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Everything Has Changed
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Vous avez sélectionné:
Everything Has Changed
Partitions à imprimer
4 partitions trouvées
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Everything Has Changed (feat. Ed Sheeran)
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Taylor Swift
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Everything Has Changed
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Hal Leonard - Digital
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SheetMusicPlus
High Voice,Piano,Vocal - Interactive Download SKU: HX.1444717 By Taylor Swift. This edition: Interactive Download,scorch. Country,Pop. Score. 7 pages. Ha...
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High Voice,Piano,Vocal - Interactive Download SKU: HX.1444717 By Taylor Swift. This edition: Interactive Download,scorch. Country,Pop. Score. 7 pages. Hal Leonard - Digital #227762. Published by Hal Leonard - Digital (HX.1444717).
$4.99
Barnacle Bill
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Film/TV
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H
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Derek Hasted
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Barnacle Bill
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1431102 Composed by H. Ashworth-Hope. Arranged by Derek Hasted. Film/TV. 30 pages. Derek Hasted #1011573. Published by Derek ...
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Guitar - Level 3 - SKU: A0.1431102 Composed by H. Ashworth-Hope. Arranged by Derek Hasted. Film/TV. 30 pages. Derek Hasted #1011573. Published by Derek Hasted (A0.1431102). BARNACLE BILL (Blue Peter TV Theme) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This theme, from the UK BBC TV Children’s Programme “Blue Peter” has instant appeal to anyone who has watched that show. It makes a wonderful item for a concert, with a Rondo form and a spirited feel that’s easy to lock together.The TV show has tried different versions over the years, including one by Mike Oldfield, but my arrangement is based the full-length version as played by the Royal Philharmonic Orchestra.I’ve changed the key to D major so that everything fits on the neck of the guitar and uses familiar notes.Guitar 4 is tuned to 6=D to add more depth. An alternative Guitar 4 part in bass clef is also supplied, and here normal tuning is used.The original theme is fast. To be honest, it’s very fast indeed. But it works just fine on guitar when played a little slower.The standard is intermediate when played at a modest speed, but Guitar 1 will need an advanced intermediate player if the tempo is pushed upwards.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Hard To Say I'm Sorry
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Rock
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Chicago
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Derek Hasted
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Hard To Say I'm Sorry
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1369697 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #95...
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Guitar - Level 3 - SKU: A0.1369697 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #954061. Published by Derek Hasted (A0.1369697). HARD TO SAY I'M SORRY (Chicago)- GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarDerek Hasted writes This power ballad makes a wonderful concert item for a Guitar Quartet or large ensemble - it has a big sound for surprisingly little difficulty.My quartet has parts that increase slightly in complexity from bass to tune, so there’s something for everyone here. The bass line is supplied in both treble and bass clefs, and the two parts are identical, so for a large ensemble, you can have one or the other or both in your performance.Everything is comfortable to play, and my transcription is based closely on the official video from Chicago. I have changed the key very slightly so that the deep bass notes fit on the guitar’s bottom strings and the tune is placed comfortably on the neck. There are no page turns in the part score.The music rises and falls as the song progresses, making the dynamics happen almost automatically. But there are plenty of opportunities in the phrasing to make this piece  absolutely magical.The breathtaking key-change of the original is included!I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Stabat Mater - string ensemble parts
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Contemporain
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. ...
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Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
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