Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Even Then
Non classifié
397
Piano & claviers
Piano seul
231
Accompagnement Piano
50
Piano Facile
30
Piano, Voix
29
Orgue
28
Piano, Voix et Guitare
26
1 Piano, 4 mains
17
Instruments en Do
11
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
2
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Clavier
1
Orgue, Trompette (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
56
Guitare
11
2 Guitares (duo)
8
Guitare (partie séparée)
4
4 Guitares (Quatuor)
3
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
2
Banjo
2
Orchestre à Plectres
1
Ukulele
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
100
Chorale 3 parties
22
Chorale TTBB
10
Chorale 2 parties
7
Chorale SSAA
7
Chorale Unison
6
Voix Alto, Piano
2
Voix haute
2
Voix duo, Piano
2
Voix basse, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
70
Clarinette et Piano
57
Hautbois, Piano (duo)
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Saxophone Tenor et Piano
32
Saxophone Alto et Piano
31
Saxophone Baryton, Piano
29
Clarinette
29
Quatuor de Saxophones: 4 saxophones
28
Saxophone Soprano et Piano
26
2 Flûtes traversières (duo)
24
Flûte traversière
22
Quintette de Saxophone: 5 saxophones
21
3 Saxophones (trio)
17
Saxophone Alto
17
Flûte, Hautbois, Clarinette, Basson
16
Saxophone Tenor
16
Saxophone (partie séparée)
15
2 Saxophones (duo)
15
Cor anglais, Piano
15
Hautbois
12
Clarinette Basse, Piano
11
Saxophone Soprano
11
Quatuor de Flûtes : 4 flûtes
11
Ensemble de Flûtes
10
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Baryton
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Hautbois, Clarinette (trio)
6
Ensemble de Clarinettes
6
Quintette de Flûte : 5 flûtes
6
2 Clarinettes (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Ensemble de saxophones
4
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette (duo)
3
Clarinette, Guitare (duo)
3
3 Clarinettes (trio)
3
Saxophone, Clarinette (duo)
3
Hautbois (partie séparée)
3
Clarinette, Harpe (duo)
2
Clarinette, Violon (duo)
2
Ocarina
2
Flute (partie séparée)
2
Quatuor de Flûtes à bec
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Basson (duo)
1
Flûte et Guitare
1
2 Clarinettes, Piano
1
2 Flûte à bec (duo)
1
Ensemble de Hautbois
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette et Basson
1
Clarinette (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Guitare
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
Clarinette, Trompette (duo)
1
Saxophone
1
Ensemble à vent
1
5 Flûtes à bec
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Basson
1
2 Flûtes traversières, Piano
1
Clarinette et Alto
1
Flûte irlandaise
1
Flûte, Violon
1
Flûte, Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Flûte
1
Flûte, trombone et piano
1
Flûte, Hautbois, Basson
1
Flûte, Alto (duo)
1
Cor Anglais
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Flûte et Trio à cordes
1
Flûte, Saxophone (duo)
1
+ 75 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trombone et Piano
37
Trompette, Piano
35
Trompette
30
Cor et Piano
29
Euphonium, Piano (duo)
22
Trombone
15
Cor anglais, Piano
15
Tuba et Piano
14
Cor
13
Tuba
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Trombone (duo)
9
Trombone (partie séparée)
9
Trompette (partie séparée)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de Cuivres
5
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
3
Ensemble de Trompettes
3
2 Trompettes (duo)
3
2 Cors (duo)
3
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
Tuba (partie séparée)
2
3 Trombones (trio)
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
2 Tubas (duo)
2
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
3 Euphoniums
1
Ensemble de Trombones
1
Cor anglais, Guitare (duo)
1
3 Tubas (trio)
1
3 Cors (trio)
1
Trompette, Harpe
1
Cor Anglais
1
Tuba et Orgue
1
Cor et Harpe
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
214
Violon, Violoncelle (duo)
159
Violon
138
Trio à Cordes: violon, alto, violoncelle
128
Violon et Piano
52
Alto, Piano
48
Violoncelle, Piano
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Violoncelle
24
Alto seul
16
2 Harpes (duo)
11
Trio à Cordes: 2 violons, violoncelle
11
Harpe
11
Contrebasse, Piano (duo)
10
Violon, Alto (duo)
9
Contre Basse
7
2 Violons (duo)
7
2 Violoncelles (duo)
4
2 Altos (duo)
4
Violon (partie séparée)
4
Contrebasse (partie séparée)
3
Alto, Violoncelle (duo)
3
Alto (partie séparée)
2
Alto et Harpe
2
4 Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
Trio à cordes: 3 violins
1
Violon, Orgue
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
124
Orchestre d'harmonie
77
Orchestre
30
Ensemble de cuivres
19
Cloches
13
Ensemble Jazz
10
Orchestre de chambre
8
Batterie
4
Batterie (partie séparée)
2
Fanfare
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
1
Marimba
1
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Ensemble d'École
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
397
Librairie Musicale
1 556
Matériel de Musique
221
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Even Then
Partitions à imprimer
397 partitions trouvées
<
1
26
51
....
376
Now & Then
#
Musique Sacrée
#
Sheldon Curry
#
Choral Worship Cantata
#
Now & Then
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Choir Sacred - SKU: JX.00-36964 Songs for All Seasons / Songs from the Mountain (Orchestration). Arranged by Sheldon Curry. This edition: Orchest...
(+)
Choir Sacred - SKU: JX.00-36964 Songs for All Seasons / Songs from the Mountain (Orchestration). Arranged by Sheldon Curry. This edition: Orchestration. Choral (Sacred); Choral Worship Cantata; Larger Works; Performance Music Ensemble; Worship Resources. Sacred. Part(s); Score. 367 pages. Jubilate Music Group - Digital #00-36964. Published by Jubilate Music Group - Digital (JX.00-36964). English.Now & Then is an Appalachian collection of old and new hymns and spiritual songs, each created for a specific liturgical calendar purpose, scored for SATB, Appalachian instruments, and strings. The rhythm instrumentation is authentic and Nashville style number chord charts are provided. Optional strings are available to add depth to the worship experience. Curry creates a musically satisfying way to include non-traditionally trained musicians to the community's worship. From the longing of Great Jehovah to the unbridled joy of Resurrection Jubilee, this is a journey you don't want to miss. Titles: Come Thou, Long Expected Jesus * Appalachian Cradle Song * Great Jehovah * Resurrection Jubilee * We Gather to Recall the Night * Come Holy Spirit, Heavenly Dove. Curry, as eclectic a choral writer as they come, sets six anthems, suitable for various seasons in the church year (including Come, Thou Long-Expected Jesus for Advent and Resurrection Jubilee for Easter), in a style that would be right at home on a T-Bone Burnett roots-music album. And like Burnett, Curry expertly crafts the vocal score and accompaniments to be earthy yet polished, so that even those who aren't fans of this genre will find something to enjoy here. -Warren Anderson, Worship Leader magazine
$250.00
Reven (The Fox)
#
Beret Finken
#
Reven
#
Beret Finken
#
SheetMusicPlus
Small Ensemble Bass Drum,Choir,Djembe,Piano - SKU: A0.898223 Composed by Beret Finken. Contemporary,Folk,New Age,World. Score and parts. 19 pages. Beret...
(+)
Small Ensemble Bass Drum,Choir,Djembe,Piano - SKU: A0.898223 Composed by Beret Finken. Contemporary,Folk,New Age,World. Score and parts. 19 pages. Beret Finken #4103179. Published by Beret Finken (A0.898223). Composer's NoteThe first dream I ever remember having was the piercing, white gaze of a fox staring out at me from the darkness. I was terrified, yet strangely intrigued. Since then, dreams have inspired many of my other creative writings and ideas. As for the language, I took beginner's Norwegian my senior year of college and find it easiest to grasp a language when I am able to write in it. This piece is meant to sound similar to an old Nordic folk ballad. Copyright © 2018 Beret Finken. To learn more about the composer and her work, visit beretfinken.com.
$4.99
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
#
Various
#
B
#
"Calisthenics for Treble/
#
bl_music
#
SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
(+)
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
#
Various
#
B
#
"Calisthenics for Great B
#
bl_music
#
SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Roma...
(+)
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
#
Various
#
B
#
"Calisthenics for Bass Re
#
bl_music
#
SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructiona...
(+)
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
#
Various
#
B
#
"Calisthenics for Recorde
#
bl_music
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.8...
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
Seven Renaissance Pieces arr. for classical guitar quartet with soprano, alto and tenor recorders
#
Tielmann Susato and John Dowla
#
John Pinno
#
#
Seven Renaissance Pieces arr.
#
John Pinno
#
SheetMusicPlus
Small Ensemble Alto Recorder,Guitar,Hand Percussion,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.775446 Composed by Tielmann Susato and John Dowl...
(+)
Small Ensemble Alto Recorder,Guitar,Hand Percussion,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.775446 Composed by Tielmann Susato and John Dowland. Arranged by John Pinno. Concert,Renaissance,Wedding. Score and parts. 21 pages. John Pinno #3235415. Published by John Pinno (A0.775446). An arrangement of seven pieces from the Renaissance era by Tielmann Susato and John Dowland, for classical guitar quartet along with soprano, alto and tenor recorders. I have played these pieces in public performances, with three classical guitarists and myself playing either classical guitar or one of the recorders. Optionally the whole group could be played with four guitarists and a fifth member playing the different recorders. Additionally, my group has also included my wife playing some light ad-lib parts on bodhran (Irish-style hand drum), tambourine, and finger cymbals. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745 The way I've performed these pieces, including myself and three guitarists: The Allemande gtr 1 part is played with tenor recorder playing the gtr 1 line down an octave, as shown in the tenor rec part, and on repeats, while the tenor rec. is not playing, the gtr 3 player plays the gtr 1 part, leaving the third gtr part unplayed, or the tenor recorder could play it. The Ronde in D minor is for gtr qt only On the Ronde in F major, I played the top part on an alto recorder. The Ronde and the Hupfauf are basically the same tune, but with different time signatures. On the Hupfauf I played the the gtr 1 part and there was no recorder part. For the Hoboeckentanz I played the gtr 1 part from the provided alto recorder part, which is a plain and then ornamented version. On the Ronde in C major I played the gtr 1 line on soprano recorder. The last piece in the group, Now O Now I Needs Must Part, either the soprano recorder plays the gtr 1 part through the whole tune, or alternates with one of the guitarists, as shown in the part for soprano and gtr 1.For any questions, concerns, etc. email John Pinno at jpinno093@hotmail.com
$15.00
Still of the Evening
#
Musique Sacrée
#
John Parker III and Thomas Fet
#
Choral Octavo
#
Still of the Evening
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-23670 Composed by John Parker III and Thomas Fettke. This edition: InstruPax. Choral (Sacred); Choral Oc...
(+)
Choir Sacred Instrumental Ensemble - SKU: JX.00-23670 Composed by John Parker III and Thomas Fettke. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Christmas; Sacred. Part(s). 92 pages. Jubilate Music Group - Digital #00-23670. Published by Jubilate Music Group - Digital (JX.00-23670). English. Isaiah 9:2-7, Luke 2:1-14, Titus 2:11-14.This is, quite simply, one of the most beautiful Christmas octavos of all time! Imagine famed lyricist John Parker's poetic vision of light shining upon the infant Savior's slumbering face. Then, listen as the musical artistry of internationally acclaimed Tom Fettke illuminates the vision with shimmering harmonies and a radiant, grace-full melody. Mike Lawrence's transcendent orchestration crowns a Christmas anthem for the ages. Available in 2 voicings.
$50.00
One
#
Metallica
#
David Oosse
#
One
#
David Oosse
#
SheetMusicPlus
Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. T...
(+)
Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. This edition: Interactive Download. Contest,Rock. Individual part. 7 pages. Duration 428. David Oosse #3B8VfaKu94vDmyZecDoRrX. Published by David Oosse (A0.1144838). Key: D major.One - Metallica Marimba arrangement for a soloist. All due credit given to the legends themselves - the members of Metallica.- One day I thought to myself, How cool would it be to play a Metallica song on a marimba, for a solo and ensemble event? then I thought, What would be a good song? One with a slower, more lyrical part, and a crazy solo and a heavy ending? ... What about One? Then I sat down for some time, and started listening and writing, listening and editing, then playing and editing, until everything felt possible to play, with no weird transitions or stickings or anything else weird. Even with what little chops I had at the time, I learned the piece, made edits on the way to minimize awkward transitions, and now I am sharing the final product.
$19.95
Swedish Dances
#
Max Bruch
#
Robert Rainford
#
Swedish Dances
#
Forton Music - Digital
#
SheetMusicPlus
2fl. Pft. - Intermediate-Advanced - SKU: F2.FM393 Composed by Max Bruch. Arranged by Robert Rainford. Two Flutes and Piano. Score and Parts. 31 pages. F...
(+)
2fl. Pft. - Intermediate-Advanced - SKU: F2.FM393 Composed by Max Bruch. Arranged by Robert Rainford. Two Flutes and Piano. Score and Parts. 31 pages. Forton Music - Digital #FM393. Published by Forton Music - Digital (F2.FM393). ISBN 9790570482924.Two Flutes and Piano - These dances were first published in 1892 for violin and piano, although Bruch later arranged them for solo piano, and also for orchestra. The slow, stately introduction leads in to seven dances in volume one, each a charming character study. Individual movements are dramatic, then tranquil; dance-like then reflective. The third, fifth and seventh movements have the feeling of folk-dances, while the others are more lyrical and expressive. Structurally the pieces are fairly simple, with melody sections flowing in to each other. Some ideas are developed into links and codas. In this arrangement, both players share the melodic material fairly evenly. Each has a solo movement to play, with the other movements featuring call and answer moments, harmony sections and contrapuntal elements to enjoy. Technically quite advanced, with the first flute covering the whole range of the instrument, these gems of pieces are well worth working on.
$15.95
Desert Sea - Accompaniment Mp3
#
Musique Sacrée
#
Deborah Johnson
#
Desert Sea - Accompaniment Mp3
#
Deborah Johnson
#
SheetMusicPlus
Level 3 - SKU: A0.1378539 Composed by Deborah Johnson. Christian,Jazz,Praise & Worship,Religious,Spiritual. Accompaniment. Duration 240. Deborah Johnson...
(+)
Level 3 - SKU: A0.1378539 Composed by Deborah Johnson. Christian,Jazz,Praise & Worship,Religious,Spiritual. Accompaniment. Duration 240. Deborah Johnson #963228. Published by Deborah Johnson (A0.1378539). Deborah Johnson's Desert Sea is an exceptional new spiritual composition inspired by Jeremiah 17:7-8. With its captivating blend of unison verses transitioning between 3/4 and 4/4 rhythms and powerful choral SATB choruses, this song is ideal for special occasions. Its profound messaging resonates strongly, making it suitable for both large and small choirs, as well as solo performances. Whether for church services or inspirational events, Desert Sea is a valuable addition to any repertoire. Download available on Spotify and Amazon (https://amzn.to/3SuQ2Hc) The sheet music is also available, which is 12 pages, including cover. Video at: http://youtu.be/3Yj-cBS2Ets Background: Originally written as a solo, Desert Sea was performed at many events, then arranged it for choir when Deborah attended graduate school at Long Beach State University, studying under Frank Pooler who worked with the legendary music group, The Carpenters. The University Choir and band performed Desert Sea, along with other arrangements by Deborah. She then included her choral arrangement in her Master’s Thesis, which traced the history of Spirituals and Gospel songs and their influence on modern jazz. Deborah’s original arrangement of Desert Sea was modeled after a popular Christian artist at the time, Keith Green, with driving eighth notes throughout. (you can find it in the LBSU Archives!) The current updated arrangement has been re-worked, as it alternates between 3-4 and 4-4 time, feeling like 7-4. Deborah and her son, David, perform all the vocals on this recording. Deborah Johnson is not only a headliner artist, but speaker, author, composer and educator with a Master of Arts degree in composition and arranging. In the past years, she has been up for multiple Grammy Awards for her original songs, arrangements and albums. With over two dozen albums, hundreds of songs, three full-length original musicals with National Distribution and multiple books under her belt, these all make Deborah a part of a unique group of women entertainers and composers in the world. She has also been one of the first-call pianists for Disney for a number of years.  For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com Music and Lyrics by Deborah Johnson. (ASCAP) Basic production and piano tracking by Deborah. All vocals by Deborah and David Johnson. Additional production, guitars and bass by Michael Ferenci. Recorded at Ferenci Studios, Silverlake, CA.
$8.99
Paul Wehage: To You for baritone, tenor saxophone and piano
#
Paul Wehage
#
Paul Wehage: To You for barito
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
(+)
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Also Sprach Zarathustra (2001 A Space Odyssey) also Happy Birthday
#
The Candlelight Guitarist
#
Bradley Powell
#
Also Sprach Zarathustra
#
Geofonica Artistworks
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1452366 By The Candlelight Guitarist. By Richard Strauss. Arranged by Bradley Powell. 19th Century,20th Century,Classical,Fil...
(+)
Guitar - Level 3 - SKU: A0.1452366 By The Candlelight Guitarist. By Richard Strauss. Arranged by Bradley Powell. 19th Century,20th Century,Classical,Film/TV,Holiday. Guitar Tab. 4 pages. Geofonica Artistworks #1031691. Published by Geofonica Artistworks (A0.1452366). This is a solo classical guitar 'mashup'/medley of Also Sprach Zarathustra (widely known from film 2001: A Space Odyssey) by Richard Strauss with the traditional Happy Birthday song. It begins with Also Sprach Zarathustra (the portion from 2001: A Space Odyssey)--then at the penultimate dominant chord, switches to Happy Birthday in a similar style, then at the Happy Birthday penultimate dominant chord, returns to the final three melody chords of Also Sprach Zarathustra. The playing level is intermediate classical guitar... even playable by a good early intermediate player. This arrangement is in standard notation with TAB. Arranged by Bradley Powell, who records as The Candlelight Guitarist...the entire arrangement can be seen and heard at the video link provided. If a player ONLY wants to play Also Sprach Zarathustra, they can skip from the end of measure 14 to the beginning of measure 24). YouTube link: https://www.youtube.com/shorts/QgzHaRrtftQABOUT the arranger: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
$2.99
3 Financial Rags for wind quartet
#
Bill Malcolm
#
Bill Malcolm
#
3 Financial Rags for wind quar
#
Bill Malcolm
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - SKU: A0.1270145 Composed by Bill Malcolm. Arranged by Bill Malcolm. C...
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - SKU: A0.1270145 Composed by Bill Malcolm. Arranged by Bill Malcolm. Chamber,Ragtime. 26 pages. Bill Malcolm #862570. Published by Bill Malcolm (A0.1270145). I wrote these short rags as a duet for clarinet and bassoon, then during the covid shut down, I rearranged them for an eleven-piece band that met (social-distancing) in someones front yard, so the neighbours could hear, and finally for full concert band (when a band director ask me to do it.) They aren't too difficult and amuse audiences.The sound bite is The Bitcoin Rag.The instrumentation is: Flute, Clarinet in Bb, French Horn in F, and Bassoon.(even though it says English horn on the instrumentation, there are notes that go below E. H. range. A basset horn could do it.).
$20.00
Durham Concerto
#
Jon Lord
#
Durham Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra
(+)
Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra. Composed by Jon Lord. This edition: study score. Evening - architecture - dawn - architecture - cathedral - bagpipes - Durham - England - Great Britain - cathedral - Church - concerto - morning - afternoon - nocturne - Northumbrian pipes - program music - program music - students - Studies - Studies. Music Of Our Time. Downloadable, Study score. Duration 57' 0. Schott Music - Digital #Q52424. Published by Schott Music - Digital (S9.Q52424). The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mindâ€, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durhamâ€, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 20173 (3. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 (1. auch Flhr. ad lib., 3. auch Piccolotr.) · 3 · 1 - P. S. (Glsp. · Xyl. · Marimb. · Röhrengl. · Trgl. · Schlittengl. · häng. Beck. · Beckenpaar · Tamt. · Schellentr. · Tomt. · kl. Tr. · gr. Tr. · Woodbl.) (5 Spieler) - Cel. · Hfe. (ad lib.2) - Str. (16 · 14 · 12 · 10 · 8 - Minimum: 14 · 12 · 10 · 8 · 6).
$46.99
Pitch Only - Bass Clef (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
(+)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
WITCHES’ FIREDANCE at BELTANE String quartet.
#
Alan Edgar
#
WITCHES’ FIREDANCE at BE
#
Alan Edgar Ted Moon
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1518635 Composed by Alan Edgar. Romantic Period. 18 pages. Alan Edgar Ted Moon #1092735. Published by ...
(+)
String Quartet String Quartet - Level 3 - SKU: A0.1518635 Composed by Alan Edgar. Romantic Period. 18 pages. Alan Edgar Ted Moon #1092735. Published by Alan Edgar Ted Moon (A0.1518635). WITCHES’ FIREDANCE at BELTANE String quartet. Beltane continues to be observed throughout Ireland and Scotland. The Beltane celebrations on the Hill of Uisneach in Ireland and the Edinburgh Fire Festival are long-standing and beloved. These days, Beltane has been embraced by modern witches and mystics as a celebration of the energies of Spring. You can probably find a Spring festival with a maypole and a bonfire near you. Witches celebrate Beltane on May 1st as the height of Spring. They give thanks for the fertility of our planet and the ability of the Earth to renew herself. They revel in the new growth and general fecundity of the season. As co-creators with the Universe, witches also like to tap into the energy of Spring to help them bring new life into their own endeavours.They have a maypole and a bonfire. They celebrate the sexual union of Mother Earth and Green Man. The maypole is a symbol of masculine energy which is then joyfully embraced by colourful ribbons, symbolic of the beautiful abundance and diversity of our living world.Beltane is a pagan Celtic festval, but as is their wont, the Roman Catholic Church has modified it: into May Day, with participation of priests. Even the maypole upset many Christians.The sections of the piece are: Introduction to the witches theme, Witches fly in, Witches dance round the bonfire, Maypole dance, Witches inspect the finished maypole and disperse.The witches have a ground bass. I hint at their suspected spiritual allegiance to the Devil by including an occasional diabolus in musica.The Maypole Dance tune is English seventeenth C traditional.DURATION: 4 minutes.INSTRUMENTATION: String Quartet.
$29.00
King of the Faeries
#
Z
#
Parts for
#
King of the Faeries
#
©Z.M. Barnes & Rising Lark Music
#
SheetMusicPlus
Small Ensemble Drums,Flute,Guitar,Hand Percussion,Harp,Violin - Level 3 - SKU: A0.924279 Arranged by Z.M. Barnes. Folk,Halloween,World. Score and parts....
(+)
Small Ensemble Drums,Flute,Guitar,Hand Percussion,Harp,Violin - Level 3 - SKU: A0.924279 Arranged by Z.M. Barnes. Folk,Halloween,World. Score and parts. 76 pages. ©Z.M. Barnes & Rising Lark Music #3682267. Published by ©Z.M. Barnes & Rising Lark Music (A0.924279). Haunting traditional melody from Britain, set for flexible folk ensemble. Parts for Flute, Violin, Dulcimers, Harp, Guitars, and Percussion (including optional bells). Good for any time but especially appropriate for summer gatherings, for evenings, even for Halloween. Begins with the Faerie Gathering, moves to the majestic Faerie Procession, then to the closing Faerie Frenzy dance. Score, 30 pp. Parts, 42 pp. Total book, 76 pp. About 4-6 min. depending on tempos. Part of The Lark Sings series.
$13.99
Valsa Brasiliense (Brasília Waltz)
#
Ken Litton
#
Valsa Brasiliense
#
Artist of Note, Inc.
#
SheetMusicPlus
String Ensemble - Level 4 - SKU: A0.1372061 Composed by Ken Litton. 21st Century,Chamber,Contest,Festival,Folk,Multicultural,World. 17 pages. Artist of ...
(+)
String Ensemble - Level 4 - SKU: A0.1372061 Composed by Ken Litton. 21st Century,Chamber,Contest,Festival,Folk,Multicultural,World. 17 pages. Artist of Note, Inc. #955483. Published by Artist of Note, Inc. (A0.1372061). You’ve searched far and wide for a perfect concert opener (or “re-opener†after an intermission) to no avail. Well, Valsa Brasiliense/BrasÃlia Waltz may be just the ticket!The term Brasiliense refers to the residents of BrasÃlia the federal capital of Brazil. But, the original builders of the city (1958-1961) in the serrana plateau of the country, 1,000 miles into the interior came to be called “candangos.â€Â The waltz  introduction sets a largely consistent pattern of syncopated accompaniment followed by the melody in 2nd violin/viola and then all the violins. Cellos help glide the melody along until they are featured in middle section, a great feature opportunity for the section as a whole or for your principal cellist. Note that even though it lies high, that the register is not extreme. The basses propel the forward motion of the piece and contribute mightily to the surprise ending. And, that part may be played by cello or small contingent of cellos in lieu of contrabasses.Its scant 2:30 in duration also makes it nice finale for an evening with your premiere string ensemble. String orchestra/string quintet  Included are: Score, Violin 1, Violin 2, Viola, Violoncello, Contrabass (Cello 2)© 2020 ADDG/Publicações Serrana e Candango, Ltd..All rights reserved. Todos os direitos autorais reservados.See it and hear it at:  SheetMusicDirect.com  SheetMusicPlus.comOriginal music/arrangement/orchestration by Ken Litton (ASCAP) from ArrangeMe.com A Hal Leonard Company.
$16.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
#
Classique
#
Karl Friedrich Abel
#
Guido Menestrina
#
Karl Friedrich Abel - Sinfonia
#
Guido Menestrina
#
SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical....
(+)
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
Spanish Romance (Romanza - Romance D'Amor) - Exclusive Arrangement
#
Traditional
#
Glauco Fernandes
#
Spanish Romance
#
Glauco Fernandes
#
SheetMusicPlus
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1455265 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wed...
(+)
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1455265 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. 6 pages. Glauco Fernandes #1034338. Published by Glauco Fernandes (A0.1455265). Exclusive Sheet Music: Arrangement of Spanish RomanceAre you passionate about music? Then we have the perfect offer for you! We present the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Jeux Interdits, Romance d'Amour, and Romance de Amor.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece. Each note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers looking for quality teaching material, and professionals performing at events, including weddings. With precise indications, you will be able to play the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Tags: How To Play Spanish Romance, Spanish Romance Sheet, Spanish Romance PDF, Wedding Song Sheet, Wedding Sheet Music Easy, Wedding Sheet Music PDF, Wedding Chamber Music Sheet, Piano Sheet, Buy Sheet Music.
$12.99
Spanish Romance (Romanza - Romance D'Amor) - Exclusive Arrangement
#
Traditional
#
Glauco Fernandes
#
Spanish Romance
#
Glauco Fernandes
#
SheetMusicPlus
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1455262 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wed...
(+)
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1455262 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. 7 pages. Glauco Fernandes #1034334. Published by Glauco Fernandes (A0.1455262). Exclusive Sheet Music: Arrangement of Spanish RomanceAre you passionate about music? Then we have the perfect offer for you! We present the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Jeux Interdits, Romance d'Amour, and Romance de Amor.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece. Each note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers looking for quality teaching material, and professionals performing at events, including weddings. With precise indications, you will be able to play the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Tags: How To Play Spanish Romance, Spanish Romance Sheet, Spanish Romance PDF, Wedding Song Sheet, Wedding Sheet Music Easy, Wedding Sheet Music PDF, Wedding Chamber Music Sheet, Piano Sheet, Buy Sheet Music.
$14.99
Spanish Romance (Romanza - Romance D'Amor) - Exclusive Arrangement
#
Traditional
#
Glauco Fernandes
#
Spanish Romance
#
Glauco Fernandes
#
SheetMusicPlus
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1455263 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wed...
(+)
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1455263 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. 7 pages. Glauco Fernandes #1034336. Published by Glauco Fernandes (A0.1455263). Exclusive Sheet Music: Arrangement of Spanish RomanceAre you passionate about music? Then we have the perfect offer for you! We present the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Jeux Interdits, Romance d'Amour, and Romance de Amor.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece. Each note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers looking for quality teaching material, and professionals performing at events, including weddings. With precise indications, you will be able to play the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Tags: How To Play Spanish Romance, Spanish Romance Sheet, Spanish Romance PDF, Wedding Song Sheet, Wedding Sheet Music Easy, Wedding Sheet Music PDF, Wedding Chamber Music Sheet, Piano Sheet, Buy Sheet Music.
$14.99
Spanish Romance (Romanza - Romance D'Amor) - Exclusive Arrangement
#
Traditional
#
Glauco Fernandes
#
Spanish Romance
#
Glauco Fernandes
#
SheetMusicPlus
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1455264 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wed...
(+)
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1455264 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. 6 pages. Glauco Fernandes #1034337. Published by Glauco Fernandes (A0.1455264). Exclusive Sheet Music: Arrangement of Spanish RomanceAre you passionate about music? Then we have the perfect offer for you! We present the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Jeux Interdits, Romance d'Amour, and Romance de Amor.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece. Each note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers looking for quality teaching material, and professionals performing at events, including weddings. With precise indications, you will be able to play the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Tags: How To Play Spanish Romance, Spanish Romance Sheet, Spanish Romance PDF, Wedding Song Sheet, Wedding Sheet Music Easy, Wedding Sheet Music PDF, Wedding Chamber Music Sheet, Piano Sheet, Buy Sheet Music.
$12.99
<
1
26
51
....
376
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Even Then
