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King Of The Road
Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Tr…
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Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
15.57 €
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Randy Travis
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Keith Terrett
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
43.97 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
'Til The End Of Time (Accompaniment Track - Original Key)
Digital Download SKU: A0.1051350 Composed by Stephen DeCesare. Broadway,Christmas,F…
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Digital Download SKU: A0.1051350 Composed by Stephen DeCesare. Broadway,Christmas,Film/TV,Musical/Show. Accompaniment. Duration 197. Exultet Music #355. Published by Exultet Music (A0.1051350). This is the accompaniment track for ''Til The End Of Time (Original Key) which is featured in A Christmas Carol: the musical The sheet music, rehearsal track and accompaniment tracks in the higher and lower keys are also available.
$3.99
3.66 €
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Stephen DeCesare
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'Til The End Of Time
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Exultet Music
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SheetMusicPlus
'Til The End Of Time (Rehearsal Track)
Soprano voice,Tenor Voice - Digital Download SKU: A0.1051352 Composed by Stephen De…
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Soprano voice,Tenor Voice - Digital Download SKU: A0.1051352 Composed by Stephen DeCesare. Broadway,Christmas,Film/TV,Musical/Show. Full Performance. Duration 198. Exultet Music #357. Published by Exultet Music (A0.1051352). This is the rehearsal track for ''Til The End Of Time (High Voice) which is featured in A Christmas Carol: the musical The sheet music and accompaniment keys (High, Low and Original) are also available on this site.
$3.99
3.66 €
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Stephen DeCesare
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'Til The End Of Time
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Exultet Music
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SheetMusicPlus
'Til The End Of Time (Accompaniment Track - High Voice)
Digital Download SKU: A0.1051348 Composed by Stephen DeCesare. Broadway,Christmas,F…
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Digital Download SKU: A0.1051348 Composed by Stephen DeCesare. Broadway,Christmas,Film/TV,Musical/Show. Accompaniment. Duration 197. Exultet Music #351. Published by Exultet Music (A0.1051348). This is the accompaniment track for ''Til The End Of Time (High Voice) which is featured in A Christmas Carol: the musical The sheet music, rehearsal track and accompaniment tracks in the original and lower keys are also available.
$3.99
3.66 €
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Stephen DeCesare
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'Til The End Of Time
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Exultet Music
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SheetMusicPlus
'Til The End Of Time (Accompaniment Track - Low Voice)
Digital Download SKU: A0.1051349 Composed by Stephen DeCesare. Broadway,Christmas,F…
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Digital Download SKU: A0.1051349 Composed by Stephen DeCesare. Broadway,Christmas,Film/TV,Musical/Show. Accompaniment. Duration 197. Exultet Music #353. Published by Exultet Music (A0.1051349). This is the accompaniment track for ''Til The End Of Time (Low Voice) which is featured in A Christmas Carol: the musical The sheet music, rehearsal track and accompaniment tracks in the original and higher keys are also available.
$3.99
3.66 €
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Stephen DeCesare
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'Til The End Of Time
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Exultet Music
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SheetMusicPlus
Sunset for the End of Time TRACK
Bass Guitar,English Horn,Flute,Piano,Violin - Digital Download SKU: A0.1061342 Comp…
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Bass Guitar,English Horn,Flute,Piano,Violin - Digital Download SKU: A0.1061342 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Accompaniment. Duration 152. James M Stevens Music ASCAP #3916067. Published by James M Stevens Music ASCAP (A0.1061342). This is the accompaniment track for Stevens' Sunset for the End of Time which may be used for various instrumental solos.
$2.99
2.74 €
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James Michael Stevens
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James Michael Stevens
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Sunset for the End of Time TRACK
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James M Stevens Music ASCAP
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SheetMusicPlus
It's Been A Long, Long Time
Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Comp…
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Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366337. Published by David McKeown (A0.592534). It’s Been a Long Long Time is arranged as a solo for one Alto Flute with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.49 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366345. Published by David McKeown (A0.592537). It’s Been a Long Long Time is arranged as a solo for one Tenor Horn in E Flat with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.49 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A…
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Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.592539 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Individual part. 6 pages. David McKeown #6366351. Published by David McKeown (A0.592539). It’s Been a Long Long Time is arranged as a solo for one Alto Recorder with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.49 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Time Off (for saxes and piano)
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Lev…
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522199 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin. Score and parts. 37 pages. Colin Kirkpatrick Publications #3407717. Published by Colin Kirkpatrick Publications (A0.522199). These pieces are in jazz and Latin styles and are intended for intermediate students. This is a companion set to Let’s Go! but the music is technically more challenging. The pieces are intended for an end-of-term concert or recital but would be useful for any light hearted occasion. The 15-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) D6 and that in the 2nd sax part is C6. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts. If the participants do not feel confident enough, the improvising sections can be omitted. The optional guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679714 All five parts are presented in a single PDF file. The three numbers are: 1. Highway South - This is a jazz style number written in 6/8 time in concert G minor. There is an improvisation section in the minor key which can be repeated as often as required. It’s a real swinger and useful for giving students the experience of working in a minor key. 2. Summer Siesta - This is a slow number in E flat major which gives the opportunity to practise a soft singing tone-quality over chromatic shifts in harmony 3. Tequila Surprise - Written in 4/4 time in E flat, this is a Latin-style fun piece that lets the participants create surprises during the empty bars. The surprises can be musical or non-musical, depending on the performance occasion and there’s an improvisation section which can be repeated as often as required. The audio sample contains all three titles. Play-along backing tracks are available here: https://www.sheetmusicplus.com/title/20679714
$6.99
6.4 €
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Colin Kirkpatrick
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Time Off
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Colin Kirkpatrick Publications
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SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by Da…
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Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
8.7 €
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David Catherwood
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Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
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Opus 3 Music
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SheetMusicPlus
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501
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Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$75.00
68.71 €
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David Catherwood
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Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis
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Opus 3 Music
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SheetMusicPlus
Les Mystères: Attendez l'Epoux - Score Only
Level 3 - Digital Download SKU: A0.1166886 Composed by Suzy Robinson. Arranged by S…
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Level 3 - Digital Download SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinson #767094. Published by Suzy Robinson (A0.1166886). I wanted to write something based on a mediaeval mystery play and happened across an 11th Century version of the play of the Bridegroom – the tale of the wise and the foolish virgins. It was called Sponsus and is the oldest of this type of play written in both the vernacular and in Latin. What is even more extraordinary is that it is, in fact, a trilingual text in Latin, langue d'oc, and some words in the langue d'oïl. The passage which I have set is in langue d'oc, but for ease of singing I used a modern-French translation. This is scored for soprano, baroque violin, and viola da gamba. It can be performed at 415 or 440 ad libertum.I am very taken by the patchwork nature of mystery plays which is part promenade, part liturgy, part staged, part audience participation. I hope that having set a straightforwardly strophic text and using instruments more often heard in Early Music, jigsaws well with the more modern angular and sometimes dissonant nature of the melodic lines of this piece. I love the play of languages, and the mixing up through words and music of past, present, and future, revealing that time is perhaps a circuitous exploration rather than a strictly linear trajectory. And the end of all our exploring / Will be to arrive where we started / And know the place for the first time..
$3.99
3.66 €
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Suzy Robinson
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Suzy Robinson
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Les Mystères: Attendez l'Epoux - Score Only
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Suzy Robinson
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SheetMusicPlus
Maybe This Time
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.746217 Composed by John Kander. Arranged by Michael Pilley. Broadway,Jazz,Musical/Show. Brass Band. 55 pages. Michael Pilley Music #4796517. Published by Michael Pilley Music (A0.746217). The ever popular tune from Cabaret, this arrangement is a perfect addition to your concert repertoire. Faithful to the original orchestration and form, this swinging number is suitable for female vocalists, with an option to feature any instrumentalist from the band, Eb instruments preferred. A good understanding of big band style swing is required, with a healthy dose of trombone lines, and there is also an optional Piano part.Written for Tredegar Town Band and vocalist Siwan Henderson, this arrangement is at an advanced intermediate level and requires a good sense of time and advanced range in the lead players. Sensitivity to the vocalists volume is always suggested when accompanying a soloist, so playing one per part might be encouraged at times.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
45.81 €
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John Kander
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Michael Pilley
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Maybe This Time
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Michael Pilley Music
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SheetMusicPlus
Amphibia Legacy Ending Theme
Large Ensemble,Strings Acoustic Guitar,Bass Voice,Double Bass,Electric Bass Guitar,Harp,Ho…
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Large Ensemble,Strings Acoustic Guitar,Bass Voice,Double Bass,Electric Bass Guitar,Harp,Horn,Piano and Keyboard,Steel Guitar,Synthesizer,Tuba - Digital Download SKU: A0.762930 By Amphibia Cultural Legacy. By Mark Mothersbaugh and T.J. Hill. Children,Classical,Contemporary,Film/TV,Multicultural,World. Score and parts. 2 pages. Amphibia Cultural Legacy #370636. Published by Amphibia Cultural Legacy (A0.762930). Audiences around the world are captivated whenever they hear a cover remixed with an orchestra. But this particular remixed melody comes from an even more special source - that of the theme song in Disney Channel’s Amphibia! Titled Anne’s Theme, this beautiful blend of music and rhythm has made waves in the industry due to its mesmerizing sound. Racing percussion and filled strings come together to form a brilliant melody unlike any other.Unsurprisingly, it has become one of the show’s most popular musical numbers among diehard fans everywhere. Those cleverly blending their own melodizing magic have now surprisingly dedicated themselves to getting creative with remixing Anne’s Theme so that it can be played with every traditional orchestral piece. Such recreations can make for sweet symphonies, making this musical number truly timeless and rapturously beautiful!
$10.00
9.16 €
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Amphibia Cultural Legacy
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Amphibia Legacy Ending Theme
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Amphibia Cultural Legacy
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SheetMusicPlus
The Fundamentals of Music Theory - Booklet 1
Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. …
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Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
10.07 €
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theory - Booklet 1
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Circlesquare Music
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SheetMusicPlus
I Know a Friend
Small Ensemble High Voice,Low Voice,Piano Accompaniment,Violin - Level 3 - Digital Downloa…
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Small Ensemble High Voice,Low Voice,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.878042 Composed by Ginger Stidd. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 10 pages. Ginger Stidd #3684195. Published by Ginger Stidd (A0.878042). A tender, heart-felt song about how we are sometimes let down by our friends or family, but Jesus is the Friend of All Friends and will never leave us or forsake us. Written as a solo with piano accompaniment. Key of C .
$3.99
3.66 €
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Ginger Stidd
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I Know a Friend
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Ginger Stidd
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SheetMusicPlus
The Emperor of Atlantis or Death's Refusal
1 (auch Picc.) · 1 · 1 · Altsax. · 0 - 0 · 1 · 0 · 0 - S. (Trgl. ·…
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1 (auch Picc.) · 1 · 1 · Altsax. · 0 - 0 · 1 · 0 · 0 - S. (Trgl. · hg. Beck. · gr. Tamt. · kl. Tr.) (2 Spieler) - Tenor-Banjo (auch Git.) · Cemb. (auch Klav.) · Harm. - Str. (1 · 1 · 1 · 1 · 1) - Digital Download SKU: S9.Q25913 One-act play by Peter Kien. Composed by Viktor Ullmann. This edition: study score. Choral music - Ernst Eulenburg - Opera. Eulenburg Miniature Scores. Downloadable, Study score. Op. 49b. Duration 60 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q25913. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q25913). German • English.In September 1942 Viktor Ullmann was interned in the concentration camp of Theresienstadt where he composed the opera Der Kaiser von Atlantis [The Emperor of Atlantis] on a libretto of Peter Kien, a fellow prisoner, in 1943. This opera was rehearsed by a chamber ensemble founded with the permission of the SS, but its first performance was prohibited after the final rehearsal. The autograph of the score only survived because shortly before his deportation to Auschwitz in 1944, Ullmann handed it, together with the libretto, to a friend who was able to save both manuscripts at the end of the war. The opera is a parable of a cruel emperor, whose senseless war is claiming many lives. Death puts an end to the chaos by refusing his duty - now, everyone lives for eternity. The king becomes disempowered, but the people long for a release from the pain of life. Only the voluntary death of the emperor can restore death's original purpose. The libretto is a vigorous take on the Third Reich and more particularly the concentration camp of Theresienstadt through the means of a mystery play. The music, with its numerous references to jazz and then current light music, sometimes by direct quotation, puts the composer in the role of political commentator, following the tradition of topical opera in the 1920's.
$41.99
38.47 €
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Viktor Ullmann
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The Emperor of Atlantis or Death's Refusal
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Dance Me To The End Of Love
Small Ensemble Drum Set,Euphonium,Horn,Tuba - Level 3 - Digital Download SKU: A0.802534…
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Small Ensemble Drum Set,Euphonium,Horn,Tuba - Level 3 - Digital Download SKU: A0.802534 By Madeleine Peyroux. By Leonard Cohen. Arranged by Peet du Toit. Jazz. Score and parts. 23 pages. Peet du Toit #5770405. Published by Peet du Toit (A0.802534). This Greek dance was inspired by the Holocaust, the death camps, the cremation, the cries, the fate... In some of those camps, prisoner musicians had to play classical music to their fellow inmates on the latter's way to death - no return... until the musician had to follow suit. Unlike Nearer my God, to Thee on the Titanic, these musicians were forced to do this. I became so emotionally involved in this arrangement... every sequence has a meaning: the high cries of the women and the children (flügelhorns), the low voices of the concern and physically defeated men (euphonium & french horn), the sirens (french horn), the promise of eternity (euph solo), the tuba (the continuous beat of walking towards one's death) and the perpetual percussion (the clock is ticking...) and the cyclical theme of endless love against all odds, remembering the good times in a dance with your loved one(s). Yours.
$24.00
21.99 €
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Madeleine Peyroux
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Peet du Toit
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Dance Me To The End Of Love
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Peet du Toit
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SheetMusicPlus
In Time of War: Prayers and Meditations (Piano/Vocal Score)
Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU:…
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Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU: MQ.6446-E Composed by Henry Mollicone. 21st century, prayer. 19 pages. Duration 24 minutes, 50 seconds. E. C. Schirmer Music Company - Digital #6446-E. Published by E. C. Schirmer Music Company - Digital (MQ.6446-E). Latin.In Time of War: Prayers and Meditations was completed in June, 2004. The work was written in response to the wartime events of our time, and juxtaposes vocal movements based upon Latin prayers with purely orchestral sections (meditations on wartime subjects). The Latin prayers in this work consist of the Agnus Dei from the Roman Catholic Mass, a prayer which asks God for forgiveness of the 'sins of the world,' and two hymns to the Virgin Mary: Ave Maria and Ave Maris Stella. The concept of the Blessed Mother as the spiritual mother of all humanity is a powerful one which I believe touches us on a deep level. As children, our mothers give us guidance, tenderness, unconditional love and protection in a world where evil exists. In our time, horrific wartime events daily take their toll on innocent civilians, while motherhood is revered in all cultures. This work is about the coexistence of these two disparate but ever present realities, representing the best (unconditional love) and worst (war) aspects of the human condition. -Henry Mollicone Duration: 24' 50 Contents:1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope.
Song List: 1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope
Song List
: 1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope
$9.50
8.7 €
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Henry Mollicone
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In Time of War: Prayers and Meditations
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
End of an Era
String Ensemble - Level 2 - Digital Download SKU: A0.1101781 Composed by Susan Brow…
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String Ensemble - Level 2 - Digital Download SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Published by Susan Brown (A0.1101781). 3 pieces for strings - a reflection of an unexpectedly fast changing world as witnessed since the beginning of this decade. Can be played as separate movements or flowing into each other. Passing opens with shock, disbelief and realisation that change has begun, followed by questioning why, and anger at at the loss of what was once a world understood to a feeling of being left behind. A feeling of the passing of time and lost youth gives way to self-pity and sadness. Anger follows, then resistance, then reflection on the speed of such change. Ultimately resignation. Looking back through the rose-tinted glasses of Reminiscing brings forth varied memories of times past and what hindsight deems to be 'those halcyon days'. Apprehensively Emerging into the new territory of change. Initially accepting the opportunities of it, then cautious and worried about the unknown to finally the knowledge that change will happen anyway - so just get on with it!
$15.00
13.74 €
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Susan Brown
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End of an Era
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Susan Brown
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SheetMusicPlus
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868659 Composed by Ant…
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868659 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4366446. Published by Really Good Music, LLC. (A0.868659). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the key of E minor (B3 – D5) for low voice. .
$5.95
5.45 €
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Antonio SARTORIO
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Sergei PICHUGIN
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SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
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Really Good Music, LLC.
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SheetMusicPlus
Only Time - Score Only
Guitar - Level 2 - Digital Download SKU: A0.1364555 By Enya. By Enya, Nicky Ryan, a…
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Guitar - Level 2 - Digital Download SKU: A0.1364555 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Oliver Nicholas Chan. Film/TV,New Age,Singer/Songwriter. 13 pages. Oliver Chan #948848. Published by Oliver Chan (A0.1364555). An Enya classic 'Only Time' from the romantic movie Sweet November arranged for 4-part guitar.The arrangement captures the essense and beauty of time with simple lyrical melodies and changing textures. With time being endless, the arrangement ends of with fading to silence, symbolising that time is precious and to embrace every second of it.Enjoy my take on this arrangement. Thank you for your support!
$16.41
15.03 €
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Enya
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Oliver Nicholas Chan
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Only Time - Score Only
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Oliver Chan
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SheetMusicPlus
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