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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Exp.20
Non classifié
197
Piano & claviers
Piano seul
66
Piano, Voix et Guitare
25
Orgue
16
Instruments en Do
14
Piano Facile
13
Piano, Voix
6
1 Piano, 4 mains
4
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Ukulele
9
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
1
3 Guitares (trio)
1
Mandoline
1
+ 2 instrumentations
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Voix
Chorale SATB
59
Chorale 3 parties
9
Chorale 2 parties
7
Chorale TTBB
6
Chorale Unison
5
Voix Tenor, Piano
4
Voix haute
3
Chorale SSAA
3
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Voix duo, Piano
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Alto, Piano
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Quintette de Saxophone: 5 saxophones
14
Flûte traversière et Piano
11
Quatuor de Saxophones: 4 saxophones
10
Saxophone Alto et Piano
8
Saxophone Alto
7
Hautbois, Piano (duo)
7
Clarinette et Piano
7
Clarinette
6
Quatuor de Flûtes : 4 flûtes
6
Flûte traversière
5
2 Flûtes traversières (duo)
5
Clarinette Basse, Piano
5
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Saxophone Tenor et Piano
4
2 Saxophones (duo)
3
Flûte, Clarinette (duo)
3
3 Saxophones (trio)
3
Cor anglais, Piano
3
Ensemble de Flûtes
3
Saxophone Baryton, Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Soprano et Piano
3
Saxophone Tenor
2
Ensemble de Clarinettes
2
2 Clarinettes (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Basson et Piano
1
2 Flûte à bec (duo)
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
Ensemble de saxophones
1
Hautbois (partie séparée)
1
Hautbois
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 33 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Euphonium, Piano (duo)
9
Trombone et Piano
7
Trompette
6
Trompette, Piano
5
Tuba et Piano
4
Cor et Piano
4
Trombone
3
Cor anglais, Piano
3
Quatuor de Cuivres
2
2 Trombones (duo)
2
3 Trompettes (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Ensemble de Trombones
1
Ensemble de Tubas
1
Trio de Cuivres
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
3 Trombones (trio)
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19
Alto, Piano
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle, Piano
7
Violon (partie séparée)
7
Violon
7
Violon et Piano
7
Trio à Cordes: violon, alto, violoncelle
5
Violoncelle
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
2 Altos (duo)
2
Trio à cordes: 3 violins
2
Violoncelle (partie séparée)
2
Harpe et Orgue
2
2 Violons (duo)
2
Alto seul
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Violoncelle (duo)
2
2 Violoncelles (duo)
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Harpe
1
Violon, Alto (duo)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
154
Orchestre à Cordes
38
Orchestre
18
Cloches
15
Orchestre de chambre
8
Ensemble de cuivres
7
Marimba
4
Ensemble Jazz
3
Ensemble de Percussions
3
Jazz combo
1
Percussion (partie séparée)
1
Percussion
1
Fanfare
1
+ 8 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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LUTH, THEOR…
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PERCU. ORCH…
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SAXOPHONE
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
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Vous avez sélectionné:
Exp.20
Partitions à imprimer
197 partitions trouvées
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176
20 Contemporary Solos, Duos and Ensembles for Oboe
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Drake Mabry
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20 Contemporary Solos, Duos an
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Drake Mabry
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SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.799466 Composed by Drake Mabry. 20th Century,Contemporary,Instructional. 23 pages. Drake Mabry #1989641. Published...
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Woodwind Ensemble - Level 2 - SKU: A0.799466 Composed by Drake Mabry. 20th Century,Contemporary,Instructional. 23 pages. Drake Mabry #1989641. Published by Drake Mabry (A0.799466). This is a collection of works which include pieces which can be played as solos, duos and ensembles. Written when I was Artist in residence at the Conservatory of Music in Chalons-sur-Saone, France during the academic year 2007-2008, each one page piece is a short musical expression focusing on a specific concept found in contemporary music but written to suit players relatively new to the oboe. These pieces may be included in the normal teaching program and are also perfect for workshops where participants may have very different levels and experience. While these duets are musically satisfying in themselves, they are also etudes which will introduce players to various techniques encountered in more advanced contemporary repertoire. Without being extremely complex technically, they provide challenges in their concept and approach to musicality. They can be played as written, or they may be modified by the teacher and/or performer. Although the compositional details are important, they may be bent with musical taste. For example, improvisations based on the musical material may be inserted; or several movements may be played at the same time. Of course, pieces may be assembled into suites. Feel free to try different tempos, changing tempos, different dynamics, and different methods of sound production, even playing silently. The spatial dimensions of the performance area(s) may also be exploited. These pieces may also be appropriate for use in dance, theater, art, poetry, video, sports etc.
$9.99
Come, Thou Long-Expected Jesus (Downloadable)
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Robert J
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Come, Thou Long-Expected Jesus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ, flute - Medium - SKU: MQ.20-061-2E Composed by Robert J. Powell. Advent. 3 pages. MorningStar Music Publishers - Digital Sheet Music #20-061-2E. ...
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Organ, flute - Medium - SKU: MQ.20-061-2E Composed by Robert J. Powell. Advent. 3 pages. MorningStar Music Publishers - Digital Sheet Music #20-061-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-061-2E).
$5.00
20 Hymns for the Holidays for Guitar Ensemble
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Noël
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Various
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Donald Miller
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20 Hymns for the Holidays for
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Donald Miller Music
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1288692 Composed by Various. Arranged by Donald Miller. Advent,Christmas,Holiday. 103 pages. Donald Miller Music #879587. Pub...
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Guitar - Level 2 - SKU: A0.1288692 Composed by Various. Arranged by Donald Miller. Advent,Christmas,Holiday. 103 pages. Donald Miller Music #879587. Published by Donald Miller Music (A0.1288692). 20 Hymns for the Holidays may be played as special music or used with congregational singing. These musical selections of Thanksgiving, Advent, and Christmas will provide guitar players of all levels an opportunity to develop sight-reading skills and ensemble playing and are edited to include both pick and finger-style (classical) guitar.  Because of the great popularity of the guitar, young guitarists will become enthusiastic with their participation in your church service and older members of the congregation will appreciate the beauty of the ensemble playing the great hymns of the holiday season.Contents include:Hymns for ThanksgivingAll People that on Earth Do DwellCome Ye Thankful People, ComeFor the Beauty of the EarthFrom All that Dwell Below the SkiesNow Thank We All Our GodPraise to the Lord, the AlmightyThis is My Father’s World Hymns for AdventCome, Thou Long-Expected JesusHail to the Lord’s AnointedLove Divine, all Love’s ExcellingO Come, O Come EmmanuelO Word of God Incarnate  Hymns for ChristmasAngels We Have Heard on HighGod Rest Ye Merry GentlemenHark the Herald Angels SingIt Came Upon the Midnight ClearJoy to the WorldO Come All Ye FaithfulO Little Town of BethlehemThe First NoelIncluded are conductor scores with optional keyboard accompaniment, and separate parts which may be copied as needed.
$25.00
20 Celtic Tunes for the Bowed Psaltery
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Various
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JM Bollton
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20 Celtic Tunes for the Bowed
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JM Bolton
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SheetMusicPlus
Small Ensemble Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.932480 Composed by Various. Arranged by JM Bollton. Celtic,Folk,World. Score and parts....
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Small Ensemble Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.932480 Composed by Various. Arranged by JM Bollton. Celtic,Folk,World. Score and parts. 40 pages. JM Bolton #6637803. Published by JM Bolton (A0.932480). This book contains twenty traditional Celtic tunes arranged for the bowed psaltery or other C instrument such as the recorder, penny whistle, and fiddle. Some songs are in the original key with the addition of a version transposed into the key of C which is easier for the bowed psaltery. Songs include music from Ireland, Wales, Scotland, and Galicia. Several of them were composed by Turlough O'Carolan. This music was selected not only because it plays well on the bowed psaltery, but because some of these tunes are not well known and deserve to be heard more often. Not many books of music for the psaltery are available, and here is an opportunity to expand your repertory.
$15.99
No 20, 仰望有你的星空 (Gazing up the sky, where you are.) [Full and Simplified version]
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P
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P
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No 20, 仰望有你的星空
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P.W.Z(Taiwan)
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SheetMusicPlus
Strings Alto Saxophone,Bass Drum,Cello,Drum Set,Guitar,Horn,Piano,Timpani,Violin,Voice - Level 4 - SKU: A0.1461281 By P.W.Z(Taiwan). By P.W.Z(Taiwan). A...
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Strings Alto Saxophone,Bass Drum,Cello,Drum Set,Guitar,Horn,Piano,Timpani,Violin,Voice - Level 4 - SKU: A0.1461281 By P.W.Z(Taiwan). By P.W.Z(Taiwan). Arranged by P.W.Z(Taiwan). 21st Century,Contemporary,Pop,Singer/Songwriter,Wedding. 38 pages. P.W.Z(Taiwan) #1040083. Published by P.W.Z(Taiwan) (A0.1461281). 樂譜pdf檔包含「完整總譜」與「僅包含旋律、歌詞及和弦的簡易譜」The PDF file includes a full score and a simplified score which only includes the melody, lyrics and chords.----這首歌曲描述一對戀人,重回當初互表愛意的地方。並且回想著,若當初沒有那份勇氣向對方傾訴愛意,或許這對戀人將漸行漸遠直到淡忘對方。<mp3範例中,使用的樂器如下>(亦可使用純鋼琴伴奏,或內附的和弦自行發揮)1.中音薩克斯風(代表那位女孩)2.法國號(代表那位男孩)3.小提琴獨奏4.小提琴1部分5.小提琴2部分6.大提琴7.鋼琴8.古典吉他(X)9.定音鼓10.大鼓11.爵士鼓(X)----This song describes a couple revisiting the place where they first confessed their love to each other.As they reminisce, they reflect on how if they hadn't had the courage to express their feelings back then, they might have grown apart and eventually forgotten each other.<In this mp3 demo, Instrumentation used are as follows> (you can also use pure piano accompaniment, or improvise with the included chords)1.Alto saxophone (representing the girl)2.French horn (representing the boy)3.Violin solo4.Violin part 15.Violin part 26.Cello7.Piano8.Guitar(X)9.Timpani10.Bass drum11.Jazz drum set(X)--------【歌詞】(Lyric in Traditional Chinese)[前奏](Intro)我像一道光溫暖的悠游在妳身旁也像一陣風吹過妳微笑著的臉頰我暗自許諾我的餘生我要和妳渡過你是我的光我不曾看見你在我身旁就像一陣風它吹過我的身邊我未曾感受它親愛的你是否有些事想要告訴我[副歌*2](chorus)我要陪妳看星星陪妳過狂風暴雨陪妳太陽下漫步陪妳在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪妳看星星請妳閉上眼感受我在妳的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀[間奏](Inter)親愛的你當時若沒有開口擁抱我我想我就不會發現原來你在我身旁親愛的妳當時若沒有用心感受我我想我也不會有勇氣向妳說出我的愛親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠[副歌大合唱](chorus)我要陪你看星星陪你過狂風暴雨陪你太陽下漫步陪你在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪你看星星請你閉上眼感受我在你的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠.
$79.00
No 20, 仰望有你的星空 (Gazing up the sky, where you are.) [Simplified version ONLY]
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P
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P
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No 20, 仰望有你的星空
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P.W.Z(Taiwan)
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SheetMusicPlus
Alto Saxophone,Drum Set,Guitar,Horn,Piano,Violin,Voice - Level 4 - SKU: A0.1462609 By P.W.Z(Taiwan). By P.W.Z(Taiwan). Arranged by P.W.Z(Taiwan). 21st C...
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Alto Saxophone,Drum Set,Guitar,Horn,Piano,Violin,Voice - Level 4 - SKU: A0.1462609 By P.W.Z(Taiwan). By P.W.Z(Taiwan). Arranged by P.W.Z(Taiwan). 21st Century,Contemporary,Pop,Singer/Songwriter,Wedding. 4 pages. P.W.Z(Taiwan) #1041371. Published by P.W.Z(Taiwan) (A0.1462609). 【注意】此版本為簡易版這份樂譜pdf檔為「僅包含主旋律、歌詞及和弦的『簡易譜』」[Attention]This is a Simplified version.The PDF file contains ONLY: The Melody, Lyrics, and Chords.----這首歌曲描述一對戀人,重回當初互表愛意的地方。並且回想著,若當初沒有那份勇氣向對方傾訴愛意,或許這對戀人將漸行漸遠直到淡忘對方。<mp3範例中,使用的樂器如下>(亦可使用純鋼琴伴奏,或內附的和弦自行發揮)1.中音薩克斯風(代表那位女孩)2.法國號(代表那位男孩)3.小提琴獨奏4.小提琴1部分(X)5.小提琴2部分(X)6.大提琴(X)7.鋼琴8.古典吉他9.定音鼓(X)10.大鼓(X)11.爵士鼓----This song describes a couple revisiting the place where they first confessed their love to each other.As they reminisce, they reflect on how if they hadn't had the courage to express their feelings back then, they might have grown apart and eventually forgotten each other.<In this mp3 demo, Instrumentation used are as follows> (you can also use pure piano accompaniment, or improvise with the included chords)1.Alto saxophone (representing the girl)2.French horn (representing the boy)3.Violin solo4.Violin part 1(X)5.Violin part 2(X)6.Cello(X)7.Piano8.Guitar9.Timpani(X)10.Bass drum(X)11.Jazz drum set--------【歌詞】(Lyric in Traditional Chinese)[前奏](Intro)我像一道光溫暖的悠游在妳身旁也像一陣風吹過妳微笑著的臉頰我暗自許諾我的餘生我要和妳渡過你是我的光我不曾看見你在我身旁就像一陣風它吹過我的身邊我未曾感受它親愛的你是否有些事想要告訴我[副歌*2](chorus)我要陪妳看星星陪妳過狂風暴雨陪妳太陽下漫步陪妳在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪妳看星星請妳閉上眼感受我在妳的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀[間奏](Inter)親愛的你當時若沒有開口擁抱我我想我就不會發現原來你在我身旁親愛的妳當時若沒有用心感受我我想我也不會有勇氣向妳說出我的愛親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠[副歌大合唱](chorus)我要陪你看星星陪你過狂風暴雨陪你太陽下漫步陪你在青青河畔邊有你陪我看星星給我輕輕一個吻用你的那件外套披在我淋濕的肩上我答應陪你看星星請你閉上眼感受我在你的額頭深情的一個吻親愛的有你在身旁我不會孤單讓我張開我雙手擁抱在我身邊的你呀親愛的我感謝遇見你這朵梔子花它代表我所許諾的永遠.
$20.00
The Polar Express
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Alan Silvestri and Glen Ballar
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Roger Wallace
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The Polar Express
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Roger Wallace
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SheetMusicPlus
Trombone - Level 4 - SKU: A0.512940 Composed by Alan Silvestri and Glen Ballard. Arranged by Roger Wallace. Christmas,Contemporary,Film/TV,Holiday. 20 p...
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Trombone - Level 4 - SKU: A0.512940 Composed by Alan Silvestri and Glen Ballard. Arranged by Roger Wallace. Christmas,Contemporary,Film/TV,Holiday. 20 pages. Roger Wallace #6029287. Published by Roger Wallace (A0.512940). Song Title: Believe Trombone Trio. Features middle and low voices in the verse and high voice in the chorus.Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Trio.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, E-flat Bass, B-flat Bass Also playable by Bassoon Trio. NOTE: Audio sample clip begins at Measure 13 (9 measures after Letter A). A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$12.99
The Polar Express
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Film/TV
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Alan Silvestri
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Roger Wallace
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The Polar Express
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Roger Wallace
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SheetMusicPlus
Baritone Horn TC,Euphonium,Trombone,Tuba - Level 4 - SKU: A0.1153158 By Alan Silvestri. By Alan Silvestri and Glen Ballard. Arranged by Roger Wallace. C...
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Baritone Horn TC,Euphonium,Trombone,Tuba - Level 4 - SKU: A0.1153158 By Alan Silvestri. By Alan Silvestri and Glen Ballard. Arranged by Roger Wallace. Christmas,Contemporary,Film/TV,Holiday. 20 pages. Roger Wallace #753400. Published by Roger Wallace (A0.1153158). Song Title: Believe Trombone Trio. Features middle and low voices in the verse and high voice in the chorus. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Trio.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, E-flat Bass, B-flat BassAlso playable by Bassoon Trio. NOTE: Audio sample clip begins at Measure 13 (9 measures after Letter A). A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$12.99
Sinfonietta for Percussion Trio
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Contemporain
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measure 41, the transition has
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Dan Heslink
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Sinfonietta for Percussion Tri
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Pharaoh Publications
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SheetMusicPlus
Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - SKU: A0.935386 Composed by Dan Heslink. Contemporary...
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Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo. The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion. Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Vistas (score - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861811 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 24 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861811 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 24 pages. Mark O'Connor Musik International #6202301. Published by Mark O'Connor Musik International (A0.861811). Vistas (score – vln, vla, cel) MO143AScore (parts available)Music by Mark O’Connor20 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony ClassicalCatalogue Number MO143ACopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50
Pour me Another One (King David and his Troops) from "The Kings" - ACT 2:Song 6
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McCorkle, Dennis F
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and he made him drunk
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Pour me Another One
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCor...
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Choral Choir (4-Part) - Level 3 - SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11755. Published by DF McCorkle Music and eBook Publications (A0.784832). ACT TWO: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:12-13 - And David said to Uriah: ‘Tarry here to-day also, and to-morrow I will let thee depart.’ So Uriah abode in Jerusalem that day, and the morrow. 13 And when David had called him, he did eat and drink before him; and he made him drunk; and at even he went out to lie on his bed with the servants of his lord, but went not down to his house.] In fear of being exposed, DAVID has her husband brought back from the field with the hope that he will have relations with his wife covering up his own indiscretion. URIAH, a conscientious soldier, returns home, but sleeps outside on his steps out of respect for the men still fighting on the front. Seeing that his ploy has not worked, he has URIAH and some of his men over to the palace for drinks [Pour Me Another One – Troops, Uriah and David]. Getting URIAH drunk, DAVID has him escorted home, but as before he sleeps outside. As a last desperate measure, he sends a letter for JOAB (David’s commander and confidant) back with URIAH to place URIAH on the front line and then have the rest of the troops pull back leaving him exposed. URIAH is killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Brother James' Air
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Musique Sacrée
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Dale Wood
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Brother James' Air
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Sacred Music Press
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SheetMusicPlus
Handbells (4-5 octaves) - Level 2 SKU: LO.20-1166S Composed by Dale Wood. Sacred. Handbell score. Sacred Music Press #20/1166S. Published by Sacred Music...
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Handbells (4-5 octaves) - Level 2 SKU: LO.20-1166S Composed by Dale Wood. Sacred. Handbell score. Sacred Music Press #20/1166S. Published by Sacred Music Press (LO.20-1166S). UPC: 000308044935.The popular arrangement of this beloved tune from Wood Works for Organ has now been expertly transcribed for handbells and optional handchimes by a leading expert. The results yield a setting that is stunning in its beautiful art of tranquil simplicity.
Song List
: Brother James Air (4 or 5 Octaves)
$5.50
Vistas (viola part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861809 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861809 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202313. Published by Mark O'Connor Musik International (A0.861809). Vistas (viola – vln, vla, cel) MO143CViola Part (score and parts available)Music by Mark O’Connor7 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical Vistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony Classical Catalogue Number MO143CCopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Vistas (violin part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861810 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861810 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202307. Published by Mark O'Connor Musik International (A0.861810). Vistas (violin part – vln, vla, cel) MO143BViolin Part (score and parts available)Music by Mark O’Connor6 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony Classical Catalogue Number MO143BCopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Vistas (cello part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861812 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861812 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6202317. Published by Mark O'Connor Musik International (A0.861812). Vistas (cello – vln, vla, cel) MO143DCello Part (score and parts available)Music by Mark O’Connor8 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony ClassicalCatalogue Number MO143DCopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Are we on the same page?
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Cecilia McDowall
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Are we on the same page?
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193200128 Composed by Cecilia McDowall. Score. 20 pages. Oxford University Press Digital #9780193200128. Published by Oxford University Pres...
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SKU: OX.9780193200128 Composed by Cecilia McDowall. Score. 20 pages. Oxford University Press Digital #9780193200128. Published by Oxford University Press Digital (OX.9780193200128). ISBN 9780193200128.Written as the test piece for the CAVATINA Intercollegiate String Quartet Competition held at Trinity Laban Conservatoire, this short piece gives ensembles an opportunity to display their creativity by allowing experimentation with texture, dynamics, and articulation.
$25.99
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)
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Edwin Penhorwood
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You Are Not Dying, Madame from
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Solo voices, piano - Medium - SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Pu...
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Solo voices, piano - Medium - SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00
Prometheus
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Kurt Bikkembergs
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Prometheus
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Schott Music - Digital
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SheetMusicPlus
Mixed choir and soprano solo - advanced - SKU: S9.Q11694 For mixed choir and soprano solo. Composed by Kurt Bikkembergs. This edition: score. Sch...
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Mixed choir and soprano solo - advanced - SKU: S9.Q11694 For mixed choir and soprano solo. Composed by Kurt Bikkembergs. This edition: score. Schott Chamber Choir. Downloadable, Score. Duration 20 minutes. Schott Music - Digital #Q11694. Published by Schott Music - Digital (S9.Q11694). German.The Belgian composer and conductor Kurt Bikkembergs (*1963) has turned Goethe's Sturm und Drang hymn 'Prometheus' into an impressive four-part choral setting with soprano solo: Onomatopoetic and spoken elements alternate with declamatory passages, sound effects with chordal, expressively catapulted sounds, mysterious chord shifts with sprinkles of imitation. Bikkembergs exploits the choral possibilities to the extreme, includes even scenic elements and has created a composition that is rewarding for the performer and exciting for the audience – a valuable addition to the repertoire!
$12.99
Pastoral & Musette
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Franklin Stover
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Pastoral & Musette
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Edition Hohenstaufen
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SheetMusicPlus
Cornet,Instrumental Duet - Level 4 - SKU: A0.1307516 Composed by Franklin Stover. 20th Century,21st Century,Chamber,Classical. 20 pages. Edition Hohenst...
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Cornet,Instrumental Duet - Level 4 - SKU: A0.1307516 Composed by Franklin Stover. 20th Century,21st Century,Chamber,Classical. 20 pages. Edition Hohenstaufen #896776. Published by Edition Hohenstaufen (A0.1307516). A two movement work originally for octavin (Bb) and piano. The octavin may be substituted for cornet or trumpet is desired. Composed in 2007, the Pastoral attempts to exploit the octavins' plaintive character, while the Musette explores a more jocular side with reference to J.S. Bach's Musette in D, BWV 126.
$8.00
A New Tattoo: Scottish Landscape (for flute ensemble or large flute choir - score and parts)
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Jeffrey Hoover
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A New Tattoo: Scottish Landsca
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Musicart Publications
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.971647 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. 200 pages. Musicart Publications #433011...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.971647 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. 200 pages. Musicart Publications #4330117. Published by Musicart Publications (A0.971647). A New Tattoo: Scottish Landscape. Score and parts available for immediate download and use - 199 pages. 12 min. 30 sec. For five flutes (picc, 3 fl, alto fl) expandable to large flute choir with optional string bass and small percussion. A tattoo is an exciting performance of pipe and drum bands. In recent years tattoos have come to include other entertainments as well. In five movements, A New Tattoo: Scottish Landscape shares a range of Scottish life – from a contemporary Tattoo to rich stories captured in lyrical ballads, the skirl and sound of bagpipes, dancing, and celebrations. A New Tattoo was commissioned by Lee Glendening Koss for The Silvertones of Maplewood Community Music, Maplewood, New Jersey.Required: piccolo, 3 flutes, alto flute. Full choir: 2 picc, G treble flute, Eb flute, flutes 1 - 5 (5th flute may double on percussion), 6th flute as alto 1 substitute for rehearsals, 2 alto flutes, bass flute, contrabass flute, string bass, small percussion.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$38.00
Silent Durations XLa (a Zen experience)
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Contemporain
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Drake Mabry
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Silent Durations XLa
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Drake Mabry
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Viola - Level 3 - SKU: A0.799503 Composed by Drake Mabry. Contemporary. Score and parts. 9 pages. Drake Mabry #3531327. Pu...
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Small Ensemble Cello,Clarinet,Viola - Level 3 - SKU: A0.799503 Composed by Drake Mabry. Contemporary. Score and parts. 9 pages. Drake Mabry #3531327. Published by Drake Mabry (A0.799503). Silent Durations XLa (a Zen experience) features the warm and friendly tone colors of the clarinet, viola and cello. The work celebrates the intimacy of a kind of chamber music that draws its expression on virtually equal amounts of silence and sound. Sometimes as a trio, other times as a duet and there are several solo passages. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. This one-movement work explores the various combination of tone colors and musical expressions available with this ensemble. The duration is 8'20.
$5.99
Dora PejaÄević: "Chanson sans parole (op. 5)" Arrangement for 3 flutes and alto flute by Yuki Hase
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević: "C
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Edition les bons concerts
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 2 - SKU: A0.1033843 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. Concert,Romantic...
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 2 - SKU: A0.1033843 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. Concert,Romantic Period,Standards. 13 pages. Edition les bons concerts #6663691. Published by Edition les bons concerts (A0.1033843). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century (This early work is still quite simple).The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The recording/Youtube is by Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crepy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)
$8.75
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