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TRI ET FILTRES
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Do It the Hard Way
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When the World Drops In to Town
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital…
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
1.84 €
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David Kai
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David Kai
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When the World Drops In to Town
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David Kai
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SheetMusicPlus
The Call of Home
Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1348485 Com…
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Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1348485 Composed by Paul Ambrose. Arranged by Ren Challacombe. 20th Century,Folk. 5 pages. Ren Challacombe #933262. Published by Ren Challacombe (A0.1348485). Originally published in 1921, The Call of Home is a song written about the warmth of family and the strength it gives during times of strife with text by Abbie Farwell Brown and the original arangement by Paul Ambrose. The original text written reads:The path is hard, your feet must travel little oneThe way is long and weary is the loadThe clouds are black that threaten soon to hide the sunA chilling fear is lurking by the roadBut gather close the cloak your mother wove for youTo keep you safe in danger and in stormTheir very heart have made a shield of love for youStrong as her faith, and like her courage warm.The cheery house that craddled you is far awayThe pretty toy that pleased you as a childThe inn you hope to enter at the close of dayIs hidden still beyond the forest wildBut wrap you warm in love that was the whole of herAnd walk in joy, as she would have you doThe thread of life she spun from out the soul of herDraws you to her again a magic clueThe lyrics and voicings have been modified to speak of kin rather than a singular mother figure. Appropriate for early-intermediate choirs. Arranged for three-part mixed-voice choir and piano.
$1.99
1.84 €
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Paul Ambrose
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Ren Challacombe
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The Call of Home
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Ren Challacombe
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.74 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
The Nutcracker Suite 5. Arabian Dance
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.996118 Composed by Peter Ily…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.996118 Composed by Peter Ilyich Tchaikovsky. Arranged by Erik Cole. Romantic Period. 20 pages. Erik Cole #4792957. Published by Erik Cole (A0.996118). The constant ostinato/drone of the low strings throughout this movement made it quite difficult to transcribe, as it's hard for wind instruments to go on for that long while remaining delicate and in the background. The figure is low enough that it always had to be in the bassoon parts, which greatly limited how much I could spread it around. I did try to spread it around as much as possible, but some parts will still have a lot of repetitive counting to do for quite a while.
$9.50
8.78 €
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Peter Ilyich Tchaikovsky
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Erik Cole
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The Nutcracker Suite 5. Arabian Dance
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Erik Cole
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SheetMusicPlus
It's The Hard-Knock Life
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Flute,Horn,Piano,Tenor Saxophone,…
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Flute,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Voice - Level 5 - Digital Download SKU: A0.846300 Composed by Charles Strouse. Arranged by Mike Hyziak. Broadway,Musical/Show. 54 pages. MPH Holding #5008283. Published by MPH Holding (A0.846300). CONCERT BAND. A vocal feature accompanied by concert band. Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$43.00
39.75 €
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Charles Strouse
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Mike Hyziak
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It's The Hard-Knock Life
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MPH Holding
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SheetMusicPlus
Heavy Metal for Balinese gamelan and chamber ensemble
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Comp…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
23.11 €
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Christine Southworth
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Heavy Metal for Balinese gamelan and chamber ensemble
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Airplane Ears Music
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SheetMusicPlus
Santa's Elves solo and piano with sound effects
Piano,Voice - Level 1 - Digital Download SKU: A0.1177038 By Connie Boss. By Connie …
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Piano,Voice - Level 1 - Digital Download SKU: A0.1177038 By Connie Boss. By Connie Boss. Children,Christmas. Full Performance. Duration 167. Connie Boss #777059. Published by Connie Boss (A0.1177038). This is a cute song about Santa's Elves. It is for solo and piano. Kids will love singing about these little Santa helpers. My grandkids named the elves and we talked about all they do to help Santa. Purchase at https://www.sheetmusicdirect.com/en-US/se/ID_No/897970/Product.aspx Questions or requests, email cdboss@cvalley.netLyrics below:Santa’s Elves Verse 1: We are very small and We have pointy ears We help Santa Claus All throughout the year We help make the toys For good girls and boys We work hard each day to Load up Santa’s sleigh. Refrain: Santa’s elves, Santa’s elves We like to have some fun Santa’s elves, Santa’s elves, we work to get things done Verse 2: Eliza loves to paint bright colors on each toy, she really likes to make the children smile with joy. Dan tends the reindeer, he feeds them all the year, he even cleans their stalls, and decorates the walls Refrain: Verse 3: Jayler loves the cold, he Likes to blade the snow, he Keeps the pathway clear For all the reindeer, Christine wraps the gifts, she Looks at their wish list, she Writes their name so, He Knows where they should go Refrain: After Santa leaves, the elves do as they please They all dance and sing Then they go to sleep.
$1.99
1.84 €
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Connie Boss
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Santa's Elves solo and piano with sound effects
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Connie Boss
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SheetMusicPlus
Do-Re-Mi
Alto Saxophone,Bass Guitar,Clarinet,Flute,Multi-Percussion,Piano Accompaniment,Tenor Saxop…
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Alto Saxophone,Bass Guitar,Clarinet,Flute,Multi-Percussion,Piano Accompaniment,Tenor Saxophone,Violin - Level 2 - Digital Download SKU: A0.752058 Composed by Richard Rodgers. Arranged by Ioana Carausu. Broadway,Film/TV. 39 pages. Smim.it #4834175. Published by Smim.it (A0.752058). Do Re Mi (The Sound of Music): Sheet Music for School EnsembleDo Re Mi (The Sound of Music): Partitura per orchestra scolastica
$12.99
12.01 €
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Richard Rodgers
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Ioana Carausu
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Do-Re-Mi
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Smim.it
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.8 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.87 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.87 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Do-re-mi
Small Ensemble Piano - Level 1 - Digital Download SKU: A0.903377 Composed by Oscar …
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Small Ensemble Piano - Level 1 - Digital Download SKU: A0.903377 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Nancy Frese Tabb. Broadway,Children,Film/TV,Instructional,Musical/Show,Pop. Score and parts. 7 pages. Nancy Frese Tabb #509500. Published by Nancy Frese Tabb (A0.903377). Do-Re-Mi from Sound of Music is arranged for a piano ensemble comprised of 4 pianos/keyboards. Each student plays in a stationary five-finger position for the entire piece. It's a perfect showcase piece for a beginning group piano class or piano camp. Included with this arrangement is a complete score and four separate piano parts.
$12.99
12.01 €
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Oscar Hammerstein and Richard Rodgers
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Nancy Frese Tabb
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Do-re-mi
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Nancy Frese Tabb
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SheetMusicPlus
Poor Max! (for mezzo-soprano/alto voice and piano) (Folk/Rock)
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Digital Download SKU: A0.84127…
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Digital Download SKU: A0.841273 Composed by Chris Gordon. Arranged by Chris Gordon. Folk,Rock. Score and parts. 10 pages. Cool Wind Music Digital #3220995. Published by Cool Wind Music Digital (A0.841273). This is a folk/rock ballad with a twist as the 'story' it tells comes straight out of a novel by German author Günter Grass', Local Anaesthetic (1969). Phillipp (Flip) Scherbaum, a 17-year old Berlin high school student, wants to do something, anything to protest what he has been reading in newspapers has been happening to the people of Vietnam. (Remember this is 1967!) He comes up with an idea: he has a little Dachshund puppy called Max. Flip decides to burn Max right outside the most famous café in Berlin, Kempinski's (it is still there), to shock complacent Berliners into paying attention to what is happening in Vietnam. His history teacher, Eberhard (Hardy) Starusch, agrees to Flip's protest idea but draws the line firmly against killing an innocent animal. Hardy sets out to dissuade his student from carrying out this doggiecide. Instead, he resolves to steer Flip to less harmful ways of protesting. The effort drives Hardy to a lot of hard thinking and hard drinking and a lot of trips to the dentist!Poor Max is a realisation of one of Hardy's suggestions to Flip: to write and perform a protest song outside Kempinski's - and elsewhere in Berlin, too. You will not be surprised to hear that head-strong Flip rejects this suggestion but I have taken up Hardy's idea and written my own protest song for Flip. The words and the music are my own: I have not borrowed either from anyone else (except for one little phrase which I discovered I had unconsciously borrowed from Robert Schumann)!
$6.50
6.01 €
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Chris Gordon
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Chris Gordon
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Poor Max!
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Cool Wind Music Digital
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SheetMusicPlus
Sea Songs
Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mix…
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Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.
$12.99
12.01 €
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Steve Martland
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Sea Songs
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Schott Music - Digital
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
44.37 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Tyrant
Baritone Horn TC,Cello,Piccolo,Soprano voice,Viola,Violin - Level 5 - Digital Download …
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Baritone Horn TC,Cello,Piccolo,Soprano voice,Viola,Violin - Level 5 - Digital Download SKU: A0.1404089 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. 49 pages. Barabba Music #987269. Published by Barabba Music (A0.1404089). A Micro-opera by Jason V. BarabbaLibretto by Jason V. Barabba and Annie Jankowski after The Wolf and the Lamb by Aesop for Soprano, Baritone, Flute, Violin, Viola and CelloIt feels like our national political and social discourse has plummeted to new depths of dysfunction. No matter what your opinions are, you cannot fail to notice that we’ve lost something in our nation when our leaders cannot find a way to disagree with one another with civility. It is hard to feel optimistic, or even know what to do in the face of such petty ugliness that passes for political thought in this nation.For Tyrant I turned to the basic lessons found in Aesop’s fables, which are at heart lessons on being a good member of civil society…lessons that unfortunately I believe our nation needs to re-learn. Soon. The Wolf and the Lamb focuses on someone who consciously makes up lies to justify what he wants to do and feels alarmingly relevant today. Only lightly edited to turn the story into a dramatic scene, it is a very old story intended for the people of 2017.
$96.30
89.03 €
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Jason V
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Tyrant
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Barabba Music
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SheetMusicPlus
Monkey Gets In The Way
Guitar - Level 2 - Digital Download SKU: A0.1432456 By Elwood. By Elwood. Arranged …
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Guitar - Level 2 - Digital Download SKU: A0.1432456 By Elwood. By Elwood. Arranged by Elwood. Broadway,Comedy,Country,Folk,Musical/Show,R & B. Chords/Lyrics. 1 pages. Paul Elwood #1012937. Published by Paul Elwood (A0.1432456). Humerous, autobigraphical song about how hard it is to do the right thing... becuase the monkey- a euphemism for self-centered, ego-centric and well, behavior that is not particularly helpful in the larger scheme ofd htings - gets in the way.
$1.99
1.84 €
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Elwood
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Elwood
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Monkey Gets In The Way
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Paul Elwood
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SheetMusicPlus
Three Housman Settings Volume 11
Instrumental Solo,Medium Voice,Piano - Level 5 - Digital Download SKU: A0.966313 Co…
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Instrumental Solo,Medium Voice,Piano - Level 5 - Digital Download SKU: A0.966313 Composed by David F Golightly. Contemporary. Score and individual part. 18 pages. Modrana Music Publishers Ltd #3136009. Published by Modrana Music Publishers Ltd (A0.966313). Three Housman settings volume 11 was composed in 2017. They are part of a series of settings of Housman poems by David now numbering Three Volumes with another four volumes in the planning stage. The poems set are White is the Moon the Long Road Lies, Think No More Lad Laugh Be Jolly, and Because I liked you Better.Review.It is important to note that David songs, while rooted in the older art song tradition, make use of the sophisticated compositional techniques of the 20th and 21st centuries. David has an ability to make complicated melodic lines that hint but do not venture into atonality, sound simple and beautiful. He can use the accompaniment as a form of tone painting in a way that seems perfectly natural.Emily Cobley (Howard) Mezzo Soprano Hard copy scores can be obtained from the Publishers website Modrana Music Publishers Ltd
$18.00
16.64 €
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David F Golightly
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Three Housman Settings Volume 11
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Modrana Music Publishers Ltd
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SheetMusicPlus
Humoreske for Trumpet and Trombone
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download SKU: A0.814846
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Digital Download SKU: A0.814846 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 8 pages. Dacker Music #6413811. Published by Dacker Music (A0.814846). A fun--but challenging--little duet for advanced-intermediate trumpet and trombone players. The title reflects some tongue-in-cheek moments in the music. Outstanding recital or even contest repertoire! Guaranteed to make a big hit wherever you perform it. The trombone part may be played by euphonium, bassoon, or cello. Also playable from this score by Bb clarinet and bassoon or cello Separate parts are included to do away with awkward page turns. ​
$9.95
9.2 €
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Richard E Brown
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Humoreske for Trumpet and Trombone
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Dacker Music
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SheetMusicPlus
Partituras - 50 Melodias com cifra - Livro 6
Alto Flute,C Instrument,Fiddle,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Do…
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Alto Flute,C Instrument,Fiddle,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.1353299 By Diversos. By Diversos. Arranged by Israel Pessoa. 21st Century,Christian,Christmas,Classical,Wedding. Score and individual part. 71 pages. Israel Pessoa #938070. Published by Israel Pessoa (A0.1353299). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar.1   Accidentally in Love - Counting Crowes2   Aclame ao Senhor - Diante do Trono3   As It Was - Harry Styles4   Até Outra Vez - Projeto Sola5   Autor da Minha Fé - Paulo Cézar da Silva6   Ay Tenli Kadın - Ufuk Beydemir7   Azul da Cor do Mar - Tim Maia8   Bom Bom Pai - Gabriel Guedes9   Bom Natal - Quero Ver - Passarinho10   Bondade de Deus - Isaias Saad11   Canção do Amigo - Ludmila Ferber12   Canção do Apocalipse - Diante do Trono13   Céu e Fé - Exaltasamba14   Da Vida, O Melhor - Projeto Sola15   Dance Monkey - TONES AND I16   Descansarei - Etiene Pires17   Deus da FamÃlia - Regis Danese18   Deus de Promessas - Davi Sacer19   Dog Days Are Over - The Machine20   Essa Aliança - Entretons21   Everlong - Foo Fighters22   Greensleeves - Anônimo23   Harmonia do Meu Coração - Arthur Salermo24   I Want It That Way - Blackstreet Boys25   Iris - Goo Goo Dolls26   Is This Love - Bob Marley27   Jesus Cristo Mudou Meu Viver28   Jingle-Bell Rock - Joe Bela and Jim Bootle29   Marcha Nupcial + Pompa e circunstancia30   Marcha Nupcial + Valsa Rancho - Chico Buarque31   Mirrors - Justin Timberlake32   Moi Moi - Albin dela Simone33   Moon River - Henry Manchini34   Natal Todo Dia - Roupa Nova35   Noite Feliz - F. Gruber - Tradicional Natalina36   Noites Traiçoeiras - Pe. Zeca37   O Meu Amor - Chico Buarque38   O Senhor é Rei - Pe. Marcelo Rossi39   Pinheirinhos, Que Alegria! - Tradicional Natalina40   Please, n Let Me Get What I Want - The Smiths41   Revelation Song - Jesus Culture42   Ribbon In The Sky - Stevie Wonder43   Right Here Waiting - Richard Marx44   Sina - Djavan45   Stand By Me - Ben E. King46   Touch The Sky - Hillsong47   Valerie - Amy Winehouse48   Vem Chegando O Natal - Aline Barros49   Viva La Vida - Coldplay50   Wish You Were Here - Pink Floyd.
$10.00
9.24 €
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Diversos
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Israel Pessoa
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Partituras - 50 Melodias com cifra - Livro 6
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Israel Pessoa
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SheetMusicPlus
Maria
Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.789…
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Small Ensemble Clarinet,Flute,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.789925 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Film/TV. Score and parts. 6 pages. Diamond S Music #3088529. Published by Diamond S Music (A0.789925). MARIA (How Do You Solve A Problem Like Maria) - WOODWIND & BRASS PACK (Reed 1 & 2, Trumpet 1 & 2, Trombone Parts only). This arrangement of MARIA, from Rodgers & Hammerstein's beloved THE SOUND OF MUSIC is in the style of the version from the musical review show, It's A Grand Night For Singing- which is a much shorter version of the song than the original show version of the song. In the review the song is sung by a Male soloist, however, this arrangement can be sung by either Male or Female vocalist. It is a fun & whimsical quick paced song with some comedy in it. Accompaniment is scored for REED 1 (Flute), REED 2 (Clarinet & Flute), TRUMPET 1 & 2, TROMBONE, PIANO, SYNTH (Harp), CELLO, DOUBLE BASS, PERC.
$21.99
20.33 €
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Richard Rodgers
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W
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BRASS PACK (Reed 1 &
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Maria
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Diamond S Music
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SheetMusicPlus
Maria - Score Only
Large Ensemble - Level 3 - Digital Download SKU: A0.789920 Composed by Richard Rodg…
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Large Ensemble - Level 3 - Digital Download SKU: A0.789920 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Film/TV,Musical/Show. Score and parts. 13 pages. Diamond S Music #3088517. Published by Diamond S Music (A0.789920). MARIA (How Do You Solve A Problem Like Maria) - FULL CONDUCTOR SCORE. This arrangement of MARIA, from Rodgers & Hammerstein's beloved THE SOUND OF MUSIC is in the style of the version from the musical review show, It's A Grand Night For Singing- which is a much shorter version of the song than the original show version of the song. In the review the song is sung by a Male soloist, however, this arrangement can be sung by either Male or Female vocalist. It is a fun & whimsical quick paced song with some comedy in it. Accompaniment is scored for REED 1 (Flute), REED 2 (Clarinet & Flute), TRUMPET 1 & 2, TROMBONE, PIANO, SYNTH (Harp), CELLO, DOUBLE BASS, PERC.
$15.00
13.87 €
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Richard Rodgers
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W
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Maria - Score Only
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Diamond S Music
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SheetMusicPlus
Maria
Large Ensemble Cello,Clarinet,Double Bass,Drums,Flute,Piano Accompaniment,Synthesizer,Trom…
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Large Ensemble Cello,Clarinet,Double Bass,Drums,Flute,Piano Accompaniment,Synthesizer,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.789921 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Film/TV. Score and parts. 27 pages. Diamond S Music #3088519. Published by Diamond S Music (A0.789921). MARIA (How Do You Solve A Problem Like Maria) - FULL CONDUCTOR SCORE & PARTS. This arrangement of MARIA, from Rodgers & Hammerstein's beloved THE SOUND OF MUSIC is in the style of the version from the musical review show, It's A Grand Night For Singing- which is a much shorter version of the song than the original show version of the song. In the review the song is sung by a Male soloist, however, this arrangement can be sung by either Male or Female vocalist. It is a fun & whimsical quick paced song with some comedy in it. Accompaniment is scored for REED 1 (Flute), REED 2 (Clarinet & Flute), TRUMPET 1 & 2, TROMBONE, PIANO, SYNTH (Harp), CELLO, DOUBLE BASS, PERC.
$44.99
41.59 €
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Richard Rodgers
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W
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PARTS
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Maria
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Diamond S Music
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SheetMusicPlus
Maria
Small Ensemble Cello,Double Bass,Drums,Synthesizer - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Drums,Synthesizer - Level 3 - Digital Download SKU: A0.789923 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Film/TV. Score and parts. 6 pages. Diamond S Music #3088525. Published by Diamond S Music (A0.789923). MARIA (How Do You Solve A Problem Like Maria) - RHYTHM PACK (Cello, Bass, Drums, Synth Parts only). This arrangement of MARIA, from Rodgers & Hammerstein's beloved THE SOUND OF MUSIC is in the style of the version from the musical review show, It's A Grand Night For Singing- which is a much shorter version of the song than the original show version of the song. In the review the song is sung by a Male soloist, however, this arrangement can be sung by either Male or Female vocalist. It is a fun & whimsical quick paced song with some comedy in it. Accompaniment is scored for REED 1 (Flute), REED 2 (Clarinet & Flute), TRUMPET 1 & 2, TROMBONE, PIANO, SYNTH (Harp), CELLO, DOUBLE BASS, PERC.
$20.99
19.4 €
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Richard Rodgers
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Maria
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Diamond S Music
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SheetMusicPlus
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