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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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COR
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LIVRES
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MANDOLINE
MARIMBA
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SYNTHETISEUR
TROMBONE
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TUBA
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Des Satie
Non classifié
52
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94
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18
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6
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2
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1
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10
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4
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2
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1
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1
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2
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15
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12
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8
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7
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5
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5
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5
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5
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4
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10
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8
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4
Trombone et Piano
4
Trompette, Piano
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2
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
+ 3 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
121
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Trio à Cordes: violon, alto, violoncelle
19
Trio à Cordes: 2 violons, violoncelle
10
Quatuor à cordes: 4 violons
8
Trio à Cordes: 3 violoncelles
8
Trio à cordes: 3 violins
8
Violoncelle , Guitare (duo)
7
Trio à Cordes: 2 violons, alto
6
Violon et Piano
6
Alto, Piano
4
Violoncelle, Piano
4
Alto, Guitare (duo)
3
Trio à cordes
2
Quatuor à cordes : 4 altos
2
Harpe
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon
1
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Orchestre à Cordes
27
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6
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4
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2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE LAP ST…
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Vous avez sélectionné:
Des Satie
Partitions à imprimer
52 partitions trouvées
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Satie: Parade - II. Petite Fille Americaine - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fil
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 p...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by ...
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Su
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & P
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
Trois Sarabandes for 5 Trombones
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Classique
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Contemporain
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Erik Satie
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Ralph Sauer
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Trois Sarabandes for 5 Trombon
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792439 Composed by Erik Satie. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and parts....
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Brass Ensemble Trombone - Level 5 - SKU: A0.792439 Composed by Erik Satie. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and parts. 27 pages. Gordon Cherry #4821673. Published by Gordon Cherry (A0.792439). Erik Saties Trois Sarabandes were composed in September 1887 and based on the poetry of J.P. Contamine de Latour (1867-1926). The second Sarabande is dedicated to Maurice Ravel. The Sarabande is a Renaissance dance in 3/4 time. Originally for the Piano, these three works are very slow, rich in harmony and dreamy in mood, making them excellent vehicles to show off the rich texture of the five-part Trombone ensemble. The three movements are about 12 minutes in length and can be performed by moderate to advanced performers (the 1st part is in alto clef and reaches a high E-flat, but the other parts are more moderate in difficulty.
$20.00
After Satie
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Contemporain
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Greg Shapley
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After Satie
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Greg Shapley
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SheetMusicPlus
Small Ensemble Alto Recorder,Descant Recorder,Piano,Soprano Recorder - Level 3 - SKU: A0.966350 Composed by Greg Shapley. 20th Century,Contemporary. Sco...
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Small Ensemble Alto Recorder,Descant Recorder,Piano,Soprano Recorder - Level 3 - SKU: A0.966350 Composed by Greg Shapley. 20th Century,Contemporary. Score and parts. 6 pages. Greg Shapley #2743. Published by Greg Shapley (A0.966350). This small accessible, but challenging work for descant recorder, alto recorder and piano is based on a few notes from an Erik Satie composition and is in a post-minimalist style. Complex rhythms and time signatures are overlaid with simple, but mesmerizing melodic fragments. It is a good work to show off the recorder in a modern context. Length 2:30 mins.
$3.49
Satie: Parade - Rag-Time du Paquebot - wind dectet/bass
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Rag-Time du Pa
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1296413 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Ragtime....
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1296413 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Ragtime. 18 pages. RayThompsonMusic #886629. Published by RayThompsonMusic (A0.1296413). Arranged wind dectet(double wind quintet)/bassParade is a ballet with music by Erik Satie and a one-act scenario by Jean Cocteau.The ballet was composed 1916–1917 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917 at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet. This movement Ragtime also known as Rag-Time du Paquebot (Ragtime of the Packet Steamer/Steampacket) would later be adapted for piano solo, and attained considerable success as a separate piano piece.It fits the wind dectet well, and should be played lightly.Please check out  the rest of my Satie arrangements for varying instrument combinations :3 Gymnopédies and 3 Gnossiennes. (Sold separately and as collections).
$14.95
Music for Three, Volume 5 - Part 2 Viola 50522
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Daniel Kelley
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Daniel Kelley
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Music for Three, Volume 5 - Pa
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Viola - Level 5 - SKU: A0.614505 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 20th Century,Classical,Romantic Period,Wedding....
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Small Ensemble Viola - Level 5 - SKU: A0.614505 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 20th Century,Classical,Romantic Period,Wedding. Score and parts. 49 pages. Last Resort Music Publishing #223670. Published by Last Resort Music Publishing (A0.614505). Part 2 Viola - Music for Three, Volume 5 Late 19th & Early 20th Century Favorites Includes works by Debussy, Elgar, Rachmaninoff, Brahms, Kreisler, Prokofiev & more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Braul, Joc Cu Bata, Maruntel from Rumanian Folk Dances (Bartok) Clair de Lune from Suite Bergamasque for piano (Debussy) Fille aux Cheveux de Lin, La from Douze Preludes, Book 1 (Debussy) Golliwog's Cake-walk from Children's Corner Suite (Debussy) Reverie (Debussy) Nimrod from Enigma Variations, Op. 35 (Elgar) Pomp and Circumstance March #1 (Elgar) Salut d'Amor, Op. 12 (Elgar) Ritual Fire Dance from El Amor Brujo (de Falla) Molly on the Shore Irish Reel (Grainger) Shepherd's Hey English Morris Dance Tune (Grainger) Liebesfreud from Alt-Wiener Tanzweisen (Kreisler) Liebeslied (Kreisler) Schon Rosmarian from Alt-Wiener Tanzweisen (Kreisler) To a Wild Rose from Woodland Sketches, Op. 51 (MacDowell) Gavotte and Larghetto from Classical Symphony, Op. 25 (Prokofiev) March from The Love of Three Oranges, Op. 33 (Prokofiev) Theme from 1st and 3rd Movements from Piano Concerto #2 (Rachmaninoff) Theme from 1st Movement from Piano Concerto #3 (Rachmaninoff) Le Jardin Feerique & Pavane de la Belle au Bois Dormant from Ma Mere l'Oye (Ravel) Pavane pour une Infante Defunte (Ravel) Menuet & Rigaudon from Tombeau de Couperin (Ravel) Balletto & Passo Mezzo e Mascherada from Ancient Airs & Dances (Respighi) Gymnopedie No. 1 from Trois Gymnopedies (Satie) Larghetto (Stravinsky) Gavotta, Overture and Serenata from Pulcinella (Stravinsky) Other Parts Available: 50511 Part 1 Flute or Oboe or Violin 50513 Part 1 Clarinet in Bb 50521 Part 2 Flute or Oboe or Violin 50522 Part 2 Viola 50523 Part 2 Clarinet in Bb 50531 Part 3 Cello or Bassoon 50540 Keyboard or Guitar 50599 Score (Parts 1-3 in C).
$20.00
Music for Three, Volume 5 - Score 50599
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Daniel Kelley
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Daniel Kelley
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Music for Three, Volume 5 - Sc
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.614503 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 20th Century,Classical,Romantic Period,Wedding. Score...
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Small Ensemble - Level 5 - SKU: A0.614503 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 20th Century,Classical,Romantic Period,Wedding. Score and parts. 92 pages. Last Resort Music Publishing #223667. Published by Last Resort Music Publishing (A0.614503). Score - Music for Three, Volume 5 Late 19th & Early 20th Century Favorites Includes works by Debussy, Elgar, Rachmaninoff, Brahms, Kreisler, Prokofiev & more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Braul, Joc Cu Bata, Maruntel from Rumanian Folk Dances (Bartok) Clair de Lune from Suite Bergamasque for piano (Debussy) Fille aux Cheveux de Lin, La from Douze Preludes, Book 1 (Debussy) Golliwog's Cake-walk from Children's Corner Suite (Debussy) Reverie (Debussy) Nimrod from Enigma Variations, Op. 35 (Elgar) Pomp and Circumstance March #1 (Elgar) Salut d'Amor, Op. 12 (Elgar) Ritual Fire Dance from El Amor Brujo (de Falla) Molly on the Shore Irish Reel (Grainger) Shepherd's Hey English Morris Dance Tune (Grainger) Liebesfreud from Alt-Wiener Tanzweisen (Kreisler) Liebeslied (Kreisler) Schon Rosmarian from Alt-Wiener Tanzweisen (Kreisler) To a Wild Rose from Woodland Sketches, Op. 51 (MacDowell) Gavotte and Larghetto from Classical Symphony, Op. 25 (Prokofiev) March from The Love of Three Oranges, Op. 33 (Prokofiev) Theme from 1st and 3rd Movements from Piano Concerto #2 (Rachmaninoff) Theme from 1st Movement from Piano Concerto #3 (Rachmaninoff) Le Jardin Feerique & Pavane de la Belle au Bois Dormant from Ma Mere l'Oye (Ravel) Pavane pour une Infante Defunte (Ravel) Menuet & Rigaudon from Tombeau de Couperin (Ravel) Balletto & Passo Mezzo e Mascherada from Ancient Airs & Dances (Respighi) Gymnopedie No. 1 from Trois Gymnopedies (Satie) Larghetto (Stravinsky) Gavotta, Overture and Serenata from Pulcinella (Stravinsky) Other Parts Available: 50511 Part 1 Flute or Oboe or Violin 50513 Part 1 Clarinet in Bb 50521 Part 2 Flute or Oboe or Violin 50522 Part 2 Viola 50523 Part 2 Clarinet in Bb 50531 Part 3 Cello or Bassoon 50540 Keyboard or Guitar 50599 Score (Parts 1-3 in C).
$39.95
Music for Three, Volume 5 - Part for Flute or Oboe or Violin 50521
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Daniel Kelley
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Daniel Kelley
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Music for Three, Volume 5 - Pa
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Oboe,Violin - Level 5 - SKU: A0.614504 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 20th Century,Classical,Romantic Per...
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Small Ensemble Flute,Oboe,Violin - Level 5 - SKU: A0.614504 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 20th Century,Classical,Romantic Period,Wedding. Score and parts. 49 pages. Last Resort Music Publishing #223669. Published by Last Resort Music Publishing (A0.614504). Part 2 for Flute or Oboe or Violin - Music for Three, Volume 5 Late 19th & Early 20th Century Favorites Includes works by Debussy, Elgar, Rachmaninoff, Brahms, Kreisler, Prokofiev & more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Braul, Joc Cu Bata, Maruntel from Rumanian Folk Dances (Bartok) Clair de Lune from Suite Bergamasque for piano (Debussy) Fille aux Cheveux de Lin, La from Douze Preludes, Book 1 (Debussy) Golliwog's Cake-walk from Children's Corner Suite (Debussy) Reverie (Debussy) Nimrod from Enigma Variations, Op. 35 (Elgar) Pomp and Circumstance March #1 (Elgar) Salut d'Amor, Op. 12 (Elgar) Ritual Fire Dance from El Amor Brujo (de Falla) Molly on the Shore Irish Reel (Grainger) Shepherd's Hey English Morris Dance Tune (Grainger) Liebesfreud from Alt-Wiener Tanzweisen (Kreisler) Liebeslied (Kreisler) Schon Rosmarian from Alt-Wiener Tanzweisen (Kreisler) To a Wild Rose from Woodland Sketches, Op. 51 (MacDowell) Gavotte and Larghetto from Classical Symphony, Op. 25 (Prokofiev) March from The Love of Three Oranges, Op. 33 (Prokofiev) Theme from 1st and 3rd Movements from Piano Concerto #2 (Rachmaninoff) Theme from 1st Movement from Piano Concerto #3 (Rachmaninoff) Le Jardin Feerique & Pavane de la Belle au Bois Dormant from Ma Mere l'Oye (Ravel) Pavane pour une Infante Defunte (Ravel) Menuet & Rigaudon from Tombeau de Couperin (Ravel) Balletto & Passo Mezzo e Mascherada from Ancient Airs & Dances (Respighi) Gymnopedie No. 1 from Trois Gymnopedies (Satie) Larghetto (Stravinsky) Gavotta, Overture and Serenata from Pulcinella (Stravinsky) Other Parts Available: 50511 Part 1 Flute or Oboe or Violin 50513 Part 1 Clarinet in Bb 50521 Part 2 Flute or Oboe or Violin 50522 Part 2 Viola 50523 Part 2 Clarinet in Bb 50531 Part 3 Cello or Bassoon 50540 Keyboard or Guitar 50599 Score (Parts 1-3 in C).
$20.00
Andromaque : Six Bongatelles (Clar in Bb/Cello)
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Contemporain
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Jack Curtis Dubowsky
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Two copies
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Andromaque : Six Bongatelles
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De Stijl Music Digital
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SheetMusicPlus
Duet Clarinet in Bb, Cello - Intermediate / Advanced - SKU: D3.SM-05-0002F Composed by Jack Curtis Dubowsky. Instrumental Duet. Jean Racine's (1639-1699...
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Duet Clarinet in Bb, Cello - Intermediate / Advanced - SKU: D3.SM-05-0002F Composed by Jack Curtis Dubowsky. Instrumental Duet. Jean Racine's (1639-1699) tragedy Andromaque (1667) inspired these duets. Contemporary. Sheet music; Two copies. 36 pages. De Stijl Music Digital #SM-05-0002F. Published by De Stijl Music Digital (D3.SM-05-0002F). 8.5 x 11 inches.Bongatelles is a pun in homage to Erik Satie's whimsical titles. Satie also found inspiration in Greek antiquity and French literature, most notably his Socrate. Jean Racine's (1639-1699) tragedy Andromaque (1667) inspired these duets. Racine took his characters from Greek and Roman stories and adapted or created new situations for them in accordance with baroque fascination with neo-classicism in literature. Andromaque is a love quadrangle in which all who love die or go insane. Only the prisoner-queen Andromaque, who is incapable of love, survives. Andromaque, icy cold, rejects amorous advances from her captor Phyrrus. She plots her survival, trying desperately to save her infant son Astyanax from the Greek ambassador Oreste who would have her Trojan line finished off for good. The baby Astyanax sleeps silently, unaware of the deadly drama surrounding him. Does he nap peacefully? Or does he dream, like his mother, of revenge for the death of his conquered father, the great Trojan warrior king Hector? Phyrrus awkwardly tries to sweet-talk his captive Andromaque into marriage. She rejects him until he becomes furious and threatens to kill her son Astyanax unless she agrees to wed. Phyrrus alternates between threats and cajoling. Hermione loves Phyrrus, who decides to marry Andromaque instead. She rejects her own suitor Oreste, until she vengefully has him kill Phyrrus. Oreste does her bidding, only to be rewarded by a final rejection. She accuses Oreste of being a murderous monster. When Hermione sees the body of Phyrrus, she kills herself. The Greek soldier and ambassador Oreste sailed to Epire to persuade King Phyrrus to kill or hand over the infant Astyanax, last of the line of Troy. Oreste is torn between duty and love for usury Hermione. Her broken promises and final rejection affect him profoundly. Oreste goes insane upon learning of her death.
$8.00
Gymnopédia No. 1
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Erik Satie
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Brent C Robitaille
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Gymnopédia No. 1
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Brent C Robitaille
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SheetMusicPlus
Guitar,Instrumental Duet,Ukulele - Level 3 - SKU: A0.1423182 By Erik Satie. By Erik Satie. Arranged by Brent C Robitaille. 20th Century,Classical,Contem...
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Guitar,Instrumental Duet,Ukulele - Level 3 - SKU: A0.1423182 By Erik Satie. By Erik Satie. Arranged by Brent C Robitaille. 20th Century,Classical,Contemporary,Contest,Festival,Wedding. 13 pages. Brent C Robitaille #1004504. Published by Brent C Robitaille (A0.1423182). The gentle strings of a guitar and ukulele entwine in a mesmerizing duet of Erik Satie's Gymnopédie No. 1. The guitar's resonant tones tuned to Open D (DADF#AD) provide a rich foundation for the ukulele's harmonious blend that evokes a sense of tranquillity and contemplation. Together, these instruments breathe new life into Satie's minimalist masterpiece, their melodic dialogue inviting listeners on a journey of introspection and emotional resonance. Includes Ukulele and Guitar Tablature and Notes, score and parts and sample audio track available at the arrangers' website: https://brentrobitaille.com
$7.99
Three-Way Piece - Score Only
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Robert A
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Three-Way Piece - Score Only
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Robert A. Howard
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SheetMusicPlus
Level 3 - SKU: A0.1405940 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 9 pages. Robert A. Howard #988987....
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Level 3 - SKU: A0.1405940 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 9 pages. Robert A. Howard #988987. Published by Robert A. Howard (A0.1405940). This piece was inspired by the small bronze sculpture by Henry Moore titled 'Three-Way Piece'. This artwork has three similar but slightly different sides to it. This evokes a musical equivalent similar to Satie's Gymnopedies. The piece attempts to capture these concepts, for example by using the number three in various ways. This involves a predilection for three-part harmony, and an overall structure of three cycles, varied on each statement. Note: this document is the score only. The full set of parts (and score) are available via a search of the COMA Music Library.Duration: 3 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.49
Ave Maria (Gymnopedie #1)
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Classique
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Contemporain
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Erik Satie
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Eric Schumock
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Ave Maria
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Eric T Schumock
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - SKU: A0.1017005 Composed by Erik Satie. Arranged by Eric Schumock. 20th Century,Contemporary,Holiday,Sacred,Wedding....
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Medium Voice,Vocal Solo - Level 3 - SKU: A0.1017005 Composed by Erik Satie. Arranged by Eric Schumock. 20th Century,Contemporary,Holiday,Sacred,Wedding. 2 pages. Eric T Schumock #6012563. Published by Eric T Schumock (A0.1017005). Juxtaposing the Ave Maria prayer in Latin with the simplistic beauty of Erik Satie's piano piece Gymnopedie #1, this arrangement for medium voice provides a wonderful alternative to the Schubert and Bach-Gounod settings.
$3.95
CONFUCIUS SAID...å”å說...Woodwind Trio
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Alan Edgar Ted Moon
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CONFUCIUS SAID...å”å
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 1 - SKU: A0.903774 Composed by Alan Edgar Ted Moon. 20th Century,Contemporary,Holiday,World. 14 pages. Alan Edga...
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Woodwind Ensemble,Woodwind Trio - Level 1 - SKU: A0.903774 Composed by Alan Edgar Ted Moon. 20th Century,Contemporary,Holiday,World. 14 pages. Alan Edgar Ted Moon #6561447. Published by Alan Edgar Ted Moon (A0.903774). This piece is inspired by the Confucius Birthday Ceremony, probably dating from the Chou Dynasty, 1046-221BCE. The music, called Shao Music, has been played in all its magnificence since then. The event is highly choreographed and controlled musically, aiming to reflect and celebrate Confucius' philosphies of peace. Traditional Chinese music is primarily melodic, and western ears may feel the lack of harmonic richness. A player could read out the Confucius quotation at the beginning of each movement. Flute or Oboe, Oboe, Bassoon, optional Narrator. How to play... The melody and some of the bass line consists of the rows of pitch-classes in verses 1 and 2 of Honouring Confucius (Ta Tsai Kung-Tzu) I have introduced rhythmic variety, harmony and some phasing and use the traditional pentatonic scale as rendered by the Chinese classical music instruments-drums, bells, flutes, and strings. The flute symbolises balance. A man without...is a very short saraband, a courtly dance using all the pitches of verse 2 in order. It was by music... uses major triad fanfares where possible, with an occasional glissando. Music produces a special... is a sensuous waltz: as with most of the movements, I have shamelessly used a tonal harmony under the notes of verse 4 (illustrated). When music and courtesy... plays the notes of Verse 6 in quintuple time over a drone. If one should desire...is a barefoot parade (gymnopedie?) in Satie's style. Duration 7 minutes.
$6.00
Wedding Music for Tenor and Bass Recorder
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Various
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Barbara Brennan
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Wedding Music for Tenor and Ba
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bl_music
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.842523 Composed by Various. Arranged by Barbara Brennan. Contemporary,Sacred,Standards,Wedding. 32 pages. Bl_music...
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Woodwind Ensemble - Level 3 - SKU: A0.842523 Composed by Various. Arranged by Barbara Brennan. Contemporary,Sacred,Standards,Wedding. 32 pages. Bl_music #5199965. Published by bl_music (A0.842523). 1. Bridal March from Lohengrin….R. Wagner 2. Jesu, Joy of Man’s Desiring….J.S. Bach 3. Royal Wedding March….J. Ord Hume 4. Ave Verum….W.A. Mozart 5. Air….J.S. Bach 6. Canon….H. Purcell 7. Trumpet Voluntary….J. Clarke 8. Nimrod….E. Elgar 9. Hallelujah Chorus….G.F. Handel 10. Gymnopedie….E. Satie 11. Arrival of the Queen of Sheba….G.F. Handel 12. Trumpet Tune and Ayre….H. Purcell 13. Jerusalm….C. Parry 14. Carmen-Habanera….G. Bizet 15. Jubilee March….T.E. Bulch16. Canzone Quarta....B. Marcello
$14.49
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