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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Down For Double - Trombone 1
Non classifié
1 710
Piano & claviers
Piano seul
69
Piano Facile
46
1 Piano, 4 mains
35
Instruments en Do
20
Piano, Voix
8
Piano, Voix et Guitare
5
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
2
Orgue
1
+ 7 instrumentations
Retracter
Guitares
Basse electrique
291
Guitare
13
Guitare notes et tablatures
13
Guitare (partie séparée)
10
Ligne De Mélodie, (Paroles) et Accords
4
4 Guitares (Quatuor)
3
Ensemble de guitares
2
Mandoline
1
Banjo
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
44
Pack Instrumental pour Chorale
26
Chorale 3 parties
10
Chorale 2 parties
6
Chorale SSAA
5
Chorale TTBB
5
Chorale Unison
4
Voix Soprano, Piano
1
Chorale SSAATTBB
1
Voix duo, Piano
1
Voix duo
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Flûtes : 4 flûtes
30
Flûte, Hautbois, Clarinette, Basson
20
Saxophone (partie séparée)
15
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Quatuor de Saxophones: 4 saxophones
13
Hautbois, Basson (duo)
12
Ensemble de Clarinettes
12
Quatuor de Clarinettes: 4 clarinettes
12
Ensemble de Flûtes
10
Trio de Flûtes: 3 flûtes
10
3 Clarinettes (trio)
10
Clarinette (partie séparée)
9
Clarinette, Contrebasse (duo)
7
Quintette de Flûte : 5 flûtes
6
2 Clarinettes (duo)
6
Hautbois, Piano (duo)
6
Ensemble de saxophones
5
Flûte traversière
5
Hautbois (partie séparée)
3
2 Flûte à bec (duo)
3
2 Flûtes traversières (duo)
3
Saxophone Alto
3
Saxophone Tenor et Piano
3
Clarinette et Piano
3
Flûte, Violon
2
Clarinette
2
3 Hautbois
2
Saxophone Tenor
2
Flûte, Violon, Piano
2
Saxophone Alto et Piano
2
Flute (partie séparée)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette Basse, Piano
1
Flûte, Violoncelle
1
Clarinette, Orgue
1
Flûte, Violoncelle, Piano (trio)
1
Cornemuse
1
Saxophone Soprano et Piano
1
Quintette de Saxophone: 5 saxophones
1
Quintette de Clarinettes: 5 clarinettes
1
+ 36 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
19
Cor (partie séparée)
6
Trompette
6
Tuba (partie séparée)
4
Tuba
2
Trompette, Piano
2
2 Trompettes (duo)
2
Cor et Piano
2
Bass Clef Instruments
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
+ 7 instrumentations
Retracter
Cordes
Contre Basse
711
Quintette à cordes: 2 violons, alto, violoncelle, basse
399
Contrebasse, Piano (duo)
312
Quatuor à cordes: 2 violons, alto, violoncelle
302
Violon
103
Violoncelle, Contrebasse (duo)
98
2 Contrebasses (duo)
81
Violon et Piano
37
Trio à Cordes: violon, alto, violoncelle
30
Harpe
30
Flûte, Contrebasse (duo)
30
Violoncelle
26
Violon (partie séparée)
26
Alto seul
20
Violoncelle, Piano
18
Alto, Piano
16
Violon, Violoncelle (duo)
15
2 Violoncelles (duo)
15
2 Violons (duo)
14
Contrebasse (partie séparée)
12
Alto (partie séparée)
12
4 Contrebasses
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Trio à Cordes: 2 violons, violoncelle
7
Violon, Alto (duo)
7
2 Altos (duo)
6
3 Contrebasses
5
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
4
Violoncelle (partie séparée)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
1
2 Harpes (duo)
1
Trio à cordes
1
Violon, Basse continue
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
331
Orchestre d'harmonie
74
Orchestre
74
Orchestre de chambre
58
Ensemble de Percussions
27
Ensemble Jazz
25
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Fanfare
8
Ensemble de cuivres
7
Percussion (partie séparée)
7
Cloches
5
Batterie
5
Batterie (partie séparée)
2
2 Xylophones
2
Jazz combo
2
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Down For Double - Trombone 1
Partitions à imprimer
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1701
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Down For Double - C Bass Clef Solo
#
Jazz
#
Freddie Greene
#
Rick Stitzel
#
Down For Double - C Bass Clef
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3 - SKU: HX.157745 Composed by Freddie Greene. Arranged by Rick Stitzel. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digit...
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Level 3 - SKU: HX.157745 Composed by Freddie Greene. Arranged by Rick Stitzel. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.157745).
$6.00
Down For Double - Eb Solo Sheet
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Jazz
#
Freddie Greene
#
Rick Stitzel
#
Down For Double - Eb Solo Shee
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3 - SKU: HX.157744 Composed by Freddie Greene. Arranged by Rick Stitzel. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digit...
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Level 3 - SKU: HX.157744 Composed by Freddie Greene. Arranged by Rick Stitzel. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.157744).
$6.00
Down For Double - C Solo Sheet
#
Jazz
#
Freddie Greene
#
Rick Stitzel
#
Down For Double - C Solo Sheet
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3 - SKU: HX.157742 Composed by Freddie Greene. Arranged by Rick Stitzel. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digit...
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Level 3 - SKU: HX.157742 Composed by Freddie Greene. Arranged by Rick Stitzel. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.157742).
$6.00
Down For Double - Bb Solo Sheet
#
Jazz
#
Freddie Greene
#
Rick Stitzel
#
Down For Double - Bb Solo Shee
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3 - SKU: HX.157743 Composed by Freddie Greene. Arranged by Rick Stitzel. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digit...
(+)
Level 3 - SKU: HX.157743 Composed by Freddie Greene. Arranged by Rick Stitzel. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.157743).
$6.00
Double English horn Concerto in D Major, Op. 9 No. 12 and String Orchestra
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Classique
#
Tomaso Albinoni
#
Don Werdick (1946 - )
#
Double English horn Concerto i
#
Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - SKU: A0.955180 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ...
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Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - SKU: A0.955180 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6410719. Published by Chamber Ensemble of Minnesota, Inc. (A0.955180). Complete score and parts of the Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra, composed/first edition in 1722 by T. Albinoni, arranged for English horn by D Werdick. Includes separate English horn I & II score and figured bass notation for Double Bass part. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: English horn I & II Parts, English horn Score, Violin I, Violin II, Viola, Cello, Double Bass. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
#
Andrew Cody Williams and Jeff
#
Popular Orchestral Excerpt Etu
#
Andrew Cody Williams
#
SheetMusicPlus
Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cod...
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Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00
Sonata da Chiesa Op 1 nos 1-3
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa Op 1 nos 1-3
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Forton Music - Digital
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SheetMusicPlus
Mixed Wind Ensemble Double Reed Book - Intermediate - SKU: F2.FM070 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 79 page...
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Mixed Wind Ensemble Double Reed Book - Intermediate - SKU: F2.FM070 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 79 pages. Forton Music - Digital #FM070. Published by Forton Music - Digital (F2.FM070). ISBN 9790708085690.Double Reed Ensemble (part 1 oboe or bassoon, part 2 oboe or bassoon, part 3 oboe, cor or bassoon) - part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Oboe 1 goes up briefly to top F, but a lower ossia is given. If played as a bassoon trio, the top two bassoon parts spend most of the time in the tenor clef and are not for the faint hearted, but grade 8 players will be well rewarded. Parts may be mixed with the companion arrangements for flute, clarinet and sax ensembles.
$15.95
Selected Dances from Terpsichore Volume 1
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Michael Praetorius
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Robert Rainford
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Selected Dances from Terpsicho
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Forton Music - Digital
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SheetMusicPlus
Double Reed Quartet - Intermediate - SKU: F2.FM105 Composed by Michael Praetorius. Arranged by Robert Rainford. Score and parts. 27 pages. Forton Music ...
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Double Reed Quartet - Intermediate - SKU: F2.FM105 Composed by Michael Praetorius. Arranged by Robert Rainford. Score and parts. 27 pages. Forton Music - Digital #FM105. Published by Forton Music - Digital (F2.FM105). ISBN 9790570480043.Double Reed Quartet - 2 oboes, cor anglais or bassoon, Bassoon. A selection of dances from Michael Praetorius' famous Terpsichore collection. These nine short pieces present the music of the Renaissance for the wind player. Not difficult, although some of the more unusual time signatures (6/4, 3/2) may be unfamiliar to younger players. About grade 3/4 upwards.
$10.95
French Suite No 1
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Classique
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Johann Sebastian Bach
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Robert Rainford
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French Suite No 1
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Forton Music - Digital
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SheetMusicPlus
Double Reed Quartet - Intermediate - SKU: F2.FM098 Composed by Johann Sebastian Bach. Arranged by Robert Rainford. Score and parts. 35 pages. Forton Mus...
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Double Reed Quartet - Intermediate - SKU: F2.FM098 Composed by Johann Sebastian Bach. Arranged by Robert Rainford. Score and parts. 35 pages. Forton Music - Digital #FM098. Published by Forton Music - Digital (F2.FM098). ISBN 9790708085973.Double Reed Quartet - 2 oboes, cor anglais, bassoon or cor anglais. These short dance movements translate well into the double reed ensemble. Comprising an Allemande, a Courante, a Sarabande, two Minuets and a Gigue, the contrapuntal nature of the music ensures that all parts are interesting and enjoyable to play. The minuets are comparatively easy and could be approached by grade 3/4 players, whilst the allemande and the gigue are more compex.
$12.95
Sonata da Chiesa Op 1 nos 1-3
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa Op 1 nos 1-3
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Forton Music - Digital
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SheetMusicPlus
Mixed Wind Ensemble Saxophone Book - Intermediate - SKU: F2.FM071 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 76 pages....
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Mixed Wind Ensemble Saxophone Book - Intermediate - SKU: F2.FM071 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 76 pages. Forton Music - Digital #FM071. Published by Forton Music - Digital (F2.FM071). ISBN 9790708085706.Saxophone Trio (part 1 soprano or alto, part 2 soprano or alto, part 3 tenor or baritone) - part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Players of approximately grade 6 standard; will enjoy the challenge these pieces present. Parts may be mixed with the companion arrangements for flutes, clarinets and double reeds.
$15.95
Emma Louise Ashford | Christmas Voices | for Double-Reed Quintet
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Noël
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Emma Louise Ashford
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Andrew Lamb
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Emma Louise Ashford | Christma
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quintet,English Horn,Oboe - Level 4 - SKU: A0.1506962 By Emma Louise Ashford. By Emma Louise Ashford. Arranged by ...
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Woodwind Ensemble Bassoon,Double Reed Quintet,English Horn,Oboe - Level 4 - SKU: A0.1506962 By Emma Louise Ashford. By Emma Louise Ashford. Arranged by Andrew Lamb. Christmas. 23 pages. Andrew Lamb #1082344. Published by Andrew Lamb (A0.1506962). Double-Reed Quintet Adaptation of Christmas Voices by Emma Louise Ashford This delightful Double-Reed Quintet arrangement of the Christmas Carol Christmas Voices by the prolific American composer Emma Louise Ashford is perfect for your festive season performances! Scored for:Part 1: OboePart 2: OboePart 3: English HornPart 4: Bassoon (Bass and Tenor Clef parts supplied)Part 5: BassoonLevel of Difficulty: MediumPotential Uses:Christmas concertChristmas church serviceRecital pieceAbout the Composer: Emma Louise Ashford (1850–1930) was a distinguished American organist, composer, and music editor. With over 600 compositions, she made significant contributions to music. She was an editor at Lorenz Publishing Company from 1894 to 1930 and served in various roles as an organist and choir director in Nashville, Tennessee.Born in Newark, Delaware, Emma began her musical training early, guided by her father. She played pivotal roles in church choirs and held organist positions in multiple churches. Her marriage to John Ashford brought her to Nashville, where she continued her impactful musical career.Please like and subscribe for more videos and music arrangements.
$10.00
Sonata da Chiesa Op 1 nos 1-3
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa Op 1 nos 1-3
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Forton Music - Digital
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SheetMusicPlus
Mixed Wind Ensemble Clarinet Book - Intermediate - SKU: F2.FM068 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 58 pages. ...
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Mixed Wind Ensemble Clarinet Book - Intermediate - SKU: F2.FM068 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 58 pages. Forton Music - Digital #FM068. Published by Forton Music - Digital (F2.FM068). ISBN 9790708085676.Clarinet Trio (three Bb clarinets or two Bb clarinets and alto/bass clarinet) - part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Players of approximately grade 6 standard will enjoy the challenge these pieces present. Parts may be mixed with the companion arrangements for flutes, saxophones and double reeds.
$15.95
Sonata da Chiesa Op 1 nos 1-3
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Arcangelo Corelli
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Robert Rainford
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Sonata da Chiesa Op 1 nos 1-3
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Forton Music - Digital
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SheetMusicPlus
Mixed Wind Ensemble Flute Book - Intermediate - SKU: F2.FM067 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 50 pages. For...
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Mixed Wind Ensemble Flute Book - Intermediate - SKU: F2.FM067 Composed by Arcangelo Corelli. Arranged by Robert Rainford. Score and parts. 50 pages. Forton Music - Digital #FM067. Published by Forton Music - Digital (F2.FM067). ISBN 9790708085669.Flute Trio - three flutes or two flutes and alto/bass flute. Part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Flautists of grade 4/5 standard will enjoy these pieces. Parts may be mixed with the companion arrangements for clarinet, saxophone and double reed ensembles.
$15.95
Castelo Forte é o Nosso Deus / A Mighty Fortress Is Our God
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Musique Sacrée
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Gospel Spirituel
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Martinho Lutero, Martin Luther
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Adriel Verçosa
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Castelo Forte é o Nosso
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Adriel Verçosa
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Oboe,Piano Accompaniment,Trumpet,Viola,Violin - Level 3 - SKU: A0.1004006 Composed by Martinho Lutero, Martin Luther. A...
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Large Ensemble Cello,Double Bass,Oboe,Piano Accompaniment,Trumpet,Viola,Violin - Level 3 - SKU: A0.1004006 Composed by Martinho Lutero, Martin Luther. Arranged by Adriel Verçosa. Christian,Gospel,Sacred. Score and parts. 43 pages. Adriel Verçosa #3429441. Published by Adriel Verçosa (A0.1004006). Este arranjo de Castelo Forte é o Nosso Deus (do alemão: Ein feste Burg ist unser Gott) foi feito especialmente para as comemorações dos 500 anos da reforma protestante. Pensado de uma maneira quase programática, baseado na versão do hinário Novo Cântico, o arranjo pode ser entoado em unÃssono pelo coral ou pela congregação.Instrumentação: cordas, piano, 1 oboé, 1 trompete C ou Bb (pode ser substituÃdo por outro oboé).Para outros tons ou formações, contate meu email: adrielvall@hotmail.comThis arrangement of A Mighty Fortress Is Our God (from the German: Ein feste Burg ist unser Gott) was made especially for the celebrations of the 500 years of the Protestant Reformation. Thought in a quasi-programmatic way, based on the version of the brazillian hymnal Novo Cântico, the arrangement can be sung in unison by the choir or the congregation.Instrumentation: strings, piano, 1 oboe, 1 trumpet C or Bb (can be replaced by another oboe).To another tune or instrumental group, contact me: adrielvall@hotmail.com
$6.50
Double Concerto
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Tony Bridgewater
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Double Concerto
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Forton Music - Digital
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SheetMusicPlus
Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - SKU: F2.FM622 Composed by Tony Bridgewater. A large scale double concerto for ...
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Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - SKU: F2.FM622 Composed by Tony Bridgewater. A large scale double concerto for flute, clarinet and Strings. Score and parts. 152 pages. Forton Music - Digital #FM622. Published by Forton Music - Digital (F2.FM622). ISBN 9790570485215.The lively first movement is based on two ideas; the opening rhythmic motif, played first by the flute and then echoed by the clarinet, and a contrasting lyrical melody, also introduced by each soloist in turn. The slow movement was inspired by the beautiful mountain scenery of Austria, and is a series of variations based on a 10 bar chord pattern. The variations become more serious and complex, but eventually the music returns to the tranquillity of the opening, and fades away into the distance. The final movement is a lively, dance-like rondo, with several contrasting episodes; the concluding coda includes brief references to the earlier movements before a final reprise of the rondo theme brings the piece to an exuberant conclusion.
$56.95
The Wretch - novelty song for voice, harpsichord, optional bassoon
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Tom Swafford
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The Wretch - novelty song for
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Tom Swafford
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SheetMusicPlus
Small Ensemble Bassoon,Harpsichord,Low Voice,Piano Accompaniment - Level 4 - SKU: A0.914146 Composed by Tom Swafford. 20th Century,Broadway,Contemporary...
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Small Ensemble Bassoon,Harpsichord,Low Voice,Piano Accompaniment - Level 4 - SKU: A0.914146 Composed by Tom Swafford. 20th Century,Broadway,Contemporary,Musical/Show. Score and parts. 11 pages. Tom Swafford #3575315. Published by Tom Swafford (A0.914146). Novelty song for voice (any type), piano (or harpsichord), and optional bassoon.  Originally written for bass voice, the part is in treble clef and goes up to a D at the top of the staff and down to an E below the staff. Contact the composer if you would like it in a different key. This is a silly song with some cartoonish violence represented (cracking skulls etc.), reminiscent of Gilbert and Sullivan or early 20th century musical theater.  PDF is designed for double-sided printing, with page 1 of the score on the left side, blank pages are inserted to avoid page turns in the voice and bassoon parts. duration 2.5 minutes. www.tomswafford.com ASCAP.
$5.00
BACH: Trio Sonata No. 1 BWV 525 for Double Reed Trio
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Classique
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 3...
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Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 36 pages. Jmsgu3 #6491011. Published by jmsgu3 (A0.552647). Sonata No. 1 BWV 525, originally for organ, arranged for double reed trio: 1 Oboe, 1 English Horn, 1 Bassoon. Duration: 14:15, Score: 19 pages. In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
Emma Louise Ashford | Christmas Voices | for String Quintet
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Emma Louise Ashford
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Andrew Lamb
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Emma Louise Ashford | Christma
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Andrew Lamb
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1514987 By Emma Louise Ashford. By Emma Louise Ashford. Arranged by An...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1514987 By Emma Louise Ashford. By Emma Louise Ashford. Arranged by Andrew Lamb. Christmas. 17 pages. Andrew Lamb #1089483. Published by Andrew Lamb (A0.1514987). String Quintet Adaptation of Christmas Voices by Emma Louise Ashford This delightful Clarinet Quintet arrangement of the Christmas Carol Christmas Voices by the prolific American composer Emma Louise Ashford is perfect for your festive season performances! Scored for: Part 1: Violin Part 2: Violin Part 3: Viola Part 4: Violoncello Part 5: ContrabassLevel of Difficulty: MediumPotential Uses: Christmas concert Christmas church service Recital pieceAbout the Composer: Emma Louise Ashford (1850–1930) was a distinguished American organist, composer, and music editor. With over 600 compositions, she made significant contributions to music. She was an editor at Lorenz Publishing Company from 1894 to 1930 and served in various roles as an organist and choir director in Nashville, Tennessee. Born in Newark, Delaware, Emma began her musical training early, guided by her father. She played pivotal roles in church choirs and held organist positions in multiple churches. Her marriage to John Ashford brought her to Nashville, where she continued her impactful musical career.Please like and subscribe for more videos and music arrangements.
$10.00
Mourning into Dancing from Suite Remembrance (Downloadable)
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Musique Sacrée
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Melissa Dunphy
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Mourning into Dancing from Sui
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB/SATB choir unaccompanied - Medium - SKU: MQ.8744-E Composed by Melissa Dunphy. 18 pages. Duration 1 minute, 30 seconds. E. C. Schirmer Music Compan...
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SATB/SATB choir unaccompanied - Medium - SKU: MQ.8744-E Composed by Melissa Dunphy. 18 pages. Duration 1 minute, 30 seconds. E. C. Schirmer Music Company - Digital #8744-E. Published by E. C. Schirmer Music Company - Digital (MQ.8744-E). English. Psalms 30.A set of four contrasting “memorial dances†for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving, and each takes after a dance form. This final movement sets text from Psalm 30 (KJV) to a sprightly Gigue. This movement differs from the other three in that it is written for double SATB chorus. But the textures are light and dance-like, perhaps not requiring huge forces. Duration: 1:30.
$3.15
John Stainer | A Song of Praise | for Double-Reed Sextet
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John Stainer
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Andrew Lamb
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John Stainer | A Song of Prais
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,Double Reed Ensemble,English Horn,Oboe - SKU: A0.1469329 By John Stainer. By John Stainer. Arranged by Andrew Lamb. 19th...
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Woodwind Ensemble Contrabassoon,Double Reed Ensemble,English Horn,Oboe - SKU: A0.1469329 By John Stainer. By John Stainer. Arranged by Andrew Lamb. 19th Century,Sacred. 24 pages. Andrew Lamb #1047349. Published by Andrew Lamb (A0.1469329). 🎵 Double-Reed Sextet: A Song of Praise by John Stainer 🎵✨ Arrangement Details: Part 1: Oboe Part 2: Oboe Part 3: English Horn Part 4: Bassoon Part 5: Bassoon Part 6: Contrabassoon 🔹 Level of Difficulty: Medium🔹 Potential Uses: Perfect for concerts, recitals, and church services.🖋 About the Composer:Sir John Stainer (6 June 1840 – 31 March 1901) was an English composer and organist. Though his music is seldom performed today, it was very popular during his lifetime. One of his most well-known works is The Crucifixion, which is still heard at Passiontide in some Anglican churches.Born in Southwark, London, Stainer became a chorister at St Paul's Cathedral at ten and was appointed organist at St Michael's College, Tenbury, at sixteen. He later became organist at Magdalen College, Oxford, and St Paul's Cathedral. After retiring due to poor health, he became Professor of Music at Oxford. Stainer's contributions to Anglican church music and the study of Medieval and Renaissance music are particularly noteworthy.Please like and subscribe for more videos and music arrangements. 🎶
$10.00
Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. Jmsgu3 #3464715. ...
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String Ensemble - Level 2 - SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. Jmsgu3 #3464715. Published by jmsgu3 (A0.549211). A musical monument: the first composition to employ dynamics. Instrumentation: 2 violins, 1 viola, 5 cellos 1 double bass. Arranged in two antiphonal choirs: I - string quartet, II - cello choir w/bass. The double bass part assumes low c extension; however, a non-extension bass part is included.Giovanni Gabrieli's Sonata Pian e Forte is essential as it represents the shift from the Renaissance to the Baroque period. It is part of his 1597 Sacrae symphoniae, which contains sixty-three choral and instrumental works, many in multi-choir formations. It is the first known composition in history to employ dynamics, with Gabrieli using specific notation to indicate instrumentation and experimenting with assembling massive instrumental forces into isolated groups separated by space. This innovation contributed heavily to the Baroque Concertato style and the development of the sonata, a musical form that came into general use toward the end of the sixteenth century. The structure of the piece is defined by the dialogue between two instrumental choirs, making it a key example of Gabrieli's influential contributions to the transition in musical style during his time.
$47.95
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Down For Double - Trombone 1
