English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
16
Librairie
Musicale
255
Matériel
de Musique
23
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
16
PIANO & CLAVIERS
Piano seul
41
Piano, Voix et Guitare
3
Piano, Voix
1
GUITARES
Basse electrique
7
VOIX
Voix seule
5
Voix Soprano, Piano
2
VENTS
Saxophone
60
Clarinette
20
Flûte traversière
20
Saxophone Tenor
7
Saxophone Alto
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Clarinettes
2
Ensemble de Flûtes
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
20
Trombone
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Piano
1
CORDES
Violon
2
Violoncelle
1
Alto seul
1
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
45
Batterie
20
Ensemble de cuivres
1
Quintette à Vent
1
Cloches
1
AUTRES
Vous avez sélectionné:
Diana L
Partitions à imprimer
16 partitions trouvées
<
1
The Holy City
Composed by Stephen Adams. Arranged by Diana L. Appler. 20th Century, Christian, Sacred, C…
(+)
Composed by Stephen Adams. Arranged by Diana L. Appler. 20th Century, Christian, Sacred, Christmas. Set of Parts. 80 pages. Published by Diana L. Appler (S0.257397). - Set of Parts - 20th Century,Christian,Sacred,Christmas - Diana L. Appler
$40.00
36.03 €
#
Stephen Adams
#
Diana L
#
The Holy City
#
Diana L. Appler
#
SheetMusicPlus
The Golden Dragon (score only)
Small Ensemble - Digital Download SKU: A0.891083 Composed by Karl L. King. Arranged…
(+)
Small Ensemble - Digital Download SKU: A0.891083 Composed by Karl L. King. Arranged by Diana L. Appler. Contemporary. Score and parts. 44 pages. Diana L. Appler #6244817. Published by Diana L. Appler (A0.891083). Karl King was a founding member of the American Bandmasters Association and his marches are a significant part of American Band history. He also wrote in other genres of the era and this overture, with its stylistically different sections was very popular. One can picture an old-fashioned band concert in the park prominently featuring a fine euphonium performer and/or section. Score only. Parts sold separately.
$10.00
9.01 €
#
Karl L
#
Diana L
#
The Golden Dragon
#
Diana L. Appler
#
SheetMusicPlus
French National Defile (score only)
Small Ensemble - Digital Download SKU: A0.891059 Composed by Robert Planquette. Arr…
(+)
Small Ensemble - Digital Download SKU: A0.891059 Composed by Robert Planquette. Arranged by J. S. Seredy edited by Diana L. Appler. 20th Century,World. Score and parts. 16 pages. Diana L. Appler #3216489. Published by Diana L. Appler (A0.891059). This military march had its beginning as a poem. Robert Planquette set the poem to music when he was only 19 but sold his rights to a publisher when he was in financial distress. Because of its popularity several composers have held claim to the composition. It is a stirring military march that has found favor the world over especially with military units. This edition closely follows the 1937 arrangement of J. S. Seredy being updated for today’s instrumentation. Full score is legal size and sold separately.
$10.00
9.01 €
#
Robert Planquette
#
J
#
French National Defile
#
Diana L. Appler
#
SheetMusicPlus
Ballet Egyptien No. 1
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.891075 Composed by Ale…
(+)
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.891075 Composed by Alexander Luigini. Arranged by Diana L. Appler. Classical. 28 pages. Diana L. Appler #6244775. Published by Diana L. Appler (A0.891075). Alto and Bass flutes introduce the opening theme in this light and frolicking piece. It was composed for an 1875 ballet production. The versatility of a full flute choir is displayed in this melodic and joyful piece that delights audiences. Optional cello part included.
$12.00
10.81 €
#
Alexander Luigini
#
Diana L
#
Ballet Egyptien No. 1
#
Diana L. Appler
#
SheetMusicPlus
Sieben Abgesänge auf eine tote Linde
Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718
(+)
Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q6718. Published by Schott Music - Digital (S9.Q6718). German.Es war 1996, als mir Christoph Poppen, der damalige Leiter des Münchener Kammerorchesters, von einem kuriosen Konzert in Münsing (Ammerland) erzählte: während eines seiner Konzerte mit dem Orchester in der dortigen Kirche gab es, für alle hör- und sichtbar, eines der größten Unwetter, das die Region je gesehen hatte. Dabei schlug der Blitz ein in eine Art Wahrzeichen des Ortes, eine mehrere Jahrhunderte alte Linde. Unter den Zuhörern damals: die dort lebende Dichterin und Schriftstellerin Diana Kempff. Sie war unmittelbar erschüttert vom Tod der Linde und schrieb unter diesem Eindruck einige Gedichte. Christoph Poppen wiederum war – wie in vielen anderen Zusammenhängen auch – genialer Vermittler und stellte alsbald den Kontakt zu mir her. Die Idee: am Ort des Geschehens, in der Münsinger Kirche, solle ein Jahr später die Uraufführung einer Art Requiem für diesen Baum, der so vieles „gesehen“ hatte, erklingen. Im Rahmen der Holzhauser Musiktagen mit den Texten von Diana Kempff und meiner (noch zu schreibenden) Musik. Es gab bald eine wunderbare, sehr intensive Begegnung von Diana Kempff und mir, bei der sie etwas für Schriftsteller nicht gerade Typisches tat: sie stellte mir frei, aus den vorliegenden Gedichten nach Belieben lediglich Teile, sogar nur Zeilenfragmente zu verwenden und auch die Reihenfolge nach meinen Bedürfnissen anzuordnen und zu gestalten. Sie begriff sofort (und wünschte!), dass durch die Musik ohnehin etwas Drittes, etwas ganz Anderes entstehen würde. Die Tatsache, dass wir Monate später eine sichtlich bewegte Diana Kempff auf die Bühne holen durfte, freute uns alle besonders. Ihre Lyrik ist Ausdruck einer offenkundig zutiefst gequälten Seele und kommt uns oft wunderlich-versponnen entgegen. Einer zerbrechlichen Zartheit steht eine bisweilen fast brutale Härte unversöhnlich gegenüber. Das Schubert’sche „Fremd bin ich eingezogen“ gilt für sie in besonderer Weise und äußert sich in ihren Versen in einer Nähe zu allem Fremden (trotz des gleichzeitigen manischen Umkreisens des Eigenen und der eigenen Erinnerung), Abseitigen und auch (bei aller gleichzeitigen Skepsis) Übernatürlichen. Dieses geisterhaft-spukige Element versuchte ich durch meine Textauswahl und mit musikalischen Mitteln in diesen nun „Sieben Abgesängen“ zu verdeutlichen. Das erste Stück ist eine karge Studie über das Verrinnen der Zeit, das Nichts; das Zweite beschwört den Regen (den heilbringenden) herbei, der dann später – wenngleich mit entsetzlicher Wirkung – auch kommt. Den dritten Abgesang habe ich „Tanz der toten Seelen“ betitelt; es ist ein Zwiefacher, der jedoch durch seine düster-halbseidene „Wiener“ Chromatik alles Liebenswürdig-Oberbayerische längst verloren hat. Das klanglich vielleicht avancierteste und dichteste Stück ist der vierte Abgesang, der ganz aus der Perspektive der Linde selbst erzählt wird. Der fünfte Abgesang zu den Worten „Und wenn der Tod so kommen mag“ ist im Stile einer traurigen Volksweise bewusst schlicht gehalten. Während der sechste Satz in seinem expressionistischen Gestus nicht ungefährlich das Monodram streift, ist es schließlich die Seele (die ausgehauchte, die weiterexistierende?), die wörtlich den letzten Abgesang über die Bäume und die Seelen prägt. Diana Kempffs Gedichte, der Enthusiasmus Christoph Poppens, die phantastischen Uraufführungs-Interpreten, allen voran die Sängerin Juliane Banse, haben mich zur Komposition dieser „Sieben Abgesänge auf eine tote Linde“ angeregt. Die „Sieben Abgesänge“ sind nunmehr auch eine Erinnerung an die erst jüngst verstorbene Diana Kempff. Jörg Widmann, im Juni 2008.
$57.99
52.23 €
#
Joerg Widmann
#
Sieben Abgesänge auf eine tote Linde
#
Schott Music - Digital
#
SheetMusicPlus
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.53391…
(+)
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons
$19.95
17.97 €
#
David Warin Solomons
#
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.53440…
(+)
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95
17.97 €
#
David Warin Solomons
#
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Nights In White Satin
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.10…
(+)
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1071669 By The Moody Blues. By Justin Hayward. Arranged by Diane L. Correa. Folk,Pop,Rock. 13 pages. Diane L. Correa #675354. Published by Diane L. Correa (A0.1071669). #DianaFlutist Are you performing this piece? This is a Flute Ensemble arrangement of the of the Moody Blues classic. In the words of Justin Hayward, (Performing Songwriter Magazine; issue(vol.)13, “Nights in White Satin was about a very romantic set of white satin sheets, about Love, about the end of one big affair and the beginning of another. It was about real things that were happening in my life.†“It sort of had that double meaning, which was intentional, sort of medieval knights as well..†Justin Hayward (Performing Songwriter magazine: issue (vol.)13. This is a flute choir ensemble arrangement of the interpretation of a romantic set of white satin sheets, that has a strong thread of Love weaved in and out throughout the piece if you listen with extra care, wrapped up carefully in unrequited Love. Additional note: In the original album where Nights in White Satin first debuted is a concluding poem written by the group’s drummer Graeme Edge. The poem was called “Late Lament†which gave Nights in White Satin it’s carefully written ornamental completion. The original album was called Days of Future Passed, and the beginning lines of the poem Late Lament goes like this…â€Breathe deep the gathering gloom, Watch lights fade from every room,..please enjoy performing this flute choir ensemble arrangement of Nights in White Satin, it was arranged with Love.
$19.99
18 €
#
The Moody Blues
#
Diane L
#
issue(vol
#
Nights In White Satin
#
Diane L. Correa
#
SheetMusicPlus
La percezione del mio tempo
Small Ensemble Electric Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.976889…
(+)
Small Ensemble Electric Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.976889 Composed by Monica Bergo. Contemporary. Score and parts. 16 pages. Monica Bergo #3418055. Published by Monica Bergo (A0.976889). LA PERCEZIONE DEL MIO TEMPO La percezione del mio tempo Viaggia su un asse indefinito Mischio il passato col presente E ripercorro ogni mio istante Scivola il vento su di me Mentre rincorro i miei pensieri Ed il mio tempo si dilata Ho già vissuto questa vita L’alterazione dei ricordi Il deja vu, la sensazione Di essere viva da millenni E già provato l’emozione Di aver vissuto un vero amore E già sentito quel dolore La percezione del mio tempo Lo spostamento del mio mondo E colleziono ore vuote Da riempire di illusioni Odo campane tibetane In vibrazioni senza fine Ho già vissuto mille volte Senza mai arrivare in fondo Il mio percorso si rincorre In un eterno girotondo Galleggiando nel mio tempo e nel corso degli eventi Ti ritrovo che accarezzi i miei fianchi inesistenti Siamo bimbi ma ad un tratto il mio viso si deforma Siamo vecchi e tu accarezzi la mia ruga più profonda in dimensioni inesplorate in percezioni ormai impazzite la distorsione temporale mischia il mio bene col tuo male che strana coppia siamo noi che ci chiamiamo senza voce con astuzia e abilità brilliamo anche senza luce A chi appartengo, di chi sono Sono da sempre di nessuno La percezione del mio tempo Rende più dolce il mio rimpianto occhi cerchiati e passo stanco torno sconfitta nel mio mondo lasciami sola per favore ad affrontare le paure la percezione del mio tempo mi rende sola in questo limbo tu che non mi hai amata mai io che non so più cosa sei E non mi basterà una vita è solo sabbia tra le dita e come una maledizione un lutto che non ha mai fine moderna Elettra del mio tempo so trasformare il nero in bianco giro al contrario la clessidra e ricomincerà la vita E non ho niente in cui sperare Non ho nessuno a cui tornare La percezione del mio tempo Rende più dolce il mio rimpianto La percezione del mio tempo La conclusione del mio mondo L’alterazione del momento Ed è un eterno girotondo Ciò che tu chiami sofferenza Per me è la vita quotidiana La percezione del mio tempo Che ci avvicina e ci allontana…… Monica Bergo
$3.99
3.59 €
#
Monica Bergo
#
#
La percezione del mio tempo
#
Monica Bergo
#
SheetMusicPlus
Chester Chorale
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.695651 By William Billings. …
(+)
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.695651 By William Billings. By William Billings. Arranged by Diane L. Correa. Standards. 8 pages. Diane L. Correa #304242. Published by Diane L. Correa (A0.695651). #DianaFlutist Are you performing this piece? A short Flute Ensemble chorale on 'Chester'written and composed by William Billings.The original composition was created and formed in the midst of the American Revolutionary War around 1778. It was one of the most famous songs that came out of that era. Chester was one of the published pieces included inside a book of anthems called The Singing Master's Assistant. A collection of church music 'hymns' for all purposes during the Revolution within the New England colonies. Many of the soldiers and troops of the Continental Army would keep themselves occupied by singing hymn verses around tents and campfires during their time at war. Here is a short excerpt of one of his original hymns written by Billings himself: What grateful Off'ring shall we bring? What shall we render to this Lord? Loud Hallelujah let us sing, And praise His name on Ev'ry Chord. This is a flute choir arrangement of William Billings original hymn of Chester. May you play it reverently!
$9.99
9 €
#
William Billings
#
Diane L
#
Chester Chorale
#
Diane L. Correa
#
SheetMusicPlus
The Good, The Bad And The Ugly (main Title)
Woodwind Ensemble Flute,Piccolo - Level 3 - Digital Download SKU: A0.508984 Compose…
(+)
Woodwind Ensemble Flute,Piccolo - Level 3 - Digital Download SKU: A0.508984 Composed by Ennio Morricone. Arranged by Diane L. Correa. 20th Century,Film/TV. 14 pages. Diane L. Correa #120081. Published by Diane L. Correa (A0.508984). #DianaFlutist Are you performing this piece? For Flute Ensemble; Piccolo, C Flute, Bass Flute, and Contrabass Flute. This arrangement is from the Spaghetti Western era of The Good The Bad and The Ugly film theme. This piece gives a feeling of excitement and adventure. You might even hear the rustling of the tumbleweeds or a shoot-out of a gun fight in the middle of a windy town. It sets an energetic and uplifting mood throughout the piece. It's a definite must have for any flute ensemble's staple repertoire. It's a classic for sure!
$24.99
22.51 €
#
Ennio Morricone
#
Diane L
#
The Good, The Bad And The Ugly
#
Diane L. Correa
#
SheetMusicPlus
With Each Sunset (Comes The Promise Of A New Day)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1452277 Composed by Richard L. Saucedo. Arranged by Adrian Horn. 21st Century,Classical. Brass Band. 38 pages. AJH Brass #1031600. Published by AJH Brass (A0.1452277). Written by Richard L. Saucedo – composer, arranger, adjudicator and Director of Bands and Performing Arts Chairman for 31 years at the William H. Duke Center for Performing Arts in Indiana - With Each Sunset (Comes The Promise of a New Day) (2005) was composed in memory of Jack Hensley from Cobb County, Georgia, USA, who unfortunately lost his life while working in Iraq in 2004.This beautiful piece of music has been re-arranged from its original concert band setting, to work for British Style Brass Band by Adrian Horn.
$24.99
22.51 €
#
Richard L
#
Adrian Horn
#
With Each Sunset
#
AJH Brass
#
SheetMusicPlus
Oneness in This World (clarinet, cello, piano)
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Downloa…
(+)
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95
19.77 €
#
Jeffrey Hoover
#
Oneness in This World
#
Musicart Publications
#
SheetMusicPlus
Indiana (Back Home Again in Indiana) (opt'l accomp. for SATB Swing ver.)
Composed by James Hanley, Ballard MacDonald. Arranged by Michael K. Runyan, Pamela G. Runy…
(+)
Composed by James Hanley, Ballard MacDonald. Arranged by Michael K. Runyan, Pamela G. Runyan. For Score,Piano,Rhythm Bass,Finger Snaps. Swing. Intermediate. Score,Set of Parts. 8 pages. Published by Runyan Music
$4.99
4.49 €
#
James Hanley, Ballard MacDonald
#
Michael K
#
Indiana
#
Runyan Music
#
SheetMusicPlus
Indiana (Back Home Again in Indiana) (opt'l mp3 track for SATB Swing ver.)
Composed by James Hanley, Ballard MacDonald. Arranged by Michael K. Runyan, Pamela G. Runy…
(+)
Composed by James Hanley, Ballard MacDonald. Arranged by Michael K. Runyan, Pamela G. Runyan. Swing. Accompaniment. Published by Runyan Music (S0.108773). - Accompaniment - Swing - Runyan Music
$1.99
1.79 €
#
James Hanley, Ballard MacDonald
#
Michael K
#
Indiana
#
Runyan Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
