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Quatuor à cordes : 4 altos
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Orchestre
67
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34
Ensemble de cuivres
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Festival Choir
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Hosanna In Excelsis Deo (SAB Choir & Full Orchestra)
Large Ensemble,Strings B-Flat Clarinet,B-Flat Trumpet,Bassoon,Choir,Flute,Keyboard,Timpani…
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Large Ensemble,Strings B-Flat Clarinet,B-Flat Trumpet,Bassoon,Choir,Flute,Keyboard,Timpani,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.725085 By Paul Barker Music. By Paul Barker. Baroque,Christmas,Contemporary,Contest,Festival,Sacred. Score and parts. 58 pages. Paul Barker Music #2941693. Published by Paul Barker Music (A0.725085). Hosanna In Excelsis Deo is a vibrant contemporary concert piece set to traditional Latin text for SAB Choir and Full Orchestra. Refreshing sequential melodic lines and rousing orchestration make this piece ideal for choirs and orchestras of all sizes and performance occasions. The piece is designed to be very accessible to learn so suitable for youth and more advanced choirs and orchestras alike. Also available for SAB Choir & Keyboard, String Orchestra and as a spectacular arrangement for Full Orchestra. Includes Conductor Score, Choral Score and Instrumental Parts. Additional Vocal scores are available from this site and www.paulbarkermusic.com Professional Accompaniment MP3 is available from this site and directly from www.paulbarkermusic.com Duration: 2:40 Level: Intermediate (UK Grade 5+ & USA 2+) Occasion: Concert - Festivals - Concert Finale - Celebration Orchestration: SAB Choir - Full Orchestra
$32.95
30.46 €
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Paul Barker Music
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Hosanna In Excelsis Deo
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Paul Barker Music
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SheetMusicPlus
The Bamboula Rhapsodic Dance for Brass Choir
Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SK…
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Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1046907 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 123 pages. Charles Decker Music Press #651405. Published by Charles Decker Music Press (A0.1046907). This brilliant brass choir arrangement captures the excitement of the composer’s 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The ten-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat), 4 horns, 3 trombones, euphonium and tuba and is a tour de force for ambitious brass choirs guaranteed to inspire performers and excite audiences.  The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99
36.97 €
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Samuel Coleridge-Taylor
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Richard Decker
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The Bamboula Rhapsodic Dance for Brass Choir
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Charles Decker Music Press
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SheetMusicPlus
Angelus (SATB Choir & String Orchestra)
Strings Choir - Digital Download SKU: A0.1239831 By Paul Barker Music. By Paul Bark…
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Strings Choir - Digital Download SKU: A0.1239831 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Spiritual. 84 pages. Paul Barker Music #835227. Published by Paul Barker Music (A0.1239831). Prepare to be captivated by the mesmerizing sound of the Angelus choral suite for SATB Choir & String Orchestra. This emotionally charged choral showcase is the epitome of musical drama, perfect for enthralling audiences at concerts, festivals, graduations, and contests alike. Piano Accompaniment MP3 available hereOrchestral Accompaniment MP3 available herePerformance Recording is available hereLevel: Intermediate (UK Grade 5+ and USA 2+)Duration: 8:00Occasion: Main Concerts - Festivals - Graduations - CompetitionsInstrumentation: SATB Choir & String OrchestraAvailable in the following formats:Choir & Piano: SSA – SAB – SATBChoir & Orchestra: SAB/SATB and String/Full OrchestraOrchestral: Brass Ensemble - String Orchestra - Full Orchestra
$35.00
32.36 €
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Paul Barker Music
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String Orchestra
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Angelus
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Paul Barker Music
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SheetMusicPlus
Spiritu Sancto (SATB Choir & String Orchestra)
Strings Choir - Level 3 - Digital Download SKU: A0.1239332 By Paul Barker Music. By…
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Strings Choir - Level 3 - Digital Download SKU: A0.1239332 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Spiritual. 26 pages. Paul Barker Music #834727. Published by Paul Barker Music (A0.1239332). Spiritu Sancto is a breathtaking new work for SATB Choir and String Orchestra that captivates audiences with its dramatic melodic lines. The powerful use of dynamics and tempo creates an immersive experience, taking listeners on a musical journey that evokes a range of extreme emotions. A perfect concert finale, leaving audiences in awe of its profound impact. Also available as part of the three-movement choral suite, Angelus with Piano or String orchestra instrumentation. Piano Accompaniment MP3 available hereOrchestral Accompaniment MP3 available herePerformance Recording is available hereLevel: Intermediate (UK Grade 5+ and USA 2+)Duration: 2:30Occasion: Main Concerts - Festivals - CompetitionsInstrumentation: SATB Choir & String OrchestraAvailable in the following formats:Choir & Piano: SSA – SAB – SATBChoir & Orchestra: SAB/SATB and String/Full OrchestraOrchestral: Brass Ensemble - String Orchestra - Full Orchestra
$32.95
30.46 €
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Paul Barker Music
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Spiritu Sancto
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Paul Barker Music
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SheetMusicPlus
Sancta Maria (SAB Choir & String Orchestra)
Strings Choir - Level 3 - Digital Download SKU: A0.1238728 By Paul Barker Music. By…
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Strings Choir - Level 3 - Digital Download SKU: A0.1238728 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Spiritual. 38 pages. Paul Barker Music #834170. Published by Paul Barker Music (A0.1238728). Sancta Maria is a captivating contemporary work for SAB Choir & String Orchestra that enchants listeners with its reflective, lyrical, and passionate melodic lines. The soaring phrases tug at the heartstrings, while the rich harmonies add depth, stature, and complexity to the music. Also available as part of the three-movement choral suite, Angelus with Piano or String Orchestra instrumentation. Piano Accompaniment MP3 available hereOrchestral Accompaniment MP3 available herePerformance recording is available hereLevel: Intermediate (UK Grade 5+ and USA 2+)Duration: 3:10Occasion: Main Concerts - Festivals - CompetitionsInstrumentation: SAB Choir & PianoAvailable in the following formats:Choir & Piano: SSA – SAB – SATBChoir & Orchestra: SAB/SATB and String/Full OrchestraOrchestral: Brass Ensemble - String Orchestra - Full Orchestra
$32.95
30.46 €
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Paul Barker Music
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Sancta Maria
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Paul Barker Music
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SheetMusicPlus
Festival Song
Chorus - Digital Download SKU: AX.00-PO-0002181 Festival Song - 3-Part Mixed…
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Chorus - Digital Download SKU: AX.00-PO-0002181 Festival Song - 3-Part Mixed. Composed by Dave Perry and Jean Perry. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0002181. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002181). UPC: 038081186955.Fill the air with joyful sound. This well-crafted piece practically sings itself-perfect for young and developing 2 and 3-part choirs. Dave and Jean Perry have filled the score with well-written counter lines, rhythmic excitement, and repetition for easy learning. For year round use, including your holiday concerts. And, naturally, it's great for festivals.
$2.25
2.08 €
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Dave Perry and Jean Perry
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Festival Song
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Patriotic Festival
Chorus - Digital Download SKU: AX.00-PO-0002927 A Patriotic Festival - 3-Part Mi…
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Chorus - Digital Download SKU: AX.00-PO-0002927 A Patriotic Festival - 3-Part Mixed. Arranged by Mark Williams. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0002927. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002927). UPC: 038081017099.This useful medley combines four rousing patriotic numbers (I'm a Yankee Doodle Dandy, America, America the Beautiful, and Battle Hymn of the Republic) into one glorious choral work. The optional band accompaniment is easy and effective. A fine choice for choir and band, combined choirs or choir alone. Or use the SoundTrax cassette to replicate the full band sound.Band and Chorus; Recorded Acc. Available.
$2.25
2.08 €
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Mark Williams
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Recorded Acc. Available.
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A Patriotic Festival
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giova…
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Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.33 €
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95
44.33 €
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Co…
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.33 €
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95
44.33 €
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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jmsgu3
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SheetMusicPlus
Russian Easter Festival Overture for 8-part Trombone Choir w. opt. Timpani
Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.792080 Composed by Nik…
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Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.792080 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Kempton, Jeremy Niles. Romantic Period. Score and parts. 51 pages. Gordon Cherry #3241779. Published by Gordon Cherry (A0.792080). Rimsky-Korsakov's great Russian Easter Festival Overture has been beautifully arranged (slightly abridged) by Jeremy Niles Kempton for 8-part Trombone choir with optional Timpani. The arrangement is about 12 minutes in length and is appropriate for advanced performers.
$25.00
23.11 €
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Nikolay Andreyevich Rimsky-Korsakov
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Kempton, Jeremy Niles
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Russian Easter Festival Overture for 8-part Trombone Choir w. opt. Timpani
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Gordon Cherry
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SheetMusicPlus
The First Song of Isaiah (Festival Edition)
Choir Sacred 2 Trumpets, 2 Trombones, Timpani, 3-5 Octaves of Handbells - Digital Download…
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Choir Sacred 2 Trumpets, 2 Trombones, Timpani, 3-5 Octaves of Handbells - Digital Download SKU: JX.00-GCMR9610A Composed by Jack Noble White. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. H. W. Gray. Sacred. Part(s). 15 pages. H. W. Gray #00-GCMR9610A. Published by H. W. Gray (JX.00-GCMR9610A). English.Since it was first published in 1976, Jack Noble White's FIRST SONG OF ISAIAH has been sung by millions of people worldwide. Now we commemorate the 20th anniversary of this phenomenal anthem with a new FESTIVAL EDITION! Replacing the original piano, bass and drums with organ, brass quartet, timpani and handbells, the FESTIVAL EDITION also adds an extended choral and instrumental introduction, suitable for procession, as well as a Coda. The composer has added notes outlining various performance options. For festival or general use. (Editor's Note: THE FIRST SONG OF ISAIAH (Festival Edition) is compatible with the 1976 edition.).
$35.00
32.36 €
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Jack Noble White
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Choral Octavo
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The First Song of Isaiah
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H. W. Gray
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SheetMusicPlus
The K. K. Davis Junior Choir Book for Sacred and Festival Occasions (Downloadable)
SA Junior choir and keyboard - Digital Download SKU: MQ.1.3005-E Composed by Kather…
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SA Junior choir and keyboard - Digital Download SKU: MQ.1.3005-E Composed by Katherine K. Davis. Christmas, Easter, Thanksgiving, Funeral. 26 pages. Galaxy Music Corporation - Digital #1.3005-E. Published by Galaxy Music Corporation - Digital (MQ.1.3005-E). English.Eleven pieces for Christmas, Easter, Thanksgiving and devotional occasions arranged by K. K. Davis for SA Junior Choir.
$4.15
3.84 €
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Katherine K
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The K. K. Davis Junior Choir Book for Sacred and Festival Occasions
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Galaxy Music Corporation - Digital
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SheetMusicPlus
A Festival of Hymns: The Writers Tell Their Stories
Choir Sacred - Digital Download SKU: JX.00-GBM0001HB Composed by Hal H. Hopson. Thi…
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Choir Sacred - Digital Download SKU: JX.00-GBM0001HB Composed by Hal H. Hopson. This edition: Handbell Score. Choral (Sacred); Choral Octavo; Larger Works; Performance Music Ensemble; Worship Resources. H. W. Gray. Hymn; Sacred. Score. 8 pages. H. W. Gray #00-GBM0001HB. Published by H. W. Gray (JX.00-GBM0001HB). English.In the same tradition as his popular A Festival of Lessons and Carols and Tenebrae: A Service of Darkness, Hopson has created a unique festival service featuring hymn writers through the ages. This is an historical overview of hymnody, featuring eleven significant hymn writers, from fourth-century Bishop Ambrose through twentieth-century Sydney Carter, telling their own stories in the first person.
$3.00
2.77 €
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Hal H
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Choral Octavo
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A Festival of Hymns: The Writers Tell Their Stories
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H. W. Gray
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SheetMusicPlus
Saxophone Festival Series Toccata by Frescobaldi for Sax Choir
Small Ensemble - Level 4 - Digital Download SKU: A0.876962 Composed by Girolamo Fre…
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Small Ensemble - Level 4 - Digital Download SKU: A0.876962 Composed by Girolamo Frescobaldi. Arranged by David Flatt. Baroque,Concert,Graduation. Score and parts. 62 pages. David Flatt #3074543. Published by David Flatt (A0.876962). The Toccata by Frescobaldi is the SECOND-MOST played toccata in the world. After the Bach Toccata, the orchestration of this baroque masterwork is known world wide. Set for a triple quartet sax choir, the sonorous organ-like sound will fill any auditorium or venue. The upper four parts must be able to flow in the 32nd note runs to give this piece wings. A pure joy to listen to. .
$20.00
18.49 €
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Girolamo Frescobaldi
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David Flatt
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Saxophone Festival Series Toccata by Frescobaldi for Sax Choir
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David Flatt
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SheetMusicPlus
Saxophone Festival Series A Mighty Fortress is Our God - A Bach fantasy for sax choir
Small Ensemble - Level 3 - Digital Download SKU: A0.876965 Composed by Johann Sebas…
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Small Ensemble - Level 3 - Digital Download SKU: A0.876965 Composed by Johann Sebastian Bach. Arranged by David Flatt. Baroque,Christian. Score and parts. 28 pages. David Flatt #3075587. Published by David Flatt (A0.876965). J.S. Bach's famous Lutheran Melody for sax choir. The Chorale styling opens the piece to a large sound. Next is a trio section that features soprano sax 1 and 2 with alto sax 1. The third section closes with a restatement of the theme with sopranos providing filigree against the melody.
$15.00
13.87 €
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Johann Sebastian Bach
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David Flatt
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Saxophone Festival Series A Mighty Fortress is Our God - A Bach fantasy for sax choir
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David Flatt
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SheetMusicPlus
Saxophone Festival Series Prelude - Dawn on the River Moskva for Sax Choir
Small Ensemble - Level 4 - Digital Download SKU: A0.876964 Composed by Modest Petro…
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Small Ensemble - Level 4 - Digital Download SKU: A0.876964 Composed by Modest Petrovich Mussorgsky. Arranged by David Flatt. Romantic Period. Score and parts. 45 pages. David Flatt #3075961. Published by David Flatt (A0.876964). Mussorgsky's prelude to his opera Khovanshina. Arranged for Sax Choir (Triple Sax Quartet) to showcase a beautiful Russian melody. Several variations set the melody well. There is even a Steeple church bell effect. Watch for the tricky keys and flowing 16ths.
$15.00
13.87 €
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Modest Petrovich Mussorgsky
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David Flatt
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Saxophone Festival Series Prelude - Dawn on the River Moskva for Sax Choir
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David Flatt
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SheetMusicPlus
Megalinario "Es justo en verdad..." for mixed choir (SAATTBB)
Choral Choir - Level 4 - Digital Download SKU: A0.1195002 Composed by Javier MartÃ…
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Choral Choir - Level 4 - Digital Download SKU: A0.1195002 Composed by Javier MartÃnez-RamÃrez. A Cappella,Easter,Multicultural,Religious,Sacred,World. Octavo. 3 pages. Publicado por Ediciones Martienz. #794183. Published by Publicado por Ediciones Martienz. (A0.1195002). Javier MartiÌnez-RamiÌrez is a Mexican composer and choral conductor. He studied opera, choral conducting and composition in the Faculty of Music of the National Autonomous University of Mexico (UNAM). He also took Byzantine Music classes in the Antiochian Orthodox Church. He received the first place in the First National Contest of Children’s Choral Composition (1999) and the second place in the Fourth National Contest of Choral Composition (2001). Some choral works have been edited by the Sistema Nacional de Fomento Musical and by the FundacioÌn Coral MeÌxico for the America Cantat IV Festival. He has been director of the School of Fine Arts of Toluca Choir, of the Ibero-American University Choir, of the St. George Orthodox Cathedral Choir and OMNES Ensamble Vocal Masculino.
$2.99
2.76 €
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Javier MartÃnez-RamÃrez
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Megalinario "Es justo en verdad..." for mixed choir
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Publicado por Ediciones Martienz.
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SheetMusicPlus
Ave Maria Náhuatl for mixed choir (SSAATTBB)
Choral Choir - Level 4 - Digital Download SKU: A0.1194990 Composed by Javier MartÃ…
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Choral Choir - Level 4 - Digital Download SKU: A0.1194990 Composed by Javier MartÃnez-RamÃrez. A Cappella,Contemporary,Multicultural,Religious,Sacred,World. Octavo. 17 pages. Publicado por Ediciones Martienz. #794166. Published by Publicado por Ediciones Martienz. (A0.1194990). Javier MartiÌnez-RamiÌrez is a Mexican composer and choral conductor. He studied opera, choral conducting and composition in the Faculty of Music of the National Autonomous University of Mexico (UNAM). He also took Byzantine Music classes in the Antiochian Orthodox Church. He received the first place in the First National Contest of Children’s Choral Composition (1999) and the second place in the Fourth National Contest of Choral Composition (2001). Some choral works have been edited by the Sistema Nacional de Fomento Musical and by the FundacioÌn Coral MeÌxico for the America Cantat IV Festival. He has been director of the School of Fine Arts of Toluca Choir, of the Ibero-American University Choir, of the St. George Orthodox Cathedral Choir and OMNES Ensamble Vocal Masculino.
$3.99
3.69 €
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Javier MartÃnez-RamÃrez
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Ave Maria Náhuatl for mixed choir
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Publicado por Ediciones Martienz.
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SheetMusicPlus
Christmas Day Feeling - (New! original! 2-Part Vocal and Piano - Choir FULL SCORE)
Choral Choir - Level 2 - Digital Download SKU: A0.1147246 Composed by Australian co…
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Choral Choir - Level 2 - Digital Download SKU: A0.1147246 Composed by Australian composer, Rebecca Summers. Children,Christmas,Contemporary,Contest,Festival,Holiday. Octavo. 15 pages. Rebecca Summers #747444. Published by Rebecca Summers (A0.1147246). A Christmas song with a difference! Written for soloist, choir and piano, this Christmas song celebrates the excitement felt on Christmas Day, the joy of family and creation of lasting memories and doesn't mention snow, Santa or religion once! Great for Christmas Concerts with whole-school performance of the choir part possible. The addition of drum kit makes this a real toe-tapping, crowd-pleaser. Originally written about North Arm, a town in Queensland, Australia. Parts available for Piano only, Vocal only and Choir only.
$4.95
4.58 €
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Australian composer, Rebecca Summers
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Christmas Day Feeling -
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Rebecca Summers
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SheetMusicPlus
Elegía por las víctimas inocentes for mixed choir (SATB with divisi)
Choral Choir - Level 5 - Digital Download SKU: A0.1195193 Composed by Javier MartÃ…
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Choral Choir - Level 5 - Digital Download SKU: A0.1195193 Composed by Javier MartÃnez-RamÃrez. A Cappella,Classical,Contemporary,Opera,Religious. Octavo. 5 pages. Publicado por Ediciones Martienz. #794373. Published by Publicado por Ediciones Martienz. (A0.1195193). Javier MartiÌnez-RamiÌrez is a Mexican composer and choral conductor. He studied opera, choral conducting and composition in the Faculty of Music of the National Autonomous University of Mexico (UNAM). He also took Byzantine Music classes in the Antiochian Orthodox Church. He received the first place in the First National Contest of Children’s Choral Composition (1999) and the second place in the Fourth National Contest of Choral Composition (2001). Some choral works have been edited by the Sistema Nacional de Fomento Musical and by the FundacioÌn Coral MeÌxico for the America Cantat IV Festival. He has been director of the School of Fine Arts of Toluca Choir, of the Ibero-American University Choir, of the St. George Orthodox Cathedral Choir and OMNES Ensamble Vocal Masculino.
$3.99
3.69 €
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Javier MartÃnez-RamÃrez
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Elegía por las víctimas inocentes for mixed choir
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Publicado por Ediciones Martienz.
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SheetMusicPlus
This is our World (cantata for youth choir, SATB, and piano)
Choral Choir - Level 3 - Digital Download SKU: A0.1174034 Composed by Alan Bullard.…
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Choral Choir - Level 3 - Digital Download SKU: A0.1174034 Composed by Alan Bullard. Children,Contemporary,Contest,Festival,Multicultural,World. Octavo. 40 pages. Colne Edition / BullardMusic #774198. Published by Colne Edition / BullardMusic (A0.1174034). This is our World is a cantata with an ecological focus, which contrasts verses written by today's young people with poets from the past, resulting in a lively and colourful response to our hopes and dreams for the future. It is scored for SATB choir, youth choir in one or two parts, and piano (or piano duet) or small orchestra. Three of the movements are also available separately in arrangements for youth choir alone with piano.For more details, please visit www.alanbullard.co.uk
$3.99
3.69 €
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Alan Bullard
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This is our World
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Colne Edition / BullardMusic
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SheetMusicPlus
Senza Paura (SATB Choir & Strings)
Large Ensemble,Strings Choir,Piano - Level 3 - Digital Download SKU: A0.725138 By P…
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Large Ensemble,Strings Choir,Piano - Level 3 - Digital Download SKU: A0.725138 By Paul Barker Music. By Paul Barker. 20th Century,Contemporary,Contest,Easter,Festival,Spiritual. Score and parts. 29 pages. Paul Barker Music #3508277. Published by Paul Barker Music (A0.725138). Senza Paura translates to mean unafraid in Italian. This new work for SATB Choir, Strings and Piano has memorable melodic lines and lush harmonies reinforcing the powers of positive thinking and sensitivity – an ideal thoughtful moment in the middle of your choral programme. Also available for SATB Choir and Piano. This product includes a Conductor Score, Instrumental Parts and one Vocal Score - Additional Vocal Scores can be purchased separately from this site and at www.paulbarkermusic.com. Professional Accompaniment MP3 is available from this site and directly from www.paulbarkermusic.com ​Duration: 3:00 Level: Intermediate (UK Grade 5+ & USA 3) Occasion: General Concert - Formal/Informal Orchestration: SATB Choir & Chamber Ensemble/Piano
$32.95
30.46 €
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Paul Barker Music
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Senza Paura
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Paul Barker Music
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SheetMusicPlus
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