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Vous avez sélectionné:
First Knight
Partitions à imprimer
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1
The Captive Knight. A Ballad
Guitar and voice - Digital Download SKU: LV.2131 Castles & palaces, Forts & fortifi…
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Guitar and voice - Digital Download SKU: LV.2131 Castles & palaces, Forts & fortifications, Soldiers, Horseback riding, Campaigns & battles, Prisoners. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2131). The Captive Knight. A Ballad. The Words by Mrs. Hemans. The Music by her Sister. Published [n.d.] by James L. Hewitt, 137 Broadway in New York. Composition of strophic with chorus with guitar and voice instrumentation. Subject headings for this piece include Castles & palaces, Forts & fortifications, Soldiers, Horseback riding, Campaigns & battles, Prisoners. First line reads 'Twas a trumpet's pealing sound! And the Knight look'd down from the Paynim's tow'r.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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The Captive Knight. A Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Captive Knight. A Ballad
Guitar and voice - Digital Download SKU: LV.2132 Castles & palaces, Forts & fortifi…
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Guitar and voice - Digital Download SKU: LV.2132 Castles & palaces, Forts & fortifications, Soldiers, Horseback riding, Campaigns & battles, Prisoners. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2132). The Captive Knight. A Ballad. The Words by Mrs. Hemans. The Music by her Sister. Published [n.d.] by James L. Hewitt, 137 Broadway in New York. Composition of strophic with chorus with guitar and voice instrumentation. Subject headings for this piece include Castles & palaces, Forts & fortifications, Soldiers, Horseback riding, Campaigns & battles, Prisoners. First line reads 'Twas a trumpet's pealing sound! And the Knight look'd down from the Paynim's tow'r.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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The Captive Knight. A Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Neither One Of Us (wants To Be The First To Say Goodbye)
Instrumental Duet,Piano Guitar,Instrumental Duet,Piano,Violin - Level 4 - Digital Download…
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Instrumental Duet,Piano Guitar,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.902706 By Gladys Knight & The Pips. By Jim Weatherly. Arranged by Katherine James. Contemporary. Score and parts. 2 pages. Katherine James #6207771. Published by Katherine James (A0.902706). I've arranged this in Lead Sheet format which is especially valuable for sitting in at Jam sessions, or for a vocalist to hand a piano or guitar accompanist. This 2 page version is in F Major, includes the lyrics and chord changes, all in easy to read standard fake-book font.
$6.99
6.34 €
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Gladys Knight & The Pips
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Katherine James
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Neither One Of Us
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Katherine James
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SheetMusicPlus
First Knight
Level 5 - Interactive Download SKU: A0.1414013 Composed by Jerry Goldsmith. Arrange…
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Level 5 - Interactive Download SKU: A0.1414013 Composed by Jerry Goldsmith. Arranged by Adrian Wagner. This edition: Interactive Download. Film/TV. 20 pages. Duration 319. Adrian Wagner #3gSeeCUHTSxkHBG2y97Rm. Published by Adrian Wagner (A0.1414013). Key: C major.
$5.00
4.53 €
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Jerry Goldsmith
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Adrian Wagner
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First Knight
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Adrian Wagner
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SheetMusicPlus
First Knight
Small Ensemble Timpani - Level 4 - Digital Download SKU: A0.791530 Composed by Jerr…
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Small Ensemble Timpani - Level 4 - Digital Download SKU: A0.791530 Composed by Jerry Goldsmith. Arranged by a. Contemporary. Score and parts. 9 pages. AB Music #6857221. Published by AB Music (A0.791530). For more exciting music visit our site: www.abmusic.store
$15.00
13.6 €
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Jerry Goldsmith
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a
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First Knight
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AB Music
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SheetMusicPlus
First Knight
Small Ensemble Alto Saxophone,Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: …
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Small Ensemble Alto Saxophone,Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.595781 Composed by Jerry Goldsmith. Arranged by Adrian Wagner. Contemporary. Score and parts. 24 pages. Adrian Wagner #4295415. Published by Adrian Wagner (A0.595781). Complete List Of Sheet Music arr. Adrian Wagner
$22.95
20.81 €
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Jerry Goldsmith
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Adrian Wagner
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First Knight
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Adrian Wagner
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SheetMusicPlus
The Cross Kirk and the lang walk
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
36.27 €
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
Be Thou My Vision
Alto Saxophone,Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1268096
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Alto Saxophone,Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1268096 Composed by Unknown (Slane). Arranged by Ezra Knight. 21st Century,Christian,Contemporary,Jazz,Sacred. 5 pages. Ezra Knight #860651. Published by Ezra Knight (A0.1268096). Be Thou My Vision Saxophone & Piano Duet (Intermediate)  Text & Verse by Mary E. Byrne & Eleanor H. Hull Original Tune: Slane (Unknown Composer) Arranged by Ezra KnightThis Christian Hymn tune originates from Ireland as a folk tune known as Slane. As the composer of this hymn tune is unknown, folk song collectors regularly name the tune after the village it comes from, hence the name Slane. It was first published as With My Love on the Road by Patrick Joyce in 1909. The name most Christians know today, Be Thou My Vision, comes from Mary Elizabeth Byrne who translated an old Irish poem (Rop tú mo baile) in 1905. Today, the joined tune and text combination remain popular with many Christians around the world.
$7.99
7.24 €
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Unknown
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Ezra Knight
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Be Thou My Vision
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Ezra Knight
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SheetMusicPlus
Song of the Rhinemaidens
Small Ensemble Piano - Digital Download SKU: A0.944648 Composed by Richard Wagner. …
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Small Ensemble Piano - Digital Download SKU: A0.944648 Composed by Richard Wagner. Arranged by James Knight. Romantic Period. Score and parts. 56 pages. James Knight #5001345. Published by James Knight (A0.944648). This arrangement takes from most of the first scene from Act 3 of Gotterdammerung with additions at the beginning and end. It requires some virtuosity from the pianist but is simpler technically for the strings. After the drama of the introduction, the goal was to represent the playfulness of the Rhinemaidens and their hope to regain their gold.
$22.95
20.81 €
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Richard Wagner
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James Knight
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Song of the Rhinemaidens
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James Knight
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SheetMusicPlus
Midnight Train To Georgia
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.141…
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Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1413102 By Gladys Knight & The Pips. By Jim Weatherly. Arranged by Spencer Bundy. 20th Century,Film/TV,Pop. 19 pages. Spencer Bundy #995110. Published by Spencer Bundy (A0.1413102). Gladys Knight & The Pips first No.1 in the U.S.A from 1973. The song also appeared in the 1978 film, The Deer Hunter.
$12.99
11.78 €
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Gladys Knight & The Pips
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Spencer Bundy
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The Pips first No
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Midnight Train To Georgia
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Spencer Bundy
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 19 (Songs 487-513)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156207 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156207 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 41 pages. Socrates Arvanitakis #756521. Published by Socrates Arvanitakis (A0.1156207). This is the nineteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 19 (Songs 487-513)Jovial Young Sailor (the)Joy of SpringtimeJoys of MaryJoys of Mary (the nine)Juda’s LandJust as the Tide was FlowingKeach i’ the Creel (the)Keel Row (the)Keeper (the)Kelvin GroveKeys of CanterburyKing and the TinkerKing Herod and the CockKing PharimKingston Volunteers (the)Kitty of ColeraineKnife in the Window (the)Knight and the Shepherd’s Daughter (the)La PiqueLady Franklin's Lament (Lord Franklin)Lady Maisrey 1Lady Maisrey 2Lady Maisrey 3Lady Maisrey 4Lake of ColphinLambkin.
$25.00
22.67 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 19
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Socrates Arvanitakis
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 26 (Songs 676-702)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1162569 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1162569 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #762940. Published by Socrates Arvanitakis (A0.1162569). This is the twenty-sixth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 26 (Songs 676-702)Once a Farmer and His WifeOnce I Loved a LassOnce I Loved a maiden fairOne man went to mowOne More RibberOrientis PartibusOrphan Girl (the)Ould John BraddlumOur Captain cried All Hands 1Our Captain cried All Hands 2Our Captain cried All Hands 3The Outlandish KnightOwl (the)Oxen Ploughing (the)Paddy on the RailwayPainful Plough (the)Parson HoggPaul JonesPay Me My Money DownPeace O’er the WorldPeggy BondPenny Wager (the)Pine Tree (The)Piper o’ Dundee (the)Plains of Waterloo (the)Ploughboy’s GloryPoacher’s Song.
$25.00
22.67 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 26
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Socrates Arvanitakis
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 11 (Songs 271-297)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152811 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152811 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 40 pages. Socrates Arvanitakis #753050. Published by Socrates Arvanitakis (A0.1152811). This is the eleventh volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 11 (Songs 271-297)Earl Brand (The Dragoon and the Lady 1)Earl of Mar’s Daughter (the)East VirginiaEdwardEileen AroonElsie MarleyEnniskillen Dragoon (the)Erie Canal (the)Eriskay Love LiltEssex May Day CarolEternal LifeExcellent Gift (the)Eynsham Poaching Song (the)Fair Flower of Northumberland (the)Fair lady pity meFair Maid of Wickham 1 (Gently Johnny my Jingalo)Fair Maid of Wickham 2 (Gently Johnny my Jingalo)Faithful EmmaFaithful JohnnyFalse Bride (the)False Knight on the Road (the)Famous Flower of Serving Men (the)Fare ye well, Lovely NancyFarewell Earthly GloryFarewell HeFarewell My Joy and HeartFarewell my own true love.
$25.00
22.67 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 11
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Socrates Arvanitakis
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SheetMusicPlus
March: Helping Hands (Rob Bushnell) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99
40.79 €
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Rob Bushnell
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March: Helping Hands
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RBMusic
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.44 €
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.44 €
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Permutations
2fl. 2ob. 2cl. 2bsn - Intermediate - Digital Download SKU: F2.FM476 Composed by Liz…
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2fl. 2ob. 2cl. 2bsn - Intermediate - Digital Download SKU: F2.FM476 Composed by Liz Sharma. Double Wind Quartet. Score and parts. 23 pages. Forton Music - Digital #FM476. Published by Forton Music - Digital (F2.FM476). ISBN 9790570483754.Permutations was originally written as a piece for Hampshire Double Reed ensemble directed by Andrew Knights. They first performed it at a Double Reed Society Day at Trinity College of Music. Later I wrote the clarinet choir version for a wind course in Scotland, & there are also a saxophone ensemble version, and mixed wind ensemble versions. The title 'Permutations' describes a piece in which all the parts are of equal importance, and play together in various different combinations, or 'Permutations'. The first movement contains some quite dynamic themes, the 2nd is more calm and pensive, but both contain contrasting passages. The 3rd movement - the 'Salsa' is full of exuberance and fun, but with some short contrasting passages in which the various instruments strut their stuff.
$14.95
13.56 €
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Liz Sharma
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Permutations
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Forton Music - Digital
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SheetMusicPlus
The Peebles Beltane Festival Suite (Opus 1)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1444584 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. Brass Band. 215 pages. Hambone Music #1024482. Published by Hambone Music (A0.1444584). An epic 4 piece suite based on the Peebles Beltane Festival and its traditions which have been going on for almost 200 years. The first movement follows a day in the life of a novice monk and the arduous trek they make to and from one of their religious sites and features and encounter with some knights on the way ro reinforce a local castle which is under siege.The second movement sees us introduced to some young 'lassies' who are dancing their way through the beautiful rolling hills and valleys of the Scottish Borders to join in the festivities.The third movement joins us on the Thursday evening in front of the Crown Hotel, where the local 'cornet' and his lass perform a type of dance called a reel which grows in intensity and tempo until the dancers collapse in an exhausted heap.The fourth, and final movement is based on the local festal song theme which is played during ythe parade and at the crowning ceremony at the Old Parish Church steps on the 'red letter day' of Beltane Saturday and culminates in an excerpt of 'God Save the Queen' and the Beltane Fanfare.
$149.99
136 €
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Graham Hamilton
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The Peebles Beltane Festival Suite
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Hambone Music
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SheetMusicPlus
Fanfares
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1394362 Composed by David Woodcock. 21st Century,Celtic,Classical,Contest,Festival,Irish,Medieval. Brass Band. 178 pages. David Woodcock #977843. Published by David Woodcock (A0.1394362). This is an heroic piece for Brass Band in three movements. It was the set piece for C Grade in the New Zealand National Band Contest in 2022. Programme Notes: From a young age, I was always interested in castles and history, and have visited many castles in my home country of Wales, which is sometimes called the “castle capital of the worldâ€. At one time Wales had about 600 castles, of which over 100 are still standing, either as ruins or restored buildings. The remainder have been reduced to ditches, mounds and earthworks. Visiting these amazing historically significant buildings has allowed me to reflect on their importance and purpose. In their day they were the centres of thriving communities and it is through their value as the focus of the community, that the three movements have developed their individual characteristics. The first movement depicts a large formidable castle, towering over the neighbouring lands, exuding power, authority and law, complete with noblemen and knights; the second movement describes the pastoral scenes around the castle, and the commoners going about their ordinary lives; the third demonstrates the military function of the castle which was to protect: when coming under siege, the people eventually triumph, the enemy defeated.
$100.00
90.67 €
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David Woodcock
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Fanfares
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David Woodcock
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SheetMusicPlus
Nights In White Satin
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.10…
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1071669 By The Moody Blues. By Justin Hayward. Arranged by Diane L. Correa. Folk,Pop,Rock. 13 pages. Diane L. Correa #675354. Published by Diane L. Correa (A0.1071669). #DianaFlutist Are you performing this piece? This is a Flute Ensemble arrangement of the of the Moody Blues classic. In the words of Justin Hayward, (Performing Songwriter Magazine; issue(vol.)13, “Nights in White Satin was about a very romantic set of white satin sheets, about Love, about the end of one big affair and the beginning of another. It was about real things that were happening in my life.†“It sort of had that double meaning, which was intentional, sort of medieval knights as well..†Justin Hayward (Performing Songwriter magazine: issue (vol.)13. This is a flute choir ensemble arrangement of the interpretation of a romantic set of white satin sheets, that has a strong thread of Love weaved in and out throughout the piece if you listen with extra care, wrapped up carefully in unrequited Love. Additional note: In the original album where Nights in White Satin first debuted is a concluding poem written by the group’s drummer Graeme Edge. The poem was called “Late Lament†which gave Nights in White Satin it’s carefully written ornamental completion. The original album was called Days of Future Passed, and the beginning lines of the poem Late Lament goes like this…â€Breathe deep the gathering gloom, Watch lights fade from every room,..please enjoy performing this flute choir ensemble arrangement of Nights in White Satin, it was arranged with Love.
$19.99
18.12 €
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The Moody Blues
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Diane L
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issue(vol
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Nights In White Satin
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Diane L. Correa
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SheetMusicPlus
The Forest
4ob. 2ca. 2bsn. Cbsn - Intermediate-Advanced - Digital Download SKU: F2.FM488 Compo…
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4ob. 2ca. 2bsn. Cbsn - Intermediate-Advanced - Digital Download SKU: F2.FM488 Composed by Liz Sharma. Double Reed Quartet. Score and parts. 57 pages. Forton Music - Digital #FM488. Published by Forton Music - Digital (F2.FM488). ISBN 9790570483877.'The Forest' was originally written for the Hampshire Double Reed ensemble, then under the tuition of Andrew Knights, so I had the New Forest in mind. The first movement describes a misty dawn as the forest creatures awake. The second movement - 'Memories of an Ancient Tree' - refers to the passing of many generations of people, whose daily lives and celebrations unfold while the tree stands in the forest. The third movement - 'Insects' - is a fun and slightly jazzy representation of the many insects buzzing around in the forest.
$17.95
16.28 €
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Liz Sharma
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The Forest
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Forton Music - Digital
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SheetMusicPlus
Hamlet I
Large Ensemble Bassoon,Cello,Clarinet,Flute,Trombone,Trumpet,Viola,Violin - Level 3 - Inte…
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Trombone,Trumpet,Viola,Violin - Level 3 - Interactive Download SKU: A0.911594 Composed by Sina Babajani-Feremi. This edition: Interactive Download. Classical. Score and parts. 24 pages. Duration 83. Sina Babajani-Feremi #2nURyOW2256nSD95Echl7n. Published by Sina Babajani-Feremi (A0.911594). Key: C minor.This work is a reflection upon the first act of Hamlet, We begin the movement with a foreboding foghorn sound from the lower instruments leading into a mysterious overtone, The peice slowly becomes more and more confusing as the inner working of prince hamlets mind is slowly diminishing into chaos as he sees his uncle marry his mother. Afterwards a slow marching tune begins to play and eventually speeds up this is a reflection on the militarism of the setting and foreshadows the violence that is to come later. I took inspiration from Porkofiev's Romeo and Juliet dance of the knights as that is another Shakespeare work.
$5.00
4.53 €
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Sina Babajani-Feremi
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Hamlet I
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Sina Babajani-Feremi
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SheetMusicPlus
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