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Dance for the Sun
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FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
Large Ensemble - Level 1 - Digital Download SKU: A0.1129904 Composed by Wajdi Abou …
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Large Ensemble - Level 1 - Digital Download SKU: A0.1129904 Composed by Wajdi Abou Diab. Arranged by Wajdi Abou Diab. Children,Classical,Folk,Multicultural,Traditional,World. Score and parts. 215 pages. W. Abou Diab #730313. Published by W. Abou Diab (A0.1129904). This collection of four short concert pieces for beginners is intended to introduce the new musicians, as well as the audience, to the world of Arabic music in a fun and enjoyable way, and is designed to make the ensemble practice easy and productive. Every piece introduces a scene from Arabic folklore, inviting the little musicians to discover the beauty of Arabic traditions and cultures. In some pieces, the musicians will be asked to perform some simple body percussion, and say some Arabic words, which will add some magic to the music! The first piece titled Dabkeh is a traditional Levantine dance that is still performed at weddings and public events in Arabic countries, in which the dancers hold their hands together and form a circle showing a scene of solidarity and unity. It is a high-energy dance that demands a great amount of physical effort and is usually performed by both men and women. The second piece takes us to a very special period for Arab people, called Ramadan. For a complete month, people enjoy gathering for the Iftar when the sun sets, after long fasting, then attending public events, and organizing cultural gatherings. The third piece is titled Raqsa, which means simply A Dance. The Arabic dance, mainly performed by a female dancer, is full of energy and beauty. Usually accompanied by hand clapping and percussion instruments, and sometimes singing too. The fourth piece takes us to the traditional Arabic wedding ceremonies, which sometimes continue for more than 5 consecutive days. At an Arabic traditional wedding, all the village gathers in the bride's or groom's home, participating in all the details of the preparations for the wedding, bringing food and gifts, and celebrating joyfully with music, songs, and dances.
$80.00
73.14 €
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Wajdi Abou Diab
#
Wajdi Abou Diab
#
FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
#
W. Abou Diab
#
SheetMusicPlus
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$29.99
27.42 €
#
An-lun Huang
#
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
#
DoReMi Edition
#
SheetMusicPlus
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99
18.28 €
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An-lun Huang
#
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
#
DoReMi Edition
#
SheetMusicPlus
Eight Tarot Cards for Madam Rubio ... La Stella (1997) for two marimbas
Small Ensemble - Level 4 - Digital Download SKU: A0.869296 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869296 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #2022197. Published by Thomas Oboe Lee (A0.869296). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]
$9.99
9.13 €
#
Thomas Oboe Lee
#
Eight Tarot Cards for Madam Rubio ... La Stella
#
Thomas Oboe Lee
#
SheetMusicPlus
Eight Tarot Cards for Madam Rubio ... La Morte (1997) for two marimbas
Small Ensemble - Level 4 - Digital Download SKU: A0.869291 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869291 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 2 pages. Thomas Oboe Lee #2022193. Published by Thomas Oboe Lee (A0.869291). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]
$9.99
9.13 €
#
Thomas Oboe Lee
#
Eight Tarot Cards for Madam Rubio ... La Morte
#
Thomas Oboe Lee
#
SheetMusicPlus
Eight Tarot Cards for Madam Rubio ... La Torre (1997) for two marimbas
Small Ensemble - Level 4 - Digital Download SKU: A0.869289 Composed by Thomas Oboe …
(+)
Small Ensemble - Level 4 - Digital Download SKU: A0.869289 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #2022187. Published by Thomas Oboe Lee (A0.869289). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]
$9.99
9.13 €
#
Thomas Oboe Lee
#
Eight Tarot Cards for Madam Rubio ... La Torre
#
Thomas Oboe Lee
#
SheetMusicPlus
Eight Tarot Cards for Madam Rubio ... La Papessa (1997) for two marimbas
Small Ensemble - Level 4 - Digital Download SKU: A0.869290 Composed by Thomas Oboe …
(+)
Small Ensemble - Level 4 - Digital Download SKU: A0.869290 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #2022195. Published by Thomas Oboe Lee (A0.869290). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]
$9.99
9.13 €
#
Thomas Oboe Lee
#
Eight Tarot Cards for Madam Rubio ... La Papessa
#
Thomas Oboe Lee
#
SheetMusicPlus
Eight Tarot Cards for Madam Rubio ... L'Imperatrice (1997) for two marimbas
Small Ensemble - Level 4 - Digital Download SKU: A0.869294 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869294 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2022199. Published by Thomas Oboe Lee (A0.869294). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]
$9.99
9.13 €
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Thomas Oboe Lee
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Eight Tarot Cards for Madam Rubio ... L'Imperatrice
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Thomas Oboe Lee
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SheetMusicPlus
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - Digital Download
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Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - Digital Download SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.
$9.99
9.13 €
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Thomas Oboe Lee
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I've Got the Munchies
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Thomas Oboe Lee
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SheetMusicPlus
Pantheon for Horn, Violin and Piano
Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Compo…
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Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
41.14 €
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Elizabeth Raum
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Pantheon for Horn, Violin and Piano
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Gordon Cherry
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SheetMusicPlus
Summer Sun Dance - 11/8 - Folk Dance Style - Wind Ensemble
Woodwind Ensemble Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.569631 C…
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Woodwind Ensemble Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.569631 Composed by Thomas Graf. Arranged by Thomas Graf. Contemporary. 41 pages. Thomas Graf - the-hit-factory.com #6567869. Published by Thomas Graf - the-hit-factory.com (A0.569631). Something special for your ensemble: A lively and very unusual arrangement on 11/8, - a bouncing rhythm and cheerful melodies reflect the mood of Summer Sun Dance-. Different Clave patterns provide much fun for the musician and the audience and bring Folk Dance - feeling on stage. A solo part in an easily comprehensible long-meter blues form provides space for improvisation - relaxed, yet powerful backgrounds support the soloist. A piece that exudes from the first bar a positive mood and its uniqueness is the highlight of your concert program. Instrumentation: Part I Piccolo Part I Flute Part I Clarinet in Bb Part II Flute Part II Clarinet in Bb Part III Flute Part III Clarinet in Bb Part IV Clarinet in Bb Part V Clarinet in Bb Part V Bass Clarinet in Bb Part V Bassoon percussion ad. lib Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$19.99
18.28 €
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Thomas Graf
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Thomas Graf
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Instrumentation:
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Summer Sun Dance - 11/8 - Folk Dance Style - Wind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Suite Sunday
Organ and piano, 3-staff - Intermediate SKU: LO.70-1144S For Organ & piano, harp…
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Organ and piano, 3-staff - Intermediate SKU: LO.70-1144S For Organ & piano, harpsichord or synthesizer. Composed by Emma Lou Diemer. Sacred. Sacred Music Press #70/1144S. Published by Sacred Music Press (LO.70-1144S). UPC: 000308034974.The American Guild of Organists named Emma Lou Diemer as composer of the year for 1995. We are honored to introduce her first published work for organ and piano duet. The four movements of this picturesque suite may be performed together as a single work or as separate pieces. Harpsichord or synthesizer may be used instead of piano. The composer would encourage the experimental use of the synthesizer, using registration that is bold and colorful. Moods vary considerably in each of the four movements: Praise, Dance, Song, and Prayer. Two copies are required for performance.
Song List: Dance Song Praise Prayer
Song List
: Dance Song Praise Prayer
$21.00
19.2 €
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Emma Lou Diemer
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Suite Sunday
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Sacred Music Press
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SheetMusicPlus
Song - Dances to the Light
Narrator, children's choir, full orchestra, and Orff instruments - Digital Download SKU…
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Narrator, children's choir, full orchestra, and Orff instruments - Digital Download SKU: OX.9780193707290 Composed by Libby Larsen. Sheet music. Octavo. 12 pages. Oxford University Press Digital #9780193707290. Published by Oxford University Press Digital (OX.9780193707290). ISBN 9780193707290.For narrator, children's choir, full orchestra, and Orff instruments. A setting of specially-written texts by children, the subject matter is the sun, the moon, and the stars. The songs are linked by spoken narration, resulting in a rich and vivid tapestry. Orchestral material is available on hire.
$3.65
3.34 €
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Libby Larsen
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Song - Dances to the Light
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Oxford University Press Digital
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SheetMusicPlus
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Lo…
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Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99
41.13 €
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Ma Shui Long 馬水é¾
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《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
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SpringAutumnmusic
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SheetMusicPlus
Bring Me Sunshine
Baritone Horn TC,Bass Trombone,E-Flat Cornet,E-Flat Tuba TC,Euphonium,Flugelhorn,Trumpet -…
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Baritone Horn TC,Bass Trombone,E-Flat Cornet,E-Flat Tuba TC,Euphonium,Flugelhorn,Trumpet - Level 3 - Digital Download SKU: A0.752393 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Rob Bushnell. Comedy,Film/TV,Jazz. 62 pages. RBMusic #5358961. Published by RBMusic (A0.752393). Written by Arthur Kent and Sylvia Dee, Bring Me Sunshine was first recorded by The Mills Brothers in 1968 for their album My Shy Violet. In the UK, the song is associated with the comedy duo Eric Morecambe & Ernie Wise, after it was used in the second series of their BBC show as their signature tune from 1969. This arrangement was requested by Lofthouse 2000 Brass Band, to bring some sunshine to his band whilst everyone was in lockdown during the 2019/2020 Coronavirus Pandemic. Whilst this arrangement is written for the standard brass dectet instrumentation of 4 trumpets, 1 French Horn, 4 trombones and 1 tuba (with optional drum kit part), it can also be performed by larger ensembles (such as the UK-style brass band) due to all of the alternative parts included (e.g. part for tenor horn and treble-clef lower brass instruments). There are also alternative parts for ensembles that only have 3 trumpets, or 3 trombones, etc. An alternative score has also been provided for ease of conducting in the UK. A recording of the song can be found on YouTube: https://www.youtube.com/watch?v=kMY7j5U-LxI. Â Other Searchable Terms: Skip dance, Groucho Marx, Brenda Lee, Johnny One Time, Jack Greene, Statue of a Fool, Chet Atkins, Yestergroovin', Liz Damon, Orient Express, Willie Nelson, Spotlight on Willie Nelson, Mickey Gilley, Mickey at Gilleys, Cliff Adams Singers, Sing Something Simple Collection: Sentimental Journey, Mrs Mills, Gladys Mills, The Very Best of Mrs. Mills, Richard Shelton, Top Cat, Foster & Allen, Oleg Frish with Patrick Williams & His Big Band, The Jive Aces, King of the Swingers: A Salute to Louis Prima, Violetta Zironi, cookies, Pavesini, Michael Ball & Alfie Boe with the Rays of Sunshine Children's Choir & Friends
$27.99
25.59 €
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Willie Nelson
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Rob Bushnell
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Bring Me Sunshine
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RBMusic
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SheetMusicPlus
I Am the Lord of the Dance
(Choral) - Digital Download SKU: H1.8566DP Composed by Joel Raney. Lent, Holy Week,…
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(Choral) - Digital Download SKU: H1.8566DP Composed by Joel Raney. Lent, Holy Week, Easter Sunday. Preview pack - book & listening CD. 67 pages. Hope Publishing - Digital #8566DP. Published by Hope Publishing - Digital (H1.8566DP). Sydney Carter.Lent & Easter Musical Sydney Carter's classic hymn, Lord of the Dance, is a metaphor of the life of Christ. In beautiful, poetic language, Carter describes Jesus as The Piper, calling his followers to the dance of life. This 30-minute musical from Joel Raney is an elaboration on that hymn, portraying each verse individually in a dramatic, colorful presentation - all retelling the story from John 3:16, For God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life. Appropriate for use anytime during Lent or Holy Week, for Palm Sunday or Easter morning, there is an additional narration and underscore that leads into an exciting, complete setting of Lord of the Dance, celebrating Christ's victorious resurrection. For Maundy Thursday or Good Friday, it may be concluded with the musical benediction My Jesus, I Love Thee. Narration and scripture have been carefully chosen to complete the story, tying together the verses of Lord of the Dance with a variety of other timeless hymns and songs, creating a meaningful worship experience for the congregation. The piano accompaniment works extremely well by itself, while the optional instrumental parts require a minimal number of players and will enhance the overall effect. The Instrumental Parts include a Conductor's Score and parts for Flute, Oboe, Violin and Cello.
$17.95
16.41 €
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Joel Raney
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I Am the Lord of the Dance
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Hope Publishing - Digital
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SheetMusicPlus
I Am the Lord of the Dance
Cello, flute, oboe, violin - Digital Download SKU: H1.8564DP Composed by Joel Raney…
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Cello, flute, oboe, violin - Digital Download SKU: H1.8564DP Composed by Joel Raney. Musicals Collection. Lent & Easter Musicals. Lent, Holy Week, Easter Sunday. Instrumental Parts. 150 pages. Hope Publishing - Digital #8564DP. Published by Hope Publishing - Digital (H1.8564DP). Sydney Carter.Lent & Easter Musical Sydney Carter's classic hymn, Lord of the Dance, is a metaphor of the life of Christ. In beautiful, poetic language, Carter describes Jesus as The Piper, calling his followers to the dance of life. This 30-minute musical from Joel Raney is an elaboration on that hymn, portraying each verse individually in a dramatic, colorful presentation - all retelling the story from John 3:16, For God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life. Appropriate for use anytime during Lent or Holy Week, for Palm Sunday or Easter morning, there is an additional narration and underscore that leads into an exciting, complete setting of Lord of the Dance, celebrating Christ's victorious resurrection. For Maundy Thursday or Good Friday, it may be concluded with the musical benediction My Jesus, I Love Thee. Narration and scripture have been carefully chosen to complete the story, tying together the verses of Lord of the Dance with a variety of other timeless hymns and songs, creating a meaningful worship experience for the congregation. The piano accompaniment works extremely well by itself, while the optional instrumental parts require a minimal number of players and will enhance the overall effect. The Instrumental Parts include a Conductor's Score and parts for Flute, Oboe, Violin and Cello.
$79.95
73.09 €
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Joel Raney
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I Am the Lord of the Dance
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Hope Publishing - Digital
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SheetMusicPlus
Guinean National Anthem for String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1517572 By Keith Terrett. By …
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String Orchestra - Level 3 - Digital Download SKU: A0.1517572 By Keith Terrett. By Original: Korofo Moussa, 1904 Modern: Fodéba Keïta, 1958. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 9 pages. Keith Terrett #1091734. Published by Keith Terrett (A0.1517572). Korofo Moussa's song:The music of the anthem is derived from a praise song for the late-1800s king of Labé, in Fouta Djallon, Alpha Yaya Diallo (or Alfa Yaya). Alpha Yaya is, along with Wassoulou Empire founder Samory Touré, considered central by Guineans to the foundation of the modern Guinean nation, in part because of his fierce attempts to resist colonisation.In 1904, Alpha Yaya was one of many traditional chiefs and kings summoned to a doctrinal conference with French colonists, who were still in the process of consolidating his territory.The chiefs each brought along a retinue for the journey; in Alpha Yaya's retinue was griot Korofo Moussa, from Kissidougou in the south of the country. Alpha Yaya arrived to the conference on its sixth day, and Korofo Moussa is said to have spontaneously improvised, along with his troupe of dancers and kora players, a praise song for Alpha Yaya after he arrived. The song began with the line Alpha Yaya, Mansa bè Manka (Alpha Yaya, mansas (kings) are not the same). According to Fodéba Isto Keira, former Minister of Youth, Sports and Culture, the performance took place in the building of the modern Directorate of the Judicial Police in the Kaloum sub-prefecture of Conakry.Korofo Moussa's air quickly became popular; it was sung and played by all the griots for the rest of the conference, and within a few days it was known throughout Conakry. Alpha Yaya's personal griot immediately trained to play the song. Upon the return of the kings and their retinues to their regions, it spread throughout the country.Modern anthem:Upon approaching independence in 1958, the lyrics of Korofo Moussa's song were reworked and written in French by artist, choreographer and politician Fodéba Keïta and Jean Cellier for the national anthem of Guinea. Korofo Moussa's melody was retained for the anthem. According to Keira, Keïta used the solfège method when working with the music. Keira stated that the national anthem had to be inspired by something from Fouta Djallon for the sake of avoiding frustrations and preserving national unity.
$8.99
8.22 €
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Keith Terrett
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Keith Terrett
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Guinean National Anthem for String Orchestra
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Keith Terrett
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SheetMusicPlus
Bring Me Sunshine
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download …
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752397 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Rob Bushnell. Comedy,Film/TV,Jazz. 27 pages. RBMusic #5734027. Published by RBMusic (A0.752397). Written by Arthur Kent and Sylvia Dee, Bring Me Sunshine was first recorded by The Mills Brothers in 1968 for their album My Shy Violet. In the UK, the song is associated with the comedy duo Eric Morecambe & Ernie Wise, after it was used in the second series of their BBC show as their signature tune from 1969. This arrangement was written to bring some sunshine to ensembles whilst everyone was in lockdown during the 2019/2020 Coronavirus Pandemic. There are alternative parts for tenor horn, treble-clef euphonium, and tubas (both bass and treble clef). Other Searchable Terms: Skip dance, Groucho Marx, Brenda Lee, Johnny One Time, Jack Greene, Statue of a Fool, Chet Atkins, Yestergroovin', Liz Damon, Orient Express, Willie Nelson, Spotlight on Willie Nelson, Mickey Gilley, Mickey at Gilleys, Cliff Adams Singers, Sing Something Simple Collection: Sentimental Journey, Mrs Mills, Gladys Mills, The Very Best of Mrs. Mills, Richard Shelton, Top Cat, Foster & Allen, Oleg Frish with Patrick Williams & His Big Band, The Jive Aces, King of the Swingers: A Salute to Louis Prima, Violetta Zironi, cookies, Pavesini, Michael Ball & Alfie Boe with the Rays of Sunshine Children's Choir & Friends
$15.99
14.62 €
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Willie Nelson
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Rob Bushnell
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Bring Me Sunshine
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RBMusic
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SheetMusicPlus
Samba de Simão, for Oboe and Cor Anglais or English Horn Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.588920 Composed by David McKeown. Jazz,Latin,World. Score and parts. 8 pages. David McKeown #5801097. Published by David McKeown (A0.588920). Samba de Simão is an exciting original composition by David McKeown, arranged as a duet for one Oboe and one Cor Anglais or English Horn.This duet is based on the style of Samba. With roots in West African music, modern Samba emerged in Rio de Janiero, Brazil at the beginning of the twentieth century. There are many forms, both sung and instrumental, and the Samba rhythm has found its way around the world into jazz and modern electronic pop and dance music. Samba has become a cultural symbol of Brazil, with Rio’s famous Samba schools producing theatrical and ultra-professional showpieces for the annual carnival.If you play to an advanced intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, the two underlying strong beats in each bar should always be felt, and following the articulation in the score will help convey the style. Samba de Simão has a performance time of two and a half minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Samba de Simão.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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David McKeown
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Samba de Simão, for Oboe and Cor Anglais or English Horn Duet
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David McKeown
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.61 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Summer Sun Dance - 11/8 - Folk Dance Style - Flute Quintet
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.568510 Composed by Tho…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.568510 Composed by Thomas Graf. Arranged by Thomas Graf. Concert,Folk,Jazz,World. 16 pages. Thomas Graf - the-hit-factory.com #2964009. Published by Thomas Graf - the-hit-factory.com (A0.568510). Something special for your ensemble: A lively and very unusual arrangement on 11/8, - a bouncing rhythm and cheerful melodies reflect the mood of Summer Sun Dance. Different Clave patterns provide much fun for the musician and the audience and bring Folk Dance - feeling on stage. A solo part in an easily comprehensible long-meter blues form provides space for improvisation - relaxed, yet powerful backgrounds support the soloist. A piece that exudes from the first bar a positive mood and its uniqueness is the highlight of your concert program. Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/hv3pp_GaJ2s
$11.99
10.96 €
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Thomas Graf
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Thomas Graf
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Summer Sun Dance - 11/8 - Folk Dance Style - Flute Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Born to perform
Small Ensemble - Level 2 - Digital Download SKU: A0.1022345 Composed by Julie Argyl…
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Small Ensemble - Level 2 - Digital Download SKU: A0.1022345 Composed by Julie Argyle-Cross. Children,Jazz. Score and parts. 9 pages. Julie Argyle-Cross #6429719. Published by Julie Argyle-Cross (A0.1022345). A relaxed, lay-back song about the joys of performing. Two tunes are introduced separately and then sung together. There is also music for an optional dance break. (soft-shoe or tap!)Duration 3.34.
$3.20
2.93 €
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Julie Argyle-Cross
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Born to perform
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Julie Argyle-Cross
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SheetMusicPlus
The Chicken Dance
Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level…
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Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.734382 Composed by Terry Rendall and Werner Thomas. Arranged by Dennis Ruello. 20th Century,Comedy,Contemporary,Pop,Traditional. 14 pages. Chicory Music #3580587. Published by Chicory Music (A0.734382). The Chicken Dance, also known as the Bird Song, the Birdie Song or the Chicken Song, is an oom-pah song and its associated fad dance is now a contemporary dance throughout the Western world. The song was composed by accordion player Werner Thomas from Davos, Switzerland, in the 1950s.The name of the original Swiss song was Der Ententanz (The Duck Dance). It is rumored to be a drinking song sung at Oktoberfest. Sometime in the late 1970s, the song acquired the name Vogeltanz (The Bird Dance) or Vogerltanz (Little Bird Dance or Birdie Dance), although these names never caught on seriously in Germany. On some sheet music and recordings it is called Dance Little Bird. It appears that no one in Germany uses the term Kükentanz or Huhn/Hühnertanz (Küken means chick, Huhn/Hühner means chicken (sg./pl.)). Since 1963, Werner Thomas had played it in restaurants and hotels. During one of Thomas' performances, Belgian producer Louis van Rijmenant heard the song. Van Rijmenant had some lyrics created and in 1970 released it to the public through his publishing company Intervox Music (later on co-publishing with his other company Eurovox Music) without much success. However, on subsequent releases of the song, Van Rijmenant was listed as co-author under the pen name of Terry Rendall. Eurovox Music now manages the publishing rights worldwide, except for the US (September Music), UK (Valentine Music) and the Netherlands (Benelux Music), sub-publishers. The dance and song was originally brought from Germany to the US by Eddie Duling and Larry Karhoff of Glandorf, Ohio in 1974. This arrangement includes: Full Score, Vocal (Opt.), Clarinet, Tenor Sax, Trumpet, Trombone, Piano/Accordion, Tuba, Acoustic Bass (Tuba sub.) and Drum Set. Performance time approx, 2 minutes 52 seconds,
$14.99
13.7 €
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Terry Rendall and Werner Thomas
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Dennis Ruello
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The Chicken Dance
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Chicory Music
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SheetMusicPlus
Pretty how town for recorder orchestra (mp3)
Recorder - Level 4 - Digital Download SKU: A0.1431988 By Manchester recorder orches…
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Recorder - Level 4 - Digital Download SKU: A0.1431988 By Manchester recorder orchestra. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 188. David Warin Solomons #1012466. Published by David Warin Solomons (A0.1431988). Work for recorder orchestra written for and performed by Manchester Recorder Orchestra in February 2015.The music is inspired by a poem of e e cummings:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn’t he danced his did.women and men (both little and small)cared for anyone not at allthey sowed their isn’t they reaped their samesun moon stars rainchildren guessed (but only a fewand down they forgot as up they grewautumn winter spring summer)that noone loved him more by morewhen by now and tree by leafshe laughed his joy she cried his griefbird by snow and stir by stillanyone’s any was all to hersomeones married their everyoneslaughed their cryings and did their dance(sleep wake hope and then) they said their nevers they slept their dreamstars rain sun moon(and only the snow can begin to explainhow children are apt to forget to rememberwith up so floating many bells down)one day anyone died i guess(and noone stooped to kiss his face)busy folk buried them side by sidelittle by little and was by wasall by all and deep by deepand more by more they dream their sleepnoone and anyone earth by aprilwish by spirit and if by yes.women and men (both dong and ding)summer autumn winter springreaped their sowing and went their camesun moon stars rain
$4.00
3.66 €
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Manchester recorder orchestra
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Pretty how town for recorder orchestra
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David Warin Solomons
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SheetMusicPlus
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