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--INSTRUMENTS--
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Finding a Way: Flute
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
Finding a Way: Flute
Partitions à imprimer
7 partitions trouvées
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Oogway Ascends
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Hans Zimmer and John Powell
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Bonnie Bao
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Oogway Ascends
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enbnwindarr
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Tenor Saxophone - Level 3 - SKU: A0.720869 Composed by Hans Zimmer and John Powell. Arranged by Bonnie...
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Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Tenor Saxophone - Level 3 - SKU: A0.720869 Composed by Hans Zimmer and John Powell. Arranged by Bonnie Bao. Children,Film/TV,Patriotic,Pop,Traditional. 3 pages. Enbnwindarr #329256. Published by enbnwindarr (A0.720869). Oogway ascends is a beautiful piece in film music. I chose flute, clarinet and tenor sax because it's beautiful wind sound to express all the emotions in the piece. You should deffinitely try playing it, at first, I arranged it for tenor sax because of the absence of other musicians, but then only had I realised the beauty of woodwinds, clearly expressed. It is the sound I wanted, I exclaimed in joy, in excitement of finding a jewel.
$12.99
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Flute,Piano,Violin - Level 3 - SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba ...
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Cello,Flute,Piano,Violin - Level 3 - SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965759. Published by Barabba Music (A0.1381044). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and oboe in place of the flute available. For more information visit www.jasonbarabba.com.
$45.60
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Clarinet,Piano,Violin - Level 3 - SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barab...
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Cello,Clarinet,Piano,Violin - Level 3 - SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965749. Published by Barabba Music (A0.1381033). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with Flute and Oboe in place of the clarinet available. For more information visit www.jasonbarabba.com.
$45.60
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Oboe,Piano,Violin - Level 3 - SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba M...
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Cello,Oboe,Piano,Violin - Level 3 - SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965763. Published by Barabba Music (A0.1381048). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and flute in place of the oboe available. For more information visit www.jasonbarabba.com.
$45.60
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
46 Folk Tunes for the Bowed Psaltery
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Folklorique/Traditionel
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JM Bolton
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46 Folk Tunes for the Bowed Ps
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JM Bolton
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SheetMusicPlus
Small Ensemble Flute,Recorder,Violin - Level 2 - SKU: A0.932484 Arranged by JM Bolton. Folk. Score and parts. 84 pages. JM Bolton #6658415. Published by...
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Small Ensemble Flute,Recorder,Violin - Level 2 - SKU: A0.932484 Arranged by JM Bolton. Folk. Score and parts. 84 pages. JM Bolton #6658415. Published by JM Bolton (A0.932484). One of the things I did to pay my way through college was to entertain at coffee houses, playing the guitar and singing folk songs. Many of the songs in the collection are old favorites that were in my repertoire. While I sang a lot of songs from the English-speaking countries, I especially loved finding tunes from other countries. Many those songs have found their way into this book. Then, when I finally put the book together with 45 songs, there was a space left over just big enough to add one more song. So, I did! The songs are arranged as solos, duets, and rounds. As well as notes for the psaltery, lyrics and guitar chords are included for many of the tunes.
$17.99
Christmas Song (I sought him where the marble shone) for wind quartet and piano
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David Warin Solomons
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Christmas Song
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - SKU: A0.1486154 Composed by David Warin Solomons. Christmas,Classical,Contemporary,Religious...
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Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - SKU: A0.1486154 Composed by David Warin Solomons. Christmas,Classical,Contemporary,Religious. 23 pages. David Warin Solomons #1063211. Published by David Warin Solomons (A0.1486154). Instrumental arrangement of my setting of Christmas song - being a meditation on finding the Christ child within oneself - the poem is by Audrey Vaughan. I sought him where the marble shoneand rang with singing echoesto the hurrying prelates' feetand found him notI sought him where the golden glowand painted heav'n-eyed saints adorn the sleeping altarsand found him notI sought him where all nature's beauty burnedwith autumn leaves afirewith death against the long blue skyand found him not I sought him down the stone sett streets dull beneath the misty rain which closed the surrounding hillsand found him notI sought him in the eyes of strangersbright with giving thoughtsand in the hearts of friendsbut found him notI sought himhim whom I lovedin ev'ry thing I lovedin my own heart's lovingbut this night I found him notbut still I sought himthis gurgling boy of joy, but where?the dark sky all above and round melike a suffocating empty cloaktook time awaymy thoughts awaymy search awayand the peace of emptiness of selfopened the low brown doorand there his newness tiny laydeep in the shriven hollow of my heart, cradled thereI found him©Audrey VaughanThe audio preview is an mp3 of the first couple of minutes - a full version will be available later.The pdf contains score and parts.
$11.00
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