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Save the Young Hen from Drowning in the Bucket
Small Ensemble Banjo,Guitar,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1028058…
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Small Ensemble Banjo,Guitar,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1028058 Composed by Tara Smith. Country,Folk,Instructional,Traditional. Score and parts. 1 pages. Tara Smith #6304571. Published by Tara Smith (A0.1028058). Short fiddle tune appropriate for all ages. Has some syncopation and accidentals. Best played with chordal accompaniment like a guitar. In A Mixolydian.
$1.99
1.83 €
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Tara Smith
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Save the Young Hen from Drowning in the Bucket
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Tara Smith
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SheetMusicPlus
A Storm is Gathering Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
1.83 €
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Steven H
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Ashley Ivers
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A Storm is Gathering Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Set Me as a Seal (Downloadable)
Alto voice or bass voice solo, SATB choir, and piano - Moderately Easy - Digital Download …
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Alto voice or bass voice solo, SATB choir, and piano - Moderately Easy - Digital Download SKU: MQ.1.3544-E Composed by Nick Strimple. Wedding. Instrument part. 11 pages. Galaxy Music Corporation - Digital #1.3544-E. Published by Galaxy Music Corporation - Digital (MQ.1.3544-E). English. Song of Songs: 8:6a, 7a.A setting of Song of Songs, Chapter 8:6a and 7a, Set Me as a Seal was composed as a vehicle for the prominent cantor Ira Bigeleisen and his particularly rich basso voice. However, the solo can also be sung effectively by an alto. Structurally, it is a simple AABA' form, and presents no unusual vocal demands on the chorus. Cascading vocal entries on the text “Many waters cannot quench love, neither can the floods drown it†provide text painting and contrast to music that is otherwise gently lyrical and songlike. Duration: 4:00.
$2.65
2.44 €
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Nick Strimple
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Set Me as a Seal
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Galaxy Music Corporation - Digital
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SheetMusicPlus
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.53391…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons
$19.95
18.38 €
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David Warin Solomons
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David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
"Three Labe Sonnets" for mezzo-soprano and piano
Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Compos…
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Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50
4.15 €
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Jason A
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"Three Labe Sonnets" for mezzo-soprano and piano
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Call of the Wild Publishing
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SheetMusicPlus
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.53440…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95
18.38 €
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David Warin Solomons
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David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
La Llorona Triste
Acoustic Guitar,Guitarron,Harp,Trumpet,Violin - Level 3 - Digital Download SKU: A0.1241…
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Acoustic Guitar,Guitarron,Harp,Trumpet,Violin - Level 3 - Digital Download SKU: A0.1241424 By Rodolfo Gonzalez. By Rodolfo Gonzalez. Arranged by Rodolfo Gonzalez. 21st Century,Folk,Historic,Mariachi,Multicultural,World. 22 pages. Rodolfo Gonzalez #836788. Published by Rodolfo Gonzalez (A0.1241424). La Llorona Triste is for Intermediate Mariachi with score and parts for Violin 1 2 3, Trumpets 1 2, Alto & Tenor Voices, Harp, Vihuela/Guitar and Guitarron. The lyrics tell of the story of La Llorona, The Weeping Woman, who upon learning her husband has been unfaithful takes his baby sons to the river and drown them in her despair. The piece features solos for tenor and alto voices as well as featuring trumpets playing in duet and violins in 3 part harmony. The harp also adds color to the sadness of the story.
$40.00
36.85 €
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Rodolfo Gonzalez
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Rodolfo Gonzalez
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La Llorona Triste
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Rodolfo Gonzalez
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SheetMusicPlus
Harmonie du Soir for alto and classical guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1387467 By András Csák…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1387467 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 259. David Warin Solomons #971321. Published by David Warin Solomons (A0.1387467). Poem by Baudelaire (from Les Fleurs du mal). The guitar part contains many tremolo and harmonics effects.Voici venir les temps où vibrant sur sa tigeChaque fleur s'évapore ainsi qu'un encensoir;Les sons et les parfums tournent dans l'air du soir;Valse mélancolique et langoureux vertige!Chaque fleur s'évapore ainsi qu'un encensoir;Le violon frémit comme un coeur qu'on afflige;Valse mélancolique et langoureux vertige!Le ciel est triste et beau comme un grand reposoir.Le violon frémit comme un coeur qu'on afflige,Un coeur tendre, qui hait le néant vaste et noir!Le ciel est triste et beau comme un grand reposoir;Le soleil s'est noyé dans son sang qui se fige.Un coeur tendre, qui hait le néant vaste et noir,Du passé lumineux recueille tout vestige!Le soleil s'est noyé dans son sang qui se fige...Ton souvenir en moi luit comme un ostensoir!The hour approacheth, when, as their stems incline,The flowers evaporate like an incense urn,And sounds and scents in the vesper breezes turn;A melancholy waltz — and a drowsiness divine.The flowers evaporate like an incense urn,The viol vibrates like the wailing of souls that repine.A melancholy waltz — and a drowsiness divine,The skies like a mosque are beautiful and stern.The viol vibrates like the wailing of souls that repine;Sweet souls that shrink from chaos vast and etern,The skies like a mosque are beautiful and stern,The sunset drowns within its blood-red brine.Sweet souls that shrink from chaos vast and etern,Essay the wreaths of their faded Past to entwine,The sunset drowns within its blood-red brine,Thy thought within me glows like an incense urn.— Cyril Scott, Baudelaire: The Flowers of Evil (London: Elkin Mathews, 1909).
$6.00
5.53 €
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András Csáki
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Harmonie du Soir for alto and classical guitar
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David Warin Solomons
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SheetMusicPlus
Lost on the Lady Elgin. Song and Chorus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11891 Composed by…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11891 Composed by Henry Clay Work. Ferries, Boats, Marine accidents, Drowning victims, Families, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11891). Lost on the Lady Elgin. Song and Chorus. Commemorating the Terrible Lake Disaster of Friday Night Sept. 7th, 1860. Words and Music by Henry C. Work. Published 1861 by J.L. Peters in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Ferries, Boats, Marine accidents, Drowning victims, Families, Death. First line reads Up from the poor man's cottage, forth from the mansion door.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Henry Clay Work
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Lost on the Lady Elgin. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Daedalus and Icarus Journey
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 …
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99
8.28 €
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Apostolos Paraskevas
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The Daedalus and Icarus Journey
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Silver Sickle Publications
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SheetMusicPlus
Down by the River Lived a Maiden. Song and Chorus
Piano and voice (solo and 4-part chorus) - Digital Download SKU: LV.3823 Composed b…
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Piano and voice (solo and 4-part chorus) - Digital Download SKU: LV.3823 Composed by H. S. Thompson. Courtship, Love, Accidents, Drowning, Intoxication, Alcoholic beverages, Death, Afro-Americans, Dialects, Caricatures. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3823). Down by the River Lived a Maiden. Song and Chorus. By H.S. Thompson. Published 1863 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and four-part chorus) instrumentation. Subject headings for this piece include Courtship, Love, Accidents, Drowning, Intoxication, Alcoholic beverages, Death, Afro-Americans, Dialects, Caricatures. First line reads Down by the river there lived a maiden, in a cottage built just seven by nine.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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H
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H
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Down by the River Lived a Maiden. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
"We do lie beneath the grass..."
High Voice,Vocal Solo - Digital Download SKU: A0.916020 Composed by William Kersten…
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High Voice,Vocal Solo - Digital Download SKU: A0.916020 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007561. Published by William Kersten (A0.916020). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Thomas Lovell Beddoes (1803-1849) 　 We do lie beneath the grassIn the moonlight, in the shadeOf the yew-tree.They that pass Hear us not.We are afraidThey would envy our delight, in our graves by glow-worm night.Come follow us, and smile as we;We sail to the rock in the ancient waves,Where the snow falls by thousands into the sea,And the drowned and the shipwrecked have happy graves.
$3.99
3.68 €
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William Kersten
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"We do lie beneath the grass..."
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William Kersten
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SheetMusicPlus
Gong Mu Do Ha Ga
Large Ensemble B-Flat Clarinet,Bass Drum,Cello,Glockenspiel,High Voice,Marimba,Multi-Percu…
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Large Ensemble B-Flat Clarinet,Bass Drum,Cello,Glockenspiel,High Voice,Marimba,Multi-Percussion,Soprano voice,Tam Tam - Level 4 - Digital Download SKU: A0.1022805 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 12 pages. Yoonjee Kim #3417611. Published by Yoonjee Kim (A0.1022805). Gong Mu Do Ha Ga is based on a story that has been transmitted for thousands of years in Korea. The story begins with a drunken man walking into a river. His wife tried to stop him but he drowned to death. A boatman who watched this scene told the story to his wife and his wife composed a song, singing while playing an instrument called the Gongfuin. Yima Murool Gon no ji Mao Yimi Guye Murool Gon no si nae Murae Pa jo Dora GasiniYima Yi irul Ochi halko
$8.00
7.37 €
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Yoonjee Kim
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Gong Mu Do Ha Ga
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Yoonjee Kim
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SheetMusicPlus
Bonny Sweet Robin (for viola and easy strings)
Small Ensemble - Level 2 - Digital Download SKU: A0.847048 Composed by Gile Farnaby…
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Small Ensemble - Level 2 - Digital Download SKU: A0.847048 Composed by Gile Farnaby. Arranged by Pamela Moutoussi. Renaissance. Score and parts. 8 pages. Pamela Moutoussi #4404634. Published by Pamela Moutoussi (A0.847048). This beautiful old tune is arranged here for a young viola soloist and Primary, mixed ability string group. If the violist is drowned by the others I recommend half the orchestra playing pizz throughout.
$8.00
7.37 €
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Gile Farnaby
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Pamela Moutoussi
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Bonny Sweet Robin
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Pamela Moutoussi
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SheetMusicPlus
The Miracle Theater
1 (auch Picc.) · 1 (auch Engl. Hr.) · 1 (auch Bassklar.) · 1 - 1 · 1 · 1 …
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1 (auch Picc.) · 1 (auch Engl. Hr.) · 1 (auch Bassklar.) · 1 - 1 · 1 · 1 · 0 - P. S. (Glsp. · Trgl. · gr. u. kl. Beck. · kl. Tr. · gr. Tr. · Xyl.) (3 Spieler) - Hfe. · Cemb. · Str. (1 · 1 · 1 · 1 · 1) - Hinter der Bühne: Trp. - Digital Download SKU: S9.Q2546 Oper auf ein Intermezzo von Miguel de Cervantes. Composed by Hans Werner Henze. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 45 minutes. Schott Music - Digital #Q2546. Published by Schott Music - Digital (S9.Q2546). German • English.The earliest and now obsolete version of this piece (first performed in Heidelberg, 1949) was scored for actors and orchestra. This revised version of 1964 has recast the actors' parts into roles for singers. In addition, a scaled-down orchestration was made to suit performances in small theatres. The Magic Theatre is suitable as one part of a triptych, of which A Country Doctor forms the centre and The End of a World the third part. The Magic Theatre can still be performed with actors: for a production given at the Schiller Theatre in Berlin, on 30 September 1965 at the Berlin Festwochen, Henning Brauel made a version for a small ensemble designed to be performed in small theatres. This version ensures that the actors' voices are not drowned out by the instruments. - Hans Werner Henze.
$34.99
32.23 €
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Hans Werner Henze
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The Miracle Theater
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Schott Music - Digital
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SheetMusicPlus
Das Wundertheater
Solo parts, choir and orchestra - Digital Download SKU: S9.Q23931 Oper auf ein I…
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Solo parts, choir and orchestra - Digital Download SKU: S9.Q23931 Oper auf ein Intermezzo von Miguel de Cervantes. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 45 minutes. Schott Music - Digital #Q23931. Published by Schott Music - Digital (S9.Q23931). German • English.The earliest and now obsolete version of this piece (first performed in Heidelberg, 1949) was scored for actors and orchestra. This revised version of 1964 has recast the actors' parts into roles for singers. In addition, a scaled-down orchestration was made to suit performances in small theatres. The Magic Theatre is suitable as one part of a triptych, of which A Country Doctor forms the centre and The End of a World the third part. The Magic Theatre can still be performed with actors: for a production given at the Schiller Theatre in Berlin, on 30 September 1965 at the Berlin Festwochen, Henning Brauel made a version for a small ensemble designed to be performed in small theatres. This version ensures that the actors' voices are not drowned out by the instruments. - Hans Werner Henze1 (auch Picc.) · 1 (auch Engl. Hr.) · 1 (auch Bassklar.) · 1 – 1 · 1 · 1 · 0 – P. S. (Trgl. · Beckenpaar · kl. Tr. · gr. Tr. · Xyl.) (3 Spieler) – Hfe. · Cemb. – Str. (1 · 1 · 1 · 1 · 1) Hinter der Bühne: Trp. Einrichtung für Schauspieler und fünf Musiker von Henning Brauel (1964) P. S. (Trgl. · 2 Röhrengl. · 2 hg. Beck. · kl. Tr. · gr. Tr. · Glsp. · Vibr.) – Klav. · Cemb. – Trp. (hinter der Bühne) – Vl. (auf der Bühne).
$47.99
44.21 €
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Hans Werner Henze
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Das Wundertheater
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Schott Music - Digital
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 10 (Songs 244-270)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152799 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152799 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 48 pages. Socrates Arvanitakis #753038. Published by Socrates Arvanitakis (A0.1152799). This is the tenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 10 (Songs 244-270)Dilly Song 1 (the)Dilly Song 2 (the)Dives and LazarusDo you remember that nightDonkey RidingDorrington Lads (My Dearie She Sits Ower Late up)Doun the Burn DavieDowie Dens of Yarrow (the)Down By Sally’s GardenDown in the Meadows (O Waly Waly-variant)Down in Yon Forest 1Down in Yon Forest 2Dragoon and the Lady 1 (the)Dragoon and the Lady 2 (the)Dragoon and the Lady 3 (the)Dragoon and the Lady 4 (the)Drill Drill ye TarriersDrink To Me OnlyDrover’s Dream (the)Drowned Lover (the)Drowsy Sleeper (Arise, Arise-new setting)Drummer and the Cook (the)Drummer Boy of Waterloo (the)Duke of Marlborough (the)Dunster Carol 1 (I Hear Along Our Street)Dunster Carol 2 (I Hear Along Our Street)Dying Cowboy (the).
$25.00
23.03 €
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Sally’s Garden
Down in the Meadows
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 10
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Socrates Arvanitakis
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SheetMusicPlus
Schubert- Des Baches Wiegenlied for voice and guitar
Small Ensemble Guitar,High Voice - Level 3 - Digital Download SKU: A0.964298 Compos…
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Small Ensemble Guitar,High Voice - Level 3 - Digital Download SKU: A0.964298 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 3 pages. Jack Stanley Evans #5899363. Published by Jack Stanley Evans (A0.964298). Des Baches Weigenlied (The Brook’s Lullaby)This is the final song in Die Schöne Mullerin, and is a lullaby for the travelling miller as he drowns himself in the brook that he followed throughout his journey. The girl he was serenading in Morgengruss did not return his feelings and eventually fell in love with a hunter instead, which is why the miller chooses to commit suicide at the end of the story. Written in strophic form, this song is very repetitive and should be performed in a hypnotic and stately manner, in order to conjure up the image of the gently flowing water rocking the protagonist into an eternal sleep. Des Baches Wiegenlied serves the same role as Der Leiermann, and while they both provide a very bleak conclusion to a song cycle, Des Baches Wiegenlied should create a mood of peaceful sadness and sorrow, rather than the dark desolation of its Winterreise counterpart; it is, after all, a lullaby.This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.
$5.30
4.88 €
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Franz Schubert
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Evans, Jack
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it is, after all, a lullaby
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Schubert- Des Baches Wiegenlied for voice and guitar
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Jack Stanley Evans
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 35 (Songs 919-945)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1167752 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1167752 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #768119. Published by Socrates Arvanitakis (A0.1167752). This is the thirtieth-fifth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 35 (Songs 919-945)Wild, Wild Berry (the)Will Ye No Come Back AgainWill you go lassieWilliam TaylorWillie Brook (William Cook)Willie DooWillie drowned in EroWindy Old WeatherWithin a GardenWoodsmans Alphabet (the)World I have Forsaken (the)Wraggle Taggle Gipsies-O (the)Wreck of the Sloop John B (the)Yankee DoodleYarmouth is a Pretty TownYe Banks And BraesYe Mar’ners AllYe People All, In God RejoiceYe’re sair dung, Annie, or, Bervie’s BraesYellow BirdYellow Rose of Texas (the)Yellow Sheepskin (the)Young BankerYoung Bucks A-Hunting GoYoung CollinsYoung HerchardYoung William.
$25.00
23.03 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 35
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Socrates Arvanitakis
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SheetMusicPlus
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 -…
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.38 €
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitateur chinois - wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - …
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.38 €
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade - II. Petite Fille Americaine - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SK…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
13.77 €
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fille Americaine - wind dectet
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RayThompsonMusic
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SheetMusicPlus
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