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Vous avez sélectionné:
Deep Calls to Deep
Partitions à imprimer
11 partitions trouvées
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"Spring Calls" - for Soprano, Flute, Viola, Cello and Harp [Study Score]
Small Ensemble Cello,Flute,Harp,High Voice,Viola - Level 5 - Digital Download SKU: A0.9…
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Small Ensemble Cello,Flute,Harp,High Voice,Viola - Level 5 - Digital Download SKU: A0.976036 Composed by Lior Navok. 20th Century,Contemporary,Jewish,World. Score and parts. 44 pages. Lior Navok Music #4719303. Published by Lior Navok Music (A0.976036). SPRING CALLS - for Soprano, Flute, Viola, Cello and Harp (2006) DURATION: 10:30 Minutes TEXT: Canticles 2; 1-13 (also known as The Songs of Songs or Shir Hashirim LANGUAGE: Hebrew TEXT CHARACTERS: Latin PROGRAM NOTES: The composer writes about his work: Spring Calls for soprano, flute, viola, cello and harp is a setting of texts from the second chapter of Canticles (Shir Hashirim) book, known also as The Song of Songs. It is one of the five Megilot - sacred scrolls that are part of the Hebrew Bible. Canticles is mainly being read in Passover, the holiday of spring. Its theme is love and rebirth of love, symbolized by the spring. Usually, only one or two lines of Canticles texts are being set to music. However, I had an interest to create a sort of journey as well as a psychological journey of a woman who searches, awaits and discovers her love. The text parallels the awakening of love with the awakening of spring in a most vivid and colorful way. While choosing instrumentation and musical language to with work, the modal, archaic sound mixed with the new was in my vision. Therefore, one can hear colors of certain exotic and primeval instruments such as the sistrum - an ancient Egyptian percussion instrument, dated from 2500 B.C. used mostly for religious ceremonies. Spring Calls was written for Close Encounters With Music, Yehuda Hanani - artistic director. It was generously commissioned by Lola and Edwin Jaffe with deep appreciation to their support. INFO:Item: Full Study Score Edition: 2nd Edition Copyright: Lior NavokPublisher: Lior Navok Music Pages: 44 BindingInk: Black & White Paper Size: DIN A4 / Letter.
$12.00
10.95 €
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Lior Navok
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"Spring Calls" - for Soprano, Flute, Viola, Cello and Harp [Study Score]
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Lior Navok Music
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SheetMusicPlus
Deep Calls To Deep
Small Ensemble - Digital Download SKU: A0.901253 Composed by New Jerusalem Music. C…
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Small Ensemble - Digital Download SKU: A0.901253 Composed by New Jerusalem Music. Contemporary. Score and parts. 4 pages. New Jerusalem Music #4370128. Published by New Jerusalem Music (A0.901253).
$1.99
1.82 €
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New Jerusalem Music
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Deep Calls To Deep
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New Jerusalem Music
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SheetMusicPlus
Deep Calls to Deep (At the Thunder of Your Waterspouts)
Tuba solo with piano SKU: TE.TEP10446 Composed by Warner Hutchison. Score. Publishe…
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Tuba solo with piano SKU: TE.TEP10446 Composed by Warner Hutchison. Score. Published by Tuba-Euphonium Press (TE.TEP10446).
$20.00
18.25 €
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Warner Hutchison
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Deep Calls to Deep
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Tuba-Euphonium Press
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SheetMusicPlus
Al Circo (To the Circus) for Trombone and Harp
Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Se…
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Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.<br> <br> David Stout writes about his work:<br> <br> "I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says “hand in bell” he had a problem. With a bass trombone he couldn’t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can’t see him. He then plays that passage. ‘Is that the sound you want?’ he asks. ‘Yeah that’s it. Perfect!’ I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ‘con sardino.’<br> <br> Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp<br> <br> This fine work is appropriate for advanced performers and is about 7 minutes in length.Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.<br> <br> David Stout writes about his work:<br> <br> "I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says “hand in bell” he had a problem. With a bass trombone he couldn’t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can’t see him. He then plays that passage. ‘Is that the sound you want?’ he asks. ‘Yeah that’s it. Perfect!’ I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ‘con sardino.’<br> <br> Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp<br> <br> This fine work is appropriate for advanced performers and is about 7 minutes in length.
$25.00
22.82 €
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Stout, David
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Setzer, Louis
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Al Circo
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Cherry Classics Music
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SheetMusicPlus
I remember
TB choir and piano - Digital Download SKU: OX.9780193560888 Composed by Sarah Quart…
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TB choir and piano - Digital Download SKU: OX.9780193560888 Composed by Sarah Quartel. Sheet music. In the deep. Octavo. 10 pages. Oxford University Press Digital #9780193560888. Published by Oxford University Press Digital (OX.9780193560888). ISBN 9780193560888.For TB and piano. I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowing piano accompaniment.
$3.65
3.33 €
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Sarah Quartel
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I remember
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Oxford University Press Digital
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SheetMusicPlus
Dawn in the Room for Baritone and Piano (mp3)
Baritone Horn TC,Piano - Level 3 - Digital Download SKU: A0.1422864 By Mark Rowlins…
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Baritone Horn TC,Piano - Level 3 - Digital Download SKU: A0.1422864 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 243. David Warin Solomons #1004219. Published by David Warin Solomons (A0.1422864). The bereaved lover gains some brief consolation at dawn when the blond light penetrates his (or her) lonely room and reminds him (or her) of the hair of the loved one. The mode of this song is Dorian, my favourite mode. Poem by E M Solomons - mother of the composer. Poem by E M SolomonsThe pale gold lightcreeps into my silent roomtouching my faceI know that you are here.Softly contours formas the colourstake the place of greyTranslucent gold hits the mirrorand reaches my lonely bed.Dispels the grey mist which lingerson the window paneDeepens the image and I see you.Pale blond lightwhere your hair once shone.Lonely shadow of my former selfI languish here.But then your dear voice calls with comfort, loveand saysI have not left,while your fond memories remain.I think of you andyou are herebeside and withinYour image fadesbut you are still here in me.You must you must come backif only at dawn.See through the tears of gold,you are here once moreYour ghostly presencefills my poor heart,searching my mindonce more to be as one,here is your bodyso close to my ownin this spectral worldwe share our thoughts.My soul now quiet at lastmy yearnings on hold.The golden glow brings me peaceand I might face another day(c) E M Solomons
$5.00
4.56 €
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Mark Rowlinson
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Dawn in the Room for Baritone and Piano
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David Warin Solomons
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SheetMusicPlus
Tears of a Whale
Small Ensemble Acoustic Guitar,Electric Guitar,Flute - Digital Download SKU: A0.1029371…
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Small Ensemble Acoustic Guitar,Electric Guitar,Flute - Digital Download SKU: A0.1029371 Composed by Elizabeth Parrill. Contemporary. Score and parts. 4 pages. Elizabeth Parrill #4980803. Published by Elizabeth Parrill (A0.1029371). Tears of a Whale will take you on a deep-sea adventure. In the beginning waves crash on the beach and wind fills the air when suddenly a voice calls out beckoning to the danger of the deep. The darkness engulfs as the shore disappears from view. Swimming farther out to the ocean’s depths, whales appear and cry out showing their beauty and pain. Swimming back to shore, one is left in wonder and to wonder.
$3.99
3.64 €
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Elizabeth Parrill
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Tears of a Whale
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Elizabeth Parrill
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SheetMusicPlus
Lead Me On!
Choral - Digital Download SKU: JX.00-PO-0001187 Lead Me On! - SATB. Composed…
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Choral - Digital Download SKU: JX.00-PO-0001187 Lead Me On! - SATB. Composed by Mary McDonald and Thomas A. Dorsey. Sacred Choral. 10 pages. Jubilate Music Group - Digital #00-PO-0001187. Published by Jubilate Music Group - Digital (JX.00-PO-0001187). UPC: 038081407159.Mary McDonald calls on her talents as both composer and wordsmith to create an anthem that broadens the scope of a classic Thomas A. Dorsey gospel song - Precious Lord, Take My Hand. In a simple new setting, she manages to bring deep new insights to a beloved favorite. Related Scripture: Psalm 139: 10; Matthew 8:19; Exodus 15:13.
$2.05
1.87 €
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Mary McDonald and Thomas A
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Matthew 8:19
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Lead Me On!
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Jubilate Music Group - Digital
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SheetMusicPlus
Sonata Hymnica No. 7 - Score Only
Small Ensemble - Level 4 - Digital Download SKU: A0.1033406 Composed by James Siddo…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
$10.00
9.13 €
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James Siddons
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Sonata Hymnica No. 7 - Score Only
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James Siddons Music and Writings
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SheetMusicPlus
Piano Trio No 1
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.966297 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers Ltd #3002975. Published by Modrana Music Publishers Ltd (A0.966297). The Piano Trio no 1 was commissioned, premiered and recorded by the Fenice Trio in 2002. This substantial piano trio contained much of Golightly's symbolism and is festooned with the composers use of DFG codes. Stylistically, it represents a landmark in the genre development of Golightly, linked as it is to much of the melodic and harmonic language of his first symphony. I highly personal work it is only for the most advanced piano trios. The duration is 26 minutes. Score and parts.Review. Piano Trio Letters of Regret. (2001/2)David Golightly's piano trio Letters of Regret was commissioned by The Fenice Trio, composed during the summer of 2001 and completed in February 2002. The first performance took place at the Middlesbrough Theatre in June 2002. The work is in three movements (Demon, Angel and Regrets). Demon, the shortest movement of the work, opens with a rhythmical gesture from the piano, soon joined by the strings. This moderately fast movement is actually some sort of whimsical Allegretto sometimes of Russian flavour. Reviewing David's First Symphony, the composerArthur Butterworth remarked that Golightly might well be a British Shostakovich.Indeed, the Piano Trio calls the Russian composer to mind, particularly so in this slightly ironic movement that rises up to a short-lived ghostly climax abruptly cut short. Angel opens mysteriously with ethereal static string textures softly punctuated by the piano. Later, the string's sustained notes are gently accompanied by piano arpeggios. Then the strings, and later the piano, make some unsuccessful attempts at a tune, hesitantly so and with some glissandi contradicting the attempted melody. Eventually, the cello, followed by the violin, launches a sorrowful lyrical song, still disrupted by nervous interjections eventually short-lived.The Angel movement, though remains emotionally and harmonically ambiguous throughout. It too ends unobtrusively. The Demon and Angel movements actually act as a twofold introduction to the last movement. Regrets that is some sort of theme and seven variations, a series of letters, written but not sent,as the composer remarks. This predominantly lyrical, often nostalgic movement is the emotional heart of what is obviously a deeply personal statement on the composer's part. Golightly's Piano Trio is a superbly crafted, beautifully moving work, not unworthy its models(Shostakovich or John Ireland), and a highly personal, quite accessible work of substance that deserves wider recognition and that should be eagerly picked-up by trios willing to add a new substantial work to their repertoire.Hubert Culot. British Music Society
$40.00
36.51 €
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David F Golightly
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Piano Trio No 1
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Modrana Music Publishers Ltd
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SheetMusicPlus
Let All Mortal Flesh Keep Silence
Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.966757
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Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.966757 Composed by PICARDY. Arranged by Dillon Ekle. 20th Century,Christian,Easter,Sacred. Score and parts. 7 pages. Dillon Ekle #6110785. Published by Dillon Ekle (A0.966757). The popular hymn Let All Mortal Flesh Keep Silence is presented in this arrangement with a feel of church bells in mind. The first verse frames the melody in an Adagio 3/4 feel, with the melody in the alto range. The second verse uses the traditional rhythms with thick harmony voices reminiscent of handbells, growing from a few treble notes to a deep bass. Appropriate any time of the year, but especially appropriate in Advent or for a communion service, as the hymn recalls the great mysteries of Christ's incarnation and his presence with believers.The PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99
4.55 €
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PICARDY
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Dillon Ekle
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Let All Mortal Flesh Keep Silence
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Dillon Ekle
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SheetMusicPlus
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