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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Eric Street
Non classifié
85
Piano & claviers
Piano seul
377
Piano, Voix
288
Piano, Voix et Guitare
19
Piano Facile
6
1 Piano, 4 mains
6
Instruments en Do
3
Piano grosses notes
2
Orgue
2
Ligne De Mélodie, Piano
1
+ 4 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
9
Guitare notes et tablatures
7
Guitare
5
Ukulele
4
Paroles et Accords
2
Banjo
1
Dulcimer
1
Basse electrique
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
101
Chorale 3 parties
7
Chorale TTBB
3
Chorale Unison
3
Chorale SSAA
3
Chorale
2
Chorale 2 parties
2
Voix Soprano, Piano
1
Voix duo, Piano
1
+ 4 instrumentations
Retracter
Vents
Saxophone (partie séparée)
6
Clarinette (partie séparée)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Clarinette
4
2 Flûtes traversières (duo)
3
Hautbois (partie séparée)
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Alto
3
Ensemble de Clarinettes
3
Ensemble de Flûtes
3
2 Clarinettes (duo)
3
Ensemble de saxophones
2
2 Saxophones (duo)
2
Flûte traversière
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Tenor
2
Saxophone
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette et Piano
1
Flute (partie séparée)
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette, Basson
1
Cor Anglais
1
Saxophone et Orgue
1
Flûte, Clarinette (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Harmonica
1
+ 22 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette
4
Trompette (partie séparée)
3
Cor (partie séparée)
3
Tuba (partie séparée)
2
Ensemble de Trombones
2
Trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Trompettes (duo)
1
Cor Anglais
1
Cor
1
2 Trombones (duo)
1
+ 8 instrumentations
Retracter
Cordes
Harpe
6
Trio à Cordes: violon, alto, violoncelle
5
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon
3
Alto seul
2
Violoncelle
2
Violon et Piano
1
Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contre Basse
1
2 Violons (duo)
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre à Cordes
6
Orchestre
4
Ensemble Jazz
3
Percussion (partie séparée)
2
Cloches
1
Ensemble de cuivres
1
Timbales (partie séparée)
1
+ 3 instrumentations
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FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
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OUD
PARTITIONS …
PAS DE PART…
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SAXOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Eric Street
Partitions à imprimer
85 partitions trouvées
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Satie: Parade - II. Petite Fille Americaine - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fil
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 p...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
Coronation Street
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Contemporain
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Eric Spear
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Christopher Brammeld
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Coronation Street
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Chris Brammeld Music
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SheetMusicPlus
Large Ensemble Bass Guitar,Clarinet,Double Bass,Drums,Euphonium,Oboe,Trombone - Level 4 - SKU: A0.854495 Composed by Eric Spear. Arranged by Christopher...
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Large Ensemble Bass Guitar,Clarinet,Double Bass,Drums,Euphonium,Oboe,Trombone - Level 4 - SKU: A0.854495 Composed by Eric Spear. Arranged by Christopher Brammeld. Contemporary. Score and parts. 13 pages. Chris Brammeld Music #5778757. Published by Chris Brammeld Music (A0.854495). This is a humble arrangement of one of the best pieces of music ever composed, the theme from Coronation Street, by Eric Spear. The instrumentation is clarinet, cor anglais, trombone, euphonium, drums, guitar and double bass, but you can transpose and play the parts on any instrument.
$12.99
Bourbon Street Rag
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Ragtime
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Eric Bingham-Kumpf
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Bourbon Street Rag
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Eric Bingham-Kumpf
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SheetMusicPlus
Small Ensemble - SKU: A0.702820 Composed by Eric Bingham-Kumpf. Contemporary,Ragtime. Score and parts. 4 pages. Eric Bingham-Kumpf #238839. Published by...
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Small Ensemble - SKU: A0.702820 Composed by Eric Bingham-Kumpf. Contemporary,Ragtime. Score and parts. 4 pages. Eric Bingham-Kumpf #238839. Published by Eric Bingham-Kumpf (A0.702820).
$6.00
Basin Street Blues
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Contemporain
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Spencer Williams
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Edrich Siebert & Peet du Toit
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Basin Street Blues
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802695 Composed by Spencer Williams. Arranged by Edrich Siebert & Peet du Toit. Cont...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802695 Composed by Spencer Williams. Arranged by Edrich Siebert & Peet du Toit. Contemporary. Score and parts. 15 pages. Peet du Toit #6681571. Published by Peet du Toit (A0.802695). Basin Street Blues is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric Won't you come along with me / To the Mississippi... was later added by Glenn Miller and Jack Teagarden.The Basin Street of the title refers to the main street of Storyville, the red-light district of early 20th-century New Orleans, north of the French Quarter. It became a red light district in 1897.Here's a laid back arrangement by the brilliant Erich Siebert, adapted for a brass quintet and percussion to be enjoyed by the players and the audience!
$16.00
On the Street Where You Live
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Frederick Loewe
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Teena Chinn
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On the Street Where You Live
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0004810 Composed by Frederick Loewe. Arranged by Teena Chinn. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0004810...
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Chorus - SKU: AX.00-PO-0004810 Composed by Frederick Loewe. Arranged by Teena Chinn. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0004810. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0004810). UPC: 654979037163. Alan Jay Lerner.
$2.25
On the Street Where You Live
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Frederick Loewe
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Teena Chinn
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On the Street Where You Live
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0004811 Composed by Frederick Loewe. Arranged by Teena Chinn. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0004811...
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Chorus - SKU: AX.00-PO-0004811 Composed by Frederick Loewe. Arranged by Teena Chinn. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0004811. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0004811). UPC: 654979037194. Alan Jay Lerner.
$2.25
On The Sunny Side Of The Street
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Jazz
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Jimmy McHugh
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Bud Caputo
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On The Sunny Side Of The Stree
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Bud Caputo
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SheetMusicPlus
String Ensemble - Level 4 - SKU: A0.826739 Composed by Jimmy McHugh. Arranged by Bud Caputo. Contemporary. Score and parts. 44 pages. Bud Caputo #656230...
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String Ensemble - Level 4 - SKU: A0.826739 Composed by Jimmy McHugh. Arranged by Bud Caputo. Contemporary. Score and parts. 44 pages. Bud Caputo #6562309. Published by Bud Caputo (A0.826739). On the Sunny Side of the Street is a Great American Jazz Standard from 1930. It was composed by Jimmy McHugh with lyrics by Dorothy Fields. Some authors say that Fats Waller was the composer, but he sold the rights to the song. This jazz string arrangement presents the original tune and is followed by an improvisation section for violin solo with rhythm section accompaniment. A suggested solo is included. While most parts remain in first position, some optional octaves are presented in the Violin 1 part. A Violin 3 part is included that double the Viola.
$25.50
[Boykan] As once on a deserted street...
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Contemporain
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Martin Boykan
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[Boykan] As once on a deserted
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American Composers Alliance Inc.
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Horn,Piano Accompaniment,Violin - SKU: A0.953025 Composed by Martin Boykan. Contemporary. Score and parts. 89 pages. Ameri...
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Small Ensemble Cello,Clarinet,Horn,Piano Accompaniment,Violin - SKU: A0.953025 Composed by Martin Boykan. Contemporary. Score and parts. 89 pages. American Composers Alliance Inc. #4634659. Published by American Composers Alliance Inc. (A0.953025). A narrative without words scored for quintet of clarinet, horn, violin, cello, and piano - PDF download includes score and parts.
$39.95
On The Sunny Side Of The Street
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Contemporain
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Jimmy McHugh
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David Leech
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drums
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On The Sunny Side Of The Stree
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David Leech
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SheetMusicPlus
Double Bass,Drums,Guitar,Piano,Trumpet - Level 5 - SKU: A0.973272 Composed by Jimmy McHugh. Arranged by David Leech. Contemporary. 67 pages. David Leech...
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Double Bass,Drums,Guitar,Piano,Trumpet - Level 5 - SKU: A0.973272 Composed by Jimmy McHugh. Arranged by David Leech. Contemporary. 67 pages. David Leech #4747745. Published by David Leech (A0.973272). This song, long a part of the Great American Songbook, was composed by McHugh and Fields in 1930 and has since become a jazz standard. Recorded numerous times by everybody from Louis Armstrong to Dave Brubeck, it was a big hit for Tommy Dorsey in 1945. This arrangement was inspired by the 1957 Dizzy Gillispie version from his album Sonny Side Up, featuring tenor giants Sonny Rollins and Sonny Stitt.Instrumentation is the standard big band: five saxes (a,a,t,t,b), five trumpets, four trombones, guitar, piano, bass & drums.The first tenor has a 32 bar ad lib solo on the second chorus.Brass parts are pretty high, particularly in the last 16 bars, where the first trumpet stays above the staff, going up to a high F#.
$47.50
Devil's Thumb Rag, Mall Strut and Spruce Street Stomp (from Boulder Rags) for Five Pianos
Five-piano ensemble; piano quintet
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Pat Holmberg
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Devil's Thumb Rag, Mall Strut
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Patricia Tanttila Holmberg
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SheetMusicPlus
Composed by Pat Holmberg. Ragtime, Americana. Score. 33 pages. Published by Patricia Tanttila Holmberg (S0.183995). - Score - Ragtime,Americana - Patricia Tantt...
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Composed by Pat Holmberg. Ragtime, Americana. Score. 33 pages. Published by Patricia Tanttila Holmberg (S0.183995). - Score - Ragtime,Americana - Patricia Tanttila Holmberg
$22.95
Street Samba
Percussion Ensemble,for 12+ Players: Samba Whistle,Chocalho (or tambourine) & Shekere,Ganza (or metal cylinder shaker),Agogo Bells,Tamborim (or djembe),Repinique (or high timbale),Caixa (or snare drum
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Contemporain
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Jayne Groves, Matt Moore
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Street Samba
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M Moore & J Groves
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SheetMusicPlus
Composed by Jayne Groves, Matt Moore. 21st Century, World, Latin, South American. 46 pages. Published by M Moore & J Groves (S0.190909). - - 21st Century,World...
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Composed by Jayne Groves, Matt Moore. 21st Century, World, Latin, South American. 46 pages. Published by M Moore & J Groves (S0.190909). - - 21st Century,World,Latin,South American - M Moore & J Groves
$42.55
The Desponding Negro. A Favorite Song
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The Desponding Negro. A Favori
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice; German flute - SKU: LV.16039 African Americans, Slavery, Ships, Fugitive slaves, Liberty, Families. Lester S. Levy Collection. 3 pages....
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Piano and voice; German flute - SKU: LV.16039 African Americans, Slavery, Ships, Fugitive slaves, Liberty, Families. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16039). The Desponding Negro. A Favorite Song. n. Published [n.d.] by Carr & Co., at their Music Store, No.136 High Street in Philadelphia. Composition of strophic with chorus with piano and voice; German flute instrumentation. Subject headings for this piece include African Americans, Slavery, Ships, Fugitive slaves, Liberty, Families. First line reads On Africk's wide Plains where the Lion now roaring with freedom.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Waiting for the Robert E. Lee
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Lewis F
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Waiting for the Robert E. Lee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice, ukulele - SKU: LV.12151 Composed by Lewis F. Muir. Celebrities, Portraits, Ballroom dancing, African Americans, Ethnic stereotypes, Ste...
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Piano and voice, ukulele - SKU: LV.12151 Composed by Lewis F. Muir. Celebrities, Portraits, Ballroom dancing, African Americans, Ethnic stereotypes, Steamboats, Homecomings. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12151). Waiting for the Robert E. Lee. Lyric by L. Wolfe Gilbert. Music by Lewis F. Muir. Published 1912 by Alfred Music Co., 145 West 45th Street in New York. Composition of strophic with chorus with piano and voice, ukulele instrumentation. Subject headings for this piece include Celebrities, Portraits, Ballroom dancing, African Americans, Ethnic stereotypes, Steamboats, Homecomings. First line reads Way down on the levee in old Alabamy, there's daddy and mammy, there's Ephriam and Sammy.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
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Blues
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Jazz
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 ...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99
Que Garota Linda (Bb leadsheet)
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Jazz
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Latin/Musique du monde
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Mark S
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Que Garota Linda
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica A...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
$3.99
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by ...
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Su
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & P
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
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