubas (duo)
1
Clarinette, Cor (duo)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
103
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
26
Violon et Piano
23
Alto, Piano
18
Violoncelle, Piano
17
Violon (partie séparée)
10
Violon
10
2 Violons (duo)
10
Violon, Alto (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse (partie séparée)
7
2 Altos (duo)
6
Violoncelle
5
Contrebasse, Piano (duo)
4
Alto (partie séparée)
4
Harpe
3
Ensemble de Violons
3
Alto, Violoncelle (duo)
3
Contre Basse
3
Alto seul
3
Violon, Basson (duo)
2
Piano Trio: Violon, Alto, Piano
2
Ensemble d'Altos
2
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
4 Violoncelles
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
85
Orchestre à Cordes
61
Ensemble Jazz
52
Orchestre
28
Ensemble de cuivres
27
Orchestre de chambre
14
Cloches
10
Percussion
7
Batterie (partie séparée)
6
Jazz combo
4
Ensemble de Percussions
3
Vibraphone
3
Percussion (partie séparée)
2
Batterie
2
Xylophone, Piano
1
Marimba
1
Vibraphone et Marimba
1
Timbales (partie séparée)
1
Xylophone
1
2 Xylophones
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
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Achats pour Musiciens
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Partitions Gratuites
1
Partitions Numériques
469
Librairie Musicale
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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Vous avez sélectionné:
Contraband
Partitions à imprimer
469 partitions trouvées
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451
Counterpoint 4 -3
#
Robert Storms
#
Counterpoint 4 -3
#
PDF Band Music
#
SheetMusicPlus
Brass Trio - Grade 2 - SKU: B0.PDF-BAND-97 Composed by Robert Storms. Counterpoint 4 -3 is a compelling choice for Grade 2 level band students. Multicul...
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Brass Trio - Grade 2 - SKU: B0.PDF-BAND-97 Composed by Robert Storms. Counterpoint 4 -3 is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 12 pages. PDF Band Music #PDF-BAND-97. Published by PDF Band Music (B0.PDF-BAND-97). 8.5 x 11 inches.Exciting brass trio for young players.
$15.00
Counterpoint of the Animals
#
Adriano Banchieri
#
Russell L
#
Counterpoint of the Animals
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0005167 Composed by Adriano Banchieri. Arranged by Russell L. Robinson. Choral. 7 pages. Alfred Music - Digital Sheet Music #00-P...
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Chorus - SKU: AX.00-PO-0005167 Composed by Adriano Banchieri. Arranged by Russell L. Robinson. Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0005167. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0005167). UPC: 654979007661.
$2.25
Counterpoint of the Animals
#
Adriano Banchieri
#
Russell L
#
Counterpoint of the Animals
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0005166 Composed by Adriano Banchieri. Arranged by Russell L. Robinson. Choral. 7 pages. Alfred Music - Digital Sheet Music #00-P...
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Chorus - SKU: AX.00-PO-0005166 Composed by Adriano Banchieri. Arranged by Russell L. Robinson. Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0005166. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0005166). UPC: 654979007654.
$2.25
Little Counterpoint - F Horn and Piano
#
John Wilks
#
John Wilks
#
Little Counterpoint - F Horn a
#
John WIlks
#
SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet,Piano - Level 2 - SKU: A0.983220 Composed by John Wilks. Arranged by John Wilks. Baroque,Concert,Holiday,Tradit...
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Instrumental Duet Horn,Instrumental Duet,Piano - Level 2 - SKU: A0.983220 Composed by John Wilks. Arranged by John Wilks. Baroque,Concert,Holiday,Traditional. Score and parts. 5 pages. John WIlks #3135651. Published by John WIlks (A0.983220). Original composition available in different arrangements - please check http://frontline.today/home/john-cloud/works for details .
$4.50
Chant and Counterpoint II - Agnus Dei
#
Musique Sacrée
#
George A
#
Chant and Counterpoint II - Ag
#
George A. Speckert
#
SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.1281881 Composed by George A. Speckert. 21st Century,Chamber,Contemporary,Praise & Worship. 22 pages. George A. Spec...
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String Ensemble - Level 3 - SKU: A0.1281881 Composed by George A. Speckert. 21st Century,Chamber,Contemporary,Praise & Worship. 22 pages. George A. Speckert #873232. Published by George A. Speckert (A0.1281881).
$9.99
Chant and Counterpoint I - Kyrie
#
Musique Sacrée
#
George A
#
Chant and Counterpoint I - Kyr
#
George A. Speckert
#
SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.1281880 Composed by George A. Speckert. 21st Century,Chamber,Contemporary,Praise & Worship. 31 pages. George A. Spec...
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String Ensemble - Level 3 - SKU: A0.1281880 Composed by George A. Speckert. 21st Century,Chamber,Contemporary,Praise & Worship. 31 pages. George A. Speckert #873231. Published by George A. Speckert (A0.1281880).
$9.99
COOUNTERPOINT FOR TWO AND TWO MORE
#
Michael Vondracek
#
Michael Vondracek
#
COOUNTERPOINT FOR TWO AND TWO
#
Michael Vondracek
#
SheetMusicPlus
Bass Clarinet,Harpsichord - SKU: A0.1308659 By Michael Vondracek. By Michael Vondracek. Arranged by Michael Vondracek. Chamber,Instructional,Traditional...
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Bass Clarinet,Harpsichord - SKU: A0.1308659 By Michael Vondracek. By Michael Vondracek. Arranged by Michael Vondracek. Chamber,Instructional,Traditional. 19 pages. Michael Vondracek #897900. Published by Michael Vondracek (A0.1308659). Two Bb clarinets, bass clarinet and harpsichord ensemble.
$5.00
L.A.tric Counterpoint
#
Nejc Kuhar
#
L.A.tric Counterpoint
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
7 guitares électriques et une basse électrique - Advanced - SKU: ZZ.DZ-3564 Composed by Nejc Kuhar. 21 pages. Les Productions d'OZ - Digital #DZ 3...
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7 guitares électriques et une basse électrique - Advanced - SKU: ZZ.DZ-3564 Composed by Nejc Kuhar. 21 pages. Les Productions d'OZ - Digital #DZ 3564. Published by Les Productions d'OZ - Digital (ZZ.DZ-3564). ISBN 9782897954819.
$15.95
Counterpoint in G Minor
#
Classique
#
Mitch Boucher
#
Counterpoint in G Minor
#
Mitch Boucher
#
SheetMusicPlus
Small Ensemble Clarinet,English Horn,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.990435 Composed by Mitch Boucher. Baroque,Instructional. Score and part...
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Small Ensemble Clarinet,English Horn,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.990435 Composed by Mitch Boucher. Baroque,Instructional. Score and parts. 2 pages. Mitch Boucher #5751253. Published by Mitch Boucher (A0.990435).
$6.00
Go Down Moses, Gospel Song for Alto Flute and Piano
#
Musique Sacrée
#
Traditional
#
David McKeown
#
Go Down Moses, Gospel Song for
#
David McKeown
#
SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.592741 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Alto Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.592741 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411907. Published by David McKeown (A0.592741). Go Down Moses is a beautiful gospel song arranged here for Solo Alto Flute and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Go Down Moses, Gospel Song for Descant Recorder and Piano
#
Musique Sacrée
#
Traditional
#
David McKeown
#
Go Down Moses, Gospel Song for
#
David McKeown
#
SheetMusicPlus
Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - SKU: A0.592747 Composed by Traditional. Arranged by David McKeown. Praise &...
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Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - SKU: A0.592747 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411921. Published by David McKeown (A0.592747). Go Down Moses is a beautiful gospel song arranged here for Solo Descant Recorder and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Go Down Moses, Gospel Song for Tenor Horn and Piano
#
Musique Sacrée
#
Traditional
#
David McKeown
#
Go Down Moses, Gospel Song for
#
David McKeown
#
SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.592744 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritu...
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.592744 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411913. Published by David McKeown (A0.592744). Go Down Moses is a beautiful gospel song arranged here for Solo Tenor Horn and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Go Down Moses, Gospel Song for Treble Recorder and Piano
#
Musique Sacrée
#
Traditional
#
David McKeown
#
Go Down Moses, Gospel Song for
#
David McKeown
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Solo,Piano,Treble Recorder - Level 2 - SKU: A0.592750 Composed by Traditional. Arranged by David McKeown. Praise & ...
(+)
Instrumental Duet,Piano Instrumental Solo,Piano,Treble Recorder - Level 2 - SKU: A0.592750 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411931. Published by David McKeown (A0.592750). Go Down Moses is a beautiful gospel song arranged here for Solo Treble Recorder and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Go Down Moses, Gospel Song for Alto Recorder and Piano
#
Musique Sacrée
#
Traditional
#
David McKeown
#
Go Down Moses, Gospel Song for
#
David McKeown
#
SheetMusicPlus
Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 2 - SKU: A0.592746 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacr...
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Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 2 - SKU: A0.592746 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Individual part. 4 pages. David McKeown #6411919. Published by David McKeown (A0.592746). Go Down Moses is a beautiful gospel song arranged here for Solo Alto Recorder and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Go Down Moses, Gospel Song for Trumpet and Tenor Horn Duet
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.590171 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,P...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.590171 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195603. Published by David McKeown (A0.590171). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat. Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Go Down Moses, Gospel Song for Oboe and Cor Anglais (or English Horn) Duet
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.590160 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Pr...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.590160 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195579. Published by David McKeown (A0.590160). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Go Down Moses, Gospel Song for Oboe and Violin Duet
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.590161 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise &...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.590161 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195581. Published by David McKeown (A0.590161). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Violin. Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Josquin: 22 Duets for French Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for French H
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jmsgu3
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SheetMusicPlus
Bass Trombone,Horn,Instrumental Duet - Level 3 - SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructio...
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Bass Trombone,Horn,Instrumental Duet - Level 3 - SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Trombone & Tuba
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trombone
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jmsgu3
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SheetMusicPlus
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructi...
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Bassoon & Contrabassoon
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Josquin des Prez
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James M
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Josquin: 22 Duets for Bassoon
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,R...
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Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Trumpet & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trumpet
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jmsgu3
#
SheetMusicPlus
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instr...
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
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