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Autumn Fires (Accompaniment Track)
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Stephen DeCesare
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Autumn Fires
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Exultet Music
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SheetMusicPlus
Strings Choir,Horn,Piano Accompaniment - Level 2 - SKU: A0.1465957 By Stephen DeCesare. By Stephen DeCesare. Children,Contest,Festival,Instructional,Mul...
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Strings Choir,Horn,Piano Accompaniment - Level 2 - SKU: A0.1465957 By Stephen DeCesare. By Stephen DeCesare. Children,Contest,Festival,Instructional,Multicultural,Singer/Songwriter,World. Accompaniment. Duration 122. Exultet Music #1044558. Published by Exultet Music (A0.1465957). The children's poem by Robert Louis Stevenson that conveys the beauty and ephemeral nature of autumn and aligns with Stevenson's interest in nature and the Victorian era's fascination with the changing seasons has been set to a simple, yet charming melody and scored for a variety of arrangements. Accessible and appropriate for any school or concert setting.
$3.99
Autumn Fires (Rehearsal Track)
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Stephen DeCesare
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Autumn Fires
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Exultet Music
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SheetMusicPlus
Strings Choir,Horn,Medium Voice,Piano Accompaniment - Level 2 - SKU: A0.1465956 By Stephen DeCesare. By Stephen DeCesare. Children,Contest,Festival,Inst...
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Strings Choir,Horn,Medium Voice,Piano Accompaniment - Level 2 - SKU: A0.1465956 By Stephen DeCesare. By Stephen DeCesare. Children,Contest,Festival,Instructional,Multicultural,Singer/Songwriter,World. Full Performance. Duration 120. Exultet Music #1044557. Published by Exultet Music (A0.1465956). The children's poem by Robert Louis Stevenson that conveys the beauty and ephemeral nature of autumn and aligns with Stevenson's interest in nature and the Victorian era's fascination with the changing seasons has been set to a simple, yet charming melody and scored for a variety of arrangements. Accessible and appropriate for any school or concert setting. An accompaniment track is also available.
$3.99
My Child - SSAA with piano and flute accompaniment
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Stella ter Hart
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My Child - SSAA with piano and
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Stella ter Hart
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SheetMusicPlus
Choral Choir,Choral (Mixed) - Level 2 - SKU: A0.890662 Composed by Stella ter Hart. Concert,Holiday,Wedding. 11 pages. Stella ter Hart #3575145. Publish...
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Choral Choir,Choral (Mixed) - Level 2 - SKU: A0.890662 Composed by Stella ter Hart. Concert,Holiday,Wedding. 11 pages. Stella ter Hart #3575145. Published by Stella ter Hart (A0.890662). My Child is a sweet, sensitive and endearing work for SSAA women's choir, piano accompaniment and flute. The flute part is highly featured. I wrote the work at the request of one of my friends in the choir that I sing in (she is a flautist and her mother is our accompanist). Searching for inspiration, I reflected on my grandmothers, whom I never knew, and my own children, now grown. The tenderness of childhood and motherhood is so ephemeral - like the wind and the sun.
$2.35
The Sundials
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Contemporain
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #580083...
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Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
Sonnet XVIII
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Contemporain
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Robert Cunningham
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Sonnet XVIII
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Robert E Cunningham
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SheetMusicPlus
Small Ensemble Piano,Recorder,Voice - Level 5 - SKU: A0.1174649 By Robert Cunningham. By Robert E Cunningham. 20th Century,Classical,Contemporary. Score...
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Small Ensemble Piano,Recorder,Voice - Level 5 - SKU: A0.1174649 By Robert Cunningham. By Robert E Cunningham. 20th Century,Classical,Contemporary. Score and parts. 21 pages. Robert E Cunningham #774799. Published by Robert E Cunningham (A0.1174649). Robert Cunningham's Sonnet XVIII is a setting of William Shakespeare's Sonnet 18 (Shall I compare thee to a summer's day?) for baritone voice, piano, and alto recorder.  The central idea of Shakespeare's poem is that the otherwise ephemeral beauty of its human subject is immortalized through the artistic medium of the sonnet.  This setting takes that idea to the next level by memorializing this sonnet, along with the whole era in which it was penned, through the artistic medium of music.  Composed in 1982 and revised in 2019, this work is intensely Romantic, but also has an antique flavor encapsulating the music of Shakespeare's time.  The full score and individual parts for the baritone voice and the alto recorder are included.  Total duration:  5:40. See also:Robert Cunningham on YouTube:  https://www.youtube.com/c/RobertCunninghamsMusicRobert Cunningham on SoundCloud: https://soundcloud.com/lateromanticRobert Cunningham's Fan Page: https://www.facebook.com/RobertCunninghamsMusicRobert Cunningham's Web Page: http://www.RobertCunninghamsMusic.com
$9.95
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