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Vous avez sélectionné:
Edi Brasileiro
Partitions à imprimer
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O Ranchinho (The hut)
Small Ensemble Flute,Guitar,Organ - Level 1 - Digital Download SKU: A0.1007121 Comp…
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Small Ensemble Flute,Guitar,Organ - Level 1 - Digital Download SKU: A0.1007121 Composed by Edi Brasileiro. Standards,World. Score and parts. 1 pages. Edi brasileiro #2920593. Published by Edi brasileiro (A0.1007121). Música de género canção sertaneja, geralmente tocada em viola de 5 cordas e acordeon Pelos sertanejos brasileiros (homens agora). .
$1.99
1.84 €
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Edi Brasileiro
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O Ranchinho
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Edi brasileiro
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SheetMusicPlus
For Elizete
Composed by Edi Brasileiro. Latin Jazz, Repertoire, General Instructional, Latin, South Am…
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Composed by Edi Brasileiro. Latin Jazz, Repertoire, General Instructional, Latin, South American. Individual Part, Solo Part. 1 pages. Published by Edi brasileiro (S0.171101). - Individual Part,Solo Part - Latin Jazz,Repertoire,General Instructional,Latin,South American - Edi brasileiro
$3.99
3.69 €
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Edi Brasileiro
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For Elizete
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Edi brasileiro
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SheetMusicPlus
Um Bugre no Harlem (Bugre blues)
Small Ensemble Alto Saxophone,English Horn,Flute,Guitar,Tenor Saxophone,Trumpet - Level 3 …
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Small Ensemble Alto Saxophone,English Horn,Flute,Guitar,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1007122 Composed by Edi Brasileiro and Edi Brasileiro. Blues,Instructional,Jazz,Standards,World. Score and parts. 1 pages. Edi brasileiro #2920611. Published by Edi brasileiro (A0.1007122). Um Bugre no Harlem é uma guarânia com forte influencia do blues.Guarânia é estilo musical originário do Paraguai e amplamente aceito e difundido no Estado de Mato Grosso do Sul (Pantanal)-Brasil.
$3.99
3.69 €
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Edi Brasileiro and Edi Brasileiro
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Um Bugre no Harlem
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Edi brasileiro
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SheetMusicPlus
Fantasia brasileira
Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1017985 Composed by Joa…
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Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1017985 Composed by Joabe Guilherme. Contemporary,World. Score and parts. 17 pages. Joabe Guilherme Oliveira #6350243. Published by Joabe Guilherme Oliveira (A0.1017985). Guitar quintet. Full score plus separate parts. Dedicated to the Guri Santa Marcelina Program.
$1.99
1.84 €
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Joabe Guilherme
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Fantasia brasileira
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Joabe Guilherme Oliveira
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SheetMusicPlus
Whole Tone Suite for Cello and Oboe
Instrumental Duet Cello,Instrumental Duet,Oboe - Digital Download SKU: A0.1026568 C…
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Instrumental Duet Cello,Instrumental Duet,Oboe - Digital Download SKU: A0.1026568 Composed by Miguel Bevilacqua. 20th Century,Contemporary. Score and parts. 14 pages. Miguel Bevilacqua #6217225. Published by Miguel Bevilacqua (A0.1026568). Whole Tone Suite for Cello and Oboe written in 2012, inspired by Modal Duets by the Brazilian composer Ernst Mahle. The piece is dedicated to the oboist and friend Karol Lamblet.Suite em Tons Inteiros para Cello e Oboe escrita em 2012, inspirada em Duetos Modais do compositor Brasileiro Ernst Mahle. A peça é dedicada a oboista e amiga Karol Lamblet.Author's Edition ©2020/ Cover by Miguel Bevilacqua.Email: miguel.bevilacqua@hotmail.com
$7.90
7.3 €
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Miguel Bevilacqua
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Whole Tone Suite for Cello and Oboe
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Miguel Bevilacqua
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SheetMusicPlus
Choros No 1
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download…
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.513367 Composed by Heitor Villa Lobos. Arranged by Renato Esteves. Classical,Latin,Multicultural,World. Score and parts. 29 pages. Renato Esteves #124134. Published by Renato Esteves (A0.513367). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro (pronounced [ˈʃoɾu]), means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related. In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros.[1] The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt].[2] This simplicity and the beauty of its composition have made it a favourite with professional guitarists.[3] Footnotes Villa-Lobos 1972, p. 210. Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk). p. 62. Appleby, David. 2002. Heitor Villa-Lobos: A Life (1887–1959). Lanham, MD: Scarecrow Press. ISBN 978-0-8108-4149-9. p. 80. https://en.wikipedia.org/wiki/Ch%C3%B4ros_No._1.
$20.00
18.49 €
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Heitor Villa Lobos
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Renato Esteves
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ISBN 0-19-315475-7 (pbk)
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Choros No 1
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Renato Esteves
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.35 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Confidências
Flute, clarinet in A or B (viola) and guitar - Digital Download SKU: S9.Q6729 Va…
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Flute, clarinet in A or B (viola) and guitar - Digital Download SKU: S9.Q6729 Valsa argentina. Composed by Ernesto Nazareth. Arranged by Siegfried Schwab. This edition: score and parts. Downloadable, Score and parts. Schott Music - Digital #Q6729. Published by Schott Music - Digital (S9.Q6729). The compositions by the greatest Brazilian tango composer and pianist Ernesto Júlio de Nazareth (1863 -1934) are strongly influenced by Brazilian folk music. He preferred light entertainment, and his dance music has remained extremely popular in his home country until today. Heitor Villa-Lobos called him 'the true embodiment of the Brazilian soul'. Nazareth composed primarily choros music which is very common in Brazil, but it was his 25 tangos (25 Tangos Brasileiros for piano, Schott ED 7561) that made him famous. The melancholy waltz Confidencias in A minor (already published for piano in Valsas brasileiros, Schott ED 20304) bridges the gap between Latin American folkore and Romantic elements, as can be found in the waltzes by Chopin. The work's specific expressive chromaticism in melody and harmony stands out particularly in the arrangement for chamber music ensemble.
$21.99
20.33 €
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Ernesto Nazareth
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Siegfried Schwab
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Confidências
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Schott Music - Digital
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SheetMusicPlus
FANFARRE FOR RODITI - Fanfare for twenty trumpets
Brass Ensemble Trumpet - Level 4 - Digital Download SKU: A0.836763 Composed by GILS…
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Brass Ensemble Trumpet - Level 4 - Digital Download SKU: A0.836763 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Instructional,Standards. Score and parts. 43 pages. Gilson Santos #4414675. Published by Gilson Santos (A0.836763). Fanfarra dedicada ao grando nome do trompete brasileiro, Claudio Roditi.
$14.99
13.86 €
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GILSON SANTOS
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FANFARRE FOR RODITI - Fanfare for twenty trumpets
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Gilson Santos
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SheetMusicPlus
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