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TRI ET FILTRES
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Doin The Thing
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People Need The Lord
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00
16.49 €
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
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SheetMusicPlus
Anything You Can Do . . . for violin and vibraphone
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU:…
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
25.65 €
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Robert M
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Anything You Can Do . . . for violin and vibraphone
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Robert M. Greenberg
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SheetMusicPlus
The Pixie Duties
Large Ensemble Bassoon,Clarinet,Double Bass,English Horn,Oboe,Viola,Violin - Level 4 - Dig…
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Large Ensemble Bassoon,Clarinet,Double Bass,English Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.779978 Composed by Graham Boag. Contemporary. Score and parts. 41 pages. Graham Boag #3557705. Published by Graham Boag (A0.779978). This new composition for Chamber Ensemble (15 players) is an adventurous tale of the house 'Pixie' who rushes around doing miraculous things that seem to get done when we come home from a busy day. Who knows who does it but it's done.... The instrumentation was inspired by Dvorak's Serenade for Winds but in addition to that, I have added 2 Violins and 1 Viola to give a String Quintet. I hope you enjoy playing this.Many thanks.
$30.00
27.49 €
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Graham Boag
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The Pixie Duties
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Graham Boag
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SheetMusicPlus
Smoke On The Water
Small Ensemble Flute,Oboe,Recorder,Viola,Violin,Voice - Intermediate - Digital Download
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Small Ensemble Flute,Oboe,Recorder,Viola,Violin,Voice - Intermediate - Digital Download SKU: A0.510118 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 48 pages. Published by Andrea La Rose (A0.510118). • Melody and four-part harmony parts for C instruments: voice, recorder, flute, oboe, violin, viola, mallets.• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.9 €
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Deep Purple
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Andrea La Rose
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Smoke On The Water
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Andrea La Rose
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SheetMusicPlus
Smoke On The Water
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital Download SKU: A0.510119 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 48 pages. Published by Andrea La Rose (A0.510119). • Melody and four-part harmony parts for Bb instruments: Bb clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet.• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.9 €
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Deep Purple
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Andrea La Rose
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Smoke On The Water
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Andrea La Rose
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SheetMusicPlus
Smoke On The Water
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Drum S…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Drum Set,English Horn,Euphonium,Flute,Oboe,Piano Accompaniment,Recorder,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Intermediate - Digital Download SKU: A0.510117 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 109 pages. Published by Andrea La Rose (A0.510117). • Melody and four-part harmony parts for all standard band and orchestral instruments.• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$29.99
27.48 €
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Deep Purple
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Andrea La Rose
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Smoke On The Water
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Andrea La Rose
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SheetMusicPlus
Smoke On The Water
Small Ensemble Bassoon,Cello,Double Bass,Euphonium,Trombone - Intermediate - Digital Downl…
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Small Ensemble Bassoon,Cello,Double Bass,Euphonium,Trombone - Intermediate - Digital Download SKU: A0.510122 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 37 pages. Published by Andrea La Rose (A0.510122). • Melody and four-part harmony parts for bass clef instruments: bassoon, trombone, euphonium, cello, bass• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.9 €
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Deep Purple
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Andrea La Rose
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Smoke On The Water
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Andrea La Rose
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.9 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.82 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.66 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Busy Doing Nothing
Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.797775 Composed by Jame…
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Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.797775 Composed by James Van Heusen and Johnny Burke. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 13 pages. Derek Hasted #5742075. Published by Derek Hasted (A0.797775). BUSY DOING NOTHING - GUITAR TRIO (one of two arrangements)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is one of two arrangements I’ve made of Busy Doing Nothing during the Coronavirus Lockdown early in 2020.Everyone I speak to seems to find time slipping through their fingers and not much gets done. Everyone is busy doing nothing...The original featured the velvet voice of Bing Crosby, so this is the perfect Croonavirus song!This arrangement is specifically for those with less experience, perhaps an adult group starting out, or perhaps players in a school group. The arrangement stays in first position.My other arrangement, also for sale here is for 3 guitars as well, but is suited to players who have been playing guitar a little bit longer - find it easily via my website below.I hope you enjoy this snapshot of where the world found itself in the spring of 2020!
$4.99
4.57 €
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James Van Heusen and Johnny Burke
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Derek Hasted
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Busy Doing Nothing
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Derek Hasted
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SheetMusicPlus
Busy Doing Nothing
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.851675 Composed by James V…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.851675 Composed by James Van Heusen and Johnny Burke. Arranged by Jennifer Brummett. Contemporary. Score and parts. 7 pages. Jennifer Brummett #6253699. Published by Jennifer Brummett (A0.851675). This humorous tune is arranged for horn quartet. The 4th horn part is in bass clef.
$14.99
13.73 €
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James Van Heusen and Johnny Burke
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Jennifer Brummett
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Busy Doing Nothing
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Jennifer Brummett
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SheetMusicPlus
sha sha tender love
Alto Saxophone,Bass Guitar,Bassoon,Cello,Choir,Double Bass,Drums,Euphonium,Flute,Orff Inst…
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Alto Saxophone,Bass Guitar,Bassoon,Cello,Choir,Double Bass,Drums,Euphonium,Flute,Orff Instrument,Piano,Recorder,Trumpet,Tuba,Vibraphone,Voice,Xylophone - Digital Download SKU: A0.1072976 Composed by dj maphorisa. Arranged by kabza de small. Classical,Holiday,Latin,Multicultural,World. Full Performance. Duration 446. Euginethedj #5001901. Published by Euginethedj (A0.1072976). Another beautiful Amapiano track by Sha sha with Kabza de Small and Dj Maphorisa doing the things.
$10.00
9.16 €
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dj maphorisa
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kabza de small
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sha sha tender love
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Euginethedj
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SheetMusicPlus
If You Could Go Back Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.82 €
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.82 €
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Steven H
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If You Could Go Back Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.16 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Lost Boy
Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arran…
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Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
1.82 €
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
New Divide
Small Ensemble Drum Set,Multi-Percussion,Piano Accompaniment,Voice - Early Intermediate - …
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Small Ensemble Drum Set,Multi-Percussion,Piano Accompaniment,Voice - Early Intermediate - Digital Download SKU: A0.510116 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Andrea La Rose. Metal,Rock. Score and parts. 51 pages. Published by Andrea La Rose (A0.510116). • Melody (vocal lead-sheet), piano/keyboard part (for flex band — please use my arrangement for solo & piano if you are looking for vocals with piano accompaniment), and drum set/percussion trio parts.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.9 €
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Linkin Park
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Andrea La Rose
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New Divide
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Andrea La Rose
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SheetMusicPlus
24K Magic
Small Ensemble Bass Guitar,Double Bass,Ukulele - Intermediate - Digital Download SKU: A…
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Small Ensemble Bass Guitar,Double Bass,Ukulele - Intermediate - Digital Download SKU: A0.509990 By Bruno Mars. By Bruno Mars, Chris Brown, and Philip Lawrence. Arranged by Andrea La Rose. Pop,R & B. Score and parts. 75 pages. Published by Andrea La Rose (A0.509990). • Melody and four-part harmony parts for guitar, ukulele, bass guitar (with tabs for all). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.9 €
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Bruno Mars
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Andrea La Rose
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24K Magic
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Andrea La Rose
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SheetMusicPlus
Too Good At Goodbyes
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital Download SKU: A0.510057 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 51 pages. Published by Andrea La Rose (A0.510057). • Melody and four-part harmony parts for Bb instruments (clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99
18.31 €
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
New Divide
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Early Intermediate - D…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Early Intermediate - Digital Download SKU: A0.510113 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Andrea La Rose. Metal,Rock. Score and parts. 90 pages. Published by Andrea La Rose (A0.510113). • Melody and four-part harmony parts for Bb instruments: clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.9 €
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Linkin Park
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Andrea La Rose
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New Divide
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Andrea La Rose
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SheetMusicPlus
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