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Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.86 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
(+)
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
(+)
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: …
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.14 €
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Slide Ride
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SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Com…
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Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.14 €
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Slide Ride
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SheetMusicPlus
Don't Get Around Much Anymore
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.1499411 Composed b…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.1499411 Composed by Bob Russell and Duke Ellington. Arranged by Daryl McKenzie. Jazz,Standards. 18 pages. Daryl McKenzie #1075472. Published by Daryl McKenzie (A0.1499411). String Trio Arrangement of Don't Get Around Much AnymoreAdd a touch of swing to your string ensemble with this delightful arrangement of the jazz standard Don't Get Around Much Anymore, originally popularized by Duke Ellington. This arrangement is crafted for a string trio, featuring Violin, Viola, and Cello, with an optional 2nd Violin part to cover the Viola, making it versatile and adaptable for different group configurations.Instrumentation: Violin Viola (or optional 2nd Violin) Cello This swing arrangement captures the playful and sophisticated essence of the original tune, offering a fresh and elegant sound for string players. Perfect for jazz concerts, wedding receptions, or any event where you want to bring a classic jazz vibe, this arrangement is sure to be a crowd-pleaser.Key Features: Classic jazz standard with a swinging feel Flexible instrumentation for trio Perfect for live performances, rehearsals, or casual playing Whether you're performing in an intimate setting or adding a jazzy flair to your repertoire, this string trio arrangement of Don't Get Around Much Anymore will swing your audience right into the mood!Full audio demo (Sibelius Sounds): click hereAlso available as a String Quartet arrangement:
$19.99
18.28 €
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Bob Russell and Duke Ellington
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Daryl McKenzie
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Don't Get Around Much Anymore
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Daryl McKenzie
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.56 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Air on the G String | Powerful Playback with On-Screen
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1496558 By Fabio Eduardo d…
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Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1496558 By Fabio Eduardo de Oliveira. By Johann Sebastian Bach. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 4 pages. Fabio Eduardo #1073080. Published by Fabio Eduardo (A0.1496558). Dive into the timeless beauty of Bach's Air on the G String! This video offers a high-quality playback with on-screen sheet music, perfect for musicians and classical music lovers. Whether you're practicing your instrument or simply enjoying this classical gem, this video provides the perfect accompaniment. Let the serene melodies guide you as you play along or listen. Don't forget to like, subscribe, and share for more classical playbacks and scores! Video Score - Playback
$5.99
5.48 €
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Air on the G String | Powerful Playback with On-Screen
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Fabio Eduardo
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SheetMusicPlus
Don't Panic
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.922006 By Coldplay. By …
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.922006 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Will Salisbury. Rock. Score and parts. 14 pages. Will Salisbury #6274277. Published by Will Salisbury (A0.922006). This arrangement will suit a junior/young high school guitar ensemble, and includes an optional bass guitar part (recommended). It works well with acoustic or electric guitars, or a mix of both!Guitar 1 primarily contains the vocal melody and would suit beginners/intermediate level players.Guitar 2 is a chord part with some syncopated strumming that would suit advanced beginners/intermediate level players. Suggested to be played on acoustic guitar.Guitar 3 most closely follows the original electric part on the Coldplay recording, and suits the stronger players in the ensemble. Suggested to be played on electric guitar.Guitar 4 mostly doubles Guitar 1 an octave below and includes some simple chords. This part would suit beginners
$15.00
13.71 €
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Coldplay
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Will Salisbury
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Don't Panic
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Will Salisbury
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SheetMusicPlus
Don't Stop Believin'
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Euphonium,Flut…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Euphonium,Flute,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.714544 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Jeremy Corcoran. Rock. Score and parts. 22 pages. LPC Publishers #3434913. Published by LPC Publishers (A0.714544). Everyone knows this Journey Classic. Arranged here to be played as time out music, between halves or even between plays. Play 8 measures, or play the whole thing. It will work either way. .
$20.00
18.28 €
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Journey
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Jeremy Corcoran
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Don't Stop Believin'
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LPC Publishers
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SheetMusicPlus
Don't Save It All For Christmas Day
Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1493543 By Avalon and Ce…
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Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1493543 By Avalon and Celine Dion. This edition: scorch. E-Z Play Today. Christian,Christmas. Score. 7 pages. Hal Leonard - Digital #30077. Published by Hal Leonard - Digital (HX.1493543). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.73 €
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Avalon and Celine Dion
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Don't Save It All For Christmas Day
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Hal Leonard - Digital
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SheetMusicPlus
Don't 'cha Wanna Ride
Small Ensemble Bass Guitar,Drums,Piano Accompaniment - Level 3 - Digital Download SKU: …
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Small Ensemble Bass Guitar,Drums,Piano Accompaniment - Level 3 - Digital Download SKU: A0.897965 By Joss Stone. By Betty Wright, Desmond Child, Eugene Record, Joss Stone, Michael Mangini, Steve Greenberg, and William Sanders. Arranged by Marc Gumberg. Contemporary,Pop,Soul. Score and parts. 4 pages. Marc Gumberg #4280951. Published by Marc Gumberg (A0.897965). This Master Rhythm arrangement is written in an easy to read, easy to play on the gig form & includes flute & horn cues for the keyboard player, or keyboard players to cover. Guitar, Bass, & Drum lines are included where needed as well as chord changes.
$5.99
5.48 €
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Joss Stone
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Marc Gumberg
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includes flute &
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Don't 'cha Wanna Ride
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Marc Gumberg
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SheetMusicPlus
Don't Fear The Reaper
Small Ensemble Flute,Tenor Saxophone,Trombone - Digital Download SKU: A0.500320 By …
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Small Ensemble Flute,Tenor Saxophone,Trombone - Digital Download SKU: A0.500320 By Blue Oyster Cult. By Donald Roeser. Arranged by Andy G53. Pop,Rock. Score and parts. 14 pages. Published by Andy G53 (A0.500320). Don't Fear The Reaper is a song by American rock band Blue Öyster Cult from the band's 1976, now you can play it on the flute, tenor saxophone and trombone! Have a nice trio! Don't Fear The Reaper es una canción de la banda de rock estadounidense Blue Öyster Cult de 1976, ¡ahora puedes tocarla en la flauta, saxofón tenor y trombone! ¡Que tengas un buen trÃo!
$12.99
11.88 €
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Blue Oyster Cult
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Andy G53
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Don't Fear The Reaper
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Andy G53
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SheetMusicPlus
Pas de Deux from the Nutcracker for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for T
String Ensemble - Level 4 - Digital Download SKU: A0.530383 Composed by Peter Ilyic…
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String Ensemble - Level 4 - Digital Download SKU: A0.530383 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Children,Christmas,Concert,Romantic Period,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3579851. Published by Last Resort Music Publishing (A0.530383). The Pas de Deux is visually stunning, musically gorgeous and one the most awaited moments in Act II of The Nutcracker. It is part of the entertainment in the Kingdom of Sweets to reward Clara for her help in saving the life of the Nutcracker and defeating the Mouse King, and comes after a series of divertissements that includes the famous Arabian Dance, Chinese Dance, Dance of the Mirlitons (little flutes) and the Waltz of the Flowers.Playable by Two Cellos, Two Bassoons, Cello Duet, Bassoon Duet, Cello & BassoonEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other Nutcracker arrangements including Mother Ginger, Chocolate, Clara & the Nutcracker, Pas De Deux, Final Waltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children's Galop, Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March, Overture & Trepak! All available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95
5.44 €
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Peter Ilyich Tschaikovsky
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Daniel Kelley
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Pas de Deux from the Nutcracker for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for T
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Last Resort Music Publishing
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SheetMusicPlus
Don't Dream It's Over
Small Ensemble Double Bass,Drums,Guitar,Piano,Saxophone,Trumpet - Level 3 - Digital Downlo…
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Small Ensemble Double Bass,Drums,Guitar,Piano,Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.718257 By Donny Osmond. By Neil Finn. Arranged by Daryl McKenzie. Contemporary. Score and parts. 44 pages. Daryl McKenzie #5048361. Published by Daryl McKenzie (A0.718257). Arranged in the style of Peter Cupples for Vocal (no voice part included) with Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums) Key of D. Note Flute doubles on Alto 1 and Tenor 1. Playable with reduced instrumentation (Reed 1, Reed 2, Trumpet 1, Trombone 1)
$59.99
54.85 €
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Donny Osmond
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Daryl McKenzie
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Don't Dream It's Over
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Daryl McKenzie
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SheetMusicPlus
I Don't Want To Set The World On Fire
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1508967 By Anthony Newley. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1508967 By Anthony Newley. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Dave Gingras and John E. Dosher. Jazz,Pop,Rock. Score. 3 pages. DAVID LEE GINGRAS #1084217. Published by DAVID LEE GINGRAS (A0.1508967). I Don't Want to Set the World on Fire is a pop song written by Bennie Benjamin, Eddie Durham, Sol Marcus and Eddie Seiler. It was written in 1938, but was first recorded three years later by Harlan Leonard and His Rockets. It was covered by several musicians and groups, most successfully by Horace Heidt on Columbia Records, whose version reached number one on the US pop chart; and by The Ink Spots on Decca in 1941, whose version reached number four on the same listing. The song, with its open line I don't want to set the world on fire / I just want to start a flame in your heart... became especially popular after the attack on Pearl Harbor in December 1941. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$5.99
5.48 €
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Anthony Newley
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Dave Gingras and John E
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I Don't Want To Set The World On Fire
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DAVID LEE GINGRAS
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SheetMusicPlus
Don't Stop Believin'
Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.759154 By Journe…
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Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.759154 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Tim Olt. Rock. Score and parts. 14 pages. Olt Music #5032443. Published by Olt Music (A0.759154). So just imagine that Journey decided to party with Weird Al, Hayseed Dixie and Voiceplay... I wonder what that would sound like? This is a feature for the 1st tuba player. Guaranteed fun for the group and audience!
$20.00
18.28 €
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Journey
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Tim Olt
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Don't Stop Believin'
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Olt Music
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SheetMusicPlus
Don't You Worry Child
Percussion Ensemble Bass Marimba,Drums,Glockenspiel,Shaker,Snare Drum,Suspended Cymbal,Tam…
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Percussion Ensemble Bass Marimba,Drums,Glockenspiel,Shaker,Snare Drum,Suspended Cymbal,Tambourine,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1472270 By Swedish House Mafia Featuring John Martin. By Axel Hedfors, Martin Lindstrom, Michel Zitron, Sebastian Ingrosso, and Steve Angello. Arranged by Iona Crosby. 21st Century,Disco,Pop,Singer/Songwriter. 32 pages. Iona Crosby #1049969. Published by Iona Crosby (A0.1472270). This percussion ensemble arrangement of Swedish House Mafia's hit dance track Don't You Worry Child is designed to be performed by intermediate percussion players.Don't You Worry Child capured audiences around the world, debuting at number 1 in the UK's Music Chart. This was to be the band's last single before their disbandment in 2013. Since then, this dance floor filler is recognised worldwide as a huge hit single!The main vocal line is split between marima and xylophone, giving different players their chance to shine. With the driving kit groove and huge riffs played by the tuned percussion, this arrangement is guaranteed to get your audience clapping and dancing along!
$39.99
36.56 €
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Swedish House Mafia Featuring John Martin
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Iona Crosby
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Don't You Worry Child
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Iona Crosby
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SheetMusicPlus
It Don't Mean A Thing (if It Ain't Got That Swing)
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.925569
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.925569 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Watarai Mio. Jazz. Score and parts. 13 pages. Watarai Studio #6493235. Published by Watarai Studio (A0.925569). My arrangement of Duke Ellington's It don't mean a thing (if it ain't got a swing) for 2 players - it's intended to be possible to play this piece while sharing a piano. It has some decently tricky parts to it and it's for around an intermediate/advanced skill level.I hope you will enjoy this piece as much as I had fun creating it!
$6.99
6.39 €
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Duke Ellington
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Watarai Mio
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It Don't Mean A Thing
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Watarai Studio
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SheetMusicPlus
Your Mama Don't Dance
Rhythm Section Voice - Level 4 - Digital Download SKU: A0.714878 By Loggins and Mes…
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Rhythm Section Voice - Level 4 - Digital Download SKU: A0.714878 By Loggins and Messina. By Jim Messina and Kenny Loggins. Arranged by Jeremy Corcoran. Contemporary,Rock. 10 pages. LPC Publishers #4285859. Published by LPC Publishers (A0.714878). Every band has to play You're Mama Don't Dance for weddings, parties or bar gigs. Here is a fully notated horn section that can be added to any band. Follows the original recording exactly and can be played with 3-5 horns (Alto, Tenor, Bari Sax, Trumpet and Trombone).
$25.00
22.86 €
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Loggins and Messina
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Jeremy Corcoran
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Your Mama Don't Dance
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LPC Publishers
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SheetMusicPlus
Don't You Ever Leave Me
Bass Guitar,Drums,Electric Guitar,Piano Accompaniment - Level 2 - Digital Download SKU:…
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Bass Guitar,Drums,Electric Guitar,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1364062 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Film/TV,Musical/Show,Singer/Songwriter,Wedding. 114 pages. Michael Gene Drake #948363. Published by Michael Gene Drake (A0.1364062). “Don’t You Ever Leave Me†From My CD “Savor the Momentâ€I like to see the shine in your hair. I like to hear the whisper of you,I like the fragrance of your perfume, ‘cause it reminds me of the times that we shared.Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,For another.And when we’re together, the birds like to sing,And when we’re together, we laugh play and cry,And when we’re together, nothing shines like us,And when we’re together, our dreams come alive. Don’t you ever leave me, Don’t you ever leave me,Don’t you ever leave me, for another.Don’t you ever leave me, Don’t you ever leave me,Don’t you ever leave me, for another.Even though we’re far apart, my heart knows that you will be all mine.Oh, it feels so good, Oh it feels just right,Oh, you’re all I need, to warm the lonely night.Oh, it feels so good, Oh it feels just right,Oh, you’re all I need, to warm the lonely night.I like to see the shine in your hair. I like to hear the whisper of you,I like the fragrance of your perfume, ‘cause it re-minds me of the times that we shared.Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,For another.Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,For another.Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,For another.michaeldrakemusic@outlook.com  www.drakemusic.com.
$25.00
22.86 €
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Michael Drake
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Michael Drake
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Don't You Ever Leave Me
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Michael Gene Drake
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SheetMusicPlus
Don't Stop Believin'
Small Ensemble Electronic Keyboard - Level 4 - Digital Download SKU: A0.1029105 By …
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Small Ensemble Electronic Keyboard - Level 4 - Digital Download SKU: A0.1029105 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Joshua L. Harris. Rock. Score and parts. 32 pages. Joshua Harris #4757817. Published by Joshua Harris (A0.1029105). This arrangement truly embraces the versatile nature of the modern electric keyboard/piano. It is written for 5 electric keyboards played through MIDI patches to sound like different instruments. Although the parts are named for the instrument patch that they begin on, some parts may be required to switch to other patches during the performance. Parts that replicate sounds that are not exclusive to keyboard (i.e. guitar, bass guitar, etc.) could be substituted with the actual instrument. Just remember that the parts are notated in the octave/transposition for keyboard.The drum part can be played live with a drum set or drum pad, or it can be pre-programmed through a drum machine or MIDI file that the keyboard parts play along with.There is a wide variety of keyboards that could work for producing the sounds for these parts, from digital pianos with built-in sounds, to MIDI controller keyboards connected to MIDI sound modules, to the iconic 1980’s keytar. Find the combination of keyboards that works for you and have fun!
$15.00
13.71 €
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Journey
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Joshua L
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Don't Stop Believin'
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Joshua Harris
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SheetMusicPlus
We Don't Talk About Bruno
Small Ensemble Hand Percussion,Trombone - Level 5 - Digital Download SKU: A0.946920…
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Small Ensemble Hand Percussion,Trombone - Level 5 - Digital Download SKU: A0.946920 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Jim Lutz. Contemporary. Score and parts. 40 pages. Jim Lutz #6786405. Published by Jim Lutz (A0.946920). We Don't Talk About Trombones! Enjoy playing the ubiquitous smash hit from Encanto with your trombone octet plus percussionist(s). Range is from pedal G in the bass bone to a high D (an octave above the staff) in the lead part, so this one is best suited for college or pro-level players.
$14.99
13.7 €
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Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
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Jim Lutz
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We Don't Talk About Bruno
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Jim Lutz
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SheetMusicPlus
Don't Look Back In Anger
Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1486884 By Oasis. By Noel Gallagher. Arranged by Hannah Hawken. 20th Century,Pop,Singer/Songwriter. 22 pages. Hannah Hawken #1063954. Published by Hannah Hawken (A0.1486884). This Oasis classic will have your audience singing along, maybe even waving their phone torches in the air!The iconic vocal melody and guitar solos are passed around the ensemble, starting with a trombone solo in the first verse and a trumpet/cornet solo in the second verse. It's as enjoyable to play as it is to sing along to.This arrangement will work with a quintet of brass band or orchestral brass players. Parts included:Part 1 - Trumpet/Cornet in BbPart 2 - Trumpet/Cornet in BbPart 3 - Eb Tenor Horn & Horn in FPart 4 - Trombone (or Baritone/Euphonium) in Bass Clef & Bb Treble ClefPart 5 - Tuba (Bass Clef) & Eb Bass (Treble Clef) & Bb Bass (Treble Clef).
$14.99
13.7 €
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Oasis
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Hannah Hawken
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Don't Look Back In Anger
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Hannah Hawken
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