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--INSTRUMENTS--
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNET
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SheetMusicPlus
Partitions à imprimer
20 partitions trouvées
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1
Can The Circle Be Unbroken (Will The Circle Be Unbroken)
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Nitty Gritty Dirt Band
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Cascia Talbert
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Can The Circle Be Unbroken
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Cascia Talbert
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SheetMusicPlus
Acoustic Guitar,Banjo,Bass Guitar,Drums,Electric Guitar,Fiddle,Flute,Mandolin,Piano,Voice - Level 5 - SKU: A0.1414993 By Nitty Gritty Dirt Band. By A.P....
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Acoustic Guitar,Banjo,Bass Guitar,Drums,Electric Guitar,Fiddle,Flute,Mandolin,Piano,Voice - Level 5 - SKU: A0.1414993 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 81 pages. Cascia Talbert #996726. Published by Cascia Talbert (A0.1414993). Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.This arrangement is for a country/bluegrass band with flute and vocal.
$24.99
MAJOR SEVENTH CHORD ARPEGGIO ESTUDY ON CIRCLE OF FOURTH
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Jazz
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Anderson Branco
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Anderson Branco
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MAJOR SEVENTH CHORD ARPEGGIO E
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Anderson Branco
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SheetMusicPlus
Acoustic Guitar,Electric Guitar - Level 2 - SKU: A0.1240850 Composed by Anderson Branco. Arranged by Anderson Branco. Jazz. Educational Exercises. 1 pag...
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Acoustic Guitar,Electric Guitar - Level 2 - SKU: A0.1240850 Composed by Anderson Branco. Arranged by Anderson Branco. Jazz. Educational Exercises. 1 pages. Anderson Branco #836242. Published by Anderson Branco (A0.1240850). Arpeggio study on the major seventh chord in the fourth cycle, ideal for guitarists, this exercise is in the first of 5 Caged regions.
$1.99
The Fundamentals of Music Theory - Booklet 1
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theo
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Circlesquare Music
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SheetMusicPlus
Level 1 - SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare ...
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Level 1 - SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
Christchurch Alive!
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Dale Vail
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Christchurch Alive!
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Dale Vail
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
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Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score an...
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Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Trio D major
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Christoph Schaffrath
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Trio D major
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Schott Music - Digital
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SheetMusicPlus
Flute, cello (viola da gamba) and basso continuo - easy - SKU: S9.Q10919 Composed by Christoph Schaffrath. This edition: Sheet music. Il Flauto traverso...
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Flute, cello (viola da gamba) and basso continuo - easy - SKU: S9.Q10919 Composed by Christoph Schaffrath. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q10919. Published by Schott Music - Digital (S9.Q10919). Key: D major.The composer was one of the circle of musicians and composers gathered about the music-loving Frederic II of Prussia. As early as 1734 the Crown Prince mentioned his name as a member of the Ruppin orchestra.. Schaffrath may be singled out as one of the most interesting and innovative composers of the Berlin circle. The trio appears in print for the first time in this edition.
$18.99
Two Songs for Hanukah
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Public Domain
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Phyllis Avidan Louke
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Two Songs for Hanukah
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Louke Publishing
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1517525 Composed by Public Domain. Arranged by Phyllis Avidan Louke. Chi...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1517525 Composed by Public Domain. Arranged by Phyllis Avidan Louke. Children,Christmas,Hanukkah,Holiday,Jewish. 26 pages. Louke Publishing #1091685. Published by Louke Publishing (A0.1517525). Two Songs for Hanukah: Oh Hanukah and The Dreidel Song (I Have a Little Dreidel)Program Notes: Oh Hanukah is a popular modern English Hanukah song arranged by Phyllis Avidan Louke. This upbeat playful children's song has lyrics about dancing the Hora (a circle dance), playing with dreidels (spinning tops), eating latkes (potato pancakes), lighting the candles on a menorah, and singing songs. Oh Hanukah was written by Mordkhe (Mark) Rivesman and first published in 1912 song anthology by Susman Kiselgof. The Dreidel Song (also known as “I Have a Little Dreidel”) is a children’s Hanukah song about making and playing with a dreidel (spinning top). It is attributed to S.E. Goldfarb (for the English version) and Mikhl Gelbart for the Hebrew version. This flute choir arrangement is scored for piccolo, 3 flutes, alto flute (alternate c-flute part included), and bass flute, and optional contrabass flute. Level: 2+ to 3+ Performance Time: 4 minutesAbout the Arranger: Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. A list of other Sheet Music Plus arrangements can be found at https://www.phyllislouke.com/compositions/digital-downloads-smp-publications/ Oh HanukahOh Hanukah, Oh Hanukah! Come light the menorah.Let's have a party. We'll all dance the horah. Gather around the table, We'll give you a treat.Dreidels to play with, And latkas to eat. And while we are playing, the candles are burning low.One for each night, they shed a sweet lightTo remind us of days long ago. One for each night, they shed a sweet lightTo remind us of days long ago. The Dreidel SongI have a little dreidel, I made it out of clay,And when it's dry and ready, then dreidel I shall play. O dreidel dreidel dreidel, I made it out of clay,And when it’s dry and ready, Then dreidel I shall play. It has a lovely body with legs so short and thin,And when it is all tired, it drops and then I win. Oh, dreidel, dreidel, dreidel, With legs so short and thin. And when it is all tired, It drops and then I win.
$14.00
disOrders for Archlute Solo
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Contemporain
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Classique
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Mark Rimple
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disOrders for Archlute Solo
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Mark Rimple
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SheetMusicPlus
Instrumental Solo,Lute - Level 5 - SKU: A0.1486410 Composed by Mark Rimple. Classical,Contemporary. Individual part. 9 pages. Mark Rimple (Nuova Corda M...
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Instrumental Solo,Lute - Level 5 - SKU: A0.1486410 Composed by Mark Rimple. Classical,Contemporary. Individual part. 9 pages. Mark Rimple (Nuova Corda Music) #1063473. Published by Mark Rimple (Nuova Corda Music) (A0.1486410). Disorders is written for 14-course archlute in G. The playing style should come from historical techniques rather than the guitar world. The first movement refers to Timotheus of Miletus, who championed new-fangled sound and added a 7th string to his Lyre, offending the musicians of ancient Greece.The second movement is based on a story of Don Carlo Gesualdo, Prince of Venosa, who was said by a spy from Ferrara to spend many hours playing his lute and grimacing wildly for his circle of friends.The final movement is a reference to the music of the spheres, but rather than the Pythagorean consonances, prime numbers rule this artificial world.
$14.99
Derwen (Oak tree in Welsh) SATBB Recorder Quintet by Emma Arandjelović
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Emma Arandjelović
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Derwen
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Masquerade Music
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SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.1382169 Composed by Emma Arandjelović. 21st Century,Chamber,Contempo...
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.1382169 Composed by Emma Arandjelović. 21st Century,Chamber,Contemporary,Folk. Recorder Ensemble. 56 pages. Masquerade Music #966699. Published by Masquerade Music (A0.1382169). Published in February 2024, this delightful SATBB recorder quintet brings a refreshing new edition to ensemble repertoire lists. The three movement work (7'20 long total duration) was inspired by the mighty oak tree (Derwen in Welsh) and journeys on an exploration through roots, branches and leaves.Derwen is aimed at confident intermediate to advanced ensembles due to (sometimes) frequently changing time signatures and some more technically challenging phrases but also brings with it beautiful harmonies and changing moods.A note from the composer: The title of this piece, Derwen, is the Welsh word for an oak tree. Trees are traditional symbols of physical and spiritual nourishment or growth, with the oak in particular representing strength and longevity. This seemed to be a fitting inspiration for a commission born out of a long-standing musical collaboration and friendship, and so became the starting point for the composition. The piece begins with a simple melody in the lower voices (the ‘roots’) and gradually builds up the texture. The second movement explores the idea of intertwining branches, reaching higher and higher towards the sky. Finally, an off-balance rhythm in the final movement brings to mind the swirling and falling of leaves, eventually combining with elements from the first two movements to bring the piece full circle.Please view several samples and a full Youtube video (of the complete Sonata) by scrolling through the images. You will receive with this purchase; PDF Recorder parts (soprano/alto/tenor/bass 1/bass 2) PDF Score Derwen is also available as a traditional printed/posted edition, available here: Click here for the printed/posted edition
$15.99
Clap Your Hands
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Sabrina Pena Young
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Clap Your Hands
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Sabrina Peña Young
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.976916 Composed by Sabrina Pena Young. Children,Instructional,World. 1 pages. Sabrina Peña Young #3425613. Publi...
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Vocal Solo,Voice - Level 1 - SKU: A0.976916 Composed by Sabrina Pena Young. Children,Instructional,World. 1 pages. Sabrina Peña Young #3425613. Published by Sabrina Peña Young (A0.976916). Fun children song for circle time. Includes hand motions. Created by award-winning composer and seasoned educator for daily music time. Ideal for early childhood to elementary school, special needs classes, and music time. Room for improvisation. Melody based on Latin American melody and rhythm. A delightful little piece. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$1.99
Interval Studies in 3rds - Major Keys
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Stan Shelnutt
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Interval Studies in 3rds - Maj
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Shelnutt Music works
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SheetMusicPlus
Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1365187 Composed by Stan Shelnutt. Blues,Jazz,Rock. Educational Exercises. 9 pages. Shelnutt Music w...
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Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1365187 Composed by Stan Shelnutt. Blues,Jazz,Rock. Educational Exercises. 9 pages. Shelnutt Music works #949504. Published by Shelnutt Music works (A0.1365187). Exercises in each major key - starting with the key of C and going through the circle of fifths. Each exercise ascends and descends the scale using third intervals. Great exercise for building finger dexterity, fretboard knowledge, and knowledge of various keys for guitar. Mostly in first position.
$2.99
Minuet BWV 814 Bach Woodwind Duet (Flute and Bass Clarinet)
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Classique
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Johann Sebastian Bach
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Bruno Cavalcante
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Minuet BWV 814 Bach Woodwind D
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Bruno Cavalcante
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SheetMusicPlus
Instrumental Duet Bass Clarinet,Flute,Instrumental Duet - Level 2 - SKU: A0.981385 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baro...
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Instrumental Duet Bass Clarinet,Flute,Instrumental Duet - Level 2 - SKU: A0.981385 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baroque,Concert,Instructional,World. Score and parts. 6 pages. Bruno Cavalcante #5749371. Published by Bruno Cavalcante (A0.981385). In Baroque music, the key of B minor had a melancholy quality. Bach reserved it for a few of his most impressive works, such as the Kyrie in the Mass in B minor. Bach composed his ‘French’ suites as a young man of thirty, when he was working at the court of Köthen. However, the suites have nothing to do with the court. Bach wrote them for teaching purposes in his own private circle. The first five appear in their original form in the little music book he compiled in 1722 for his second wife Anna Magdalena, possibly as a wedding present. But Bach continued to rework the pieces. The later versions, with the addition of a sixth suite, have survived thanks to the many copies made by his pupils. They are rewarding practice pieces that despite a certain compositional complexity (it is Bach, after all), do not make extreme demands on the player.
$1.99
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
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An-lun Huang
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Rhapsody to the Rising sun ä
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DoReMi Edition
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoRe...
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Large Ensemble - Level 5 - SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$29.99
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
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An-lun Huang
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Rhapsody to the Rising sun ä
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DoReMi Edition
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReM...
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Large Ensemble - Level 5 - SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99
FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
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Wajdi Abou Diab
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Wajdi Abou Diab
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FOUR ARABIC SKETCHES - FLEXIBL
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W. Abou Diab
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SheetMusicPlus
Large Ensemble - Level 1 - SKU: A0.1129904 Composed by Wajdi Abou Diab. Arranged by Wajdi Abou Diab. Children,Classical,Folk,Multicultural,Traditional,W...
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Large Ensemble - Level 1 - SKU: A0.1129904 Composed by Wajdi Abou Diab. Arranged by Wajdi Abou Diab. Children,Classical,Folk,Multicultural,Traditional,World. Score and parts. 215 pages. W. Abou Diab #730313. Published by W. Abou Diab (A0.1129904). This collection of four short concert pieces for beginners is intended to introduce the new musicians, as well as the audience, to the world of Arabic music in a fun and enjoyable way, and is designed to make the ensemble practice easy and productive. Every piece introduces a scene from Arabic folklore, inviting the little musicians to discover the beauty of Arabic traditions and cultures. In some pieces, the musicians will be asked to perform some simple body percussion, and say some Arabic words, which will add some magic to the music! The first piece titled Dabkeh is a traditional Levantine dance that is still performed at weddings and public events in Arabic countries, in which the dancers hold their hands together and form a circle showing a scene of solidarity and unity. It is a high-energy dance that demands a great amount of physical effort and is usually performed by both men and women. The second piece takes us to a very special period for Arab people, called Ramadan. For a complete month, people enjoy gathering for the Iftar when the sun sets, after long fasting, then attending public events, and organizing cultural gatherings. The third piece is titled Raqsa, which means simply A Dance. The Arabic dance, mainly performed by a female dancer, is full of energy and beauty. Usually accompanied by hand clapping and percussion instruments, and sometimes singing too. The fourth piece takes us to the traditional Arabic wedding ceremonies, which sometimes continue for more than 5 consecutive days. At an Arabic traditional wedding, all the village gathers in the bride's or groom's home, participating in all the details of the preparations for the wedding, bringing food and gifts, and celebrating joyfully with music, songs, and dances.
$80.00
Minuet BWV 814 Bach Woodwind Duet (Oboe and Bass Clarinet)
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Classique
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Johann Sebastian Bach
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Bruno Cavalcante
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Minuet BWV 814 Bach Woodwind D
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Bruno Cavalcante
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SheetMusicPlus
Instrumental Duet Bass Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.981387 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baroq...
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Instrumental Duet Bass Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.981387 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baroque,Concert,Instructional,World. Score and parts. 6 pages. Bruno Cavalcante #5749381. Published by Bruno Cavalcante (A0.981387). In Baroque music, the key of B minor had a melancholy quality. Bach reserved it for a few of his most impressive works, such as the Kyrie in the Mass in B minor. Bach composed his ‘French’ suites as a young man of thirty, when he was working at the court of Köthen. However, the suites have nothing to do with the court. Bach wrote them for teaching purposes in his own private circle. The first five appear in their original form in the little music book he compiled in 1722 for his second wife Anna Magdalena, possibly as a wedding present. But Bach continued to rework the pieces. The later versions, with the addition of a sixth suite, have survived thanks to the many copies made by his pupils. They are rewarding practice pieces that despite a certain compositional complexity (it is Bach, after all), do not make extreme demands on the player.
$1.99
Tannhäuser und der Sängerkrieg auf Wartburg
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Classique
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Richard Wagner
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Tannhäuser und der Sä
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: v...
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SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
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First Circle