Partitions Numériques de Don't Start Now

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Don't Start Now - Violin

Don't Start Now - Guitar Tab

Don't Start Now - Guitar Tab

Acoustic Guitar,Instrumental Solo - Interactive Download SKU: A0.491625 Composed by…(+)

Acoustic Guitar,Instrumental Solo - Interactive Download SKU: A0.491625 Composed by BSR. This edition: Interactive Download. Pop. Individual part. 1 pages. Duration 168. Published by Brandon Sanchez Rojas (A0.491625). Follow my instagram @brandon.sanchez.rojas.
$2.99 2.7 € #BSR #Don't Start Now - Guitar Tab #Brandon Sanchez Rojas #SheetMusicPlus

#Don't Start Now - Guitar Tab

#Brandon Sanchez Rojas

Don't Start Now

Don't Start Now

Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.78…(+)

Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.782054 By Dua Lipa. By Caroline Ailin, Dua Lipa, Emily Schwartz, and Ian Kirkpatrick. Arranged by Aaron Hettinga. Pop. Score and parts. 5 pages. Aaron Hettinga #6459765. Published by Aaron Hettinga (A0.782054). This arrangement of this Dua Lipa hit gives a horn section a chance to fill up a performance of Don't Start Now. These horn parts fit right in with the recorded version, while following the key and form of the original track to bring some extra punch to the rhythm section. While the original track doesnâ€™t have horns recorded on it, these parts emulate the recorded string and synth lines where appropriate.
$14.99 13.53 € #Dua Lipa #Aaron Hettinga #Don't Start Now #Aaron Hettinga #SheetMusicPlus

#Don't Start Now

Don't Start Now

B-Flat instrument,Instrumental Solo - Level 3 - Digital Download SKU: A0.964884 By …(+)

B-Flat instrument,Instrumental Solo - Level 3 - Digital Download SKU: A0.964884 By Dua Lipa. By Caroline Ailin, Dua Lipa, Emily Schwartz, and Ian Kirkpatrick. Arranged by Douglas Wattson. Pop. Individual part. 2 pages. Douglas Wattson #6536769. Published by Douglas Wattson (A0.964884). Don't start now tenor sax sheet music.
$4.99 4.5 € #Dua Lipa #Douglas Wattson #Don't Start Now #Douglas Wattson #SheetMusicPlus

Don't Start Now

Instrumental Duet Instrumental Duet - Digital Download SKU: A0.954056 By Dua Lipa. …(+)

Instrumental Duet Instrumental Duet - Digital Download SKU: A0.954056 By Dua Lipa. By Caroline Ailin, Dua Lipa, Emily Schwartz, and Ian Kirkpatrick. Arranged by Matthew Jose. Pop. Score and parts. 29 pages. Matthew Jose Tung Kit #5854245. Published by Matthew Jose Tung Kit (A0.954056). Don't Start Now for jazz combo featuring 2 saxophonesIntermediate/Advanced level difficultyDuration: 3 minutes and 23 secondsContact email: orchmidi@gmail.com
$14.99 13.53 € #Dua Lipa #Matthew Jose #Don't Start Now #Matthew Jose Tung Kit #SheetMusicPlus

Don't Start Now

Large Ensemble Baritone Recorder,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Low Voice…(+)

Large Ensemble Baritone Recorder,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Low Voice,Medium Voice,Trombone,Tuba - Level 3 - Digital Download SKU: A0.959106 By Dua Lipa. By Caroline Ailin, Dua Lipa, Emily Schwartz, and Ian Kirkpatrick. Arranged by Jacky Leung. Pop. Score and parts. 3 pages. Jacky Leung #5373793. Published by Jacky Leung (A0.959106). Dua Lipa - Don't Start Now (Lead Sheet In C, Bass Clef)Carefully transcribed and arranged by a professional saxophonist including chords and lyrics.Surely an enjoyable moment to play with it.Please enjoy!
$4.99 4.5 € #Dua Lipa #Jacky Leung #Don't Start Now #Jacky Leung #SheetMusicPlus

Don't Start Now

Large Ensemble Alto Saxophone,Bass Guitar,Drums,Electric Guitar,Keyboard,Tenor Saxophone,T…(+)

Large Ensemble Alto Saxophone,Bass Guitar,Drums,Electric Guitar,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 5 - Digital Download SKU: A0.508722 By Dua Lipa. By Caroline Ailin, Dua Lipa, Emily Schwartz, and Ian Kirkpatrick. Arranged by Dougie Freeman. Contemporary,Hip-Hop,Pop,R & B. Score and parts. 58 pages. Dofre #6620479. Published by Dofre (A0.508722). Pop / Function / Wedding band arrangement of Don't Start Now by Dua Lipa.This is for a function / wedding band style setup - full rhythm section & vocals (lyrics/structure only) + 3 piece horn sectionDrums, Bass, Guitar, Keys, Vocals, Alto Sax, Trumpet, Trombone / Tenor Sax (either or - it's the same part for both trombone and tenor sax)Two sets of parts included - one formatted for A4 paper (for printing) - one formatted slightly larger to read better on iPad screens.
$28.00 25.27 € #Dua Lipa #Dougie Freeman #Don't Start Now #Dofre #SheetMusicPlus

Don't Start Now

Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 3 - Digital Down…(+)

Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.959104 By Dua Lipa. By Caroline Ailin, Dua Lipa, Emily Schwartz, and Ian Kirkpatrick. Arranged by Jacky Leung. Pop. Score and parts. 3 pages. Jacky Leung #5373781. Published by Jacky Leung (A0.959104). Dua Lipa - Don't Start Now (Lead Sheet In Bb)Carefully transcribed and arranged by a professional saxophonist including chords and lyrics.Surely an enjoyable moment to play with it.Please enjoy!
$4.99 4.5 € #Dua Lipa #Jacky Leung #Don't Start Now #Jacky Leung #SheetMusicPlus

Don't Start Now (arr. Deke Sharon)

Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 1608. David Warin Solomons #863477. Published by David Warin Solomons (A0.1271084). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old.Â It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all.Â At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear!Â Sing Ho! for the life of a Bear!Â I don't much mind if it rains or snows,Â 'Cos I've got a lot of honey on my nice new nose!Â I don't much care if it snows or thaws,Â 'Cos I've got a lot of honey on my nice clean paws!Â Sing Ho! for a Bear!Â Sing Ho! for a Pooh!Â And I'll have a little something in an hour or two!Â He was so pleased with this song that he sang it all the way to the top of the Forest, ... etc.

I Wanna Make With The Happy Times

Piano and voice; ukulele, banjo, guitar - Digital Download SKU: LV.22028 Composed b…(+)

Piano and voice; ukulele, banjo, guitar - Digital Download SKU: LV.22028 Composed by Frank Loesser & Gertrude Niesen. Portraits, Leisure, Entertainment, Happiness, Contentment, Wealth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22028). I Wanna Make With The Happy Times. [biography on back cover of Earl Carrol]. Words and Music by Frank Loesser and Gertrude Niesen. Published 1940 by Paramount Music Corporation, 1619 Broadway in New York. Composition of strophic with refrain with piano and voice; ukulele, banjo, guitar instrumentation. Subject headings for this piece include Portraits, Leisure, Entertainment, Happiness, Contentment, Wealth. First line reads Hoorah! Hooray! I don't really know which to say.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 5.41 € #Frank Loesser & Gertrude Niesen #I Wanna Make With The Happy Times #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Dua Lipa: Don't Start Now - Solo Instrument (treble clef low)

Dua Lipa: Don't Start Now - Solo Instrument (treble clef high)

Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are â€˜stuck in the first positionâ€™. The rest of the fretboard is â€˜terra incognitaâ€™. They donâ€™t know where the notes are and they donâ€™t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces.Â Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Donâ€™t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â

Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but itâ€™s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isnâ€™t much good music written for the beginners to perform. Most of what is published is â€œdumbed downâ€ and doesnâ€™t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginnersâ€™ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You donâ€™t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But thereâ€™s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.