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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Tango
Non classifié
27
Piano & claviers
Piano seul
30
Piano Facile
5
Accordéon
3
1 Piano, 4 mains
3
Clavecin
2
Piano, Voix
2
Piano, Voix et Guitare
1
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Guitare
3
2 Guitares (duo)
2
Dulcimer
1
Voix
Chorale SATB
1
Voix seule
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
2 Clarinettes (duo)
5
Flûte traversière et Piano
5
2 Saxophones (duo)
5
Saxophone, Clarinette (duo)
3
Flûte à bec Soprano
3
Flûte, Clarinette (duo)
3
Clarinette et Piano
2
Ensemble de Flûtes
2
Flûte traversière
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette, Trompette (duo)
2
Ensemble de Clarinettes
2
Flûte, Saxophone (duo)
2
Clarinette, Violon (duo)
2
Saxophone Alto et Piano
2
Saxophone Soprano et Piano
2
2 Flûtes traversières (duo)
2
Flûte à bec Soprano, Piano
2
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Flûte, Violon
1
Hautbois, Piano (duo)
1
3 Saxophones (trio)
1
Saxophone Alto
1
Clarinette et Alto
1
Clarinette
1
Cor Anglais
1
Cor anglais, Piano
1
3 Clarinettes (trio)
1
Saxophone (partie séparée)
1
2 Hautbois (duo)
1
Flûte et Guitare
1
Hautbois (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
+ 30 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Saxophone (duo)
2
Trompette, Piano
2
Tuba et Piano
1
2 Trompettes (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trombone et Piano
1
Cor et Piano
1
Cor Anglais
1
Trompette
1
Cor anglais, Piano
1
2 Trombones (duo)
1
Ensemble de Trombones
1
Trombone
1
Trompette, Trombone (duo)
1
Tuba
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violoncelle, Piano
8
Violon et Piano
8
4 Violoncelles
3
Alto, Piano
2
Contrebasse, Piano (duo)
2
4 Contrebasses
2
Violoncelle
2
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Violon
1
Alto (partie séparée)
1
2 Violons (duo)
1
2 Violoncelles (duo)
1
Contre Basse
1
Violon, Violoncelle (duo)
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
11
Orchestre de chambre
4
Orchestre
2
Orchestre à Cordes
2
Xylophone
1
Jazz combo
1
Ensemble de cuivres
1
+ 2 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
First Tango
Partitions à imprimer
27 partitions trouvées
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1
26
El Cachorrito (for Tango Quintet)
Accordion,Double Bass,Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.820288
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Accordion,Double Bass,Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.820288 Composed by Ãngel Villoldo. Arranged by Kenneth Pasciak. 20th Century,Jazz,Multicultural,Traditional,World. 40 pages. Kenneth Pasciak #4317429. Published by Kenneth Pasciak (A0.820288). Compositions in the style of tango criollo first appeared in Argentina at the very end of the 19th century and represent some of the the earliest forms of tango. Ãngel Villoldo, a pioneer of Argentine tango best known for his famous composition, El Choclo, wrote dozens of tango criollo pieces and Argentine folk songs.This arrangement of Villoldo's El Cachorrito for tango quintet begins with a four voice fugue based on the opening theme and features piano, accordion or bandoneon, violin, guitar and double bass. Includes full score and five individual parts. Kenneth Pasciak Music Publishing, ASCAP
$9.99
9.21 €
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Ãngel Villoldo
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Kenneth Pasciak
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El Cachorrito
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Kenneth Pasciak
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SheetMusicPlus
"Jacaranda" Original Tango for Wind Sextet
Woodwind Ensemble Alto Saxophone,Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Down…
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Woodwind Ensemble Alto Saxophone,Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1388044 Composed by Grant Horsley. Contest,Festival,Latin,Multicultural,Traditional,Wedding,World. 35 pages. Grant Horsley #971640. Published by Grant Horsley (A0.1388044). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango. Scored for Flute, Oboe, Clarinet, Alto Sax, Horn and Bassoon, this original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban Habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusion Jacaranda is in Concert C minor with the middle section in C major. The range is around two octaves and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.The youtube link  has the full score so you can assess suitability.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme. Price is for the full score and all parts.
$14.50
13.37 €
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Grant Horsley
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"Jacaranda" Original Tango for Wind Sextet
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Grant Horsley
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SheetMusicPlus
Dog Day Tango
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.837501…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.837501 Composed by Brett L. Wery. Concert,Contemporary,Standards. 27 pages. Sonata Grendel Publishing #5828513. Published by Sonata Grendel Publishing (A0.837501). Dog Day Tango was written for the first Double Reed Day at Schenectady County Community College. My wife, Karen Hosmer, is the oboe professor at SCCC. On one hot August day she asked me to write something for the Double Reed Day she had planned for that fall. I wanted to write something sultry for my wife and given the particularly hot summer, a Dog Day Tango seemed like just the thing.Duration - 3:30
$23.95
22.08 €
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Brett L
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Dog Day Tango
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Sonata Grendel Publishing
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SheetMusicPlus
La Cumparsita
Trombone - Level 2 - Digital Download SKU: A0.1427288 Composed by Gerardo Matos Rod…
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Trombone - Level 2 - Digital Download SKU: A0.1427288 Composed by Gerardo Matos Rodríguez. Arranged by Christian Morris. Latin. 10 pages. Hoopla Sheet Music #1008007. Published by Hoopla Sheet Music (A0.1427288). A new arrangement of “La Cumparsita,” a tango written in 1916 by the Uruguayan musician Gerardo Matos Rodríguez. It is among the most famous and recognisable tangos of all time. The title translates as the little parade, and the first version was a tune with no lyrics. Later, Matos Rodríguez produced a version with lyrics that begin: The parade of endless miseries marches around that sick being who will soon die of grief. However, the most popular version of the song is accompanied by lyrics by Pascual Contursi and is also known as Si supieras.
$5.99
5.52 €
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Gerardo Matos Rodríguez
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Christian Morris
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La Cumparsita
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Hoopla Sheet Music
#
SheetMusicPlus
La Cumparsita
Trumpet - Level 2 - Digital Download SKU: A0.1427289 Composed by Gerardo Matos Rodr…
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Trumpet - Level 2 - Digital Download SKU: A0.1427289 Composed by Gerardo Matos Rodríguez. Arranged by Christian Morris. Latin. 10 pages. Hoopla Sheet Music #1008009. Published by Hoopla Sheet Music (A0.1427289). A new arrangement of “La Cumparsita,” a tango written in 1916 by the Uruguayan musician Gerardo Matos Rodríguez. It is among the most famous and recognisable tangos of all time. The title translates as the little parade, and the first version was a tune with no lyrics. Later, Matos Rodríguez produced a version with lyrics that begin: The parade of endless miseries marches around that sick being who will soon die of grief. However, the most popular version of the song is accompanied by lyrics by Pascual Contursi and is also known as Si supieras.
$5.99
5.52 €
#
Gerardo Matos Rodríguez
#
Christian Morris
#
La Cumparsita
#
Hoopla Sheet Music
#
SheetMusicPlus
La Cumparsita
Horn - Level 2 - Digital Download SKU: A0.1427287 Composed by Gerardo Matos Rodríg…
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Horn - Level 2 - Digital Download SKU: A0.1427287 Composed by Gerardo Matos Rodríguez. Arranged by Christian Morris. Latin. 10 pages. Hoopla Sheet Music #1008006. Published by Hoopla Sheet Music (A0.1427287). A new arrangement of “La Cumparsita,” a tango written in 1916 by the Uruguayan musician Gerardo Matos Rodríguez. It is among the most famous and recognisable tangos of all time. The title translates as the little parade, and the first version was a tune with no lyrics. Later, Matos Rodríguez produced a version with lyrics that begin: The parade of endless miseries marches around that sick being who will soon die of grief. However, the most popular version of the song is accompanied by lyrics by Pascual Contursi and is also known as Si supieras.
$5.99
5.52 €
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Gerardo Matos Rodríguez
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Christian Morris
#
La Cumparsita
#
Hoopla Sheet Music
#
SheetMusicPlus
La Cumparsita
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.117…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1174988 Composed by Gerardo Matos RodrÃguez. Arranged by Christian Morris. Latin. Score and parts. 13 pages. Hoopla Sheet Music #775119. Published by Hoopla Sheet Music (A0.1174988). A new arrangement of “La Cumparsita,†a tango written in 1916 by the Uruguayan musician Gerardo Matos RodrÃguez. It is among the most famous and recognisable tangos of all time. The title translates as the little parade, and the first version was a tune with no lyrics. Later, Matos RodrÃguez produced a version with lyrics that begin: The parade of endless miseries marches around that sick being who will soon die of grief. However, the most popular version of the song is accompanied by lyrics by Pascual Contursi and is also known as Si supieras.
$9.99
9.21 €
#
Gerardo Matos RodrÃguez
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Christian Morris
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La Cumparsita
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Hoopla Sheet Music
#
SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.33 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Centur…
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Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
9.21 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Down…
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.21 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digi…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.21 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Heart Riddle #1 from "Grasping Water"
Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.845909 Composed by Maria Thom…
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Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.845909 Composed by Maria Thompson Corley. Concert,Contemporary. 4 pages. Maria Thompson Corley #4625013. Published by Maria Thompson Corley (A0.845909). Part of a cycle that was included in the curriculum for classes on African American Art Song taught at University of Michigan, Ann Arbor, and Jackdaws Music Education Trust, U.K. The text for Three Heart Riddles is about confusion regarding the hot and cold behavior of the object of the writer's affection. Each one begins with a question. The first is agitated, rhapsodic, and dissonant. The second is a tango. The third begins contemplative, then revisits the first and second riddles before ending in a devil-may-care manner.
$9.99
9.21 €
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Maria Thompson Corley
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Heart Riddle #1 from "Grasping Water"
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Maria Thompson Corley
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SheetMusicPlus
Heart Riddle #2 from "Grasping Water"
Small Ensemble - Level 5 - Digital Download SKU: A0.845911 Composed by Maria Thomps…
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Small Ensemble - Level 5 - Digital Download SKU: A0.845911 Composed by Maria Thompson Corley. Concert,Contemporary,Latin. Score and parts. 8 pages. Maria Thompson Corley #4630091. Published by Maria Thompson Corley (A0.845911). Part of a cycle that was included in the curriculum for classes on African American Art Song taught at University of Michigan, Ann Arbor, and Jackdaws Music Education Trust, U.K. The text for Three Heart Riddles is about confusion regarding the hot and cold behavior of the object of the writer's affection. Each one begins with a question. The first is agitated, rhapsodic, and dissonant. The second is a tango. The third begins contemplative, then revisits the first and second riddles before ending in a devil-may-care manner.
$9.99
9.21 €
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Maria Thompson Corley
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Heart Riddle #2 from "Grasping Water"
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Maria Thompson Corley
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SheetMusicPlus
Dance Suite
2 Flöten, Klarinette (Oboe), Trompete (B), Altsaxophon, Fagott, Vl 1, Vl 2, Va, Vc, Kb …
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2 Flöten, Klarinette (Oboe), Trompete (B), Altsaxophon, Fagott, Vl 1, Vl 2, Va, Vc, Kb orchestra - easy to intermediate - Digital Download SKU: S9.Q6683 7 Modern Dances. Composed by Matyas Seiber. Arranged by Wolfgang Lichter. This edition: score. Concertino. Downloadable, Score. Duration 20 minutes. Schott Music - Digital #Q6683. Published by Schott Music - Digital (S9.Q6683). After completing his studies with Zoltan Kodaly, the Hungarian composer Máthiás Seiber (1905-1960) first worked as a musician in a dance orchestra on an ocean liner which gave him the opportunity to listen to jazz music in New York. From 1928 he taught the first jazz class worldwide at Dr. Koch's Conservatoire in Frankfurt. In the winter term of 1928/29, 19 students had registered with whom he gave a public concert on 3 March 1929 which was broadcast by Radio Frankfurt. After the Nazis had seized power, the jazz class was dissolved, Seiber lost his job and emigrated to London. In 1932 he wrote his piano cycle 'Leichte Tänze' (Easy Dances), one of the early examples of the adoption of jazz forms and styles in so-called serious music. The present arrangement for orchestra is easily playable and is aimed at youth and amateur orchestras. Instrumentation: 2 flutes, clarinet, oboe (ad lib.), alto saxophone, trumpet, bassoon and strings. Movements: Cake Walk - Novelty Foxtrot - Gipsy Tango - Waltz - Walzer - Blues - Charleston.
$21.99
20.27 €
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Matyas Seiber
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Wolfgang Lichter
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Dance Suite
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Schott Music - Digital
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SheetMusicPlus
Mouvements for Flute, Bassoon and Piano
Small Ensemble Bassoon,Flute,Piano - Level 4 - Digital Download SKU: A0.1514745 Com…
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Small Ensemble Bassoon,Flute,Piano - Level 4 - Digital Download SKU: A0.1514745 Composed by Marco Colabucci. 20th Century,Chamber,Classical,Contemporary. 48 pages. Marco Colabucci #1089237. Published by Marco Colabucci (A0.1514745). Mouvements is a contemporary piece in four parts:I Mouvement of CadenceII Mouvements of Sicilienne (Audio sample)III Mouvement of GalopIV Mouvement of TangoDuration: 10 minThe musical language is very interesting, similar to musical languages of the first half of 20th century.Concerts, Recitals, Musical Essay.
$8.99
8.29 €
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Marco Colabucci
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Mouvements for Flute, Bassoon and Piano
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Marco Colabucci
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SheetMusicPlus
Latin meets Classic
Flutes - Digital Download SKU: S9.Q52975 Quintet. Composed by Gerhard Goebel…
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Flutes - Digital Download SKU: S9.Q52975 Quintet. Composed by Gerhard Goebel. This edition: Sheet music. Downloadable. Musikverlag Zimmermann - Digital #Q52975. Published by Musikverlag Zimmermann - Digital (S9.Q52975). German • English • French.The title Latin meets classic describes the basic idea behind this quintet: the composer tried to make his favorite Latin American rhythms from the 20th century meet with European rhythms from the baroque and rococo periods. For example, in the first movement a BACH motif 'winds its way' into the tango part, and the second movement is a classical minuet from the Mozart era, which is then recalled towards the end on the third movement (samba). All three movements are based on the same plain chord sequences.
$13.99
12.9 €
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Gerhard Goebel
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Latin meets Classic
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Rapsodia Cubana
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.985106 By Isaac Albeni…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.985106 By Isaac Albeniz. By Isaac Albeniz. Arranged by Arranger by Santiago González. Romantic Period. Score and parts. 13 pages. Santiago González DÃaz #5017939. Published by Santiago González DÃaz (A0.985106). Adaptation and arrangement of the second movement Tango of the piece Spain: six album pages, opus 165 by Isaac Albéniz for trombones quartet. Albéniz expresses himself first of all with the piano. In Spain: six album pages. The composer elevates Spanish folklore to highly creative levels, both in rhythm and harmony, and this is interwoven in turn with the language of the international avant-garde: the musical impressionism of Debussian reminiscences.
$30.00
27.66 €
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Isaac Albeniz
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Rapsodia Cubana
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Santiago González DÃaz
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SheetMusicPlus
3 Latin Dances for clarinet duet
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.786212 Composed by Bill Malc…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.786212 Composed by Bill Malcolm. 20th Century,Contemporary,Latin. 15 pages. Bill Malcolm #5765503. Published by Bill Malcolm (A0.786212). I call these duets Latin Dances, however I have never seen a latin dance in â…. But the general overall feel is somehow Latin to my ears. The first dance has a high F#, with the option of playing a B If you, like I, try to avoid playing high F#'s. The second dance has an almost circus calliope feeling making it an unusual tango. The third dance has an angular accompaniment to an otherwise latin danse melody. If played as a suite the duration is about 6:25.
$6.99
6.44 €
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Bill Malcolm
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3 Latin Dances for clarinet duet
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Bill Malcolm
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SheetMusicPlus
Arirang Variations (Downloadable)
2 flutes of the Same Kind - Medium - Digital Download SKU: MQ.7.0663-E Composed by …
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2 flutes of the Same Kind - Medium - Digital Download SKU: MQ.7.0663-E Composed by Stanley M. Hoffman. Score. 6 pages. Galaxy Music Corporation - Digital #7.0663-E. Published by Galaxy Music Corporation - Digital (MQ.7.0663-E). This work, first scored for piano solo, was composed for the 2008 Sejong Music Composition Competition. Although it did not win a prize, having entered the competition left me with a neat little piano piece to show for it, as well as the present transcription which I created for flutist Peter Sheridan in 2015. The set of variations opens with the traditional Korean theme accompanied by arpeggios. This is followed by Variation 1, a sad waltz in the style of a Chopin waltz. Next comes Variation 2, a funeral march in the manner of Chopin’s Funeral March from the Piano Sonata in B-flat Minor, Op. 35. Variation 3 is a Tango written in tribute to one of my favorite composers, Astor Piazzolla. Variation 4 combined the Korean tune with motifs from the slow movement of Beethoven’s Symphony No. 6, The Pastoral. The set of variations closes with a repeat of the opening passage. -Stanley M. Hoffman.
$10.50
9.68 €
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Stanley M
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Arirang Variations
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Liebescharleston | A Charleston Love Story for Brass Quintet
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.96…
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.964056 Composed by Stephen Jenkins. Jazz,Wedding. Score and parts. 33 pages. Edition BlechMafia #6372667. Published by edition BlechMafia (A0.964056). A Charleston Love Story (original German Title: Liebescharleston) was written as a present for my wife on our wedding day - the first performance was an integral part of the wedding ceremony.The title is based on Piazolla’s Libertango as I phonetically mistook the Spanish Libertad (liberty) in the title of Libertango for the German Liebe (love), thus creating the portmanteau combining love and Charleston. That is why the structural and harmonic ideas are also loosely based on Piazolla’s classic Tango.
$15.00
13.83 €
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Stephen Jenkins
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Liebescharleston | A Charleston Love Story for Brass Quintet
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edition BlechMafia
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SheetMusicPlus
La Ultima Llamada
Small Ensemble Accordion,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.…
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Small Ensemble Accordion,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.934003 Composed by Scott W. Hallgren. Latin,World. Score and parts. 21 pages. Seventeen Pines Music (SESAC) #3044073. Published by Seventeen Pines Music (SESAC) (A0.934003). A tango in the classic style, and the first movement of The Porteña Suite. (21 pages, score & parts)An excellent introduction to the music of Argentina & Uruguay, playable by musicians at the college level and above. Contains elements of jazz and improvisation.Appropriate for concerts, arts & cultural events, and dance competitions.
$14.99
13.82 €
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Scott W
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La Ultima Llamada
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Seventeen Pines Music
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SheetMusicPlus
Suite No. 1 for Flute, Violx and Harp - Dance
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987750 …
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana Taylor Music #3053149. Published by Dana Taylor Music (A0.987750). This is the first of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Dance is in 6/8 time, with a light bounce. There are hints of jazz throughout. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.2017 Chamber Music Contest Entry - Original
$15.00
13.83 €
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Dana Taylor
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Suite No. 1 for Flute, Violx and Harp - Dance
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Dana Taylor Music
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SheetMusicPlus
Three Dances for Quintet
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn - Level 4 - Digital Download SKU…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn - Level 4 - Digital Download SKU: A0.1027659 Composed by Xavier Lo. 20th Century,Contemporary,New Age. Score and parts. 26 pages. Xavier Lo #3424759. Published by Xavier Lo (A0.1027659). This composition consists of three different dance movements that present a variety of different emotions.I. Trio of MoodsThis dance movement consists of three different sections which each represents a person with a specific mood and expression. The first section represents a funny and goofy person, which is followed with a second section that represents a logical and methodical person. The third section represents a light and sweet person. These section are alternated throughout the movement.II. OptimisteOptimiste is a french translation for 'upbeat'. This dance movement represents a group of people celebrating enjoy-fully with alcoholic drinks. However, eventually the after effects of alcohol will begin to affect them.III. IntensityIn this dance, it presents an intimate dance of Argentine Tango between two people. The connection between shows a range of intimate emotions, such as, passion, aggression and lust.
$6.50
5.99 €
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Xavier Lo
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Three Dances for Quintet
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Xavier Lo
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SheetMusicPlus
Seductor
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn,Oboe - Level 3 - Digital Downlo…
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Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1235945 Composed by Chiquinha Gonzaga. Arranged by Joel Scianna. 19th Century,Classical,Latin,Multicultural,World. 14 pages. Joel William Music #831451. Published by Joel William Music (A0.1235945). This piece adds to the underdeveloped library of arrangements for double reed ensembles while highlighting one of Brazil's most virtuosic composers, Francisca Chiquinha Gonzaga. The lightly dancing melody of her tango is a perfect match for the timbre of double reeds, and would be adequately challenging for players of many skill levels. This arrangement makes use of both rhythmic and dynamic contrast to keep both the players and the audience interested. Each part is given its opportunity to shine, and also opportunities to rest. The melodic call and response between the first and second oboe should be accentuated by having the players sit on opposite sides of the group when performing. I've also included an optional english horn part, though the arrangement plays perfectly fine as a quartet.
$5.00
4.61 €
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Chiquinha Gonzaga
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Joel Scianna
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Seductor
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Joel William Music
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SheetMusicPlus
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First Tango
