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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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DEEJAY
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FORMATION MUSI…
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LIVRES
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ETUDE ON 4
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23
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89
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5
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4
1 Piano, 4 mains
2
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1
Orgue
1
Instruments en Do
1
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Guitares
Guitare
16
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8
Basse electrique
1
4 Guitares (Quatuor)
1
Voix
Vents
Flûte traversière et Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette
5
Saxophone Alto
3
2 Saxophones (duo)
3
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Piano (duo)
2
2 Flûtes traversières (duo)
2
Saxophone Alto et Piano
2
Quintette de Flûte : 5 flûtes
1
Hautbois (partie séparée)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Baryton, Piano
1
Flûte traversière
1
Clarinette et Piano
1
Cor Anglais
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette (duo)
1
Saxophone Tenor
1
Saxophone Tenor et Piano
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Clarinette, Basson
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Saxophone Soprano et Piano
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Hautbois, Flûte
1
Instruments en Mib
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Saxophone (partie séparée)
1
+ 21 instrumentations
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Cuivres
2 Cors (duo)
10
Trompette
6
Trombone
4
Tuba
3
Cor
3
2 Trombones (duo)
3
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Bass Clef Instruments
1
Trompette, Piano
1
2 Tubas (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cor Anglais
1
Instruments en Sib
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Tuba et Piano
1
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Cordes
Violon
14
Harpe
5
Violoncelle
5
Violon et Piano
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Alto seul
3
Violoncelle, Piano
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Alto (partie séparée)
2
Contre Basse
2
Quatuor à cordes: 2 violons, alto, violoncelle
1
Quatuor à cordes: 4 violons
1
Violon, Alto (duo)
1
Trio à Cordes: violon, alto, violoncelle
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Alto, Piano
1
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Orchestre & Percussions
Orchestre à Cordes
6
Batterie
5
Cloches
3
Orchestre d'harmonie
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Orchestre
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Marimba
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Ensemble de Percussions
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Piano et Orchestre
1
Ensemble de cuivres
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Orchestre de chambre
1
Fanfare
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Autres
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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ETUDE ON 4
Partitions à imprimer
23 partitions trouvées
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1
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
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Andrew Cody Williams and Jeff
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Popular Orchestral Excerpt Etu
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Andrew Cody Williams
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SheetMusicPlus
Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cod...
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Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00
5 Short Flexibility Etudes- For Trumpet
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Josh Rogan
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5 Short Flexibility Etudes- Fo
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Josh Rogan
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trumpet - Level 4 - SKU: A0.933720 Composed by Josh Rogan. Contemporary,Instructional. Score and parts. 14 pages. Josh Rog...
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Brass Ensemble Euphonium,Horn,Trumpet - Level 4 - SKU: A0.933720 Composed by Josh Rogan. Contemporary,Instructional. Score and parts. 14 pages. Josh Rogan #6519917. Published by Josh Rogan (A0.933720). This is a short etude book of 5 etudes that have been written to work on flexibility and agility on the trumpet. Each etude appears in 2 keys, and is 32 bars long. They are all very musically satisfying to play, and offer a fun, fresh way to work on your flexibility.
$20.00
25 Jazz Etudes for Instruments in C, B-flat, E-flat and Bass Clef
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Joe Colombo
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25 Jazz Etudes for Instruments
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Joe Colombo
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SheetMusicPlus
Acoustic Guitar,B-Flat instrument,Bass Clef Instrument,C Instrument,C Trumpet,Instrumental Solo,Saxophone,Tenor Trombone - Level 4 - SKU: A0.1142072 By ...
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Acoustic Guitar,B-Flat instrument,Bass Clef Instrument,C Instrument,C Trumpet,Instrumental Solo,Saxophone,Tenor Trombone - Level 4 - SKU: A0.1142072 By Joe Colombo. By Joe Colombo. Blues,Contemporary,Instructional,Jazz,Standards. Individual part. 104 pages. Joe Colombo #742445. Published by Joe Colombo (A0.1142072). This collection of jazz contrafact provides the aspiring jazz musician with interesting rhythmic, harmonic, and melodic etudes. The book contains 25 unique jazz etudes written for the intermediate to advanced player with parts in C, B-flat, E-flat, and Bass Clef. Once you feel comfortable playing an etude in your key, play it in the other two keys to further develop your skills. The etudes are based on chord changes of standard tunes that can be performed with a jazz combo.
$14.95
Etude No. 5 'In Create'
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Contemporain
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Z
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Etude No. 5 'In Create'
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Z. KOVACS
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 4 - SKU: A0.1028218 Composed by Z. KOVACS. Contemporary. Score and parts. 6 pages. Z. KOVACS #3434671. Publi...
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Piano Quintet,String Ensemble Piano - Level 4 - SKU: A0.1028218 Composed by Z. KOVACS. Contemporary. Score and parts. 6 pages. Z. KOVACS #3434671. Published by Z. KOVACS (A0.1028218). 'In Create' is one of my 7 practical etudes for solo piano. Best for advanced intermediate piano players. Find Z. KOVACS on Facebook: https://www.facebook.com/zkovacspiano/?notif_t=page_fan¬if_id=1470739235593765YouTube: https://www.youtube.com/channel/UCSrsmu3mKL6x_AFfTUfb4Qw?view_as=subscriberSoundCloud: https://soundcloud.com/user-872945110Instagram: z.kovacspiano
$2.99
Flight To The Moon Jazz Etude based on Fly Me To The Moon chord progression (by Bart Howard)
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Artem Zhulyev
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Enjoy it!!!
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Flight To The Moon Jazz Etude
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Artem Zhulyev
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SheetMusicPlus
Small Ensemble Flute,Guitar,Viola,Violin - Level 2 - SKU: A0.883171 Composed by Artem Zhulyev. Instructional,Jazz. Score and parts. 4 pages. Artem Zhuly...
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Small Ensemble Flute,Guitar,Viola,Violin - Level 2 - SKU: A0.883171 Composed by Artem Zhulyev. Instructional,Jazz. Score and parts. 4 pages. Artem Zhulyev #5288619. Published by Artem Zhulyev (A0.883171). Here is our new Jazz Etude based on Fly Me To The Moon chord progression (by Bart Howard)PDF+mp3 backing track for C instruments Level: Early Intermediate/Intermediate Enjoy it!!!
$4.30
Etude a 9/8
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Patrice Bernard
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Etude a 9/8
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music & Piano Accompaniment Viola, Piano - Grade 4 - SKU: FX.FX073522 Composed by Patrice Bernard. Original Composition. Classical, Educational....
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Chamber Music & Piano Accompaniment Viola, Piano - Grade 4 - SKU: FX.FX073522 Composed by Patrice Bernard. Original Composition. Classical, Educational. Score and Set of Parts. 10 pages. Duration 2 minutes, 50 seconds. FLEX Editions - Digital Sheet Music #FX073522. Published by FLEX Editions - Digital Sheet Music (FX.FX073522). A very nice exercice on 9/8 rhythm. ; Instruments: 1 Viola 1 Piano.
$8.95
Etude a 9/8
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Patrice Bernard
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Etude a 9/8
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music & Piano Accompaniment Flute, Piano - Grade 4 - SKU: FX.FX073518 Composed by Patrice Bernard. Original Composition. Classical, Educational....
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Chamber Music & Piano Accompaniment Flute, Piano - Grade 4 - SKU: FX.FX073518 Composed by Patrice Bernard. Original Composition. Classical, Educational. Score and Set of Parts. 10 pages. Duration 2 minutes, 50 seconds. FLEX Editions - Digital Sheet Music #FX073518. Published by FLEX Editions - Digital Sheet Music (FX.FX073518). A very nice exercice on 9/8 rhythm. ; Instruments: 1 Flute 1 Piano.
$8.95
Etude a 9/8
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Patrice Bernard
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Etude a 9/8
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music & Piano Accompaniment Tenor Saxophone Piano - Grade 4 - SKU: FX.FX073520 Composed by Patrice Bernard. Original Composition. Classical, Edu...
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Chamber Music & Piano Accompaniment Tenor Saxophone Piano - Grade 4 - SKU: FX.FX073520 Composed by Patrice Bernard. Original Composition. Classical, Educational. Score and Set of Parts. 10 pages. Duration 2 minutes, 50 seconds. FLEX Editions - Digital Sheet Music #FX073520. Published by FLEX Editions - Digital Sheet Music (FX.FX073520). A very nice exercice on 9/8 rhythm. ; Instruments: 1 Tenor Saxophone 1 Piano.
$8.95
Etude a 9/8
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Patrice Bernard
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Etude a 9/8
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music & Piano Accompaniment Violin, Piano - Grade 4 - SKU: FX.FX073521 Composed by Patrice Bernard. Original Composition. Classical, Educational...
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Chamber Music & Piano Accompaniment Violin, Piano - Grade 4 - SKU: FX.FX073521 Composed by Patrice Bernard. Original Composition. Classical, Educational. Score and Set of Parts. 10 pages. Duration 2 minutes, 50 seconds. FLEX Editions - Digital Sheet Music #FX073521. Published by FLEX Editions - Digital Sheet Music (FX.FX073521). A very nice exercice on 9/8 rhythm. ; Instruments: 1 Violin 1 Piano.
$8.95
Horn étude 4
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Classique
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J
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Horn étude 4
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J. Randolph Hall
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SheetMusicPlus
Horn - Interactive Download SKU: A0.482621 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 2 pages. Duration 146. Pub...
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Horn - Interactive Download SKU: A0.482621 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 2 pages. Duration 146. Published by J. Randolph Hall (A0.482621). This exercise works on the lower register, breath control, and endurance of the embouchure. Sections A and B should be mastered comfortably on the French horn before attempting Section C.
$4.00
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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James Smith
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Next Level Bassoon: Etudes, Ex
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Ensemble Llama Music
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SheetMusicPlus
Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Metho...
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Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
The Elemental Etudes for Piano
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Irminsul
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The Elemental Etudes for Piano
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Irminsul
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SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.1450738 Composed by Irminsul. 21st Century,Classical,Contemporary. Individual part. 21 pages. Irminsul #1030285. P...
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Instrumental Solo - Level 4 - SKU: A0.1450738 Composed by Irminsul. 21st Century,Classical,Contemporary. Individual part. 21 pages. Irminsul #1030285. Published by Irminsul (A0.1450738). Four etudes for piano - themed on the basic elements of Earth, Fire, Air and Water. Ranging in difficulty from intermediate to advanced level pianists. Complete audio review of all etudes can be found at:https://soundcloud.com/irminsul_music/sets/the-elemental-etudes
$20.99
5 Easy Studies, Opus 50
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5 Easy Studies, Opus 50
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SheetMusicPlus
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer...
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Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés
Song List
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1. Andantino grazioso
2. Andantino
3. Allegretto
4. Poco allegro
5. Allegro moderato
$7.95
Intermediate Music for Three, Volume 1, Part 1 Alto Sax in Eb 52115DD
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Various
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Daniel Kelley
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(Beethoven)
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Intermediate Music for Three,
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.530268 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards...
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Small Ensemble - Level 3 - SKU: A0.530268 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 44 pages. Last Resort Music Publishing #3221033. Published by Last Resort Music Publishing (A0.530268). Part 1 for Eb Alto Saxophone ~ An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel) The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
Intermediate Music for Three, Volume 1, Part 2 Tenor Sax in Bb 52125DD
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Various
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Daniel Kelley
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Intermediate Music for Three,
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Last Resort Music Publishing
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SheetMusicPlus
Level 3 - SKU: A0.530269 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 44 pages. Last ...
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Level 3 - SKU: A0.530269 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 44 pages. Last Resort Music Publishing #3221035. Published by Last Resort Music Publishing (A0.530269). Part 2 for Bb Tenor Sax An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel)  The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI  (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
Not a Bb ballad - trombone quartet with odd-metering skills
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Sophia Johanna
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Not a Bb ballad - trombone qua
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Sophia Transistor
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.851115 Composed by Sophia Johanna. Contemporary,Jazz,World. Score and parts. 22 pages. Sophia Transistor #35...
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Brass Ensemble Trombone - Level 4 - SKU: A0.851115 Composed by Sophia Johanna. Contemporary,Jazz,World. Score and parts. 22 pages. Sophia Transistor #3516559. Published by Sophia Transistor (A0.851115). It's a composition for trombone quartet featuring odd-metering phrasing for at least one advanced player.It is a kind of etude for trombone that makes use of large intervals and odd-meter phrasing.Rhythmic bassy lines create the feeling of an instrumentation that is far beyond the one of a solid classical trombone quartet.Indead this piece has a funky & jazzy subtune.Here is a playalong on Youtube:https://youtu.be/n8zK4_HgyWMGerman description:Ja, also, das Stück hier ist für ein Posaunenquartett und ein sehr überbewerteter Posaunist kann darin sein Können beim odd-meter phrasing beweisen.Es ist aber machbar. Zumindest ich selber kanns auch spielen, dann kriegt ihr das auch hin.Das Stück ist auch sehr rhythmisch und hat viele Basslinien, die den Eindruck vermitteln, dass da nicht nur ein ödes klassisches Posaunenquartet am Werk ist, sondern echte weltoffene Instrumente.Ich möchte fast behaupten, dass das Stück einen funkigen und jazzigen Unterton besitzt.Danke fürs Interesse, bin wirklich sehr stolz drauf.Visit my publisher page: https://www.sheetmusicplus.com/publishers/sophia-johanna/7814My YouTube Channel with contact information: https://www.youtube.com/channel/UCm10wB_bmSJHgf4cEnHNtQQ/about
$3.28
Sequoia for Trombonen Octet and Percussion
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Contemporain
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Jocelyn Morlock
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Sequoia for Trombonen Octet an
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - SKU: A0.1050807 Composed by Jocelyn Morlock. Contemporary. Score and parts. 58 pages. Gordon Cherry #655129. Published by Gord...
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Brass Ensemble Trombone - SKU: A0.1050807 Composed by Jocelyn Morlock. Contemporary. Score and parts. 58 pages. Gordon Cherry #655129. Published by Gordon Cherry (A0.1050807). Sequoia for Trombone Octet and Percussion composed in 2009 by Jocelyn Morlock is inspired by the profound beauty and grandeur of these giant trees that tower in the forests of Western Canada. The outer sections of this tripartite work are fierce and majestic, while the middle section is marked by relative quietude and fragility. This work was commissioned by Redshift Music Society with generous support from the British Columbia Arts Council. Instrumentation is for 6 tenor trombones (4 of them B-flat/F), 2 bass trombones, percussion (timpani, glockenspiel and vibraphone performed by one musician). This 10-minute work is appropriate for advanced performers. This recording of Sequoia, with all trombone parts multi-tracked by Neal Bennett, and percussion played by Brian Nesselroad, is available on Bennett’s 2013 recording, Ziggurat, on the Redshift Records label.
$45.00
Bass Lines for Unaccompanied Bass Trombone
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David Fetter
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Bass Lines for Unaccompanied B
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1370067 Composed by David Fetter. 20th Century,Contemporary. Individual part. 9 pages. Gordon Cherry...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1370067 Composed by David Fetter. 20th Century,Contemporary. Individual part. 9 pages. Gordon Cherry #954442. Published by Gordon Cherry (A0.1370067). Bass Lines for unaccompanied Bass Trombone by David Fetter, composed in 1993, consists of four intentionally difficult etudes.No. 1 exploits a traditional Boogie-Woogie figure, taking it through all keys, like an elaborate warm-up.No. 2, Spain has a Spanish influence. Its first performance was by Blair Bollinger, Bass Trombone of the Philadelphia Orchestra, on a recital at Temple University in 1996.No. 3, Flowing is a minimalist challenge requiring concentration, breath control, and stamina, with long flowing patterns, slurs through the middle register, and references to rhythms found in the music of Charles Ives.No. 4, Rock has a pounding rock-guitar A section and a calm, jazz-cello style B section.This work of about 15-minutes in length is appropriate for advanced performers. Bass Lines is a great work to present on a recital, competition, or a jury.
$20.00
Trio for Violin, Horn, and Piano
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Richard E Brown
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Trio for Violin, Horn, and Pia
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Dacker Music
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SheetMusicPlus
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.814854 Composed by Richard E Brown. Contemporary,Standards. Score and pa...
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.814854 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 56 pages. Dacker Music #6606529. Published by Dacker Music (A0.814854). Trio for Violin, Horn, and Piano is inspired by-but definitely not modeled on-the great work for the same instrumentation, usually called simply the Horn Trio, op. 40 by Johannes Brahms (1833-1897). Besides belonging to a different period of music and all that entails, this trio is overall on a much smaller scale, lasting roughly half the duration of the Brahms masterpiece and having 3 movements to the Brahms' 4. Much of the thematic material for this composition is drawn from this composer’s 18 New Etudes for the Advancing Horn Student (WaveFront Music LLC - 2021). Grade 5 - Duration 14:00
$16.95
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