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Cor
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CORDES
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109
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91
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68
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38
Violoncelle , Guitare (duo)
34
Violon
30
Harpe
24
Violoncelle
22
2 Violons (duo)
21
2 Violoncelles (duo)
20
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20
Trio à Cordes: violon, alto, violoncelle
17
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15
2 Altos (duo)
14
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12
Alto seul
11
Violon, Guitare (duo)
11
4 Violoncelles
10
Violon, Alto (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
Trio à Cordes: 3 violoncelles
8
Alto (partie séparée)
7
Trio à cordes: 3 violins
6
Trio à Cordes: 2 violons, alto
6
Contrebasse, Piano (duo)
6
Quatuor à cordes: 4 violons
4
Trio à cordes
4
Contre Basse
4
Contrebasse (partie séparée)
4
Violoncelle (partie séparée)
3
Violon, Clarinette, Piano (trio)
2
Violoncelle, Contrebasse (duo)
2
2 Violons, Piano
2
2 Altos, Piano
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Piano Trio: Violon, Alto, Piano
2
Violon, Trompette et Piano
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Harpe, Flûte (duo)
2
2 Violoncelles, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
85
Orchestre à Cordes
31
Orchestre
31
Cloches
12
Orchestre de chambre
10
Ensemble de cuivres
7
Percussion (partie séparée)
6
Quintette à Vent
4
Ensemble Jazz
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Xylophone, Piano
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Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.13350…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
13.39 €
#
Erik Satie
#
Ray Thompson
#
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.12937…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
4.47 €
#
Erik Satie
#
Ray Thompson
#
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Satie: Parade - Rag-Time du Paquebot - wind dectet/bass
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.12964…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1296413 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Ragtime. 18 pages. RayThompsonMusic #886629. Published by RayThompsonMusic (A0.1296413). Arranged wind dectet(double wind quintet)/bassParade is a ballet with music by Erik Satie and a one-act scenario by Jean Cocteau.The ballet was composed 1916–1917 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917 at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet. This movement Ragtime also known as Rag-Time du Paquebot (Ragtime of the Packet Steamer/Steampacket) would later be adapted for piano solo, and attained considerable success as a separate piano piece.It fits the wind dectet well, and should be played lightly.Please check out  the rest of my Satie arrangements for varying instrument combinations :3 Gymnopédies and 3 Gnossiennes. (Sold separately and as collections).
$14.95
13.39 €
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Erik Satie
#
Ray Thompson
#
Satie: Parade - Rag-Time du Paquebot - wind dectet/bass
#
RayThompsonMusic
#
SheetMusicPlus
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 -…
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
17.87 €
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Erik Satie
#
Ray Thompson
#
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass
#
RayThompsonMusic
#
SheetMusicPlus
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - …
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
17.87 €
#
Erik Satie
#
Ray Thompson
#
Satie: Parade III.Acrobates
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RayThompsonMusic
#
SheetMusicPlus
Satie: Parade - II. Petite Fille Americaine - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SK…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
13.39 €
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fille Americaine - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Je Te Veux - Oboe and Piano
Small Ensemble Flute,Oboe,Piano,Violin - Digital Download SKU: A0.735248 Composed b…
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Small Ensemble Flute,Oboe,Piano,Violin - Digital Download SKU: A0.735248 Composed by Erik Satie. Arranged by Andrew Middleton. 20th Century,Romantic Period. Score and parts. 15 pages. Andrew Middleton #4110991. Published by Andrew Middleton (A0.735248). Erik Satie's, Je Te Veux, arranged for solo flute and piano. This arrangement would be ideal for solo flute or violin too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.47 €
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Erik Satie
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Andrew Middleton
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Je Te Veux - Oboe and Piano
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Andrew Middleton
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SheetMusicPlus
Gymnopedie No. 1 - Marching Band Arrangement
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Horn,Marimba,Mul…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Horn,Marimba,Multi-Percussion,Piano Accompaniment,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.916364 Composed by Erik Satie. Arranged by Gus Shoemaker. Romantic Period,Standards. Score and parts. 40 pages. Gus Shoemaker #5889221. Published by Gus Shoemaker (A0.916364). Erik Satie's Gymnopedie No. 1 (Lent et douloureux) arranged for marching band.
$39.99
35.82 €
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Erik Satie
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Gus Shoemaker
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Gymnopedie No. 1 - Marching Band Arrangement
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Gus Shoemaker
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SheetMusicPlus
Gnossienne No. 1 - Soprano Saxophone & Piano
Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 3 - Digita…
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Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.735658 Composed by Erik Satie. Arranged by Andrew Middleton. Romantic Period. Score and parts. 6 pages. Andrew Middleton #5318317. Published by Andrew Middleton (A0.735658). The first of Satie's three Gnossienne arranged for solo soprano saxophone and piano accompaniment. Bar lines have been added in to make performance of this piece easier! This arrangement would also be ideal for tenor saxophone, clarinet and trumpet too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.47 €
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Erik Satie
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Andrew Middleton
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Gnossienne No. 1 - Soprano Saxophone & Piano
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Andrew Middleton
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SheetMusicPlus
Gnossienne No. 1 - Tenor Saxophone & Piano
Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 3 - Digita…
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Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.735659 Composed by Erik Satie. Arranged by Andrew Middleton. Romantic Period. Score and parts. 6 pages. Andrew Middleton #5318327. Published by Andrew Middleton (A0.735659). The first of Satie's three Gnossienne arranged for solo tenor sax and piano accompaniment. Bar lines have been added in to make performance of this piece easier! This arrangement would also be ideal for soprano saxophone, clarinet and trumpet too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.47 €
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Erik Satie
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Andrew Middleton
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Gnossienne No. 1 - Tenor Saxophone & Piano
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Andrew Middleton
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SheetMusicPlus
Gnossienne No. 1 - Oboe & Piano
Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.735646 …
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Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.735646 Composed by Erik Satie. Arranged by Andrew Middleton. Romantic Period. Score and parts. 6 pages. Andrew Middleton #5318183. Published by Andrew Middleton (A0.735646). The first of Satie's three Gnossienne arranged for solo oboe and piano accompaniment. Bar lines have been added in to make performance of this piece easier! This arrangement would also be ideal for flute and violin too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.47 €
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Erik Satie
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Andrew Middleton
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Gnossienne No. 1 - Oboe & Piano
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Andrew Middleton
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SheetMusicPlus
Eric Satie: Expanded Edition
Small Ensemble Ukulele - Level 3 - Digital Download SKU: A0.810045 Composed by Erik…
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Small Ensemble Ukulele - Level 3 - Digital Download SKU: A0.810045 Composed by Erik Satie. Arranged by Michael P. Walker. 20th Century,Romantic Period,Standards. Score. 75 pages. Michael P Walker #6358131. Published by Michael P Walker (A0.810045). Here are compositions by Eric Satie who combined the simple, tuneful melodies of Parisian nightlife with the snappiness of American Jazz, Satie created a new style of musical burlesque which made a lasting impression on many contemporary composers. Transcribed for the baritone ukulele or low G ukelele. Most are also playable on the tenor and soprano ukulele and, of course, they may all be played on the guitar. Recommended for Intermediate and Advanced Performers
$19.95
17.87 €
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Erik Satie
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Michael P
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Eric Satie: Expanded Edition
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Michael P Walker
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SheetMusicPlus
Gymnopedie No. 1: - violins, viola, acoustic guitar, electric guitar and bass guitar
Small Ensemble Bass Guitar,Viola,Violin - Level 4 - Digital Download SKU: A0.702073…
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Small Ensemble Bass Guitar,Viola,Violin - Level 4 - Digital Download SKU: A0.702073 Composed by Erik Satie. Arranged by Kevin G. Pace (ASCAP). Classical,Romantic Period. Score and parts. 11 pages. Kevin G. Pace #4794135. Published by Kevin G. Pace (A0.702073). A beautiful arrangement of the Satie classic Gymnopedie No. 1. Arranged by Kevin G. Pace for violins, viola, acoustic guitar, electric guitar and bass guitar
$3.95
3.54 €
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Erik Satie
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Kevin G
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Gymnopedie No. 1: - violins, viola, acoustic guitar, electric guitar and bass guitar
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Kevin G. Pace
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SheetMusicPlus
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