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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Don
Sheetmusicplus
Non classifié
9 875
Piano & claviers
Piano seul
8 758
Piano, Voix
5 976
Piano, Voix et Guitare
3 154
Piano Facile
2 005
Accordéon
992
Instruments en Do
685
Orgue
257
1 Piano, 4 mains
179
Piano (partie séparée)
113
Piano grosses notes
108
Accompagnement Piano
99
2 Pianos, 4 mains
69
Piano Trio: piano, violon, violoncelle
63
Clavecin
28
Piano Quatuor: piano, violon, alto, violoncelle
23
2 Pianos, 8 mains
17
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Orgue, Trompette (duo)
13
Piano Quatuor: piano, 2 violons, violoncelle
12
2 Accordéons
5
Orgue, Piano (duo)
5
Clavier
2
Ensemble de Pianos
1
1 Piano, 6 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 198
Ligne De Mélodie, (Paroles) et Accords
707
Basse electrique
658
Guitare
610
Paroles et Accords
402
Ukulele
383
Guitare (partie séparée)
213
2 Guitares (duo)
58
Piano, Guitare (duo)
42
Dulcimer
34
Banjo
27
Mandoline
26
3 Guitares (trio)
24
4 Guitares (Quatuor)
24
Basse électrique (partie séparée)
13
Ensemble de guitares
8
Mandoline, Guitare (duo)
8
2 Dulcimers (duo)
7
2 Ukuleles
7
Ukulele Baryton
4
Ensemble de Ukulélés
2
Guitare Pedal Steel
2
Orchestre à Plectres
1
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
Guitare Tab, Voix, Basse, Batterie
1
Cithare
1
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
+ 24 instrumentations
Retracter
Voix
Chorale SATB
3 603
Chorale 3 parties
1 141
Chorale TTBB
770
Chorale 2 parties
608
Pack Instrumental pour Chorale
443
Chorale SSAA
435
Chorale Unison
202
Chorale
140
Voix seule
101
Voix duo, Piano
91
Voix duo
51
Voix Soprano, Piano
46
Voix haute
40
Voix Tenor, Piano
29
Voix Baryton, Piano
28
Voix basse, Piano
16
Chorale SSAATTBB
12
Voix moyenne, Piano
10
Voix Alto, Piano
9
Chorale SSATB
7
Voix, Guitare
5
Chorale SSATTB
4
Chorale SSAB, Piano
4
Voix Mezzo-Soprano, Piano
4
Voix Tenor
3
Voix Soprano
3
Chorale, Orgue
2
Chorale SSAATB
1
Voix basse
1
Chorale SSAB a cappella
1
Chorale SAATB A Cappella
1
Chorale SSAATB A Cappella
1
Paroles Seulement
1
+ 28 instrumentations
Retracter
Vents
Saxophone (partie séparée)
1 376
Quatuor de Saxophones: 4 saxophones
719
Flûte traversière et Piano
589
Clarinette (partie séparée)
583
Flûte traversière
558
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
549
2 Saxophones (duo)
514
Flûte, Hautbois, Clarinette, Basson
446
Clarinette
442
Clarinette et Piano
441
Saxophone Alto
436
Saxophone Tenor
403
Hautbois, Piano (duo)
353
Saxophone Alto et Piano
350
Hautbois (partie séparée)
317
Quintette de Saxophone: 5 saxophones
311
Saxophone Tenor et Piano
283
2 Flûtes traversières (duo)
269
Quatuor de Clarinettes: 4 clarinettes
267
2 Clarinettes (duo)
249
Flute (partie séparée)
203
Saxophone Soprano et Piano
189
3 Saxophones (trio)
183
Quatuor de Flûtes : 4 flûtes
164
Quintette de Clarinettes: 5 clarinettes
152
3 Clarinettes (trio)
140
Hautbois
133
Saxophone Baryton, Piano
123
Ensemble de saxophones
114
2 Hautbois (duo)
106
2 Flûte à bec (duo)
102
Ensemble de Clarinettes
91
Trio de Flûtes: 3 flûtes
80
Flûte, Clarinette (duo)
78
Cor anglais, Piano
72
Saxophone Soprano
69
Quintette de Flûte : 5 flûtes
68
Flûte à Bec
59
Saxophone Baryton
55
Flûte à bec Soprano
55
Ensemble de Flûtes
51
Flûte, Clarinette et Basson
50
Flûte et Guitare
43
Hautbois, Basson (duo)
36
Flûte, Hautbois, Clarinette (trio)
35
Flûte, Violon
35
Ensemble De Flûte à bec
34
Cor Anglais
34
Flûte à bec Alto
33
Flûte, Hautbois, Basson
32
Flûte, Hautbois (duo)
32
Hautbois, Clarinette (duo)
32
Saxophone, Clarinette (duo)
28
Clarinette, Violon (duo)
27
Quatuor de Flûtes à bec
26
Flûte à bec Tenor
25
Clarinette Basse, Piano
25
Clarinette, Basson (duo)
24
Flûte, Violon, Piano
22
Harmonica
20
Hautbois, Clarinette, Basson (trio d'anches)
19
Clarinette, Trompette (duo)
18
Piccolo
18
Clarinette, Guitare (duo)
17
Flûte, Hautbois, Piano (trio)
16
Piccolo, Piano
16
Clarinette, Violoncelle (duo)
14
3 Flûtes à bec (trio)
13
Instruments en Mib
12
Flûte à bec Alto, Piano
12
Flûte, Saxophone (duo)
11
Flûte, Violoncelle
11
Clarinette et Alto
11
Flûte, Alto (duo)
11
2 Saxophones, Piano
10
2 Flûtes traversières, Piano
10
5 Flûtes à bec
10
Flûte, Violon et Violoncelle
10
Saxophone et Guitare
9
Hautbois, Flûte
9
Clarinette Basse
8
Saxophone
8
Flûte à bec Soprano, Piano
7
Flûte à Bec, Piano
7
Flûte, Violoncelle, Piano (trio)
7
Hautbois, Violoncelle
6
Hautbois, Guitare (duo)
6
Flûte, Trompette (duo)
6
2 Cors Anglais Et Pianoforte
6
Clarinette, Violoncelle, Piano (trio)
6
Cor anglais, Guitare (duo)
5
Flûte, Clarinette, Piano (trio)
5
3 Hautbois
5
Flûte, Trombone (duo)
5
2 Clarinettes, Piano
4
Flûte irlandaise
4
Clarinette, Trombone (duo)
4
Flute, harpe et violon
4
Flûte, Alto et Piano
3
Clarinette, Harpe (duo)
3
4 Hautbois
3
Flûte, Basson et Piano
3
Ocarina
3
2 Clarinettes, Basson
3
Hautbois, violon (duo)
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Basson, Piano (trio)
2
Saxophone et violoncelle
2
Hautbois, trombone (duo)
2
Flûte traversière, Basse continue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte, Harpe et Violoncelle
2
Flûte et Trio à cordes
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec, Guitare (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Saxophone et Piano
2
Saxophone, Tuba (duo)
1
Saxophone, Violon (duo)
1
Harmonica, Piano
1
Hautbois, Harpe
1
Hautbois et alto (duo)
1
Saxophone, Basson (duo)
1
Flûte, alto et harpe
1
Flûte, Hautbois, Violon
1
Flûte à bec Alto, Basse continue
1
Flûte, Violoncelle, Guitare
1
Clarinette, Tuba
1
Flûte, Alto et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
2 Flûtes, Basse continue
1
Hautbois, Basson et Piano
1
Flûte, Tuba (duo)
1
+ 129 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
1 057
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
849
Trompette (partie séparée)
815
Trompette
517
Trombone et Piano
469
Trombone
450
Trompette, Piano
393
Quatuor de Cuivres : 2 trompettes, trombone, tuba
379
Cor
333
Cor et Piano
278
Cor (partie séparée)
249
Tuba
236
Tuba et Piano
233
Quatuor de cuivres: 4 trombones
232
Tuba (partie séparée)
226
Ensemble de Trombones
176
2 Trombones (duo)
158
2 Trompettes (duo)
149
Euphonium, Piano (duo)
123
Quatuor de Cuivres: 2 trompettes, Cor, trombone
122
Quatuor de Cuivres
103
2 Cors (duo)
85
Cor anglais, Piano
72
Trompette, Trombone (duo)
66
Trio de Cuivres
55
Euphonium
52
2 Tubas (duo)
45
Quatuor de cuivres: 4 cors
42
2 Euphoniums et 2 Tubas
41
Trompette, Saxophone (duo)
35
Bass Clef Instruments
34
Cor Anglais
34
3 Trombones (trio)
34
4 Tubas
33
Trombone basse
29
Trompette, Cor (duo)
28
Ensemble de Trompettes
19
Quatuor de cuivres: 4 trompettes
18
Trombone basse et Piano
18
Trombone, Tuba (duo)
12
Instruments en Sib
11
3 Trompettes (trio)
11
3 Euphoniums
10
Euphonium, Tuba (duo)
10
Ensemble de Cors
8
2 Trompettes, Clavier (piano ou orgue)
8
Trombone, Cor (duo)
8
Tuba ou Euphonium ou Saxhorn
7
Cor, Tuba (duo)
6
2 Cors Anglais Et Pianoforte
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor anglais, Guitare (duo)
5
Tuba et Orgue
5
Trompette, Tuba (duo)
5
Trombone, Orgue
4
3 Cors (trio)
4
Trompette, Violoncelle (duo)
4
2 Euphoniums (duo)
4
Cor, Violoncelle (duo)
4
Trompette, Violoncelle et Piano
3
3 Tubas (trio)
3
Cornet A Pistons
2
Cor et Basson (duo)
2
Cor et Harpe
2
Trompette, violon (duo)
2
Trompette, Basson (duo)
2
Trombone, Violon (duo)
2
Trompette, Trombone, Piano
1
2 Cors, Piano
1
Cor et Orgue
1
Trombone et orchestre
1
Trompette et Guitare
1
Trombone, Alto (duo)
1
Ensemble de Tubas
1
Cor, Trompette, Trombone (trio)
1
Cornet et orchestre
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Harpe
1
+ 75 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 631
Violon
739
Violon et Piano
688
Violoncelle, Piano
513
Violoncelle
492
Alto seul
364
Alto, Piano
348
Trio à Cordes: violon, alto, violoncelle
315
2 Violons (duo)
297
Violon, Violoncelle (duo)
251
Harpe
230
Contrebasse (partie séparée)
223
Quintette à cordes: 2 violons, alto, violoncelle, basse
177
2 Violoncelles (duo)
170
Violon (partie séparée)
167
Contrebasse, Piano (duo)
153
Contre Basse
150
2 Altos (duo)
147
Violon, Alto (duo)
131
Alto (partie séparée)
103
Trio à Cordes: 2 violons, violoncelle
71
Alto, Violoncelle (duo)
56
4 Violoncelles
50
Violoncelle (partie séparée)
47
Trio à cordes: 3 violins
42
Violon, Guitare (duo)
32
2 Contrebasses (duo)
29
Trio à Cordes: 3 violoncelles
26
Quatuor à cordes: 4 violons
22
Trio à cordes: 3 altos
21
Harpe, Flûte (duo)
21
Quatuor à cordes : 4 altos
19
Piano Trio: Violon, Alto, Piano
19
2 Harpes (duo)
18
Trio à Cordes: 2 violons, alto
18
Violoncelle, Contrebasse (duo)
15
Quintette à cordes: 2 violons, 2 altos, violoncelle
13
Violoncelle , Guitare (duo)
11
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Alto, Guitare (duo)
8
Harpe, Violon (duo)
8
Ensemble de Violons
7
Harpe et Piano
6
2 Violons, Piano
6
Ensemble d'Altos
6
Harpe, Voix
5
Harpe (partie séparée)
5
Ensemble de Violoncelles
5
Alto et Basson
5
Violon, Basson (duo)
4
Trio à cordes
4
2 Violoncelles, Piano
3
Violon, Basse continue
3
Alto et Harpe
3
4 Contrebasses
3
4 Harpes
2
Harpe et mandoline
2
Violoncelle, Basse continue
2
Harpe, Trombone (duo)
2
Harpe, Violoncelle (duo)
1
Alto, Orgue
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
Violoncelle, Orchestre
1
Harpe, Violon, Violoncelle
1
Flûte, Contrebasse (duo)
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 574
Ensemble Jazz
852
Orchestre
715
Orchestre à Cordes
527
Jazz combo
512
Fanfare
466
Ensemble de cuivres
465
Batterie
334
Percussion (partie séparée)
304
Cloches
156
Orchestre de chambre
155
Batterie (partie séparée)
153
Timbales (partie séparée)
104
Percussion
74
Ensemble de Percussions
59
Marimba
23
Vibraphone
17
Xylophone
14
Quintette à Vent
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Xylophone, Piano
8
Timbales
5
Trio à Vent: 3 instruments à vents
4
Caisse Claire
3
3 Marimbas
2
Quatuor à Vent : 4 instruments à vents
2
2 Marimbas
2
Vibraphone (partie séparée)
1
Xylophone (partie séparée)
1
Orchestre, Violon
1
Caisse Claire, Piano
1
Big band
1
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
+ 29 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
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CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE A BEC
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MANDOLINE
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9851
Hari Bouriquet (Hee-Haw little donkey) - clarinet and harp
#
Claudin de Sermisy
#
David Warin Solomons
#
Hari Bouriquet
#
David Warin Solomons
#
SheetMusicPlus
Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.1474884 Composed by Claudin de Sermisy. Arranged by David Warin Solomons. Contemporary,Renaissance. ...
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Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.1474884 Composed by Claudin de Sermisy. Arranged by David Warin Solomons. Contemporary,Renaissance. 12 pages. David Warin Solomons #1052506. Published by David Warin Solomons (A0.1474884). Instrumental arrangement of a song by Claudin de Sermisy, with variations.Lyrics of the original song with tentative English translation below:Les dames se sont tailladées Chacune d'un Toulouzan Par compra, ha, ha L'eyse Sabaton de Cordouen Lo scafignolet, hari bouriquet... L'on sonne une cloche dix ou douze coups; Le peuple s'approche, se met a genoux, Le prestre se vest hari, hari l'asne, hari bouriquet [chorus] Du pain sur la nappe, un calice d'or Il met prend sa chappe, dit Confiteor Le peuple se taist Si tost qu'il acheve, le peuple ecoustant Sa Parole s'eleve et respond autant en plus haut caquet [chorus] Here is my tentative English translation: The ladies have adorned themselves with dresses à la Toulouse To appear at Sunday mass in Place Cordouen Nicely turned out indeed Hee-haw little donkey! The bell is rung ten or twelve times The congregation approaches and kneels, The priest dons his vestments Hee-haw little donkey! [chorus] Bread on the cloth, a golden chalice He places it and dons his cope and says Confiteor The congregation is silent [chorus] As soon as he's done, the congregation, listening to his word, rise up and respond Hee-haw at the tops of their voices... [chorus].
$9.00
Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
#
Musique Sacrée
#
James Siddons
#
Meditation on "We Gather
#
James Siddons Music and Writings
#
SheetMusicPlus
Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pa...
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Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pages. James Siddons Music and Writings #903081. Published by James Siddons Music and Writings (A0.1314336). Description This “Meditation,†in the unusual combination of flute, clarinet, tenor saxophone, and trumpet, uses melodic phrases from Kremser Tune, used to sing We Gather Together, and Dona Nobis Pacem. The latter is a round and gives a texture of flowing counterpoint to the homophonic stateliness of the hymn tune. The trumpet gives a clarion sound to entrances of the hymn tunes but elsewhere is mellowed by the three woodwinds. As is common practice in chamber music, each performer will need to listen to the other instruments to achieve a balanced sound. For this reason, relatively few dynamic markings are in the parts, as the performers will determine these in each performance environment. Note that this is not an arrangement or medley of these two melodies, but a distinct composition built on their melodic phrases (motives). For Christian worship, this short piece is appropriate for services of Christian unity and peace, and, in the United States, for Thanksgiving Day. This composition is also available as a standard woodwind quartet (fl ob cl bsn). The first performance was on November 5, 2023, at Saint Andrew Presbyterian Church, Lynchburg, Virginia.
$11.00
CHI LA GAGLIARDA, DONNE VO IMPARARE - B. Donato - Part fo Bass - Mp3
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Renaissance
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Baldassarre Donato
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CHI LA GAGLIARDA, DONNE VO IMP
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Renato Tagliabue
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SheetMusicPlus
SKU: A0.1066182 Composed by Baldassarre Donato. Renaissance. Full Performance. Duration 47. Renato Tagliabue #3626353. Published by Renato Tagliabue (A0...
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SKU: A0.1066182 Composed by Baldassarre Donato. Renaissance. Full Performance. Duration 47. Renato Tagliabue #3626353. Published by Renato Tagliabue (A0.1066182).
$4.99
CHI LA GAGLIARDA, DONNE VO IMPARARE - B. Donato - Part fo Soprano - Mp3
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Renaissance
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Baldassarre Donato
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CHI LA GAGLIARDA, DONNE VO IMP
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Renato Tagliabue
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SheetMusicPlus
SKU: A0.1066181 Composed by Baldassarre Donato. Renaissance. Full Performance. Duration 47. Renato Tagliabue #3626347. Published by Renato Tagliabue (A0...
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SKU: A0.1066181 Composed by Baldassarre Donato. Renaissance. Full Performance. Duration 47. Renato Tagliabue #3626347. Published by Renato Tagliabue (A0.1066181).
$4.99
Variations on Adon Olam for flute, cello and guitar (mp3)
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Musique Sacrée
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Michel Bert
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David Warin Solomons
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Variations on Adon Olam for fl
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David Warin Solomons
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SheetMusicPlus
Cello,Flute,Guitar - Level 3 - SKU: A0.1396718 By Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo GarcÃa (cello). By Traditional. A...
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Cello,Flute,Guitar - Level 3 - SKU: A0.1396718 By Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo GarcÃa (cello). By Traditional. Arranged by David Warin Solomons. Jewish,Multicultural,Praise & Worship,Sacred,World. Full Performance. Duration 282. David Warin Solomons #980060. Published by David Warin Solomons (A0.1396718). Arrangement of one of the traditional melodies for the Jewish prayer Adon Olam (Eternal Lord) performed by the Cámara Klezmer TrÃo:Pablo Sanhueza Tohá (flute), Michel Bert (guitar) and Rodrigo GarcÃa (cello)Adon olam, asher malach,b'terem kol y'tzir nivra.L'et na'asah v'cheftzo kol,azai melech sh'mo nikra.V'acharey kichlot hakol,l'vado yimloch nora.V'hu haya, v'hu hoveh,v'hu yih'yeh b'tifara.V'hu echad, v'eyn shenil'hamshil lo, l'hachbira.B'li reishit, b'li tachlit,v'lo ha'oz v'hamisrah.V'hu Eli, v'chai go'ali,v'tzur chevli b'et tzarah.V'hu nisi umanos li,m'nat kosi b'yom ekra.B'yado afkid ruchib'et ishan v'a'irah.V'im ruchi g'viyati,Adonai li v'lo ira. The Lord of the Universe who reignedbefore anything was created.When all was made by his willHe was acknowledged as King.And when all shall endHe still all alone shall reign.He was, He is,and He shall be in glory.
$5.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
QUATTRO DONNE - Concert Pieces for Saxophone, Cello & Strings - Score & Parts
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Rainer Fabich
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QUATTRO DONNE - Concert Pieces
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Fajora Music
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1121993 Composed by Rainer Fabich. 20th Century,Classical,Contemporary,Film/TV,Multic...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1121993 Composed by Rainer Fabich. 20th Century,Classical,Contemporary,Film/TV,Multicultural,World. Score and parts. 110 pages. Fajora Music #723173. Published by Fajora Music (A0.1121993). Funny ironic musical pieces portraiting four types of ladies: La Donna Risoluta La Nostalgica La Melancholica La Furba The Quattro Donne draw four different female characters with a thoroughly ironic undertone in a musical way: the resolute (La Risoluta), the nostalgic (La Nostalgica), the melancholic (La Melancholica) and last but not least the mocking (La Furba), who so many are cheeky leading by the nose. The present version for string orchestra and soloists extends the original duets for cello and soprano saxophone with additional tonal and harmonic dimensions. Orginally for soprano saxophone (Bb) & cello. Alternative sheets for alto saxophone (Eb), enhlis horn (F) and c-part (flute, violin). From the album SOP SAX TUNES originally recorded by Rainer Fabich. Listen to the complete tracks on spotify, itunes or deezer.
$35.95
Adon Olam D.A. De Sola, for solo voice and guitar
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Klezmer
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D
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Cantor Leon Litvack
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Adon Olam D.A. De Sola, for so
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Cantor Leon Litvack
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.936807 Composed by D.A. De Sola (1796-1860). Arranged by Cantor Leon Litvack. Jewis...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.936807 Composed by D.A. De Sola (1796-1860). Arranged by Cantor Leon Litvack. Jewish. Score and parts. 2 pages. Cantor Leon Litvack #6035737. Published by Cantor Leon Litvack (A0.936807). Adon Olam, by D.A. De Sola (1796-1860), of the Bevis Marks Synagogue in London; for solo voice and guitar
$2.50
Donmillionnewlife
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Don million
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$3
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Donmillionnewlife
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Don million
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SheetMusicPlus
Alto Recorder,Alto Voice,Double Bass,Drum Set,Drums,Flute,Tuba - SKU: A0.1073064 By Don million. By $4.00. Arranged by $3.02. 20th Century,Broadway,Clas...
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Alto Recorder,Alto Voice,Double Bass,Drum Set,Drums,Flute,Tuba - SKU: A0.1073064 By Don million. By $4.00. Arranged by $3.02. 20th Century,Broadway,Classical,Musical/Show,Pop. Accompaniment. Duration 202. Don million #5741275. Published by Don million (A0.1073064). Music new life by don million.
$4.00
Onlyonedonmillion
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Don million
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$3
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Onlyonedonmillion
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Don million
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SheetMusicPlus
Alto Voice,Double Bass,Flute,Organ,Piano - SKU: A0.1073063 By Don million. By $4.00. Arranged by $3.02. 20th Century,Broadway,Contemporary,Hip-Hop,Instr...
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Alto Voice,Double Bass,Flute,Organ,Piano - SKU: A0.1073063 By Don million. By $4.00. Arranged by $3.02. 20th Century,Broadway,Contemporary,Hip-Hop,Instructional,Musical/Show,R & B. Accompaniment. Duration 247. Don million #5756253. Published by Don million (A0.1073063). Music-Only-One-By-Don-Million.
$4.00
Newlifedonmillionstandardmix
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Don million
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$32
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Newlifedonmillionstandardmix
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Don million
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SheetMusicPlus
Alto Voice,Double Bass - SKU: A0.1073066 By Don million. By $50. Arranged by $32. 20th Century,Broadway,Contemporary,Hip-Hop,Instructional,Musical/Show,...
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Alto Voice,Double Bass - SKU: A0.1073066 By Don million. By $50. Arranged by $32. 20th Century,Broadway,Contemporary,Hip-Hop,Instructional,Musical/Show,R & B. Accompaniment. Duration 201. Don million #5756285. Published by Don million (A0.1073066). Music-New-Life-starndad-Mix-by-Don-Million.
$50.00
Yeshua Adonai
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Musique Sacrée
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James Orcutt
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Yeshua Adonai
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James Orcutt
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SheetMusicPlus
Large Ensemble Flute,Guitar,Hand Percussion,Harp,Horn,Piano Accompaniment,Voice - Level 2 - SKU: A0.1012213 Composed by James Orcutt. Christian,Jewish,P...
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Large Ensemble Flute,Guitar,Hand Percussion,Harp,Horn,Piano Accompaniment,Voice - Level 2 - SKU: A0.1012213 Composed by James Orcutt. Christian,Jewish,Praise & Worship,Sacred. Score and parts. 21 pages. James Orcutt #3860631. Published by James Orcutt (A0.1012213). Yeshua Adonai is a praise song for Christians and Hebrew Messianic alike. The piece is done in Finale 2012 and uses instruments that were from Biblical times (or as close as can be replicated by Finale). The lack of a recorded voice (a piano fills that line) leaves room for a soloist to sing, or, better still, the whole church family joins in. This is an interactive piece, so you will be clapping your hands, stomping your feet waving your arms and giving a hearty HEY as you worship the Lord Jesus Christ! The duration is circa 3:00 and there's 2 tempo changes. Jewish feasts were intended to be solemn and worshipful, yet joyous times of celebration also. Now that Yeshua is risen from the dead, focus on the joy this music will bring to each soul who sings or listens. Shalom !!! :).
$1.99
Don't Know Why
Small Ensemble
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Jazz
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Norah Jones
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Joseph Hasper
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Don't Know Why
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Joseph Hasper
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734864 By Norah Jones. By ...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.734864 By Norah Jones. By Jesse Harris. Arranged by Joseph Hasper. Jazz. Score and parts. 44 pages. Joseph Hasper #3860029. Published by Joseph Hasper (A0.734864). A smooth rumba version of the Norah Jones hit Dont Know Why for jazz ensemble in a straight-ahead style suitable for ballroom dancing. Scored for full jazz ensemble with five saxes, four trumpets, four trombones, guitar, piano, bass and drums. Moderate trumpet and trombone ranges make this within reach of most jazz bands--college and pro bands can easily sight-read it.Includes a full score and complete set of parts. Key of Bb, duration 2'30.
$35.00
"Notte e giorno faticar" - "Don Giovanni", W. A. Mozart - arr. for Flute, Violin, Cello, Piano and v
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Notte e giorno faticar&q
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Wolfgang Voelkl
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SheetMusicPlus
Large Ensemble Cello,Flute,High Voice,Low Voice,Medium Voice,Piano Accompaniment,Violin - Level 4 - SKU: A0.988197 Composed by Wolfgang Amadeus Mozart. ...
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Large Ensemble Cello,Flute,High Voice,Low Voice,Medium Voice,Piano Accompaniment,Violin - Level 4 - SKU: A0.988197 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 27 pages. Wolfgang Voelkl #6326073. Published by Wolfgang Voelkl (A0.988197). Nr. 1 from Mozart’s opera Don Giovanni, unabridged. The vocal parts (Leporello, Donna Anna, Don Giovanni, Il Commendatore) are unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may e substituted with a second violin.
$15.99
"Fuggi, crudele" - "Don Giovanni", Mozart - arr. for Flute, Violin, Cello, Piano and Vocals (Soprano
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Fuggi, crudele" - &
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Wolfgang Voelkl
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 4 - SKU: A0.988200 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang V...
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Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 4 - SKU: A0.988200 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 23 pages. Wolfgang Voelkl #6328539. Published by Wolfgang Voelkl (A0.988200). Nr. 2 from Mozart’s opera Don Giovanni, without the recitativo (Ma qual Mai s’offre, o Dei, spettacolo), beginning directly with the duet (Fuggi, crudele). The vocal parts (Donna Anna (Soprano), Don Ottavio (Tenor)) are unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may e substituted with a second violin.
$15.99
Donmillionmoney
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Don million
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$32
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Donmillionmoney
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Don million
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SheetMusicPlus
Alto Voice,Double Bass - SKU: A0.1073067 By Don million. By $50. Arranged by $32. 20th Century,Broadway,Contemporary,Hip-Hop,Jazz,Musical/Show,R & B. Ac...
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Alto Voice,Double Bass - SKU: A0.1073067 By Don million. By $50. Arranged by $32. 20th Century,Broadway,Contemporary,Hip-Hop,Jazz,Musical/Show,R & B. Accompaniment. Duration 229. Don million #5756313. Published by Don million (A0.1073067). CHINONSO CHUKWUNENYE.
$4.00
Don't Start Now - Guitar Tab
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Pop musique
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BSR
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Don't Start Now - Guitar Tab
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Brandon Sanchez Rojas
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Interactive Download SKU: A0.491625 Composed by BSR. This edition: Interactive Download. Pop. Individual part. 1 page...
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Acoustic Guitar,Instrumental Solo - Interactive Download SKU: A0.491625 Composed by BSR. This edition: Interactive Download. Pop. Individual part. 1 pages. Duration 168. Published by Brandon Sanchez Rojas (A0.491625). Follow my instagram @brandon.sanchez.rojas.
$2.99
Madonna of Silence
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John Casken
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Madonna of Silence
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Schott Music - Digital
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SheetMusicPlus
Trombone and orchestra - SKU: S9.Q51844 A drama for trombone and orchestra. Composed by John Casken. This edition: study score. Concerto - Trombo...
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Trombone and orchestra - SKU: S9.Q51844 A drama for trombone and orchestra. Composed by John Casken. This edition: study score. Concerto - Trombone - Art - Michelangelo - painting - Tondo Doni - Madonna Doni - The Holy Family - Madonna - Catholic - Orthodox - Church - Bible - Religion - Religious - Christian - Christianity - Holy - Mary - Contemplation - Woman - drama. Music Of Our Time. Downloadable, Study score. Duration 24 minutes. Schott Music - Digital #Q51844. Published by Schott Music - Digital (S9.Q51844). Madonna of Silence is far from the quiet piece implied by the title. Indeed, it reflects the inner turbulence of Michelangelo’s extraordinary drawing Madonna del Silenzio on which the work is based. Michelangelo’s drawing has informed every aspect of my new work, which I have decided not to call trombone concerto, but a drama for trombone and orchestra. The trombone takes on many roles: at the start it represents the quiet, inner voice of the Madonna as she gazes in contemplation at the child, later singing a hymn and, towards the end of the work, lamentations. Both soloist and orchestra are equally engaged in the unfolding drama of a scene brimming with unease and premonitions. John Casken0.2.ca.2.bcl.2.cbsn-4.0.0.0-timp.3perc(mar, vib, crot, tub bells, tam-t, lg Javanese gong, Chinese cym, sizzle cymbal, tuned gong, bell plate, cowbell, Japanese singling bowl, 2 bongos, s.d., b.d., hi-hat, wdblks, rain stick, shaker, guiro, frusta)-str.
$28.99
Don't Fear The Reaper
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Rock
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Blue Oyster Cult
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Andy G53
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Don't Fear The Reaper
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Andy G53
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SheetMusicPlus
Small Ensemble Flute,Tenor Saxophone,Trombone - SKU: A0.500320 By Blue Oyster Cult. By Donald Roeser. Arranged by Andy G53. Pop,Rock. Score and parts. 1...
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Small Ensemble Flute,Tenor Saxophone,Trombone - SKU: A0.500320 By Blue Oyster Cult. By Donald Roeser. Arranged by Andy G53. Pop,Rock. Score and parts. 14 pages. Published by Andy G53 (A0.500320). Don't Fear The Reaper is a song by American rock band Blue Öyster Cult from the band's 1976, now you can play it on the flute, tenor saxophone and trombone! Have a nice trio! Don't Fear The Reaper es una canción de la banda de rock estadounidense Blue Öyster Cult de 1976, ¡ahora puedes tocarla en la flauta, saxofón tenor y trombone! ¡Que tengas un buen trÃo!
$12.99
Big Girls Don't Cry
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Fergie
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Amphibia Cultural Legacy
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Big Girls Don't Cry
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn...
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Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium-High Voice,Oboe,Piano and Keyboard,Steel Guitar,String Synthesizer,Trumpet,Tuba - SKU: A0.1179134 By Fergie. By Stacy Ferguson and Toby Gad. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Musical/Show,New Age,Pop,Spiritual. 13 pages. Amphibia Cultural Legacy #779105. Published by Amphibia Cultural Legacy (A0.1179134). Big Girls Don't Cry one of the most iconic tracks from Fergie's solo career. The song has been remixed and covered countless times, but Amphibia Cultural Legacy's version stands out. The group has put its spin on this classic track by adding additional instruments that take it to a new level.Amphibia Cultural Legacy's version of Big Girls Don't Cry starts with a beautiful guitar intro that sets the tone for the rest of the song. As soon as the vocals kick in, you can feel the emotion pouring out of every note. Adding strings and piano throughout the track adds depth and texture not present in Fergie's original version.Overall, Amphibia Cultural Legacy has done an incredible job with its rendition of Big Girls Don't Cry.
$80.00
Themes from Don Juan for 4-part Trombone Choir
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Classique
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Richard Strauss
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Kempton, Jeremy
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Themes from Don Juan for 4-par
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792316 Composed by Richard Strauss. Arranged by Kempton, Jeremy. 20th Century,Classical,Romantic Period. Sco...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792316 Composed by Richard Strauss. Arranged by Kempton, Jeremy. 20th Century,Classical,Romantic Period. Score and parts. 14 pages. Gordon Cherry #4804539. Published by Gordon Cherry (A0.792316). The highlights Richard Struass' great tone poem, Don Juan, have been arranged for 4-part Trombone ensemble by Jeremy Kempton. This brilliant masterpiece is one of the most performed works in the orchestral literature. The dashing melodies, rich harmonies and the passion of the original come through in Mr. Kempton's arrangement. Written for advanced performers, this 4 minute work will add a wonderful climax to any program.
$22.50
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 page...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95
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