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Vous avez sélectionné:
Donna G
Partitions à imprimer
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Giuseppe Verdi - La donna e mobile (Rigoletto) Double Bass - G Key
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 1 - Digital Download SKU:…
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Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.706424 Composed by Giuseppe Verdi. Arranged by André Laitano. Instructional,Opera,Romantic Period,Standards,Wedding. Score and parts. 11 pages. ANDRÉ DOS SANTOS #6244957. Published by ANDRÉ DOS SANTOS (A0.706424). Giuseppe Verdi - La donna e mobile (Rigoletto) Double Bass - G Key
$3.00
2.75 €
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Giuseppe Verdi
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André Laitano
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Giuseppe Verdi - La donna e mobile
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Dalla sua pace - Don Giovanni (G Major)
Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884733 Composed by Wolf…
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Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884733 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 4 pages. Jonathan Prentice #5777199. Published by Jonathan Prentice (A0.884733). Don Ottavio's beautiful aria from Act 1 of Mozart's dark, melodramatic opera, Don Giovanni, where he sings of his love for Donna Anna.
$1.99
1.83 €
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Dalla sua pace - Don Giovanni
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Jonathan Prentice
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SheetMusicPlus
Lady Madonna
Instrumental Solo - Level 1 - Interactive Download SKU: A0.1357085 By The Beatles. …
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Instrumental Solo - Level 1 - Interactive Download SKU: A0.1357085 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daniel Nicholson. This edition: Interactive Download. Pop. Individual part. 2 pages. Duration 56. Daniel Nicholson #4mtSHdx3cSaQDUyqX3JVTj. Published by Daniel Nicholson (A0.1357085). Key: G major.
$4.99
4.58 €
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The Beatles
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Daniel Nicholson
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Lady Madonna
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Daniel Nicholson
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
71.58 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
27.5 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Nevermore for alto and classical guitar (mp3)
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csák…
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Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore  Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$6.00
5.51 €
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András Csáki
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Nevermore for alto and classical guitar
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David Warin Solomons
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SheetMusicPlus
Angel
Level 3 - Interactive Download SKU: A0.1360392 By Madonna. By Madonna and Stephen B…
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Level 3 - Interactive Download SKU: A0.1360392 By Madonna. By Madonna and Stephen Bray. Arranged by John Barnes. This edition: Interactive Download. Pop. 56 pages. Duration 231. State of the chArt #3ONcVBbJJjfHufVhy21h7w. Published by State of the chArt (A0.1360392). Key: G major.Madonna's hit scored for voice, 2 alto saxes, tenor sax, trumpet & rhythm section.
$25.99
23.87 €
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Madonna
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John Barnes
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Angel
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State of the chArt
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SheetMusicPlus
Black Madonna ( Czarna Madonna) from Jasna Góra
Composed by Alicja Go?aszewska. Arranged by Waldemar Partyka C.Or. Christian, Spiritual, P…
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Composed by Alicja Go?aszewska. Arranged by Waldemar Partyka C.Or. Christian, Spiritual, Praise & Worship. 9 pages. Published by Waldemar Partyka (S0.300383). - - Christian,Spiritual,Praise & Worship - Waldemar Partyka
$2.99
2.75 €
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Alicja Go?aszewska
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Waldemar Partyka C
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Black Madonna
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Waldemar Partyka
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SheetMusicPlus
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