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Egon Tse
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è¸æ¥ Step Forward
Small Ensemble Bass Guitar,Double Bass,Drum Set,Piano Accompaniment,Voice - Level 4 - Digi…
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Small Ensemble Bass Guitar,Double Bass,Drum Set,Piano Accompaniment,Voice - Level 4 - Digital Download SKU: A0.1019464 Composed by Egon Tse. Arranged by Egon Tse. Contemporary,Pop,World. Score and parts. 14 pages. Egon Tse #3471251. Published by Egon Tse (A0.1019464). This is a Chinese Version vocal song in Cantonese. To tell a deep feeling on leaving a music school on graduation to society, as the title name è¸æ¥ Step Forward and also heart fully say thanks to all teachers, staff, as well as all classmates on their kindness and help during my music school life. It is a lucky on meeting them. This piece is designed in a simple ternary form with a male voice, piano, bass guitar, double bass and a drum-set. Everyday we have a chance and a group of friend to build up relationship for future. One who has accompanied you to pass through a challenge should say thanks to, and keep contact in your best way.
$12.00
10.76 €
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Egon Tse
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Egon Tse
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è¸æ¥ Step Forward
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Egon Tse
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SheetMusicPlus
åªæœ‰ä¸€å€‹å†¬å¤© Only One Winter
Small Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1019465 Composed by Egon Tse. Arranged by NIL. World. Score and parts. 6 pages. Egon Tse #3451781. Published by Egon Tse (A0.1019465). Piano with 2 Violin, 1 Viola, 1 Cello and 1 Double Bass. Missing some one and think about when in Winter is here and hoping other also do that.
$4.50
4.03 €
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Egon Tse
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NIL
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åªæœ‰ä¸€å€‹å†¬å¤© Only One Winter
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Egon Tse
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
43.02 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
Russian Sailor's Dance
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.11…
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1173864 Composed by Reinhold Moritzovich Gliere. Arranged by Phyllis Avidan Louke. 19th Century,Chamber,Classical,Multicultural,World. 23 pages. Louke Publishing #774017. Published by Louke Publishing (A0.1173864). Russian Sailors' Dancefrom the ballet “The Red Poppyâ€Â  Reinhold Moritsevich Gliere was a prominent Soviet composer who was best known for his compositions that were inspired by folk music of Russia and its republics.  Prokofiev and Khachaturian were his students.  Originally written for orchestra, Russian Sailors Dance is from Gliere’s ballet “The Red Poppyâ€. This arrangement of Russian Sailors Dance is scored for piccolo, 3 flutes, alto flute, bass flute and optional contrabass flute playing the bass flute part.  If only five players are available, the alto flute part may be omitted and alto flute cues should be played.  Suggested tempos are marked at each tempo change.  Please note that there is no tempo change at letter I, only a change of mood. To hear this arrangement, go to click herePhyllis Avidan Louke (b. 1954), a flutist, teacher, and award-winning composer, living in Portland, Oregon, has been arranging and composing since 1990, with over 70 pieces published.  Many of her works have received recognition in the annual National Flute Association Newly Published Music Competition and other composition competitions.  Ms. Louke has also been the recipient of annual ASCAP awards since 2004.  Her compositions and arrangements have been much-performed nationally and internationally and many have been recorded.  She is also the co-author of an award-winning series of pedagogical publications for the flute published by Theodore Presser Company.  Her music is published by Theodore Presser Company, ALRY Publications, Falls House Publications, Fabulous Flute Music Company, Nourse Wind Publications, and SMP Publications.For more information on compositions by Phyllis Avidan Louke, go to http://www.phyllislouke.com/compositions/Â
$16.00
14.34 €
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Reinhold Moritzovich Gliere
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Phyllis Avidan Louke
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Russian Sailor's Dance
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Louke Publishing
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SheetMusicPlus
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