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Creative Meditation
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Vous avez sélectionné:
Creative Meditation
Partitions à imprimer
5 partitions trouvées
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Meditation (Ave Maria)
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Charles Gounod, J
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Geoffrey Peterson
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Meditation
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Geoffrey Peterson
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SheetMusicPlus
Small Ensemble Drum Set,Drums,Flute,Guitar,Hand Percussion,Violin - Level 3 - SKU: A0.942957 Composed by Charles Gounod, J.S. Bach. Arranged by Geoffrey...
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Small Ensemble Drum Set,Drums,Flute,Guitar,Hand Percussion,Violin - Level 3 - SKU: A0.942957 Composed by Charles Gounod, J.S. Bach. Arranged by Geoffrey Peterson. Baroque,Latin,Multicultural,Romantic Period,Wedding,World. Score and parts. 9 pages. Geoffrey Peterson #5792301. Published by Geoffrey Peterson (A0.942957). 19th century French composer Charles Gounod wrote the melody for Meditation (Ave Maria) and superimposed it over J.S. Bach's Prelude No. 1 in C major, from Book I of The Well-Tempered Clavier. Inspired by the bossa nova music style of Brazil popularized in the 1960s by Antônio Carlos Jobim, João Gilberto, Stan Getz and others, this creative arrangement for flute, violin, guitar and drums of this beloved work is appropriate for any occasion. Can be performed with or without drums.
$4.99
Memento
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Dieter Schnebel
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Memento
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Schott Music - Digital
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SheetMusicPlus
Strings, 2 Instruments and Percussion - SKU: S9.Q42460 Moralische Meditation. Composed by Dieter Schnebel. This edition: PDF. Workshop. Downloada...
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Strings, 2 Instruments and Percussion - SKU: S9.Q42460 Moralische Meditation. Composed by Dieter Schnebel. This edition: PDF. Workshop. Downloadable. Schott Music - Digital #Q42460. Published by Schott Music - Digital (S9.Q42460). In his Moralische Meditation premiered at the Cologne Musikhochschule in 1982, Dieter Schnebel gives the performers a good measure of creative freedom. The strong improvisatory character is inspired by impromptu inventions and spontaneity during the performance. The instrumentation, too, is determined by the performers themselves, although they should do without classical orchestral instruments. Due to the improvisatory interpretation and varying instrumentation, each performance of this work develops its own character.
$16.99
Kommos (Lamentation) / "When the World Moved On" - Timpani
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Bankstanding: OSRS Lo-Fi Jams No. 1
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Michael Davis
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Bankstanding: OSRS Lo-Fi Jams
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Michael Davis Music
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1349669 Composed by Michael Davis. 21st Century,Classical,Contemporary,Video Game. Individual part. 14 pages. Mich...
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Instrumental Solo - Level 5 - SKU: A0.1349669 Composed by Michael Davis. 21st Century,Classical,Contemporary,Video Game. Individual part. 14 pages. Michael Davis Music #934434. Published by Michael Davis Music (A0.1349669). Bankstanding: OSRS Lo-Fi Jams No. 1Bankstanding is for flexible instrumentation and flexible performance, allowing for variable difficulty. Notes from the composer:The OSRS Lo-Fi Jams series is inspired by my favorite game: Old School RuneScape. Each jam is inspired by something specific from OSRS. Lo-fi music aesthetics correspond to many of my favorite things about OSRS. It is filled with repetitive or meditative patterns, enjoyment can be experienced without perfection, there is ample opportunity for creative freedom, and there is far more depth to be discovered than the casual observer likely imagines is possible. The jams are meant to be fun for the performer and allow for creative freedom within the composition’s given restrictions. Imperfections are accepted. Prioritize enjoying your instrument and the music.Bankstanding is for flexible instrumentation but was composed with the solo alto saxophone in mind as the performing force. It may be performed on any instrument or instruments. Octave transposition to play in a comfortable range is encouraged. Repeats are performed as many times as desired by the performer. When performed by multiple musicians, each musician chooses their own repeat structure. Minimums and maximums for duration and instrumentation can be seen below, but it is highly recommended to stay close to either the minimum or suggested duration and instrumentation rather than the maximum. Articulations are performed at the discretion of the individual performer. Suggested articulations are provided by dashed slur lines. If desired, a performer may insert quarter rests to breathe. Rhythmic flexibility within the beat is encouraged but avoid disrupting the pulse.Possible Duration: 1 minute 19 seconds – 6 hoursSuggested Duration: 3 minutesPossible Instrumentation: 1 musician – 2000 musiciansSuggested Instrumentation: 1 musician.
$22.50
String Reflections 2-Digital Download
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String Reflections 2-Digital D
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Digital #9124DP. Published by Hope Publishing - Digital (H1.9124DP). Joshua Evanovich....
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SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Digital #9124DP. Published by Hope Publishing - Digital (H1.9124DP). Joshua Evanovich.Nine traditional hymns Preludes, postludes, Communion meditations, special music selections and recital pieces are all possible uses for this collection. Soaring, majestic lines weave gracefully throughout the violin parts, offering a variety of texture and range while remaining accessible to many skill levels. The piano accompaniment is creative and intricate, yet not too difficult, offering support for the violin and also sharing in the musicality. Suggestions for violin phrasing and bowing are provded but may be altered at the performer's discretion.
Song List
: Come, Ye Thankful People Come Day by Day Fairest Lord Jesus Fantasia on an Early American Tune For The Beauty Of The Earth I Sing the Mighty Power of God Let All Things Now Living On Christmas Day In The Morning Tell Me The Story Of Jesus The First Noel What Wondrous Love Is This
$26.95
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